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Lot 1

Hiroshi Sugimoto, B. 1948 MATHEMATICAL FORM signed and impressed with the number 18/25 0045 gelatin silver print 25 by 20cm.; 10 by 8in. Executed in 2004 in an edition of 25. Provenance Private Collection, London

Lot 1

Shirin Neshat, b. 1957 UNTITLED (HANDS) signed and numbered 46/100 inkjet print image: 45 by 29.5cm.; 19.25 by 11.625in. sheet: 55 by 43.7cm.; 21.75 by 17.25in.

Lot 1

Gregory Crewdson, b. 1962 PRODUCTION STILL (FOREST GATHERING NO. 1) signed and dated 2003 chromogenic colour print image: 30.5 by 40.5cm.; 12 by 16in. sheet: 35.6 by 45.6cm.; 14 by 18in. Executed in 2003 in an edition of 20.

Lot 1

Philip-Lorca di Corcia, b. 1953 LA #31. KEN WALTERS, 28, ATLANTA GEORGIA, $30 c-print 46 by 58.5cm.; 18 by 23in. Executed in 1990, this work is number 4 from an edition of 20. Provenance Wooster Gardens, New York

Lot 1

Karen Knorr, b. 1954 HOSTAGE TO FORTUNE cibachrome print image: 90.5 by 90.5cm.; 35.75 by 35.75in. Executed in 1990. This work is number 1 from an edition of 5. Provenance Salama Caro Gallery, London

Lot 1

Bruce Nauman, b. 1941 STUDIO FLOOR DETAIL signed, dated 06 and numbered 21/40 on the reverse chromogenic crystal archive print 76.2 by 99.1cm.; 30 by 39in.

Lot 1

Marc Quinn, b. 1964 WINTER GARDEN, ASPARAGUS signed, dated and numbered 2004, 38/59 on reverse inkjet print image: 82by 123cm.; 32.25 by 48in.

Lot 1

Damien Hirst, b. 1965 VALIUM signed lambda colour print 122 by 122cm.; 48 by 48in. Executed in 2000, this work is from an edition of 500. Provenance Eyestorm, London Acquired from the above by the present owner

Lot 484

Two reproduction panels advertising greyhound racing and Frattelini circus and a nursery print (3).

Lot 502

A reproduction Saxon map of Lincolnshire, landscape print and etching of a tabby after Goffey (3).

Lot 598

A watercolour of a flying boat by Ted Ervine, 1994 and a signed limited edition print after Arthur Banks. (2).

Lot 1177

A carved oak framed olio graph fire screen together with an associated frame with water colour signed Leonard Stanley, 1980 and a further print "Should Old Acquaintance Be Forgot".

Lot 1

Salvador Dalilimited edition printReligious subjectsigned, 179/25019 x 13in.

Lot 11

After Charles Thompson. The Battle of Britain Memorial Flight. Colour print, limited edition, signed in pencil, 117/1000 and another print after Evans (2).

Lot 111

Two gilt framed wall mirrors and an oil print after Volkers.

Lot 1

Mrs Ederton as Helen MacGregor, Theatrical tinsel print, 30.5 x 23cm Published by A Park

Lot 1

Charles Johnson Payne, called 'Snaffles' (1884-1967) 'THE OXER-GO AT IT- OR GO HOME' Limited edition print, heightened with white, signed in pencil, published by Fores, a remarque of a huntsman in the corner 48 x 67cm

Lot 1

A Modern PGA Match Play Tournament of 1910 Montage, black and white print, limited edition 401/500, signed by Peter Allis; Graeme Baxter-The Ryder Cup 1993, artist's proof colour print; a facsimile print of "The Triumvirate"; Harris after Hubbard and Prades-"Cure-All" and "Leamington", racehorses, a pair of colour reprints (5)

Lot 1

After Sir Alfred Munnings-'A Huntsman on Horseback', colour print, signed and inscribed "My friend Whitney Smith"; another unsigned print entitled 'Under Starters Orders, Newmarket' (2)

Lot 1

Snaffles-"The Gent in Ratcatcher-I have my man cleanin my 'osses not my breeches", colour print, signed in the margin; after Lionel Edwards-"The Flint and Denbigh, Dale of Clwyd", colour print, published by Eyre and Spottiswood; C Whymper after Douglas Adams-Shooting Scene, sepia print, signed in the margins (3)

