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Lot 28
Nine framed woodblock prints19th centuryComprising; Kitagawa Utamaro (1753-1806), Nanwa ya Okita, visible image 36cm x 23.5, Utagawa Kunisada, Ichikawa Danjuro VIII on Bank of the Sumida River, one sheet from triptych, visible image 20cm x 12.5cm, Hiroshige, Fukagawa Susaki Jumantsubo, a print on textured paper, visible image 26.5cm x 17cm; together with six various Kabuki actor prints.(9).For further information on this lot please visit Bonhams.com
Lot 58
A group of five agate and rock crystal snuff bottles19th centuryComprising: a large rounded agate bottle carved in relief with a sage and attendant in a riverside pavilion garden, inscribed; a smoky crystal bottle; a clear crystal bottle; a carved thumb print agate bottle; and a mottled moss agate bottle with mock mask ring handles, four with stoppers.The tallest 7.5cm high. (9).Footnotes:Provenance: Quek Kiok Lee Collection (1921 – 2018), Singapore, and thence by descentThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 344
Football interest - two 1990s Leeds United Thistle Hotels signed team posters, 94/95 and 95/96 seasons, signed by most of the team signature inc Carlton Palmer, Noel Whelan, Kevin Sharp, Tony Dorigo, Gary MacAllister etc; Rafael R. De Rivieram by and after, a Euro 1996 limited edition print signed and numbered 45/100NBProvenance Vendor's husband was Vice Chairman in the mid/late 1980's at Leeds United Football Club
Lot 96
English School (circa 1837-38) Portrait of Queen Victoria Enamel on metal 4cm x 3.2cm In a gold brooch frame 6cm x 6cm overall Provenance: Bonham's Edinburgh sale 24th May 2017, lot 197.Depicting Queen Victoria from a popular print of her dressed in State robes from the time. She is shown wearing the star of the Order of the Garter and the badge of the Order of Bath. A similar enamel exists in the Royal Collection.
Lot 2087
John Speed 'The Kingdome of Great Britaine & Ireland', William Humble, 1653, uncoloured map, engraved by J. Hondius, plate mark 387mm x 515mm, English text verso, margins frayed and chipped, split through South West England; Saxton (Christopher) & Speed (John), 'The Kingdome of England', William Humble, 1649, uncoloured map, engraved by Abraham Goos, plate mark 390mm x 515mm, English text verso, print not sharp, margins frayed and torn, small hole in Irish Sea, split at lower fold; Ortelius (Abrah.), Fessae et Marocchi Regna Africae Celeberr, 1595 [1606 or later], uncoloured engraved map of Fez and Morocco with inset map of Congi Regni Christiani in Africa, after Philippo Pigafetta, plate mark 394mm x 505mm, English text verso, wear to lower right corner with loss to border, some fraying of other margins [van den Broeke #177] (3)
Lot 516
AFTER GEORGE STUBBS ARA (1724-1806)Anvilcolour stipple engraving with etching,first published by George and George Townly Stubbs, December 1794with printed title in open letters and etched inscription 'George Stubbs, pinxt...ANVIL...Geo. Townly Stubbs Sculp. Engraver to His R.H. the Prince of Wales, London, Published Decr. 1794 by Messrs. Stubbs, Turf Gallery, Conduit Street', laid down, with rubbing at plate edges, some light browning particularly in central and upper area of imagePl. 15 1/2 x 19 3/4 inLiterature: Lennox Boyd, Dixon & Clayton. The Complete Engraved Works of George Stubbs ARA no.115 (state 1)The source for this work is an oil on canvas in the collection of Lord HalifaxAnvil was bred by Thomas Panton Esq, and foaled in 1777. In 1781 he is recorded as winning races at Epsom, Exeter, Bath and Blandford. In 1783, Anvil in the first Spring meeting at Newmarket 'beat Sir Charles Davers' Buccaneer over the Beacon Course for 200 gns', Besides another win at Newmarket that year, he also recorded victories at Winchester and Salisbury. In 1784 he became the property of H.R.H. the Prince of Wales, and continued to record numerous victories. During that time he beat a number of leading racehorses of the day including Boudrow, Boxer, Drone, Mercury and Fortitude.By the early 1790's Anvil had become a stallion in the stud of H.R.H. the Prince of Wales. He later moved to a stud at Canons Edgware George Townly Stubbs originally advertised this print at 15s. plain and £1 10s. for proof or coloured-printed impressions (c.1797)
Lot 517
AFTER GEORGE STUBBS ARA (1724-1806)Sharkecolour stipple engraving with etching, by George Townly Stubbsfirst published by George and George Townly Stubbs 1794with printed inscription 'George Townly Stubbs...George Stubbs pinxt...Geo. Townly Stubbs Sculpt. Engraver to His R.H. the Prince of Wales/SHARKE/London Published May 20 1794 by Messrs. Stubbs, Turf Gallery, Conduit Street'all margins trimmed to near plate edge, title plate also trimmed, laid down on backing cardPl. 15 1/2 x 19 3/4 inLiterature: Lennox-Boyd, Clarke, and Dixon.The Complete Engraved Works of George Stubbs ARA ,(no.110 state 2)George Townly Stubbs originally advertised this print at 15s. plain or £ 10s. for proof or colour-printed impressionsThe source for the print is the oil painting in the Paul Mellon Collection (Egerton 1978, no.85.) another later version is known, and a watercolour reduction for this print by George Townly Stubbs is also in the Mellon Collection (Egerton and Snelgrove, p. 91 and pl. 51)The Sporting Magazine (Jan 1794) commentated of Sharke..'A most beautiful as well as a very famous horse: he won five single matches for one thousand guineas each, and upwards of twenty thousand guineas in stakes. He gave Laurel and Postmaster 7lbs. each each for a sweepstake of a thousand guineas over the Beacon Course at Newmarket. The portrait is of Price, who