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Lot 10

An early Tunbridge ware print decorated and inlaid box by George Wise, of rectangular form veneered in tulip wood, the domed lid with a central cut corner colour print within black and gilt border, titled internally 'Well Walk, Cheltenham, Published at Wise's Manufacturing Tonbridge Town', the print within a cross banded and line inlaid border, original pale red lining paper, a few old worm holes internally, 21 x 13.2 x 9cms. From the collection of Dr. Brian Austen

Lot 11

An early Tunbridge ware print decorated and inlaid yew wood box attributed to George Wise, plain sides, the domed lid in burr yew with a circular print of two women with a book in a painted oval with black and gilt border within a line inlaid outer border, original orange paper lining, 15.5 x 10.2 x 7.5cms max. From the collection of Dr. Brian Austen

Lot 12

An early Tunbridge ware print and pen decorated rectangular box, plain sides the front with oval inset escutcheon, the lid centred by a cut corner colour print titled to the interior 'Tunbridge Castle the Seat Of Major Woodgate', the print set on a brown painted ground within pen or painted lines and feather border. Interior apparently re-lined in blue paper with the title re-applied, 25 x 17.5 x 12.4cms. From the collection of Dr. Brian Austen

Lot 13

An early Tunbridge ware white wood print and penwork decorated box, of sarcophagol form raised on replacement bun feet and with replacement lion mask brass ring handles. The sides in floral and leaf penwork below a feather border, the canted lid centred by a rectangular monochrome print of Brighton Pavilion with coach and figures to the foreground, within a floral and leaf border. The interior in original blue paper, tray lacking, 24 x 19 x 11cms. From the collection of Dr. Brian Austen

Lot 14

An early Tunbridge ware white wood print decorated playing card box, of rectangular form, the sides with line decoration, the fiddle mahogany lid with a circular colour print of a girl feeding a squirrel within a printed border within an outer border of multiple inlaid lines, the interior in original pink paper with three compartments, two with card covers, 22.8 x 13 x 6.5cms. From the collection of Dr. Brian Austen

Lot 16

An early Tunbridge ware white wood, print decorated and inlaid box, of rectangular form, plain sides with painted oval escutcheon, the rosewood lid with a cut corner rectangular print depicting Mrs Fitzherbert's House, Brighton, within a black and gold border and an outer crossbanded and line inlaid border, the interior in original pink paper, two partitions lacking, 13.2 x 8.2 x 4cms. From the collection of Dr. Brian Austen

Lot 17

Two early Tunbridge ware white wood boxes advertising pens, both of rectangular form, both with sliding lids, the larger with marbled paper lid with oval printed label 'Palmer and Sons, Royal Pen Manufactory, East Grinstead - Pen Cutters to the Royal Family' and incorporating Royal Coat of Arms, the base with a further printed label 'Gentlemen's Pens', 12.6 x 6.2 x 3cms. The other with a rectangular print of a young woman reclining by a tablet inscribed 'Improved Portable Pens', 9 x 5 x 2.7cms. (2) From the collection of Dr. Brian Austen

Lot 175

An early Tunbridge ware burr yew wood and print decorated sewing and writing box, attributed to George Wise, of rectangular form the lid with a cut corner rectangular colour print titled internally 'Nursing of Bacchus From The Painting by Angelica Kauffman', within a characteristic black and gold Wise border within an outer crossbanded and line edged border. Oval boxwood escutcheon, silver plated side carrying handles, the compartmentalised interior with tray, two box form pin cushions, multiple reel, pair of gold and silver cylinder drizzling boxes and a few other accessories. One end fitted with a drawer with cloth lined adjustable writing slope, provision for inkwells and a selection of later paints, 32 x 24.2 x 13cms. From a distinguished UK Private Collection

Lot 176

An early Tunbridge ware rosewood, print and penwork decorated table cabinet attributed to George Wise, the domed hinged lid with a cut corner rectangular colour print of a lady at a piano flanked by children within characteristic Wise borders in gilt and black and within an outer penwork border of linked ovals. The front with a pair of doors each with faded oval colour print within conforming borders. The interior in original pink paper, the upper section compartmentalised and with boxwood removable pin cushion, silk tool card and circular apertures, over two short and two long drawers with oval gilt handles and penwork borders, oval gilt brass leaf form handle plates, lacking rings, raised on bracket apron feet, with key, 31.5 x 18.5 x 33cms max. From a distinguished UK Private Collection