Lot 1

LAURENCE STEPHEN LOWRY (1887-1976), SAILING BOATS, coloured print, signed in pencil, pub. Venture Prints Ltd. 1975, with Fine Art Trade Guild blindstamp. 31.5cm by 36cm

Lot 1

LIONEL EDWARDS, "THE BICESTER, A CHECK NEAR REDHILL", print, pub. Eyre & Spottiswoode Ltd., framed. 37cm by 51.5cm

Lot 1

GEORGE ALGERNON FOTHERGILL (1868-1945), "TWO GREAT CHARACTERS", signed in pencil, print, pub. G.A.Fothergill, Darlington; framed. 50cm by 40cm

Lot 19

'We three kings' racing colour print

Lot 68

Mary Moxon watercolour of Windermere, 'Fair Wind' limited edition colour print by Anthony Osler, another print and 4 Constable collectors plates

Lot 232

Lake scene at sunset, signed colour print 391/850

Lot 242

"Owl in Winter" signed Limited Edition Print 385/950

Lot 1

Bjorn Wimblad, Denmark, charger, blue elephants and riders on horseback, and a Wemyss rose print pot, impress and signature for Goode

Lot 1

Winston Churchill photograph, sepia print in a walnut frame, by David Joel limited, Kingston, 75 x 65cm

Lot 1

Joseph Herman, print, Welsh Miners, signed in pencil, limited edition 29/50 in burr walnut frame, 57 x 69cm

Lot 1

Pair of Art Deco armchairs with tiger print fabric

Lot 1

AFTER CECIL ALDIN. Print on paper 'My Hearts in The Highlands'/ 10" x 7.1/2"

Lot 1

Four watercolours and one print on paper, various artists and subjects, mostly signed. (5)

Lot 1

MAUD EARL. Signed in pencil print on paper, study of a Spaniel with a duck. 9.3/4" x 11.3/4"

Lot 1

Print, oils and watercolour's. Five pictures, various artists and subject, some signed. (5)

Lot 1

*Nicholas II (Emperor of Russia, 1868-1918). A charming group portrait, probably Balmoral, 1896, late albumen print, showing the group of thirteen British and Russian royalty posing for the camera at the foot of the castle steps, including in the back row the future King Edward VII and Princess Maud, in the front row Arthur, Duke of Connaught, Alexendra (wife of Edward VII), and their three daughters, standing to the right Tsar Nicholas II of Russia and seated in the centre his wife Alexandra, the others possibly the Duke of Connaught's daughters Margaret and Patricia and his wife Louise of Prussia, some minor surface marks and scratches, 11 x 20 cm, mounted on card. The occasion of the photograph was probably during the visit of the Tsar and his wife with their first child Olga (not in photo) to Queen Victoria at Balmoral in 1896. (1)

Lot 1

[Gamble, Robert]. Letters from the Mediterranean in 1798 and 1799, Bungay, Charles Brightly, 1799, v + 67 pp., later qtr. cloth boards, some spotting, slim 8vo in 4's. ‘The following letters were written by an Officer on board the Swiftsure, one of the squadron under the command of Admiral Lord Nelson in the Mediterranean, to his father in Suffolk. As they contain an account of the principal transactions of that Squadron during a very interesting period (from May 1798 to July 1799), including the celebrated action in Aboukir Bay, copies have been requested by so many of his friends, that it was thought the best mode of complying with their wishes, to print a few copies for private distribution' [from the prefatory Advertisement]. (1)

Lot 1

Warner (Rev. Richard, of Sway, Hants.). Antiquitates Culinariae; or Curious Tracts Relating to the Culinary Affairs of the Old English, 1st ed., 1791, tinted aquatint frontis., eng. title and double-page tinted aquatint of a Peacock Feast, library stamp to verso of plts., title verso and few pages of text, library bookplates and stamps to endpapers, qtr. sheep, spine rubbed, 4to. Bitting, p.485; Cagle 1049; Maclean, p.149; Oxford, p.120; Vicaire 873. Bitting: ‘John Carter (the draughtsman and architect), prosecuted Warner for pirating in this work, his print of the ‘Peacock Feast,' and got the verdict of £20. The print was therefore torn from all the copies then unsold'. (1)