trained him.'Sharke was bred and owned by Robert Pigott (1736-94) of Chesterton Hall, in Huntingdonshire. Pigot was a sympathiser with the American and French revolutions and an aquaintance of Franklin, Voltaire and Brissot. He is said to have later become 'a zealous Pythagorean, as a vegetarian was than called, and was a dupe of the quack James Graham and his electric bed' (DNB)Sharke's racing winnings at Newmarket alone totalled over 16000 guineas. The highest sum to that date for any racehorse. He commenced as a stallion at Chesterton Hall in 1779. Later he was sold at Tattersall's to a dealer and exported to Virginia. His first season in America was spent at General Spottiswood's stud at Nottingham near Fredericksburg. His period at stud proved a success and he was later described by a correspondent as doing 'as much to enhance the value of the bloodstock of the United States as any horse ever imported' (American Turf Register, 1830, vol V, p173)
Lot 515
AFTER GEORGE STUBBS ARA (1724-1806)Sweetbryercolour stipple engraving with etching, first published by George and George Townly Stubbs, December 1794, with title in open letters and etched inscription 'George Stubbs pinxt....Geo. Townly Stubbs sculpt. Engraver to His Royal Highness the Prince of Wales../SWEETBRYER /London Pubd. by Messrs Stubbs, Turf Gallery, Conduit Street' laid down, with four margins, some rubbing along plate edges, repaired old tears in top right corner image edge, vertical repaired tear upper centre towards image edgePl. 15 1/2 x 19 3/4 inLiterature: Lennox Boyd, Dixon, Clayton. The Complete Engraved Works of George Stubbs ARA no 113 George Townly Stubbs advertised this print (c.1797) at 6s. plain or 12s. for proof or colour printed impressions This print (as well as the three other examples in this auction) is from a series which were intended to illustrate a history of Horse-racing in England (post 1750). This 'Review of the Turf' was to have been compiled by George Stubbs and his son under the aegis of an anonymous patron.This ambitious venture failed at an early stage. In the event only two issues of descriptive text out of a proposed forty to forty-five were published and only fourteen horses were actually engraved
Lot 308
COOK, Capt. James - A Voyage Towards the South Pole, and Round the World : 2 vols, eng. portrait frontispiece, 62 folding charts, plans and prints etc, folding table, cont. full calf hinges cracking and rubbed, two large folding charts are carelessly folded and torn without loss, several other plates are also little carelessly folded, LACKS ONE PLATE, 4to, Printed for W. Strahan & T. Cadell, 3rd ed, 1779. * lacks the print, ' Chart of the Southern Extremity of America.'(2)
Lot 258
A collection of books ephemera and posters on Fashion, Jewellery and Design, including Issey Miyake posters, Torun by Ann Westin published by Carlssons, Stanley Kubrick's Clockwork Orange, an original brochure, a lithographic print on board by Nicholas Price probably for Punch magazine and three smaller, one entitled Temple to the God by Louis Hellman MBE probably for Punch magazine, (a lot)
Lot 544
Sir Frank Brangwyn RA, RWS, RBA (1867-1956) Pollards Storefitters a pair of lithographic posters depicting a workman sawing and a workman planing, printed by The Avenue Press, framed FB monogram in the print, 74 x 48cm (image), (2) Catalogue notes Pollards - The House of Craftsmen was the shop fitting firm E Pollard & Sons, their association with the artist Frank Brangwyn led to him designing advertising posters and also a small range of furniture included in an exhibition in 1931.
Lot 446
EARLY PHOTOGRAPHY : Robert Turnbull Macpherson - (1814-1872) Scottish artist and pioneer photographer, who worked in Rome, Italy. ' Piazza del Campidoglio,' albumen print with photographer's blind stamp, 405 x 295 mm. With two other large early photographs of Rome ( one of which is probably taken by Macpherson).(3)
![TRANSFORMATION PICTURE : William Spooner [publisher], 'Prince Albert's Stock; or, the Royal Fashion for 1843, which is to con](https://cdn.globalauctionplatform.com/04b075f6-b7a7-4910-b1dc-ab6700dd8944/01410737-46a3-4af8-a14a-ab6b011a894b/468x382.jpg)
Lot 530
TRANSFORMATION PICTURE : William Spooner [publisher], 'Prince Albert's Stock; or, the Royal Fashion for 1843, which is to continue for the succeeding ten years : a rare hand coloured moveable transformation print, depicting the three Royal children hidden beneath Albert's trademark black cloak, the two flaps of cloak when lifted reveal the children, approx. size : 22 x 16cm, c1842. With a transformation original watercolour of the same period of the sarcophagus of George 11, and Queen Caroline.(2)
Lot 537
' WELTER STAKES ' : large mixed-media hand coloured engraving, 860 x 530 mm, H. Barnard Chalon engraved by C. Turner, 1802. *notes a most impressive original horse racing print. The Welter Stakes at Bibury on 16th June 1801, features seven racehorses. A couple are seen seated in a carriage to the right of the picture. Punters are cheering in the mid-distance. Some men on horses gallop alongside the race. The picture is dedicated in the lower margin to his Royal Highness the Prince of Wales.
Lot 386
C Deighton (active early 19th Century), Portrait of Master C Grenside, circa 1802, watercolour on ivory, oval, inscribed to a label verso, 7cm x 5.5cm; also a portrait silhouette of a gentleman, inscribed 'John Grenside of Mark Lane', 7.5cm x 6cm; a silhouette inscribed verso 'C Grenside, October term 1839', 11cm x 8.5cm; and a framed photographic portrait print of a lady, 7.5cm x 6cm (4)
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314766 item(s)/page