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Lot 421
A BOX OF FRAMED BAXTER PRINTS AND PLATED WARES, comprising seven framed and glazed Baxter prints, depicting Admiral Nelson, Queen Victoria, Prince Albert, etc, including a framed print of a couple with Christie's New Hall label verso, largest frame size 22.5cm x 27.5cm, together with a plated Pepper & Hope teapot, and an oval plated cloche marked 'D & A' (1 box)
Lot 443
A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include two early 20th Century landscape watercolours signed F. Marginson, approximate sizes 24cm x 36cm, K. W. Burton signed limited edition print 'Kenilworth Castle, Warwickshire', a Don 'Nomas' Atkins pen drawing of a grand house, an oriental style painting depicting a fisherman on a boat, together with assorted other prints etc
Lot 292
STEPHEN FORD (BRITISH CONTEMPORARY) 'LOOK TO THE FUTURE', a signed limited edition print on wood of a Panda, 85/95 with certificate, approximate sizes - image 62cm x 48cm and frame 68cm x 83cm, Condition: light scratch towards the lower right corner of the print, frame damaged (artist resale rights apply)
Lot 497
FIVE PAINTINGS AND PRINTS, COMPRISING AN UNSIGNED STILL LIFE FRUIT STUDY IN THE STYLE OF VINCENT AND OLIVER CLARE, oil on canvas, approximate size 12cm x 17cm, an unsigned oil on canvas depicting thatched cottages in a country lane, approximate size 40cm x 30cm, a engraving print after Eduard Grutzner 'The Coopers' signed and dated 1922 to lower margin, approximate size including visible margins 33cm x 26cm, a maritime watercolour depicting a square rigged ship under full sail signed Eileen Kinnear? and a print of a black cat by Kathryn Harvey (5)
Lot 521
TWO LATE 20TH CENTURY OILS ON BOARD AND A S.R. PERCY PRINT, comprising B. Collins a still life study of fruit and wine, signed bottom right, approximate size 50cm x 60cm, J.Carter river landscape depicting a bridge over a river, approximate size 50cm x 60cm and S.R. Percy print 'Long Loch' (3)
Lot 287
LARS TUNEBO (SWEDEN 1962) 'THE MAIN ATTRACTION', a signed limited edition print depicting a Rhino balanced upon an exercise ball before the Colosseum, 19/195 with certificate, approximate sizes - image 58cm x 58cm including margins frame 70cm x 70cm, Condition Report: small chip to bottom corner edge of the frame (artist resale rights apply)
Lot 431
TIMMY MALLETT (BRITISH CONTEMPORARY) 'CELEBRATING ON THE MALL', a signed limited edition box canvas print depicting a London street scene, 52/195 with certificate, signed verso, approximate size 43cm x 51cm, Condition: small scuffs to the sides, lacks picture hanging fittings (artist resale rights apply)
Lot 565
TWO BOXES AND LOOSE PAINTINGS AND PRINTS ETC, to include Rosemary Morison 'Gloucestershire Pollarding' a watercolour landscape, Neil Wharton an illustrative town square scene watercolour, Anne Schulte cottage garden watercolour, Tessa Kuby 'Trees' a woodland pathway watercolour, an unsigned sepia watercolour view of a boat in a port, two watercolour studies of plant signed L. Clarke, early 20th century village view watercolour and assorted prints including topographical and print mounts etc
Lot 295
MILA ALEXANDER (RUSSIAN CONTEMPORARY) 'LOST IN LOVE' a limited edition print of a nude female covered in roses 36/49, signed bottom right with certificate, approximate sizes - image 86cm x 61cm, frame 94cm x 68cm (Condition: light scratches and scuffs to print varnish, bottom corners of the frame chipped and scratched)
Lot 479
SEVEN BOXES AND LOOSE CERAMICS, METALWARES, CDS AND MISCELLANEOUS ITEMS, to include a small box of vintage Christmas baubles, stoneware jars, over twenty CDs and CD sets and a box of cassette tapes, mainly classical and easy listening, plated wares including a cased cutlery set, the knife of which having a mother of pearl and silver handle, hallmarked Sheffield 1909, seven framed prints and original artworks, including a limited edition print 'HMY Britannia leaving Tower Bridge for the last time' by S Francis Smitheman numbered 362/500, etc (7 boxes + loose) (sd)
Lot 462
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, comprising six open edition William Russell Flint prints, a Martin Poole watercolour landscape depicting an open field through a gate with windmill to the distance, two Lucy Dawson prints, miniature portrait print and Kingsmill shop display banner advertising a Wallace and Gromit preserves dispenser, approximate size 106cm x 282cm
Lot 516
TWELVE MODERN DECORATIVE PRINTS COMPRISING DAVID SHEPHERD (1931-2017) AND GEOFFREY W. BIRKS (1929-1993) ETC, David shepherd limited editions 'Evening in Africa' approximate size 44cm x 80cm including visible margins, 'Boabab and Friends' and 'Ice Wilderness', Geoffrey Birks limited editions - 'Bathtime' and 'Tha'll not win tha knows, both with pencil remarque sketches and additional signatures to the lower margins, limited edition maritime prints by John Young and E.D. Walker, two Ronald Moseley limited edition prints, P Couthhard heavy horses working print, Robert Taylor military aviation prints - 'Duel of Eagles' with faded signatures of Douglas Bader and Adolf Galland and 'Memorial Flight' signed by AVM Johnnie Johnson, Gp Capt Leonard Cheshire and Gp Capt Peter Townsend
Lot 216
Hornby The Barry Freeman Collection 'Rare Bird' limited edition print OO gauge train pack including BR blue 4-6-2 Class A4 'Kingfiher' locomotive and tender, two BR teak 3rd Class corridor coaches & BR teak composite brake coach, R2906, together with The Barry Freeman Collection 'Fireworks at Chilcompton' limited edition print OO gauge train pack including BR green West Country Class 'Dorchester' locomotive and tender, two BR (exLMS) Corridor 3rd Class Coaches & BR (exLMS) Corridor Brake 3rd Class Coach, R2908, both in original boxes
