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Dreweatts 1759
Lot 342

Eugene CernanHarrison Schmitt with the Earth above the deployed American flag, the photographer reflected in the visor; EVA 1 12 December 1972Vintage chromogenic print on fibre-based Kodak paper, 19.2 x 25.3cm, with A KODAK PAPER watermarks and stamped twice "AS17-134-20384" on the verso, (NASA Manned Spacecraft Center) Footnotes:"I captured the Earth, the Moon, the man, and the country all in one. I'm proud of this picture." Eugene Cernan.  "One of the great photos ever to come out of the space program." NASA photography specialist Richard UnderwoodCondition Report: An area of restoration at bottom right in the black sky of space (approx. 2 x 2 cm) and some creasing to the bottom edge and cornerCondition Report Disclaimer

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Dreweatts 1759
Lot 343

Harrison SchmittA pair of images, comprising:1) Eugene Cernan testing the unloaded Lunar Rover at Taurus-Littrow landing site, EVA 1 12 December 1972Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS17-147-22526, with A KODAK PAPER watermarks on the verso, (NASA Manned Spacecraft Center)2) The Lunar Rover parked by the Lunar Module "Challenger", EVA 112 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA AS17-147-22527], with A KODAK PAPER watermarks on the versoFootnotes:The crew had just extracted and activated the Lunar Rover and Eugene Cernan can be seen giving it a test drive. This was successful to the relief of the crew, as it was planned that Apollo 17 would be making longer traverses than any of the previous Apollo missions. The Rover was then loaded with tools, experiment hardware, a TV camera, and antennas. Condition Report: 1) Very good with one small mark to the image, two tape marks on the verso2) Front good, with one mark across the dark area of the image (approx. 3 x 3 cm) and minor spots to the edges; a small annotation in biro on the verso and light signs of age toningAdditional images available on requestCondition Report Disclaimer

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Dreweatts 1759
Lot 344

Eugene CernanA pair of moonscapes1) Shorty Crater, station 4 13 December 1972Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS17-137-20993, with A KODAK PAPER watermarks on the verso2) Camelot Crater's station 513 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no AS17-145-22159, with A KODAK PAPER watermarks and NASA Goddard Space Flight Center caption on the versoFootnotes:With bright mountains rising above the dark lava plains, the Apollo 17 landing site surrounded the astronauts with magnificent views.The first photograph shows the 110-meter-diameter and 14-metre-deep Shorty crater; the second the 650 metre-diameter Camelot crater with the North Massif in the background. 

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Dreweatts 1759
Lot 345

Eugene CernanA pair of moonscapes, comprising:1) Harrison Schmitt with the rake at station 1, EVA 112 December 1972Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS17-134-20425, with A KODAK PAPER watermarks on the verso2) Wide angle view of the Lunar Rover at the SEP site in front of the Taurus-Littrow landing site, EVA 112 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA AS17-134-20435], with A KODAK PAPER watermarks on the versoFootnotes:Schmitt is shaking soil out of the rake to collect a sample of rocks ranging from 1 to 4 centimetres in diameter after making a swath through the surface soil at station 1 near Steno Crater in the middle of the Taurus-Littrow valley with Family Mountain in the background (first photograph).Harrison Schmitt is shown working at the end of the west arm of the SEP (Surface Electrical Properties) transmitter array with the LM and the Rover nearby (second photograph). The South Massif and Family Mountain form the skyline in the background. Also visible in the background is a large rock named Geophone Rock and the ALSEP site.  

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Dreweatts 1759
Lot 346

Harrison SchmittPortrait of Eugene Cernan with the Lunar Rover7-19 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA photo no AS17-134-20476], with A KODAK PAPER watermarks on the versoFootnotes:"I thought about it when we left the surface.... I knew it would be a long time. I just felt it might very well be a generation before we get back to the Moon. I'm probably going to be proven to be right." Eugene Cernan 

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Dreweatts 1759
Lot 347

Harrison SchmittEugene Cernan and the Earth above the antenna of the Lunar Rover14 December 1972Vintage chromogenic print on resin-coated Kodak paper, 20.3 x 25.4 cm (8 x 10 in), [NASA AS17-134-20473], with THIS PAPER MANUFACTURED BY KODAK watermarks on the versoFootnotes:One of the rare Apollo photographs showing the combination of man standing on another celestial body with his home planet in the background. "Looking back at the Earth is your identity with reality. It's home. . . I wonder what it would have been to walk on the Moon and not have the Earth in the sky." Eugene Cernan 