Lot 177

An early Tunbridge ware line inlaid and print decorated yew wood sewing box in the form of a three drawer miniature bow front chest of drawers, raised on brass ball feet. The hinged top with an oval colour print of a woman in a chariot pulled by peacocks, emblematic of Juno and within an inlaid border, the compartmentalised interior in original pink paper. The front fitted with two drawers each with a compartmentalised tray with skeins and silks, turned bone handles, boxwood oval pointed escutcheons, lion mask brass ring side handles (probably replaced), 26 x 13.5 x 22.8cms. From a distinguished UK Private Collection

Lot 178

A fine early Tunbridge ware white wood, paint, print and label decorated cottage ornamented sewing clamp, the book form frame with a circular black printed label to the spine 'The Absent Not Forgotten' flanked by a pair of cottage form thread containers, below a companion cottage supporting a circular tier painted with flowers. The tier mounted with a cottage form pin poppet, a similar tape measure with replacement tape and two variant cottage top needle cases, 17cms high, the tier 7cms dia.   This clamp is unusual as the cottages with the exception of the two needle cases appear to be 'wrapped' in colour prints and unusually include a number of elegant figures. The two needle cases, although variant, appear to be original but are hand painted presumably because the area was too small to 'wrap' in the same way. From a distinguished UK Private Collection

Lot 18

An early Tunbridge ware white wood print and paint decorated box, of rectangular form, the sliding lid with an oval colour print, Pavilion Stables - The New Stables at Brighton, on a grained rosewood ground within outer painted border, the interior lined in original marbled paper, 11 x 6 x 1.8cms. From the collection of Dr. Brian Austen

Lot 180

A fine early Tunbridge ware print, paint and pen work white wood sewing box in the chinoiserie style, of rectangular form. The sides and back with leaves and flowers on a green ground, the front with two china men and two circular untitled colour prints depicting Mrs Fitzherbert's house and Pavilion Stables, the lid with a rectangular colour print titled 'A View Of The Suspension Chain Pier and Marine Parade, Brighton, Published by J. Izard, St James St. Brighton', within a border of flowers and leaves on a green ground. The interior in original blue paper, the white wood compartmentalised tray with line edge, thimble and tape apertures and removeable box form pin cushion, 23.5 x 18 x 10cms.   None of these exact prints appear in Ford(J & J), Images of Brighton, the print of the Pavilion Stables has a man with garden roller, the lid view is close to 177 (c1823) but has variant shipping. From a distinguished UK Private Collection

Lot 181

A small early Tunbridge ware cottage form painted white wood reel box, sliding voided lid with painted thatch and red brick chimney, the front with closed panelled door flanked by bar glazed windows, one end with a titled circular colour print 'Reculver Church' amid foliage, the remaining sides painted with foliage. The four compartment interior in original pink paper each compartment with thread hole, 9.2 x 10 x 9cms.   Reculver Church was founded in the 7th Century, following erosion of the coastline, the building was almost completely demolished in 1809. The churches remains were preserved by Trinity House in 1810 since the towers had been important as a landmark for shipping. From a distinguished UK Private Collection

Lot 183

An early Tunbridge ware print and paint decorated white wood sewing box in simulated rosewood, the rectangular base with drawer lined in original paper, the upper section with sloping sides and to the front two circular colour prints, untitled, depicting Brighton Pier Head, and Mrs Fitzherbert's House. The pin hinge lid with an untitled view of the Pavilion, from the Steine within a painted chequer border. The interior in original blue paper lacking divisions, 14 x 10.2 x 8.2cms.   None of the exact prints on this box appear in Ford(J & J), Images of Brighton, the nearest comparables suggest a date of circa 1829. From a distinguished UK Private Collection

Lot 188

An early Tunbridge ware print and burnt ware white wood sewing box of small format, of rectangular form, the pin hinge lid with a rectangular colour print titled below 'East Front of Pavilion Brighton', within a burnt work border to simulate tortoiseshell, the sides with conforming decoration. The interior in original pink paper with four small compartments to the fore, 17.5 x 11 x 4.4cms.   See Ford(J & J), Images of Brighton 481: where the print is dated to circa 1829. From a distinguished UK Private Collection

Lot 189

A good early Tunbridge ware print and paint decorated white wood combination tape measure and pin cushion on original ribbon suspension, of circular form, one side with domed pin cushion and tape spindle within a leaf painted wreath, line painted sides with the original yellow silk tape complete and inked in nails and division of yards. The slightly domed obverse with a colour print depicting Chapel Royal, North Street, Brighton (circa 1807), 5.2cms dia., 3.2cms high, including tape spindle. From a distinguished UK Private Collection

