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Lot 51

Tartan & Mauchline ware, comprising; a Tartan needlebook, 8.5cm x 6cm, a cylinder bodkin case (Prince Charlie), 9.5cm, another, 5cm, a pin disc (M`Beth), 5cm, a whitewood silk winder ""Happy Christmas"", 5cm, and a pin box with floral print to lid, 10.7cm, most a little rubbed. (6) (Diane Pelham Burn Collection)

Lot 76

Two tape measures, comprising; a polychrome painted cast metal tape measure in the form of a cockatoo or parrot, printed tape in inches and centimetres, marked ""London - Made Austria"", 8cm, and a boxwood barrel form tape measure with colour print of a woman holding flowers and titled ""Nice"", with bone winding spindle incorporating a Stanhope (3-view Souvenir de Nice), printed tape in centimetres, 4.2cm. (2)

Lot 148

Children`s sewing boxes, etc., comprising; a Regency red leather example, a.f., 12cm, a crude sewing box with print to lid of a school and children, with contents, 14.5cm, a 5-piece leatherette cased sewing companion, 14cm, a children`s sewing box with contents, hinge a.f., 19.5cm, and a sewing companion in the form of a rocking chair. (qty) (Diane Pelham Burn Collection)

Lot 171

An attractive early 19th century painted sewing pannier, probably Spa work, the pannier of octagonal form with tapering sides and painted with flowers within formal borders, the inset lid with a colour print of a city within a floral border, wooden swing handle, interior re-lined, 18cm x 12cm x 14.5cm.

Lot 245

Needle books and boxes, comprising; The Queen Victoria Jubilee needlebook with colour prints and recording births of Queen Victoria`s children, spine worn, 12cm x 7.5cm, a leather example for George VI, a cardboard needle wallet commemorating Byron, a pressed Bristol card needlebook dated 1863, a.f., The Bournemouth Needle Case, and a cardboard needle packet box with colour print to lid, 10cm x 6.2cm. (6)

Lot 251

Three needlepacket boxes, comprising; a red leather example of card case form, one side with gilt tooled decoration, 5cm x 2.5cm, another in velvet with gilt foil decoration in the form of a book, 6.2cm x 4.2cm, and another of book form with worn colour print to lid, 5cm x 3cm. (3)

Lot 256

A fine cut and raised paperwork needlebook, the cover with a flower and leaves, red leather spine, the reverse with a colour print of flowers, gilt foil edges, pink ribbon, internal flannel, mint, 5cm x 3.8cm.

Lot 266

A rare late 18th century French pin stuck needlebook, the card covers edged in gilt foil with a print of soldiers in a fort to the front and figures in a courtyard to the back, two double silk pages printed and colour painted, the first titled ""L`Attelier d`Amour"" depicting winged figures preparing arrows and bows, the arrows formed from pins, the second page titled ""Retour d`Amour de la Chasse"" showing a winged figure with bow and arrow entering through a gateway, the railings formed from needles, with two further `pages` of needle flannel, 8.5cm x 7cm.

Lot 300

Three early 19th century red leather needle packet cases, comprising; a wallet form example titled ""Needles"" and gilt tooled, green silk interior with numerical compartments, the reverse with a colour print of continental city, 6.7cm x 4.7cm, and two book form examples, 4.6cm and 5.3cm. (3)

Lot 479

A mixed lot, comprising; a red velvet covered sewing companion with tools, 24cm, sundry crochet hooks and other tools, an ivory etui, a.f, with scissor and thimble, 8cm, a WWI flags of The Allies pincushion in original box, with print image of Kitchener to lid, 12.5cm x 8.5cm, a pair of scissors in relic condition, two chatelaine mounts, one inset with porcelain plaques but lacking clip, a pair of 18th century embroidered silk pillow pincushions, s.d., 7cm square, and a triangular print decorated cardboard box. (qty) (Betty Wolf Collection)

Lot 489

A mixed lot, comprising; a patchwork square pincushion, 2.7cm, another in the form of a slipper, 5cm, a star form straw work silk winder, 4.5cm, a carved walnut shoe to house a thimble, lacking cover, 5.5cm, a pierced bone cylinder box, s.d. to edge of screw lid, 3.7cm, two Baxter print needlebook covers, individually framed, another Baxter style print, framed, and a cut and stacked Bristol card panel with printed floral panel, incorporating sacred hearts and embroidered ""These Three Hearts We Love and Adore"", in double sided frame, 18.5cm x 14.5cm. (9) (Diane Pelham Burn Collection)

Lot 1055

Terence Cuneo Print Merchant Navy Class 35027 Passing Under A Bridge signed by the artist and numbered 466/850

Lot 1034

Phil May - Limited Edition Signed Print Utah Salt Flats USA depicting Goldie Gardeners MG Record Car, numbered 15/25 14x18``, 36x46cm (glazed and framed)

Lot 1040

Aeronautica a collection of aircraft related paperwork including The Aeroplane 1953 depicting the DH Comet with square windows on the cover, four 1950`s issues of Flight magazine, 12 Observers Book of Aircraft, numerous editions of Modern Combat Aircraft books and others; a signed limited edition print `Firebird Rising`` signed by Flt. Lt. Jerry Goatham and Flt. Lt. Paul Brown no. 47/250, a collection of other framed and unframed prints (qty)