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Dreweatts 1759
Lot 348

Eugene CernanTwo lunar scenes: 1) The Lunar Rover parked near Tracy's Rock visited during EVA 213 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA AS17-140-21494], with A KODAK PAPER watermarks on the verso 2) Harrison Schmitt taking 500mm photographs, station 6, EVA 213 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), NASA AS17-146-22294, with THIS PAPER MANUFACTURED BY KODAK watermarks and NASA Kennedy Space Center caption on the verso Footnotes:Station 6 was located at the base of the North Massif near a huge split rock, which had rolled down the side of the steep North Massif in a 1,500-foot long furrow before breaking into pieces. The boulder was so big that the astronauts could see it from lunar orbit and named it Tracy's Rock for Cernan's daughter. In the first photograph, the astronauts' LM Challenger can be seen just above the rock as a distant speck sitting at the right edge of the lighter area. In the second photograph, Cernan holds the 500mm lens Hasselblad in his hand while leaning on the boulder for stability in order to take telephoto photographs. The Lunar Rover is in the foreground.  

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Dreweatts 1759
Lot 349

Harrison SchmittPortrait of astronaut Eugene Cernan, the last explorer of another world, pictured with the U.S. flag and Lunar Rover during the last EVA on the lunar surface14 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no AS17-140-21388, with THIS PAPER MANUFACTURED BY KODAK watermarks and NASA Kennedy Space Center caption on the versoFootnotes:A fantastic portrait of Cernan. His gold-plated visor reflects the photographer Harrison Schmitt, the Lunar Module, and the South Massif. Cernan is standing between the US flag and the Lunar Rover whose high-gain antenna is pointed at Earth. Wessex Cleft forms the skyline in the background. "Another hundred years may pass before we understand the true significance of Apollo. Lunar exploration was not the equivalent of an American pyramid, some idle monument to technology, but more of a Rosetta Stone, a key to unlocking dreams as yet undreamed." Eugene CernanCondition Report: Very good (mint)Condition Report Disclaimer

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Dreweatts 1759
Lot 35

James McDivittTied to a tether, Ed White performs the first American spacewalk and floats in zero gravity above the cloud covered Pacific Ocean3 June 1965, 19:49 UT (3:49 pm EDT)Vintage chromogenic print on fibre-based paper, 25.2 x 20.3 cm (10 x 8 in), [NASA photo no S-65-30427], with A KODAK PAPER watermark on the verso (NASA/North American Rockwell)Footnotes:Ed White floated out of the spacecraft and using a Hand-Held Manoeuvring Unit (HHMU) manoeuvred around the spacecraft at more than 100 miles (160 kilometres) above the Pacific Ocean, while James McDivitt took photographs. Aside from being a milestone experiment, this was a thoroughly enjoyable experience for White and he returned to the spacecraft reluctantly commenting: "It's the saddest moment in my life".

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Dreweatts 1759
Lot 351

Eugene CernanThe Lunar Rover parked in the Valley of Taurus-Littrow, station 814 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA AS17-146-22367], with A KODAK PAPER watermarks on the versoFootnotes:The East Massif and Bear Mountain form the skyline behind the Rover. Station 8 was near the base of the Sculptured Hills, nearly 4 km away from the LM, which could have posed a real danger if any problem had arisen with either one of the astronauts' suits, the Rover, or even an issue with the LM itself that needed repair.  

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Dreweatts 1759
Lot 356

Harrison SchmittMission Commander and the last person to walk on the Moon, Eugene Cernan, salutes while standing by the US flag at the Taurus-Littrow landing site. The Lunar Module and Lunar Rover are visible in the background13 December 1972 (1st EVA)Vintage chromogenic print on resin coated paper, 25.3 x 19.5 cm (10 x 8 in), [NASA photo no AS17-134-20380], with THIS PAPER MANUFACTURED BY KODAK watermark on verso (circa mid-1970s print)Footnotes:'As we leave the Moon at Taurus-Littrow, we leave as we came, and God willing, as we shall return, with peace and hope for all mankind.' Gene CernanCondition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 357

Colour television camera mounted onto the Lunar Rover, controlled remotely by Mission Control at HoustonLunar Module 'Challenger' lifts off from the surface of the Moon at 185h 21m and 37s into the mission. A spray of debris is clearly visible in the photograph.14 December 1972 22:54:37 GMTVintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), image 24.2 x 18.8 cm (approx. 9½ x 7½ in), BLACK NUMBERED NASA S-72-55422, with NASA MSC caption on verso 

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Dreweatts 1759
Lot 36

Television camera onboard Gemini 4 spacecraftEd White floats in zero gravity during the first American spacewalk3 June 1965 Vintage chromogenic print on fibre-based paper, 20.5 x 25.3 cm (8 x 10 in), [photo no S-65-29766], with A KODAK PAPER watermark on versoFootnotes:White is wearing a specially designed suit and gold-plated helmet to protect him against unfiltered rays of the sun, as well as emergency oxygen tank. A 25-foot long umbilical line and a tether line connect him to the spacecraft. In his hand White holds a self-manoeuvring unit (HHSMU).Condition Report: Very light age toning. Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 362

