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A Modern PGA Match Play Tournament of 1910 Montage, black and white print, limited edition 401/500, signed by Peter Allis; Graeme Baxter-The Ryder Cup 1993, artist's proof colour print; a facsimile print of "The Triumvirate"; Harris after Hubbard and Prades-"Cure-All" and "Leamington", racehorses, a pair of colour reprints (5)
Snaffles-"The Gent in Ratcatcher-I have my man cleanin my 'osses not my breeches", colour print, signed in the margin; after Lionel Edwards-"The Flint and Denbigh, Dale of Clwyd", colour print, published by Eyre and Spottiswood; C Whymper after Douglas Adams-Shooting Scene, sepia print, signed in the margins (3)
*Nicholas II (Emperor of Russia, 1868-1918). A charming group portrait, probably Balmoral, 1896, late albumen print, showing the group of thirteen British and Russian royalty posing for the camera at the foot of the castle steps, including in the back row the future King Edward VII and Princess Maud, in the front row Arthur, Duke of Connaught, Alexendra (wife of Edward VII), and their three daughters, standing to the right Tsar Nicholas II of Russia and seated in the centre his wife Alexandra, the others possibly the Duke of Connaught's daughters Margaret and Patricia and his wife Louise of Prussia, some minor surface marks and scratches, 11 x 20 cm, mounted on card. The occasion of the photograph was probably during the visit of the Tsar and his wife with their first child Olga (not in photo) to Queen Victoria at Balmoral in 1896. (1)
[Gamble, Robert]. Letters from the Mediterranean in 1798 and 1799, Bungay, Charles Brightly, 1799, v + 67 pp., later qtr. cloth boards, some spotting, slim 8vo in 4's. ‘The following letters were written by an Officer on board the Swiftsure, one of the squadron under the command of Admiral Lord Nelson in the Mediterranean, to his father in Suffolk. As they contain an account of the principal transactions of that Squadron during a very interesting period (from May 1798 to July 1799), including the celebrated action in Aboukir Bay, copies have been requested by so many of his friends, that it was thought the best mode of complying with their wishes, to print a few copies for private distribution' [from the prefatory Advertisement]. (1)
Warner (Rev. Richard, of Sway, Hants.). Antiquitates Culinariae; or Curious Tracts Relating to the Culinary Affairs of the Old English, 1st ed., 1791, tinted aquatint frontis., eng. title and double-page tinted aquatint of a Peacock Feast, library stamp to verso of plts., title verso and few pages of text, library bookplates and stamps to endpapers, qtr. sheep, spine rubbed, 4to. Bitting, p.485; Cagle 1049; Maclean, p.149; Oxford, p.120; Vicaire 873. Bitting: ‘John Carter (the draughtsman and architect), prosecuted Warner for pirating in this work, his print of the ‘Peacock Feast,' and got the verdict of £20. The print was therefore torn from all the copies then unsold'. (1)
Sabin (Joseph). A Dictionary of Books Relating to America, from its Discovery to the Present Time, 2 vols., pub. New York, Mini-Print Corp., n.d., c. 1970, orig. cloth, a little rubbed and spines sunned, thick oblong 4to, together with Howes (Wright), U. S. Iana (1650-1950), A Selected Bibliography, New York, 1963, orig. brown cloth, very sl. rubbed, large 8vo, plus Wright (Lyle H.), American Fiction, 1774-1850, 1851-1875 & 1876-1900, together 3 vols., pub. 1965-69, orig. cloth, first two vols. in d.j.s, 8vo, and other American Bibliographical interest (16)
Tooley (R.V.). The Mapping of Australia & The Mapping of America (Holland Press Cartographica, vols. 1 & 2), 2 vols., 1979-80, together with Wheat (James Clements and Brun, Christian F.), Maps and Charts Published in America Before 1800, a Bibliography Revised Edition (Holland Press Cartographica vol. 3), 1978, plus Shirley (Rodney W.), Early Printed Maps of the British Isles, A Bibliography, 1477-1650 (Holland Press Cartographica vol. 5), 1980, b&w plts. and illusts. to each, all orig. cloth in d.j.s, large 8vo, VG, and Evans (Ifor M. & Lawrence, Heather), Christopher Saxton, Elizabethan Map-Maker, 1st ed., pub. Wakefield Historial Publications/Holland Press, 1979, b&w plates, orig. cloth in d.j., 4to, VG, plus others similar, (Chubb, Printed Maps in the Atlases of Great Britain and Ireland 1579-1870, pub. Dawson, 1977, Collectors Guide to the Maps of the African Continent and Southern Africa by R. V. Tooley, 1969, John Cary, Engraver, Map, Chart and Print-Seller and Globe-Maker 1764 to 1835 by Sir Herbert George Fordham, reprinted, Dawsons 1976, & Koeman's Atlantes Neerlandici, vol. IV only, 1970) (9)
