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Lot 263
AFTER BEV TAYLOR "Chickens in a barn with cockerel", colour print signed in pencil, artist's proof, image size 44 cm x 54 cm, together with 37 further copies of the same print, unframed and by the same hand "Evening in the home paddock", a study of cattle and chickens, a framed and glazed print, together with 31 further unframed copies of the same print and "The sunshine girls", framed and glazed limited edition print No'd. 205/400, signed in pencil and 27 further unframed copies of the same print and a box of various prints by the same hand, together with BEV TAYLOR "Looking out", a view of Sutherland Forge from inside the barn opposite, oil on canvas, signed lower right, 88 cm x 72 cm, together with another by the same hand of "Cockerel in a cart shed", oil on canvas, signed lower left, 88 cm x 72 cm and "Woodland at sunrise", oil on board, signed lower right, 50 cm x 40 cm, another "Near the top", a woodland scene, oil on board, signed lower left, 30 cm x 40 cm and another "That quiet corner", 17.5 cm x 6.8 cm
Lot 296
MICHAEL POTTER "Still life study of Chinese vases", watercolour, signed bottom right, size including frame 76 cm x 95.5 cm, together with two others similar, a set of four Trowbridge Gallery prints, each depicting Chinese vase or ginger jar, bears embossed stamped "Trowbridge Gallery" label and No'd. 500/500, size including frame 62 cm x 49 cm, together with a Chinese watercolour on rice paper depicting "Two sages", together with two further MICHAEL POTTER watercolours and a MICHAEL POTTER limited edition print (ARR)
Lot 307
A large collection of various late 19th Century and onwards photographic images of Hong Kong, etc, to include "Des Veoux Road adjacent to Hong Kong and Shanghai Bank during the first lamp standard in Hong Kong circa 1890"Condition ReportThere are 18 photographs in this lot, the image of the "Queens Building" has some surface of the image lifting in several areas, see image, suggesting this is a photographic print, image size is 29.5cm x 38.5cm upon close inspection of the label to the base, it appears to have been originally a typed and cut out label, taped on the photograph, there is no sign of any definition to the tape, so our conclusion is that these are photographic reproductions of the early photographs. Other named images include: "Queens Road looking East. C 1897" 18cm x 24.5cm. "Kowloon from Lugard Road, Hong Kong" 18.5cm x 29cm image with great detail of crackelure to the surface, "Kings Building and Union Building from Habour C 1958" 22cm x 28.5cm, "Magazine Gap Road & and Baker Road Survey for Proposed Tram Way April 1900", "King Edward Hotel on the corner of ice house street & Des Vebux Road (Part of Alexandra sight)" 29cm x 18.5cm "Des Vebux Road adjacent to Hong Kong & Shanghai bank showing first lamp standard in Hong Kong C 1890" 21cm x 30cm, "Union building with Pedder Street (left) & Carter Road (right) C 1958" 29cm x 22.5cm. All images with crackelure to surface, all remaining images (9 ) unnamed and similar condition sizes varying circa 27cm x 34cm / 21.5 x 29cm. See images for further detail. All house in matching silvered frames bearing labels verso "Galerie Du Monde, Fine Art Custom Framing Restoration, 26 Hollywood Road, Hong Kong Telephone 5-262901 5-2505029"
Lot 309
AFTER VAN LAU (b. 1933) "Double moon", colour print, titled, signed and dated 1973 in pencil to bottom, image size 77 cm x 58 cm, together with another by the same hand entitled "Nien Chi", dated 1968, image size 68 cm x 50 cm, both artist's proofs, together with a print with embossed gilded decoration and script (ARR)
Lot 312
A collection of pictures to include 20TH CENTURY SCHOOL "Sailing boats at anchor with cliffs in the background", oil on canvas, indistinctly signed lower right, size including frame approx 49 cm x 60 cm, together with JAN GODMAN "Allotment scene with chickens in foreground", acrylic on board, signed lower right, size including frame approx 51 cm x 63.5 cm, RON RANSON "Study of house at Castle Eaton", watercolour, signed and dated '88 bottom right, image size 36 cm x 47 cm, a LIONEL EDWARDS print, etc (10)
Lot 140
David Evans, 'Reflections at High Tide', Laugharne estuary, signed, watercolours, 28 x 37cm approx. Together with Elizabeth Haines, limited edition coloured print, valley scene and a watercolour entitled 'Towy Horseshoe' bearing initials N.C, 29 x 39cm approx. Framed and glazed. (B.P. 21% + VAT)
Lot 150
'Manchester United Past and Present' from an original painting by Peter Deighan, artist's proof print, framed and glazed, signed by Peter Reid, together with Manchester United Champions League Winners 1999 montage and a reproduction print 'Blackpool versus Manchester United at Wembley, FA Cup final 1948'. (3)(B.P. 21% + VAT)
Lot 48
Rolf Harris - Australian Entertainer & Artist - Leopard Reclining At Dusk - An original limited edition signed / autographed Giclee print on paper depicting a spotted leopard seated in rocky outcrop landscape during dusk. Demontfort fine art certificate to verso. Complete in frame. Limited 31/195. Measures; 20"x17".