Eugene Cernan, Harrison Schmitt or Ronald EvansThe near Full Moon during the homeward journey, seen for the last time by humans from a perspective not visible from Earth7-19 December 1972Vintage chromogenic print on resin-coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), [NASA photo no AS17-152-23311], with THIS PAPER MANUFACTURED BY KODAK watermarks on the verso (NASA/North American Rockwell)Footnotes:"I look at it very three-dimensionally. I mean I can look beyond the moon. I can see the three dimensions. I think, prior to going there, and I think most people just look at it as something flat out there in the night sky. But I look at it as a sphere. I can feel the depth of it. I know that it is in inner space. I mean, I know that it's not at the end of that blackness." Eugene CernanCondition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 363

Credit: Harrison SchmittOne of the most celebrated images of the Earth - the entire globe is seen fully illuminated by the Sun. Taken 5 hours and 6 minutes after the lift-off, from 29,000 km (18,000 miles) from the planet's surface, this photograph shows primarily the southern hemisphere from the Mediterranean to Antarctica. Africa (in the early hours of daylight), Madagascar, and the Arabian Peninsula can be clearly delineated, while an approaching December solstice illuminates Antarctica. 7 December 1972 Vintage chromogenic print on resin coated paper, 25.3 x 19.5 cm (10 x 8 in), photo no AS17-148-22727, with THIS PAPER MANUFACTURED BY KODAK watermark and NASA KSC caption on verso Condition Report: MintCondition Report Disclaimer

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Dreweatts 1759
Lot 364

Harrison Schmitt, Eugene Cernan or Ronald EvansThe "Blue Marble", the first photograph of the full Earth seen by human eyes7 December 1972Vintage chromogenic print on fibre-based Kodak paper, 18 x 24 cm (9½ x 7 in), [AS17-148-22727], with A KODAK PAPER watermarks on the verso, (NASA Manned Spacecraft Center)Footnotes: This view of Earth was seen by the Apollo 17 crew as they travelled toward the Moon on their NASA lunar landing mission. This outstanding trans-lunar coast photograph extends from the Mediterranean Sea area to the Antarctica south polar ice cap. This is the first time the Apollo trajectory made it possible to photograph the south polar ice cap. Note the heavy cloud cover in the Southern Hemisphere. Almost the entire coastline of Africa is clearly visible. The Arabian Peninsula can be seen at the northeastern edge of Africa. The large island off the coast of Africa is the Malagasy Republic. The Asian mainland is on the horizon toward the northeast.https://spaceflight.nasa.gov/gallery/images/apollo/apollo17/html/as17-148-22727.htmlCondition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 37

James McDivittEd White performs the first American EVA above the cloudy skies of the Pacific Ocean3 June 1965 Vintage gelatin silver print on fibre-based paper, 20.5 x 25.3 cm (8 x 10 in), photo no 65-H-1019, NASA HQ caption on versoFootnotes:'I feel like a million dollars!' Ed White during his spacewalkCondition Report: Good, with light handling dentsCondition Report Disclaimer

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Dreweatts 1759
Lot 370

Viking 1The first colour photograph taken on the surface of Mars21 July 1976Vintage chromogenic print on resin coated Kodak paper, 25.4 x 20.3 cm (10 x 8 in), with THIS PAPER MANUFACTURED BY KODAK watermarks and NASA Jet Propulsion Laboratory caption numbered "Viking 1-54" on the versoFootnotes:Launched on August 20, 1975, Viking 1 became the first unmanned spacecraft to land successfully on Mars eleven months later on July 20, 1976. [NASA caption:] this colour picture of Mars was taken July 21--the day following Viking 1's successful landing on the planet.The local time on Mars is approximately noon. The view is southeast from the Viking. Orange-red surface materials cover most of the surface, apparently forming a thin veneer over darker bedrock exposed in patches, as in the lower right. The reddish surface materials may be limonite (hydrated ferric oxide). Such weathering products form on Earth in the presence of water and an oxidizing atmosphere. The sky has a reddish cast, probably due to scattering and reflection from reddish sediment suspended in the lower atmosphere. The scene was scanned three times by the spacecraft's camera number 2, through a different colour filter each time. To assist in balancing the colours, a second picture was taken of z test chart mounted on the rear of the spacecraft. Colour data for these patches were adjusted until the patches were an appropriate colour of grey. The same calibration was then used for the entire scene.  