*Album. A 19th c. album containing twenty various watercolours and drawings, mainly 19th c., including four pen, ink and watercolour drawings of Persian costume, dated 1865, three Japanese pen, ink and watercolour landscapes with figures, dated 1868, a Japanese woodblock print on crepe paper, a pen, ink and watercolour profile portrait of the Contessa Baldelli by Gilabert, dated Florence, 1860, a late 17th c. pen & brown ink botanical drawing of a posy of flowers, a watercolour view of Sir George Walker's mansion at Madras, 1859, by E. Bredin, 1889, a pencil sketch of two Crimean soldiers by J. D. Luard, a small-format pen, ink and watercolour study of a young beauty by G. Stewart, 1841, a pencil and white chalk study of two putti singing from a book of music, probably early 18th c., etc., all mounted onto thick card leaves in contemp. album, sheet size approx. 255 x 117 mm (10 x 6.75 ins), orig. dark green morocco with decorated pressed metal design inset to each cover, small 4to.. See illustration insode front cover of catalogue. (1)
*Baxter (George). Dogs of St. Bernard (no. 335), 1860, large original colour Baxter print, 420 x 540 mm, together with others including Lake Lucerne, Switzerland (no. 334), The Mountain Stream, Indians Reposing (no. 346), The Bridesmaid, and three more similar, all with water staining, most framed and glazed (7)
*Billiards. Bunbury (Henry), Billiards, c.1781, original sepia stipple engraving, stuck down at the corners to a sheet of stiff paper, image size 260 x 380 mm, together with Lambert (E.F., after), Billiards, 1827 [but later], hand coloured aquatint, image size 240 x 390 mm, and one other modern golf print. (3)
*Cricket. Russell (Jack), Moment in History, modern colour print showing the English victory against the West Indies in 1994, signed by Russell and nine other players, image 375 x 762 mm, together with Lord's, modern colour print after Jack Russell, signed by artist and five others, image 395 x 690 mm, plus The Winning Moment, modern colour print by Russell, signed artists proof, image 405 x 685 mm, and another signed colour cricket print by Harriet Gorking (4)
*Rowing. Oxford Univ: Assoc: Eleven 1930-1931, b & w team photograph in photographers mount, image 286 x 363 mm, framed and glazed, together with Eton College Boating Calendar, 1882, single sheet listing events, upper boats and lower boats, contemp. silk mount, framed and glazed, and a humorous colour print from Punch by H.M. Bateman, two signed photographic reproductions of caricatures (4)
*Rugby. Monk (W.), Repton College with rugby pitches in foreground, early 20th century, etched view, unsigned, plate dimensions 177 x 289 mm, together with Verjez (Pierre), lithograph of Bordeaux rugby players, c.1906, approx. 310 x 240 mm, and other related print and engravings including an original early 29th century pen and ink sketch of a rugby match, wood engravings of rugby matches from the Graphic, two modern facsimiles of Rugby School, etc. (12)
Cockayne (Andreas Edward). Cockayne Memoranda: Collection towards a Historical Record of the Family of Cockayne... , Congleton: Printed for Private Circulation, 1873, ten mounted albumen prints, one col. print, wood-eng. illusts., folding pedigree in (broken) pocket at rear, a few pencil and ink annotations and related ephemera inserted, ownership names and bookplates of various Cockaine family members at front, rear hinge split, orig. cloth gilt, rebacked with orig. heavily rubbed and slightly damaged spine relaid, 8vo. Apparently one of 100 copies. (1)
*Lindbergh Kidnapping Case. A reward poster with the police notice of numbers of bank notes used to pay the ransome [1932], multiple column of small print numbers listing the five dollar, ten dollar, and twenty dollar bills, with header and footer, a little chipping to centre folds and margins, and affecting some letter press, laid down on stiff paper, 68 x 42 cm, together with a miscellaneous assortment of printed ephemera. The abduction and murder of the toddler son of world-famous Aviator, Charles Lindbergh in 1932 became the cause of an infamous trial. Bruno Hauptmann was convicted and executed for the crime though he always maintained his innocence. The crime inspired the Lindbergh Law making kidnapping a federal crime. (a carton)

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314753 item(s)/page