Lot 1012
"The Farm", Memories of the artists early years in Ozan, Arkansas. Signed and dated 1984. Eugene White (born 1933) is a San Francisco painter and print maker who has made the chronicle of African-American life the centerpiece of his art practice. White is a self taught artist who makes realist-style portraits and scene paintings. He has run his own gallery in San Francisco since the 1970's, supporting exclusively black artists. For decades it was the only black-owned gallery in town. Starting in the 1960's White began depicting black folks in drawings, prints and paintings. These included members of the Black Panther Party, important black cultural figures, and black people from his childhood in rural Arkansas. His father worked as a sharecropper and White worked on the farm as a youth too, but by the late 1950s he had left home to find something else. That turned out to be art. He got his start as a sign maker in Saginaw, Michigan and later worked in Detroit making illustrations of Cadillacs for General Motors. Not willing to accept the second class citizenship he experienced as a black person there, White moved out to San Francisco, where he found himself in a better position to address civil rights issues and aesthetic issues specific to black culture. White’s first San Francisco exhibition took place with the support of the of the Bull Foundation at the Hall of Flowers in Golden Gate Park. He went on to show in many venues including the1971 Black Expo in Chicago and FESRTAC, the 1977 Nigerian Arts and Cultural Festival. He has executed many commissions, including one at Bennet College. His prints and paintings have been acquired by museums and private collectors, including the Oakland Museum of California. In the City San Francisco, July 11th is Eugene White Day. Overall size: 53 x 43 in. Sight size: 48 x 35 in.
Lot 1034
Benjamin Miller (1877-1964) American. Expressionist watercolor signed. was active/lived in Ohio. Benjamin Miller is known for Wood block printing, painting, teaching. A printmaker known for woodcuts, painter and educator, Benjamin Miller lived in Cincinnati, Ohio. He studied at the Massachusetts Institute of Technology and the Cincinnati Academy of Art with Frank Duveneck. Exhibition venues included American Federation of Arts, 1929; Victoria and Albert Museum; Bibliotheque Nationale, Paris, 1928; Cincinnati Art Museum; Cleveland Museum of Art, 1929; Carnegie Institute; Norton Gallery A; Print Club, Philadelphia, 1929 (prize), 1932, 1935 (prize); Art Institute of Chicago, 1930; Philadelphia Art Alliance; National Exhibition of Lithography and Woodcuts, New York, 1937; National Academy of Design, 1942; Tri-State Print Exhibition,1945 (prize). Overall size: 25 1/2 x 30 1/2 in. Sight size: 17 1/4 x 23 in.
Lot 1189
Robert Kipniss (B. 1931) American, Artists Proof Lithograph. Depicting monochromatic trees and houses. Lower left says artists proof xv/xv. Signed Kipniss in the lower right. Robert Kipniss is known for monochromatic vista and graphics. He creates essencially monochromatic, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes, the menancholy of nostalgia. Kipniss studied at the Art Students League in 1947, Wittenberg University, and University of Iowa. He employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil, or print-makers needle and burin, to create the essence of his generalized non-specific forms. Overall size: 24 1/2 x 20 1/4 in. Sight size: 15 1/2 x 11 1/2 in.
Lot 1190
Robert Kipniss (B. 1931) American, Artist Proof Lithograph. Depicting monochromatic flowers and leaves. Lower left says artists proof iv/xv. Signed Kipniss in the lower right. Robert Kipniss is known for monochromatic vista and graphics. He creates essencially monochromatic, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes, the menancholy of nostalgia. Kipniss studied at the Art Students League in 1947, Wittenberg University, and University of Iowa. He employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil, or print-makers needle and burin, to create the essence of his generalized non-specific forms. Overall size: 23 1/2 x 19 3/4 in. Sight size: 10 1/2 x 11 in.
Lot 1191
Roger Kipniss (B. 1931) American, Lithograph. Depciting a grass landscape with trees and houses. Numbered 90/150 in the lower left. Signed Kipniss in the lower right. Robert Kipniss is known for monochromatic vista and graphics. He creates essencially monochromatic, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes, the menancholy of nostalgia. Kipniss studied at the Art Students League in 1947, Wittenberg University, and University of Iowa. He employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil, or print-makers needle and burin, to create the essence of his generalized non-specific forms. Overall size: 15 x 15 3/4 in. Sight size: 4 x 5 in.
Lot 1231
Abstract woodblock print of a bird in the forest, signed in pencil lower left. Kunihiro Amano was born in Hirosaki. He is a self-taught artist, who participated in all national (Tokyo) and International Print Biennales. His woodblock prints are dominated by abstract, geometrical forms with sometimes erotic references in strong colors. Early works were influenced by Shiko Munakata. Prints by Kunihiro Amano are in the collections of many international art museums like the MoMA in New York and the Washington Library of Congress.Overall size: 28 x 23 in.Sight size: 20 1/2 x 16 1/4 in.
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314783 item(s)/page