Lot 1

Sabin (Joseph). A Dictionary of Books Relating to America, from its Discovery to the Present Time, 2 vols., pub. New York, Mini-Print Corp., n.d., c. 1970, orig. cloth, a little rubbed and spines sunned, thick oblong 4to, together with Howes (Wright), U. S. Iana (1650-1950), A Selected Bibliography, New York, 1963, orig. brown cloth, very sl. rubbed, large 8vo, plus Wright (Lyle H.), American Fiction, 1774-1850, 1851-1875 & 1876-1900, together 3 vols., pub. 1965-69, orig. cloth, first two vols. in d.j.s, 8vo, and other American Bibliographical interest (16)

Lot 1

Tooley (R.V.). The Mapping of Australia & The Mapping of America (Holland Press Cartographica, vols. 1 & 2), 2 vols., 1979-80, together with Wheat (James Clements and Brun, Christian F.), Maps and Charts Published in America Before 1800, a Bibliography Revised Edition (Holland Press Cartographica vol. 3), 1978, plus Shirley (Rodney W.), Early Printed Maps of the British Isles, A Bibliography, 1477-1650 (Holland Press Cartographica vol. 5), 1980, b&w plts. and illusts. to each, all orig. cloth in d.j.s, large 8vo, VG, and Evans (Ifor M. & Lawrence, Heather), Christopher Saxton, Elizabethan Map-Maker, 1st ed., pub. Wakefield Historial Publications/Holland Press, 1979, b&w plates, orig. cloth in d.j., 4to, VG, plus others similar, (Chubb, Printed Maps in the Atlases of Great Britain and Ireland 1579-1870, pub. Dawson, 1977, Collectors Guide to the Maps of the African Continent and Southern Africa by R. V. Tooley, 1969, John Cary, Engraver, Map, Chart and Print-Seller and Globe-Maker 1764 to 1835 by Sir Herbert George Fordham, reprinted, Dawsons 1976, & Koeman's Atlantes Neerlandici, vol. IV only, 1970) (9)

Lot 1

*Album. A 19th c. album containing twenty various watercolours and drawings, mainly 19th c., including four pen, ink and watercolour drawings of Persian costume, dated 1865, three Japanese pen, ink and watercolour landscapes with figures, dated 1868, a Japanese woodblock print on crepe paper, a pen, ink and watercolour profile portrait of the Contessa Baldelli by Gilabert, dated Florence, 1860, a late 17th c. pen & brown ink botanical drawing of a posy of flowers, a watercolour view of Sir George Walker's mansion at Madras, 1859, by E. Bredin, 1889, a pencil sketch of two Crimean soldiers by J. D. Luard, a small-format pen, ink and watercolour study of a young beauty by G. Stewart, 1841, a pencil and white chalk study of two putti singing from a book of music, probably early 18th c., etc., all mounted onto thick card leaves in contemp. album, sheet size approx. 255 x 117 mm (10 x 6.75 ins), orig. dark green morocco with decorated pressed metal design inset to each cover, small 4to.. See illustration insode front cover of catalogue. (1)

Lot 1

*Baxter (George). Dogs of St. Bernard (no. 335), 1860, large original colour Baxter print, 420 x 540 mm, together with others including Lake Lucerne, Switzerland (no. 334), The Mountain Stream, Indians Reposing (no. 346), The Bridesmaid, and three more similar, all with water staining, most framed and glazed (7)

Lot 1

Flint (Sir William Russell, 1880-1969). ‘Variation IV', pub. Frost & Reed, 1966, col. print, signed in pencil, approx. 480 x 610 mm (19 x 24 ins), mounted, framed and glazed (1)

Lot 1

*Vanity fair cartoons. A collection of approx. 35 colour litho. caricatures by Spy, Ape, etc., mostly statesmen, plus one facsimile print of a cricketer, all mounted (approx. 35)

Lot 1

*Aldin (Cecil, 1870-1935). Ightham Mote House, The Courtyard, original colour print from the ‘Old Manor Houses' series, signed in pencil, some marginal fraying, image 395 x 330 mm (1)