Lot 19

An early Tunbridge ware white wood print and paint decorated box, of rectangular form, the sides with line painted decoration, the sliding lid with a rectangular colour print titled 'The Market Place, St Neots, Huntingdonshire', within painted borders, the interior lined in original pink paper, two internal divisions lacking, one long side pierced with three thread holes, 12.5 x 9 x 4.6cms. From the collection of Dr. Brian Austen

Lot 193

An early Tunbridge ware white wood print decorated pin wheel, one side with a titled circular colour print titled 'From Brighton' and depicting the Pavilion, the obverse 'Chain Pier Brighton', 5.2cms dia. Neither of these prints appear to be in Ford (J & J) Images of Brighton, but circa 1825. From a distinguished UK Private Collection

Lot 194

An early Tunbridge ware white wood print and paint decorated needle book, the unusual bright red background with painted sponge work and colourful line borders, one cover with a circular colour print titled 'Pavilion Brighton', the obverse 'Brighton Pier', the plain interior with a printed label applied to the front inside board 'Trifle From Brighton', 7.2 x 5cms. Neither of these two prints appear to be in Ford (J & J) Images of Brighton, but circa 1820. From a distinguished UK Private Collection

Lot 197

A rare early Tunbridge ware print decorated circular pin cushion on silk ribbon suspension 'From Morris's Repository Brighton', one side with a colour print titled 'Pier In The Storm', the obverse with an untitled view of the Pavilion, 5.5cms dia.   The Morris family ran an important business in 1808 operating in Trafalgar Place, Brighton by 1814 they had moved to Richmond Place where an important repository for the sale of Tunbridge ware was established, a view of the premises circa 1830 is illustrated Austen(B) Tunbridge Ware page 169, circa 1830. There were serious storms in Brighton in 1824 (known as the Birthday storm), 1828, 1833, and 1836, the last causing serious damage to the pier. The storm depicted on this pin cushion must be the 1824 event for which eight engravings were produced. One was published for the 1828 storm but was simply a reprint of the 1824 version. Only two boxes bearing the inscription 'From Morris's Repository, Brighton' are thought to exist. From a distinguished UK Private Collection

Lot 198

A good early Tunbridge ware white wood print and paint decorated small sewing pannier, the sloping sides with two untitled circular colour prints to the front depicting the Royal Mews, Brighton, and Mrs Fitzherbert's House. The pin hinge lid within a dash painted border and with an untitled colour print of the chain pier, promenade, donkey wheel and bathing huts below a swing handle painted with leaves. The interior lined in original pink paper, the lid internally with an uncoloured engraving titled 'Shanklin Chine, Isle of Wight - Kershaw and Sons No 519', 13 x 10 x 12.5cms with handle up.   The large water wheel clearly visible in this print at the rear of the Toll House was installed by the Town Commissioners to provide water to lay the dust of the streets. The water wheel was driven by a donkey and was swept away by the birthday storm of 1824 which smashed the wheel away from its supports. The donkey is reported to have survived the experience but the wheel was never replaced. From a distinguished UK Private Collection

Lot 774

A group of five coloured etchings and a limited edition print.

Lot 775

Three gilt framed mirrors and a print after W Heaton Cooper.

Lot 792B

Approximately 40 rolls of fabric together with four boxes of fabric including African wax print fabrics, all ex shop stock.

Lot 827

A signed limited edition photographic print of a Mercedes-Benz 300 SL Gulwind by Paul Ward, 1/100, 74.5cm x 50cm, commissioned by limited 100, modern black frame.

Lot 179

Japanese triptych print depicting a battle scene, housed in a glazed ebonised frame, 85.5cm x 47cm, Japanese print depicting two figures in an interior, one holding a shamisen, housed in an ebonised glazed frame, 35cm x 46cm (2)

Lot 181

Kunichicka Toyohara (1835-1900) and others, 19th century album of eight Japanese colour woodblock print triptychs, depicting Kabuchi actors and landscape scenes with figures, concertina mounted, the binding with remains of paper label dated 1866, 15cm x 22cm

Lot 178

4 pictures to include Judy Boyes ltd edition signed print, nautical, etc.

Lot 405

A 19th century coloured lithograph, a print of dogs after Nigel Hemming and a print after Auguste Toulbouche.

Lot 3

A Japanese woodblock print, Sunset: Woman of the Keian Era (1648-52), from the series Thirty-Six Elegant Selections by Toshikata Mizuno (1866-1908), 32cm x 24cm.

Lot 92

A Japanese woodblock print by Kawano Kaoru (1916-1965), Dancing figure- Kamuro, red seal mark, 36.5cm x 24cm.

Lot 93

A Japanese woodblock print by Kawano Kaoru (1916-1965), Dancing figure- Maiogi, red seal mark, 36.5cm x 22cm.