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Dreweatts 1759
Lot 373

Camera onboard Voyager 1 space probeNear-full view of Jupiter with its Great Red Spot prominently featured1 February 1979Chromogenic print, 27.8 x 30.5 cm (11 x 12 in) , image 28 x 27.8 (11 x 11), with THIS PAPER MANUFACTURED BY KODAK watermarks on versoFootnotes:The Great Red Spot is a storm in Jupiter's southern hemisphere with crimson-coloured clouds that spin counter-clockwise at wind speeds that exceed those in any storm on Earth, thus the size of the area has changed over the years.  Condition Report: Light and small annotation in hand on verso (top left corner), otherwise very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 377

A view of Bruce McCandless during the world's first untethered spacewalk7 February 1984Chromogenic print on resin-coated Kodak paper, 20.4 x 25.3 cm (8 x 10 in), with THIS PAPER MANUFAACTURED BY KODAK watermarks on the verso

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Dreweatts 1759
Lot 39

Edward WhiteGemini Titan 4 spacecraft as photographed by Ed White during his EVA. This was the first time a spacecraft in orbit was photographed from outside the spacecraft3 June 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), BLACK NUMBERED NASA S-65-30547, with NASA caption on the verso (NASA/Manned Spacecraft Center)Footnotes:[NASA caption] White used a 35mm Zeiss Contarex camera which was attached to the top of the front end of Hand-Held Manoeuvring Unit with which he moved about.  

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Dreweatts 1759
Lot 41

NASAThe lift-off of the Gemini-Titan II rocket21 August 1965Vintage chromogenic print, 27.8 x 35.5 cm (11 x 14 in), NASA photo no S-65-46437, with A KODAK PAPER watermarks on versoCondition Report: A small crease in the bottom left corner (approx. 0.5 cm), otherwise very good.Condition Report Disclaimer

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Dreweatts 1759
Lot 43

NASA1) Thomas Stafford and Walter Schirra arrive at Pad 19 during the countdown. Following a technical fault the launch was aborted and postponed until 15 December.12 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-1987, with NASA HQ caption on the verso2) Thomas Stafford and Walter Schirra stand ready in the White Room above Pad 19 to be inserted into their spacecraft 15 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-2217, with NASA HQ caption on verso3) McDonnell Aircraft technicians secure the hatches on the Gemini 6 spacecraft before the final countdown. The attempt to launch is then aborted due to a technical failure and the launch was postponed until 15 December12 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-1985, with NASA HQ caption and RCA on versoCondition Report: Two very minor corner creases otherwise very good with no signs of handlingCondition Report Disclaimer

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Dreweatts 1759
Lot 45

NASA Launch of the 6th manned Gemini mission; onboard Walter Schirra and Thomas Stafford.15 December 1965Vintage chromogenic print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 104-KSC-65PC-172, with A KODAK PAPER watermark and NASA KSC caption on verso, annotated in biro in bottom margin Condition Report: A dent to the right of the spacecraft, pen annotations in the lower margin, light age toning, otherwise good.Condition Report Disclaimer

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Dreweatts 1759
Lot 46

Walter Schirra or Thomas StaffordGemini 7 spacecraft with the backdrop of Earth as seen during rendezvous15 December 1965Vintage chromogenic print on fibre-based paper, 25.2 x. 20.3 cm (10 x 8 in), RED NUMBERED NASA S-65-63220, with A KODAK PAPER watermark on the verso (NASA Manned Spacecraft Center)Footnotes:A historic milestone in the space programme, a rendezvous of two spacecraft in space was accomplished by Walter Schirra and Thomas Stafford in the Gemini 6A, and Frank Borman and James Lovell in the Gemini 7. Gemini 6A was originally planned to dock with the uncrewed Gemini-Agena target vehicle but as the vehicle failed to launch, NASA flight directors decided to reschedule the rendezvous with Gemini 6a and the upcoming Gemini 7. Once Gemini 6A achieved orbit, the spacecraft caught up to Gemini 7 and the two ships manoeuvred to within a few feet of each other during three Earth orbits. Condition Report: Very good, light age toningCondition Report Disclaimer