Lot 1084
A late Victorian hounds tooth print upholstered Chesterfield sofaOn turned ebonised supports, 205cm wide; 66cm highCondition report: With scroll arms. The fabric is slightly worn and probably lighted faded, but the nature of it is quite light in tone. Legs later black painted with a varnished finish, several scuffs and rubbed parts. On castors. Dust sheet concealing seat rails.
Lot 1295
A print of mountains in grey monochrome38cm x 18cm, together with a Chinese fan painting, painted in blue monochrome on paper with a mountainous landscape against a gold flecked ground, signed, 47cm wide (2)Fan painting- Tear along bottom edge of page approx. 2cm. length. Some markings to the paper. The fan painting itself in overall good conditionPrint- some staining to the margin
Lot 49
THREE MEERSCHAUM PIPES (3)19th CenturyOne modelled as an eagle's talon with silver mounts hallmarked for Birmingham 1892, presentation engraved 'From The Old Skipper to Sir Ceril Miles, Bt', with a black stem, length 19cm; a smaller pipe modelled as a talon and another modelled as a talon with animals between the claws, each with fitted cases, one with retailers print 'C. Hiess' to the interior.
Lot 53
THREE FIGURAL MEERSCHAUM PIPES (3)19th CenturyTo include; one modelled as a priest and detailed '1709-1722' (lacking mouthpiece); a gentleman wearing a top-hat, possibly Sir William Gladstone and another of King Edward VII, each cased, one with retailers print to interior 'Fratlli Richini Venezia', length of largest 15cm.Condition report:- Priest pipe; mouthpiece missing, has been smoked and well used, hairline crack to face and chip to hair covering, case scuffed but ok- Top-hat pipe; amber mouthpiece is cracked and has been repaired, pipe has been smoked but overall in good condition, case scuffed and worn- King Edward VII; amber mouthpiece cracked and in two sections, pipe has been smoked but overall in good condition, case good.
Lot 301
‡ Bernard Leach CBE (1887-1979) Wind in the Hills or Karuizawa Raging Winds and Mountain Wind, soft ground etching on paper signed in the print and dated 18, 28 x 26cm (sheet) Provenance From a collection of Printer's proof prints. Literature Simon Olding The Etchings of Bernard Leach, Craft Study Centre, page 86 plate 9 for a comparable print.
Lot 302
‡ Bernard Leach CBE (1887-1979) Tree in Blossom aquatint on paper stamp signed Bernard Leach 37.5 x 27.6cm. Provenance From a collection of Printer's proof prints. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 90 figure 63 for a comparable print illustrated.
Lot 303
‡ Bernard Leach CBE (1887-1979) His Plot of Land, Hakone etching originally 1912, signed in the print Bernard Leach 1912, 13.5 x 12.5cm. (image) Provenance From a collection of Printer's proof prints. Literature Simon Olding, The Etchings of Bernard Leach, Crafts Study Centre, page 67 figure 40 for a comparable print illustrated.
Lot 305
‡ Bernard Leach CBE (1887-1979) Japanese Farmhouse, or Tomimoto's Village Ando etching on paper, signed in the plate Bernard Leach and dated 1912 27.7 x 19cm (sheet) Provenance From a collection of Printer's proof prints. Literature Simon Olding, The Etchings of Bernard Leach, Crafts Study Centre, page 52 figure 25 for a comparable print illustrated.
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314796 item(s)/page