Lot 1044

David Weston Print `Steam at Top Shed` (1984) signed by the artist and numbered 198/500 glazed and framed; together with a Don Brecon print Black Five passing a Lake glazed and framed (2)

Lot 2

A pair of large Wedgwood Farmyard tiles designed by William Wise, each printed in blue with bull and pigs in a farm setting, framed signed W Wise in the print, restored 30cm. square Provenance Stephen Wilcock Collection

Lot 19

Miro, a framed and glazed artist proof print, abstract scene, 12" x 16"

Lot 106

A white vintage butterfly silk print dress

Lot 169

A fun 1980s Campari Glamour puffer jacket with gilt animal print design

Lot 1040

Aeronautica a collection of aircraft related paperwork including The Aeroplane 1953 depicting the DH Comet with square windows on the cover, four 1950`s issues of Flight magazine, 12 Observers Book of Aircraft, numerous editions of Modern Combat Aircraft books and others; a signed limited edition print `Firebird Rising`` signed by Flt. Lt. Jerry Goatham and Flt. Lt. Paul Brown no. 47/250, a collection of other framed and unframed prints (qty)

Lot 1044

David Weston Print `Steam at Top Shed` (1984) signed by the artist and numbered 198/500 glazed and framed; together with a Don Brecon print Black Five passing a Lake glazed and framed (2)

Lot 1055

Terence Cuneo Print Merchant Navy Class 35027 Passing Under A Bridge signed by the artist and numbered 466/850

Lot 513

Ernest H Shepard 1879-1976 - Shipped myself on board a small trading vessel` an original pen and ink illustration for The Wind in the Willows, with title and printers notations in pencil to the margins. Signed EHS to lower left corner and to reverse `E H Shepard Long Meadow Longdown` 7"" x 10 1/2"", to be sold with a later gallery print, after Pissarro in ebonized framed and backing board. Catalogue note: The drawing is marked to the reverse in Shepard`s own hand `E H Shepard Long Meadow Longdown`, it was usual for Shepard to annotate his drawings with his Guildford address to enable its safe return from the printers. The drawing is also marked `p202` in pencil to denote the page number, an anomaly as the illustration was used on page 112 of the edition illustrated by Shepard and first published in 1931.

Lot 213

Roman Silver Anthropomorphic Dice Pair1st-2nd century AD. A matched pair of cast anthropomorphic gaming dice, each formed as a crouching nude figure with looped arms and hands on the hips; punch-marked with a single point to the top of the head, two on one thigh and three on the other, four to the underside of the buttocks, five to the chest and six to the back; one with male genitalia, the other female; offered in a Victorian period card pill-box marked `Mr. F.C.W.`. Accompanied by a print of an email from Judith Swaddling, British Museum (referring to a similar pair in the BM collection, acquisition number 1851,0813.125; see also British Museum reference 1980,0401.2 for another pair) and a print of an email from the original vendor who submitted them to the Dorset auction (where the present vendor acquired them). 6.83 grams total, 28mm including box (1"). Ex Somerset, UK collector; acquired Yeovil Auction Rooms, Yeovil, UK, sale (lot 337, with copy of the listing); formerly with a Dorset gentleman. Accompanied by a Goldsmiths` Company XRF Assay Report (1st August 2014). [2]Very fine condition. Extremely rare.

Lot 799

Medieval Ferdinand I of Hungary Denar Coin Obverse DieDated 1547 AD. A wrought iron obverse die used to strike a hammered billon denar coin of Ferdinand I (1526-1564 AD), probably from the royal mint at Kremnitz; the shaft of rectangular section, reducing to a circular die face depicting the Hungarian arms with date above and FERDINAND D G R VNG legend, all reversed and incuse; the head of the die showing burring from being hammered in striking coins; the corresponding reverse for this coin would depict Mary, crowned and seated and holding the infant Jesus with PATRONA VNGARIE legend; accompanied by an impression taken from the this die and a print showing the coin type produced. 267 grams, 10cm (4"). From an important English collection; acquired in the 1990s. Very fine condition; the die face fully legible and clear. A rare survival of the medieval hammered coin minting process.

Lot 185

After GARY HODGES (1954-); three signed limited edition prints "Little Foxes" no.AP26/110, "Elegance" no.114/800 and "Demure Lemur" no.159/800, image area of largest print 59 x 33.5cm (3).

Lot 193

After D.VAN HEERDE (1954-); a signed limited edition print "Built For Speed" no.476/500 framed and glazed, image area is 43 x 78cm.

Lot 199

A small quantity of decorative prints and drawings to include a Dutch style print on board, a watercolour of honeysuckle and two harbour scenes in ebonised frames.

Lot 200

A quantity of watercolours and prints, together with two Art Nouveau style frames (8). CONDITION REPORT Frames are reproduction and is the Art Nouveau style print. There are two original watercolours.

Lot 202

After George Thompson; a limited edition colour print "Venetian Reflections", no.139/195, detailed verso, 37 x 26cm and five further decorative pictures all relating to Venice all framed and glazed (6).