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Dreweatts 1759
Lot 47

A group of four photographs, comprising:1) Thomas Stafford onboard Gemini 6A's spacecraft Gemini 7 spacecraft above Earth's horizon15 December 1965Vintage chromogenic print, 25.5 x 20.5 cm (10 x 8 in), RED NUMBERED NASA S-65-63188, with A KODAK PAPER watermark on verso2)Thomas Stafford onboard Gemini 6's spacecraft Gemini 7 spacecraft above thick cumulus clouds over the Earth 15 December 1965Vintage chromogenic print, 25.5 x 20.5 cm (10 x 8 in), RED NUMBERED NASA S-65-63112, with A KODAK PAPER watermark and NASA MSC caption on verso3) Frank Borman or James Lovell onboard Gemini 7A view of Gemini 6A with "Beat Army" sign in the window15 December 1965Vintage chromogenic print, 25.5 x 20.5 cm (10 x 8 in), NASA S-65-63721, with A KODAK PAPER watermark and NASA MSC caption on verso4) Thomas Stafford onboard Gemini 6AGemini 7 as seen from Gemini 6A at 122 feet apartVintage chromogenic print, 25.5 x 20.5 cm (10 x 8 in), NASA S-65-63209, with A KODAK PAPER watermark and NASA MSC caption on versoCondition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 48

Frank Borman or James LovellA pair of views:1) Gemini 6A spacecraft with the background of Earth as seen during the rendezvous with Gemini 715 December 1965Vintage chromogenic print on fibre-based paper, 25.2 x. 20.3 cm (10 x 8 in), RED NUMBERED NASA S-65-63894, with A KODAK PAPER watermark and a NASA MSC caption on the verso (NASA Manned Spacecraft Center)2) Earth view of Aden Protectorate (currently Yemen), Hadhramaut plateau, Wadi Hadramawt, Gulf of Aden)15-16 December 1965Vintage chromogenic print on fibre-based paper, 25.2 x. 20.3 cm (10 x 8 in), [NASA photo no S-65-64010], with A KODAK PAPER watermark (NASA Manned Spacecraft Center) 

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Dreweatts 1759
Lot 49

James LovellFull Moon seen rising above the Earth's horizon15 December 1965Vintage gelatin silver print, 25.7 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-65-63714, with NASA MSC caption on versoCondition Report: Three minor handling cracks to the dark areas in the corners; three small areas of silvering in the corners; otherwise goodCondition Report Disclaimer

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Dreweatts 1759
Lot 5

NASA A group of three photographs, comprising:1) A portrait of Wernher von Braun at the Marshall Space Flight CenterJune 1961Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), stamped and dated 'June 1961' and with press captions and several date stamps on the verso2) The launch of the Juno II rocket3) A portrait of the first director of NASA's Launch Operations Center, Kurt Debus 1958-1961Two vintage chromogenic prints on Ansco paper, 20.3 x 25.4 cm (8 x 10 in), with 'Ansco safety film' imprinted in the black marginCondition Report: 1) Some handling cracks, one mark to the gloss; glue residue on the verso2) Very good3) Very good; few light fingerprintsCondition Report Disclaimer

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Dreweatts 1759
Lot 50

NASA1) Frank Borman and James Lovell prepare for training in a simulatorNovember - December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1804, with NASA caption on the verso2) Simulator trainingNovember - December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1805, with NASA caption and RCA stamp on the verso3) Frank Borman and James Lovell walk to the elevator at Complex 19 1h and 40 mins prior to launch4 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1882, with NASA caption on the verso4) Technicians at McDonnell seal the spacecraft hatches 75 minutes prior to launch4 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1887, with NASA caption and RCA stamp on the verso5) Frank Borman is hoisted from the water after splashdown18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-2305, with a NASA caption and RCA stamp on the verso6) Frank Borman and James Lovell onboard USS Wasp18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-2313, with a NASA caption and RCA stamp on verso 

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Dreweatts 1759
Lot 51

NASAA group of three images of James Lovell and Frank Borman during recovery, comprising:1) After splashdown Frank Borman is being hoisted from the water by a helicopter 18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2305, with a NASA caption and RCA stamp on the verso2) A portrait of euphoric expressions on James Lovell's and Frank Borman's faces after successful finale of Gemini 7 spaceflight (on deck of the recovery spacecraft carrier)18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2323, with NASA MSC caption on the verso3) Frank Borman and James Lovell get a red-carpet welcome as they arrive aboard the USS Wasp18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2318, with a NASA caption and RCA stamp on the verso 

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Dreweatts 1759
Lot 52

A photograph of a solar corona taken by Pioneer A spacecraft during NASA's Airborne Solar Eclipse ExpeditionDecember 1965Vintage gelatin silver print on fibre-based paper, 25.5. x 20.5 cm (10 x 8 in), NASA photo no 65-H-1965, with RCA Quality Control stamp and NASA Kennedy Space Center caption on the versoCondition Report: Very good; one minor handling creaseCondition Report Disclaimer

