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Lot 305
LANCS CUP-BOLTON Very scarce City home programme v Bolton, 6/11/46, Lancs Cup replay. City had won the return at Bolton 3-2 and a third game was required. This very scarce single sheet ( undated) issue is the programme and is very seldom seen. City listed their first team and Lofthouse, Geldard etc played for Bolton. Despite this , it was a 0-0 draw being abandoned in extra time. The programme has team changes ( pencil) and a small hole but no print is affected, slight folds. Fair
Lot 392
MANCHESTER CITY Home programme v Cardiff City, 17/11/1923, first season at Maine Road, punch-holes, top half of back cover affected by being previously laid-down (exercfise book paper attached), name of opposition on cover, rusty staples. Punch-holes only slightly affect the print and despite all the faults, the condition is not really too bad, but objectively it should be descibed as Poor-Fair. As described
Lot 396
MANCHESTER CITY / HALIFAX City home programme v Halifax 2/2/1924, the two clubs are not linked very often and City struggled to a 2-2 draw in this FA Cup match. The replay also finished in a draw before City won the third match 3-0 at Old Trafford. First season at Maine Road. The staple area has been removed along on the spine and thus affects all pages but no print, some ageing and a couple of tears. Fair
Lot 1117
Circa 1930`s Cream Satin Wedding Dress with floral self print, ruched neckline, long sleeves and train; brides head piece and a lace veil (af); length of cream silk fabric with a decorative beaded hem and appliqued circular gilt metal disks; brown crocodile leather handbag bearing brass initials BK; another similar handbag in black (one box).
Lot 1120
Assorted Costume including Edwardian white embroidered cotton dress; Polly Peck checked cotton full length dress with broderie anglaise cuffs; grey two piece comprising a-line maxi skirt and waistcoat with cut and studded leather detailing (size 12) with Biba style label; Droopy & Browns green cotton with floral print button through long sleeved jacket and skirt; two kimonos etc (12).
Lot 507
19th CENTURY ENGLISH SCHOOL "Queen Elizabeth" and "Queen Margaret", a pair of hand-coloured engravings depicting Queen Elizabeth I, housed in a verre eglomise mount and gilt and gesso frame, together with 19th CENTURY ENGLISH SCHOOL "Haymaking, Herring`s Agricultural Scenes", colour print, a 19th CENTURY framed print "The corn bin" and a 19th CENTURY etching "The cottager`s wealth" (5)
Lot 27
BESS Speed (John) Essex devided into Hundreds with inset plan of Colchester lower right strapwork title cartouche upper right a panel of the arms of Essex nobility at the left side engraved map by Jodocus Hondius with hand-colouring 385 x 505mm. without text on verso a soft central vertical fold three printer`s creases in upper right corner George Humble 1610. *** Skelton speculates that single map sheets may have been sold without text on the verso as with this example in the hiatus between George Humble being granted the royal privilege to print and sell Speed`s atlas in 1608 and its eventual appearance around 1612 brought about by Hondius`s illness during this period.
Lot 365
Roberts (Emma) Views in India China and on the Sh 2 vol. frontispieces (1 colour Baxter print and the other engraved) additional engraved titles and 60 plates after Robert Elliott tissue guards slightly foxed and browned bookticket of Mrs. Clewlow on front pastedown contemporary half calf 4to [1835].
Lot 391
Hoole (Elijah) Madras Mysore and the South of In or a Personal Narrative of a Mission to those Countries second edition colour Baxter print frontispiece title foxed and browned bookplate of Lord Farnham on front pastedown contemporary half calf gilt spine 1844 § Trevor (Rev. George) India. An Historical Sketch folding engraved map last advertisement f. partly torn away original blind-stamped cloth gilt [1859] § Auber (Peter) Rise and Progress of the British Power in India first edition 2 vol. 3 folding engraved maps (2 hand-coloured) hinges strengthened contemporary half calf rebacked 1857 § Menpes (Mortimer and Dorothy) The Durbar one of 1000 copies signed by the author colour plates tissue guards original decorated buckram soiled t.e.g. others uncut 1903 8vo & 4to (5)(5)
Lot 320
Digby (R. David, b. 1936). The Falcons of the World, by Tom J. Cade, 1st ed., 1982, colour plates throughout, orig. signed pencil drawing of a pheasant by Digby loosely inserted, mounted on card with tissue overlay, 21 x 26.5cm, orig. cloth in d.j., 4to, together with Fennessy (Rena), Birds of the African Woodside, Text by Leslie Brown, 1st ed., 1979, col. and some b&w illusts., orig. cloth in d.j., folio, signed limited edition print of superb starlings loosely inserted, pencil signed Rena lower right and numbered 221/250 to lower margin, plus nine other modern bird books, all signed by author or artist, including signatures of Norman Arlott, Philip Snow, R. B. Talbot Kely, Morris Pledger, Guy Taplin, etc., all but one orig. cloth in d.j.s, 4to/folio (12)
Lot 340
* Otter Hunting. An album of approx. 160 mounted silver print photos, c. 1910, compiled by W.U.C. Burrell, some of the photos (many good quality) identified as taken by W.J. Abrey, mostly 10.5 x 15cm and mounted two to a page with ink captions througout, otter hunting scenes shown at Didlington Hall (Norfolk), Dungiven, Londonderry, Icklingham Bridge, Narborough, Drinkstone Park, Fordahm near Colchester, Dedham, etc., many scenes of packs of hounds and people in water and on land, a few photos of individual dogs, small groups of people, etc., ownership names at front, contemp. half morocco, some wear and spine deficient, 4to (1)
Lot 162
* Robjent (Richard, 1937-). ‘A Father’s Advice to his Son’, pub. Fine Sporting Interests Ltd, 1993, colour print, twenty-seven lines of verse surrounded by eleven vignettes of sporting birds and one of the action of a shotgun, signed below image in pencil by artist, 460 x 360mm, mounted, framed and glazed. The original painting was commissioned by Holland & Holland and the image on the print shows a classic Holland & Holland 12 bore side-by-side shotgun.The famous poem was written by Mark Beaufoy M.P. in 1902. The words have been passed on down through the generations in every shooting household and hold as true today as they did in the early 20th century. (1)
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