Lot 1

*Billiards. Bunbury (Henry), Billiards, c.1781, original sepia stipple engraving, stuck down at the corners to a sheet of stiff paper, image size 260 x 380 mm, together with Lambert (E.F., after), Billiards, 1827 [but later], hand coloured aquatint, image size 240 x 390 mm, and one other modern golf print. (3)

Lot 1

*Cricket. Russell (Jack), Moment in History, modern colour print showing the English victory against the West Indies in 1994, signed by Russell and nine other players, image 375 x 762 mm, together with Lord's, modern colour print after Jack Russell, signed by artist and five others, image 395 x 690 mm, plus The Winning Moment, modern colour print by Russell, signed artists proof, image 405 x 685 mm, and another signed colour cricket print by Harriet Gorking (4)

Lot 1

*Football print. Untitled etching, signed in pencil by Myr? with limitation 20/50, plate dimensions 148 x 198 mm, framed and glazed (1)

Lot 1

*Rowing. Oxford Univ: Assoc: Eleven 1930-1931, b & w team photograph in photographers mount, image 286 x 363 mm, framed and glazed, together with Eton College Boating Calendar, 1882, single sheet listing events, upper boats and lower boats, contemp. silk mount, framed and glazed, and a humorous colour print from Punch by H.M. Bateman, two signed photographic reproductions of caricatures (4)

Lot 1

*Rugby. Monk (W.), Repton College with rugby pitches in foreground, early 20th century, etched view, unsigned, plate dimensions 177 x 289 mm, together with Verjez (Pierre), lithograph of Bordeaux rugby players, c.1906, approx. 310 x 240 mm, and other related print and engravings including an original early 29th century pen and ink sketch of a rugby match, wood engravings of rugby matches from the Graphic, two modern facsimiles of Rugby School, etc. (12)

Lot 199

A PRINT OF THE HYTHE BRIDGE with tower of the castle beyond, together with a pair of decorative hunting prints in maple wood frames and further pictures and prints (13).

Lot 201

A ROLANDSON PRINT of two Oxford students letching over a young maiden, dated 1785; a further 19th century print of the garden front of Corpus Christi College and four further decorative pictures (6).

Lot 1

Cockayne (Andreas Edward). Cockayne Memoranda: Collection towards a Historical Record of the Family of Cockayne... , Congleton: Printed for Private Circulation, 1873, ten mounted albumen prints, one col. print, wood-eng. illusts., folding pedigree in (broken) pocket at rear, a few pencil and ink annotations and related ephemera inserted, ownership names and bookplates of various Cockaine family members at front, rear hinge split, orig. cloth gilt, rebacked with orig. heavily rubbed and slightly damaged spine relaid, 8vo. Apparently one of 100 copies. (1)

Lot 1

*Lindbergh Kidnapping Case. A reward poster with the police notice of numbers of bank notes used to pay the ransome [1932], multiple column of small print numbers listing the five dollar, ten dollar, and twenty dollar bills, with header and footer, a little chipping to centre folds and margins, and affecting some letter press, laid down on stiff paper, 68 x 42 cm, together with a miscellaneous assortment of printed ephemera. The abduction and murder of the toddler son of world-famous Aviator, Charles Lindbergh in 1932 became the cause of an infamous trial. Bruno Hauptmann was convicted and executed for the crime though he always maintained his innocence. The crime inspired the Lindbergh Law making kidnapping a federal crime. (a carton)

Lot 214

A DECORATIVE PRINT ON CANVAS depicting a Dutch scene with figures merry making outside a barn, 21" x 31".

Lot 220

J CHAPMAN nine portrait engravings representing Kings and Queens of England throughout the ages, each approximately 6" x 4" and one further hand tinted print of a young lady (2).

Lot 1

After Jan Wouwerman (1629-1666) Figures and horses in a barn; Figures and horses before ruins Each print on copper Each 44cm x 52.5cm

Lot 1

R MENZIES; Sunset over the Isle of Mull, oil on board. 6 1/2" (16cms) x 9 1/2" (24cms), 2 fashion prints, a Vanity Fair print and 2 small portrait engravings.

Lot 1

Four small Ornithological Prints, a Botanical print and various others.

Lot 1

A series of 4 Etchings of Lake Landscapes, watercolour of a winter landscape and a print of Scarborough.

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