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Dreweatts 1759
Lot 53

NASAA pair of photographs, comprising:1) Dave Scott and Neil Armstrong during a press conference26 February 1966Vintage chromogenic print on fibre-based paper, 25.5 x. 25.5 cm (10 x 8 in), RED NUMBERED NASA S-66-24354, with A KODAK PAPER watermark and a NASA caption on the verso (NASA Manned Spacecraft Center)2) Mission Control - Houston Recovery Room during the recovery of Gemini 816 March 1966Vintage chromogenic print on fibre-based paper, 20.5 x. 25.5 cm (10 x 8 in), RED NUMBERED NASA S-66-24571, with A KODAK PAPER watermark and a NASA caption on the verso (NASA Manned Spacecraft Center)Footnotes:Gemini 8's objective was to dock with the Agena Target vehicle. During docking a thruster malfunction on the Gemini 9 spacecraft occurred causing extreme spin of the craft and a near-fatal incident. The docking was aborted, and the spacecraft was commanded to land. During the difficult flight Armstrong performed with an extraordinary calm and expertly resolved the problem resulting in the astronauts returning safely to earth. 

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Dreweatts 1759
Lot 55

NASAA group of five photographs illustrating the final moments prior to the launch of Gemini 9A, comprising:1) Thomas Stafford and Gene Cernan leaving suiting trailer at Complex 163 June 1966Vintage chromogenic print on fibre-based Kodak paper, 20.5 x 25.5 cm (8 x 10 in), RED NUMBERED NASA S-66-34075, with A KODAK PAPER watermark and NASA caption on the verso2) Having inserted the astronauts into the spacecraft, technicians prepare to close the hatchesJune 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-711, with NASA caption on the verso3) Technicians close the hatches of the Gemini 9A spacecraft. A placard above the spacecraft addressed to Stafford and Cernan by their back up crew, Jim Lovell and Buzz Aldrin reads:"We were kidding beforeBut not any moreGet your, uh, selves into spaceOr we'll take your placeJim and Buzz"June 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-685, with NASA caption on verso4) Final instrument checks by Gene Cernan and Thomas Stafford3 June 1966Vintage gelatin silver print on fibre-based paper, , 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-715, with NASA caption on verso5) Taken by a "fish-eye" camera lens in the White Room during final preparations of the spacecraft3 June 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-688, with NASA caption on versoCondition Report: Overall very good. Photo 1) NASA S-66-34075: some indentations to lower left portion of the image and light surface marks.Condition Report Disclaimer

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Dreweatts 1759
Lot 56

A group of five photographs, comprising:1) Eugene CernanThomas Stafford inside the cockpit during Gemini 9A mission3-6 June 1966 Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-66-38021, with NASA MSC caption on verso2) Thomas StaffordInitial egress from the spacecraft at the start of Gene Cernan's EVA 5 June 1966 Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8) in, with NASA MSC caption on verso3) Taken by a "fish-eye" camera lens in the White RoomFinal preparations of the Gemini spacecraft1 June 1966Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8) in, NASA photo no 66-H-688, with NASA caption and RCA stamp on verso4) NASA Atlas launch vehicle stands ready for launch1 June 1966Vintage gelatin silver print, 20.5 x 25.5 cm (8 x 10 in), NASA photo no 66-H-694, with NASA caption and RCA stamp on verso5) NASAThe lift-off of the Gemini Titan II rocket3 June 1966Vintage gelatin silver print, 20.5 x 25.5 cm (8 x 10 in), image 24x 19.5 cm (9½ x 7½ in), photo no 66-H-716, with NASA caption and RCA stamp on verso    

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Dreweatts 1759
Lot 63

Charles Conrad A remarkable image of Gemini 11 Pilot Richard Gordon attaching a tether line from his spacecraft to the Agena Target Docking Vehicle (ATDV) during his first 33 minute spacewalk 13 September 1967Vintage chromogenic print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), image 24.3 x 18.3 cm (9½ x 7¼ in), RED NUMBERED S-66-54455, with A KODAK PAPER watermarks and NASA Manned Spacecraft Center caption on the versoFootnotes:This view was taken while approximately 160 miles above Earth, and over the Atlantic Ocean. During this mission, Gordon and Command Pilot Charles Conrad set a new altitude record of 750 miles. During the Gemini 11 mission Richard Gordon performed two extravehicular activities for a total of 2 hours and 41 minutes. Condition Report: Four minor handling dents, otherwise very good. Additional images available on requestCondition Report Disclaimer

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Dreweatts 1759
Lot 64

NASARichard Gordon performs the first EVA. The photograph is a still from a 16mm Maurer camera attached by Richard Gordon to the outside of the spacecraft13 September 1966Vintage chromogenic print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), RED NUMBERED NASA S-66-54456, with A KODAK PAPER watermark the verso (NASA Manned Spacecraft Center) Footnotes:As depicted in this photograph, Richard Gordon performed a very challenging EVA during which he attached a tether to the Agena vehicle docked with Gemini. This proved to be much more exhausting when performed in space than in training conditions on the ground. Due to Gordon's fatigue the EVA was shortened to last only 30 minutesCondition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 68