Lot 376

John Piper (1903-1992), Foliate Heads 1975, limited edition screen print in colours, signed, numbered 4/75, 58cm x 67cm (ARR may apply)

Lot 377

Sydney Nolan (Australian 1917-1992), Ned Kelly in the Outback, limited reprographic coloured print, signed and numbered 37/100, 60cm x 76cm

Lot 378

Michael Rothenstein (1908-1993), Horse in a landscape, limited edition coloured woodcut print, signed and numbered 59/150, 66cm x 50cm (ARR may apply)

Lot 430

John Cyril Harrison (1898-1985), Red Grouse, coloured reprographic print, signed, 38cm x 25cm (ARR may apply)

Lot 431

Rare George Best signed coloured reprographic print, by Harold Riley (b. 1934), after Riley's original painting of 1968, this limited edition print is numbered 3/5, signed by the artist in 1990, and countersigned by George Best, 64cm x 76cm (ARR may apply)

Lot 452

After Archibald Thorburn (1860-1935), The leading pack, Red Grouse over the moors, reprographic coloured print, signed by artist, 38cm x 51cm

Lot 1801

A David Hockney print 'A Retrospective' circa 1988, Los Angeles County Museum of Art, framed and glazed 96cm x 60 cm.

Lot 325

The BOOK OF RUTH. Limited Edition. Introduction and Free Translation Linda Zisquit; Woodcuts Maty Grunberg. 18 folio d-sheets each with coloured illus., and with Hebrew & English text opposite, all loose within letterpress wrappers & contained in a gilt-lettered box. Osband Press Ltd. 1996. * limitation of 125 numbered copies signed by the artist (at limitation statement & on each print)

Lot 183

Mervyn Jude (20thC). The Supreme Challenge Becher`s Brook, limited edition print, signed by the artist, Tommy Stack and Ginger McCain, no. 657/850, 50cm x 74cm.

Lot 184

Neil Cawthorne (b. 1936). The Grand National, limited edition print no. 337/800, signed to the mount by the artist and Dick Saunders, no. 337/800, 43cm x 60cm.

Lot 3174

19thC Japanese School. Geisha girl and bird, block print, signed, 30.5cm x 19cm.

Lot 644A

Ignatius Mark (20thC). Desert View Lookout, limited edition print no. 391/950, numbered verso, 44cm x 59.5cm.

Lot 646

After Charles White. Le Moment De La Reflexion, coloured print, 27cm x 29cm.

Lot 647

19thC School. Portrait of a gentleman quarter profile, print on glass in a gilt gesso frame, 10cm x 8cm.

Lot 654

After Lubton & Clyn (19thC). Blanchard, Liston and Matthews, In The Face Of Love, Law And Physic, black and white print, attributed and titled to the print mount, 45cm x 35cm, and another Market Place, Nottingham. (2)

Lot 660

Trevor Mitchell (20thC). W Johnson steam engine fixing a road on a summer`s day, print, 29cm x 39cm.

Lot 661

20thC School. The Royal Scot 56242 at Penrith station, black and white photographic print, 38cm x 48cm.

Lot 662

After George Newnes (20thC). Battle Of The Modder River, November 28th 1899, print, 31cm x 97cm.

Lot 664

After Laurence Stephen Lowry (1887-1976). Street scene, print, unsigned, 44cm x 60cm.

Lot 667

After Laurence Stephen Lowry (1887-1976). Street scene, print, unsigned, 44cm x 60cm.

Lot 668

After G W Bacon (20thC). Birds Eye View Of The Battle Of Tamanieb 13th March 1884, print, 44cm x 66cm.

Lot 670

* Howard Shingler (b.1953). A Winter`s Evening, limited edition print no. 80/500, signed and dated to the mount, 38cm x 58cm.

Lot 672

* Howard Shingler (b.1953). Lazy Summer Days, limited edition print no. 80/500, signed and dated to the mount, 38cm x 59cm.

Lot 673

* John Trickett (1953). A pair of alsatians before stream, limited edition, print no. 348/380, signed, 38cm x 58.5cm, and another dog print. (2)

Lot 674

Bil (20thC School). Bees before houses on a winter`s day, watercolour, signed, 14.5cm x 52.5cm, limited edition print by Moulton, another and a further print. (4)

Lot 676

After G W Bacon (20thC). Birds Eye View Of The Battle Of El-Teb, February 29th 1884, print, 44.5cm x 71cm.

Lot 692

After Cecil Aldin (1870-1935). The Huntsman, print on wood, 23cm x 58cm.

Lot 693

After Cecil Aldin (1870-1935). Hunting Types, A Timber Topper With Quorn, print, titled to the mount, 27.5cm x 37cm.

Lot 695

Elizabeth Sharp (20thC). The Belvior... Below The Castle, limited edition print no. 95/850, signed and titled Rutland to the mount, 38cm x 59cm.

Lot 696

Elizabeth Sharp (20thC). The Belvoir Out Of The Vale, limited edition print no. 95/850, signed and titled Rutland to the mount, 41cm x 59cm.

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