Lot 1217

"Piece Of Cake", limited edition print by Micheal Turner depicting Battle Of Britain Spitfires returning to base. 1054/1494, signed in pencil by the artist, Sqn Ldr Ginger Lacey, Gp Capt Brian Kingcome and Wg Cdr Paddy Barthropp. *This Lot is raising funds for The Royal British Legion*

Lot 1220

A signed limited edition print, "Ticket To Ride", 52/225, bearing signature, lower right, 29cm x 43cm

Lot 1001

Two framed prints after Bryn. 'He seems to have a problem getting his leg over' print 38/850 signed in the bottom left corner 46x36cm. 'I think it's starting to brighten up don't you?' signed in the bottom right corner 51x46cm

Lot 1002

Two framed prints after Bryn. 'Fun shoot - Serious shoot' signed bottom left corner, print 248/500 63x40cm. 'Pedigrees........... and Chum!' signed bottom left corner, print 23/500 63x40cm.

Lot 1004

Framed limited edition print 'A father's advice' with two signatures in both bottom corners 

Lot 1007

After Richard Plasschaert, Minnesota USA (b. 1941) signed print of Pheasants in snow landscape framed and glazed,  

Lot 1009

signed limited edition 17/100 print of the West Norfolk foxhounds hunting map. 58cmx78cm with pencil signatures in both bottom corners.

Lot 1010

After Robert E Fuller limited edition 456/800 print of a pheasant and a fox. 60cm x 77cm pencil signed bottom right left.

Lot 1011

After Robert E Fuller limited edition 125/850 print of pheasants flying over group of deer. 77cm x 60c, with pencil signature bottom right corner

Lot 1012

After Robert E Fuller limited edition 111/850 print of two pheasants fighting. 57cm x 74cm with pencil signature bottom right corner

Lot 1014

Print of a horse and dog in the stable 74cm x 63cm 

Lot 1015

After Robert E Fuller two limited edition prints. One of a Buzzard chasing a jay, print 56/850 46cm x 59cm. one of a buzzard chasing a pheasant, print 400/850 40cm x 49cm. both with pencil signatures bottom right corner 

Lot 1016

After Robert E Fuller limited edition 414/850 print of English partridges 50cm x 63cm with pencil signature in bottom right corner

Lot 1017

After Robert E Fuller limited edition print of two royal stags.74cm x 57cm. 

Lot 1023

After Carl Donner print of a pheasant with pencil drawings of pheasants at the bottom and a pencil signature bottom right corner 

Lot 17

3 prints of European buildings and a Lena Liu print

Lot 27

After Gabriel Von Max, Austrian (1840-1915) framed print of "St. Veronic's Handerchief" - Watch the eyes closely, they will open!  Alias: Gabriel "von" Max Gabriel "von" (1840) Max Gabriel (1840) Max Gabriel Cornelius Max Gabriel Cornelius "von" Max Gabriel Cornelius "von" (Ritter) MaxPainter Portrait painter Historical-scenes painter Illustrator Genre Painter

Lot 30

Framed and glazed plate print in gilt frame

Lot 30b

St Albans Abbey ltd edition print with pencil signature and engraving 'The town and port of Nassau, Bahama islands'

Lot 32

Signed limited print Ralph Wahlt 643/750 study of blue tits, signed in pencil lower right 

Lot 34

After FRANK HENRY MASON RBA, RI, RSMA (BRITISH 1875-1965) seascape print on silk, 41.5 x 33cm framed 

Lot 37

After Charles Edward Harrison, "Blowing Bubbles" print, 41 x 51cm, set behind glass unframed   

Lot 45

2 Framed oil paintings, vintage photograph and print of chapel 

Lot 711

Six framed Prints of Gurkha Personnel, a framed Print of Gurkha Regimental Insignia, various Books, 'With the Gurkhas' and 'In Gurkha Company' and Pamphlet 'My Life Story' by Rambahadur Limbu V.C.

Lot 747

A framed S.A.S. Print 'The Fifth of May' signed by Roy Thomasson, a framed S.A.S. Regimental Prayer, two Commemorative Plates, Mug, glass Bowl and an S.A.S. Clock and Barometer pencil inscribed '6th April 1995, Sgts Mess, John Hodges, Yanto Evans, Taff the Rope'

Lot 854

Charles Johnson Payne (Snaffles); colour Print, 'The Greatest Walls in the Country was in it', pencil signature and bit proof stamp

Lot 855

Charles Johnson Payne (Snaffles); colour Print, 'Great Banks there was below in the Fields', pencil signature and bit proof stamp

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