James LovellBuzz Aldrin's spacewalk as photographed during the last Gemini mission11-15 November 1966Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA S-66-62782, with A KODAK PAPER watermarks on the verso (NASA Manned Spacecraft Center)Condition Report: Very good (mint)Condition Report Disclaimer

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Dreweatts 1759
Lot 69

NASABuzz Aldrin at the Agena work station during his EVA over the Earth. The photograph is a still from a 16 mm Maurer camera mounted by Buzz Aldrin on the outside of the spacecraft13 November 1966Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA S-66-62939, with A KODAK PAPER watermarks on the verso (NASA Manned Spacecraft Center) 

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Dreweatts 1759
Lot 71

Buzz AldrinView of Agena docked to Gemini as photographed from the open hatch during the first EVA12 November 1966 Vintage chromogenic print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), RED NUMBERED NASA S-66-62876, with A KODAK PAPER watermark on the verso (NASA Manned Spacecraft Center) 

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Dreweatts 1759
Lot 8

Two photographs of the seven Project Mercury astronauts, comprising:1) Ralph MorseThe 'Mercury Seven' astronauts at Langley Air Force BaseJuly 1961Vintage gelatin silver print on fibre-based paper, 17.5 x 23 cm (approx. 7 x 9 in) with margins, NASA photo no 61-MR4-1, for release 16 July 1961, with NASA HQ caption and "Svenska Dagbladets" archival stamp on the verso2) NASASeven Project Mercury astronauts and Dr William K Douglas joining for breakfast on the morning of Alan Shepard's sub-orbital flight5 May 1961Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), image 24 x 16.5 cm (approx. 6½ x 9½ in), NASA photo no 61-MR3-90, with NASA HQ caption on the versoFootnotes:Dr William K Douglas, seen in the second photograph, was the personal physician to the 'Mercury Seven' astronauts.  Condition Report: 1) Archival pencil marks on verso; a newspaper clipping attached to versoCondition Report Disclaimer

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Dreweatts 1759
Lot 82

NASAAn image of 1960s Apollo-era pressure suit prototype with portable life support system designed for extravehicular activities.Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in)Accompanied by 1) two stills from Destination Moon, 1950 Technicolor science fiction film produced by George Pa, directed by Irving Pichel.Two vintage gelatin silver prints, 20.5 x 25.5 cm (8 x 10 in), with captions by United Artists Film Corporation2) Apollo Moon Suit pamphlet by Geminiscan, 1969

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Dreweatts 1759
Lot 9

Onboard camera, Mercury-Redstone 2 spacecraftHam during his sub-orbital flight 19 January 1961Vintage gelatin silver print on fibre-based paper, 15 x 15 cm (5¾ x 5¾ in), with "Svenska Dagbladets" archival stamps , pencil marks and newspaper clipping on the verso Footnotes:Ham was trained at Holloman AeroMedical Research Laboratories and before the mission was known as "Number 65". The name, an acronym of the research facility, was given to him after the completion of the mission. Ham responded very well to training and became the first primate to survive a 16-minute and 39-second sub-orbital flight. During the flight Ham performed all his tasks up to his training expectations.Condition Report: Front: light handling cracks but overall very good; verso: some age toning and archival notesCondition Report Disclaimer

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Dreweatts 1759
Lot 90

Camera onboard Lunar Orbiter 1 robotic spacecraftThe first photograph of the Earth taken by the first U.S. spacecraft to orbit the Moon23 August 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.3 cm (10 x 8in), image, BLACK NUMBERED NASA L-66-7825, on A KODAK PAPER watermarked stock, with NASA stamp and a caption affixed to the versoFootnotes:Lunar Orbiter 1 was the first U.S. spacecraft to orbit the Moon. Its mission was to obtain photographs of the Moon's surface. The 200 photos sent by each of the five Lunar Orbiters helped NASA select safe landing sites for the Apollo missions. Other objectives of the program were to collect data on the Moon's gravitational field, and study radiation and micrometeoroid flux in the vicinity of the Moon.Condition Report: One minor (0.5 cm) crease in upper left corner, otherwise very good. Additional images availableCondition Report Disclaimer

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Dreweatts 1759
Lot 91

Camera onboard Lunar Obiter II's robotic spacecraft A portion of the first close up photograph of the crater Copernicus - an oblique view of one of the most prominent features of the Moon. Photo taken from 28.4 miles above the surface of the Moon. At the time this image of the Moon was hailed "The Picture of the Century" by Life Magazine 23 November 1966, 7.05 pm ESTTransmitted from the spacecraft to the Deep Space Network station at Goldstone, California on 28 November 1966Vintage gelatin silver print on fibre-based paper, 26 x 20.5 cm (10 ¼ x 8 in), NASA photo no 66-H-1470, with NASA Headquarters caption on the verso Condition Report: Very good.Condition Report Disclaimer

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Dreweatts 1759
Lot 92

Cameras onboard Lunar Orbiter 3's robotic spacecraftA mosaic of three photographs showing three views of the area on the Moon where Surveyor I landed on 2 June 1966; the landing area is circled or squared in each photograph22 February 1967Vintage gelatin silver print on fibre-based, 25.5 x 10.5 cm (10 x 8 in), with NASA Headquarters caption on the verso Condition Report: Very goodCondition Report Disclaimer

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Dreweatts 1759
Lot 94

Camera onboard Lunar Orbiter V robotic probeA view of the nearly full Earth taken from 214,806 miles away from Earth, Saudi Arabia which is in solar noon can be clearly seen; portions of Africa and the Indian subcontinent are also visible as is the Arctic8 August 1967, 5.05 EDTVintage gelatin silver print on fibre-based paper, 25.5. x 20.5 cm (10 x 8 in), with the Boeing Company NASA Boeing caption titled "BY THE LIGHT OF A SILVERY EARTH" affixed to the verso (NASA's spacecraft contractor for the Lunar Orbiter programme) 

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Dreweatts 1759
Lot 99

Black & White Spin Scan Cloud Camera onboard the geostationary satellite ATS 1Planet Earth13 December 1966Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no 66-H-1635E, with NASA HQ caption on the verso

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Tim Davidson Auctions Ltd.
Lot 124

CINEMA, signed piece by Charlie Chaplin, overmounted beneath colour print, 10.5 x 16 overall, EX

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Tim Davidson Auctions Ltd.
Lot 138

SPACE, signed commemorative cover by Buzz Aldrin, overmounted beneath colour print of portrait & lunar surface, 15.25 x 17.25 overall, EX

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Tim Davidson Auctions Ltd.
Lot 139

AVIATION, signed commemorative cover by Douglas Bader, overmounted beneath colour print showing Bader seated on plane, 15.25 x 23.5 overall, address panel removed from signed cover, VG

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Tim Davidson Auctions Ltd.
Lot 269

COUNTY PRINT SERVICES, cricket, mainly complete (15), standard size, in modern album, EX to MT, Qty

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C & T Auctioneers and Valuers Ltd
Lot 313

Quantity of Doctor who related prints and pictures, including, two A4 sized 3D pictures, dalek canvas print,9 printed pictures with frames, 2 unframed prints, 7 sealed pencil drawings by Jonathan wood, 6 large un coloured daleks pictures some with pens sets and 2 unframed 3D pictures (30 items)

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Bamfords Auctioneers & Valuers
Lot 353

Terry Harrison, The Towpath Gate, signed print, 22cm x 42cm; H Chilton, landscape, oil on board, 19cm x 24cm; other paintings including oilegraphs (11)

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Bamfords Auctioneers & Valuers
Lot 355

A collection of unmounted linocut prints, etchings and woodcut prints, comprising Evening At Gaza and The Retreat from Serbia, from a colour print by Robert Gibbings; Maria Arango woodcut prints, Saltimbanqui I ? V, edition of 200; Robert Houston etchings, comprising Dunvegan Castle, Peter Pan, Castle Moile etc; others including Jacqui Fortnum linocut prints etc (quantity)

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Bamfords Auctioneers & Valuers
Lot 375

David Wright, by and after, Friargate Afternoon, signed in pencil, limited edition print 20/100; another, similar, Underneath The Arches, Friargate, limited edition print 117/500 (2)

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Bourne End Auction Rooms
Lot 173

Amy Winehouse print (framed and glazed). Location:RWB

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Bourne End Auction Rooms
Lot 174

A limited edition number 3 of 10 Rolling Stones print by street artist Al - framed, glazed and signed. Location:RWM

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Halls Fine Art Auctioneers
Lot 198

A good John Rose, Coalport porcelain jug circa 1796-1800 transfer-printed in underglaze blue with a typical Chinese landscape and a rare vase of flowers, overglaze enamelled in red with crest of a cockerel, unmarked, 15cm high Provenance: Ex. Rev. Blakeway-Phillips Collection.Notes: This 'Vase of Flowers' print was also used by the Calcut factory and the cross-over between the designs demonstrates an interesting link between the two factories.Condition report: In good condition with no cracks, chips, damages or restoration. There is a firing crack to the right of the spout and a further firing crack to the handle

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Warwick Auctions of Coventry
Lot 273

PRINT AFTER L.S.LOWRY "AT THE FACTORY GATES"

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