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Lot 113
*Julian Trevelyan RA (1910-1988)'Wings of a Dove'etching with colour, signed, inscribed with title and numbered 4/50 in pencilplate 29.5 x 24cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some grey marks in white margin to right, but this looks like it might have happened during print process, so generally in good condition,
Lot 119
*Bridget Riley CH (b.1931)'Coloured Greys 1'screenprint in colours, signed, inscribed 'Coloured Greys', dated '72 and numbered 44/125 in pencilsheet 74.5 x 69cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of frame. Discolouration to paper at extreme edges. Very light time staining to print overall. Dirt on perspex framing the work. A few flecks of dirt on the paper itself. A tiny indent to the paper in the margin lower right. Scratch to perspex bottom right.
Lot 12
*Sheila Robinson (1925-1988)'Also Neighbours'lithograph, signed, inscribed with title and dated 1967 in pencil, proofimage 52.5 x 45.5cmThis print shows the vendor's father, Mr Mark Brackenbury, talking to a lady outside Hill Cottage, Vine Street, Great Bardfield.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Print generally appears to be in good condition, but mount looks like it might be acidic so there could be some staining to edges of print.
Lot 125
*Paula Rego RA (Portuguese-British, b.1935)'Hey, Diddle, Diddle', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: There is a wave to the paper. There are some dots of brown foxing in the lower area of the print and one or two tiny dots elsewhere. Thunderbugs under the glass. Not seen outside of glazed frame.
Lot 162
*Dame Elizabeth Blackadder RA RSA (b.1931)'Lily'etching, 1999, HC, with blind stampsheet 25 x 20cm, unframedThe print was made to accompany the special edition of Duncan Macmillan's book. It was included with the book in a slipcase in an edition of 100; this print is annotated 'HC' by the artist and was printed aside from the edition.*Artist's Resale Right may apply to this lot.Condition report: In original condition.
Lot 172
The Curwen Studio50th Anniversary Portfoliothe suite of thirty-one lithographs printed in colours, edition 27/50, includes:1. Mark Hearld, Anniversary;2. Stanley Jones, Umbra;3. Colin Wilkin, Byway & Bicycle;4. Carry Akroyd, Something Fenny;5. Robert Scott Simon, High Octave;6. Tim Wood, Coast;7. Mary Dalton, Pea Pods;8. Thomas Martin, Radial 1;9. Bernard Dunstan, Early Morning;10. Noel Myles, Suffolk Hops;11. Jenny Roland, Salt of the Universe;12. Sargy Mann, Seated Girl;13. Luke Elwes, Prayer;14. Stephen Walter, Road Signs no. 2, 2009;15. Mary Fedden, Fourteen;16. Rosie Corcoran, Hunted;17. Michael Papworth, Tournesol;18. Virginia Powell, Pond;19. Darryl Nantais, Evolution;20. Wilf Roberts, 'Bwlch';21. Claudia Williams, Beach;22. Glynis Mills, Unicorn;23. Angie Lewin, Autumn;24. Bernard Cheese, Green Apples;25. Hen Coleman, 'disencharted by the day, the land set out to sea';26. Sheila Ingham, Narragansett R.I;27. Mike Hawkins, D40 x6E;28. Roger Phillippo, Red Sail;29. Kate Dicker, Toy Racers;30. Diana Armfield, Full Field of Sunflowers, South of France;31. Dale Devereux Barker, Perfect Finishcommissioned, printed and published by Curwen Studio 2008-200925.5 x 31cm each (31)This set of prints is stored in a presentation frame with the option to choose which print is on display.Provenance: Acquired by the present owner directly from the Curwen Studio.Condition report: Good condition.
Lot 181
*Sir Terry Frost RA (1915-2003)Camberwell Greenaquatint in colours, signed, dated '03 and numbered 184/275 in pencilplate 32 x 37cm*Artist's Resale Right may apply to this lot.Condition report: The print is in overall very good condition with only a light wave to the paper and this could be due to how it is mounted. An extremely light smudge of dirt along lower edge; a few very small flecks of ink just outside the plate mark, barely noticeable. In some places the ink has been applied a little thinly, leaving some small white specks of paper visible, although perhaps this is intentional. The frame is in good condition with the occasional light scratch and spot of dirt.
Lot 183
*Sir Terry Frost RA (1915-2003)'Trembath Blues' (Kemp 208) silkscreen print in colours, on Velin Arches 300gsm paper, 2000, signed, dated and numbered 220/300 in pencil, printed by Advanced Graphics, London, published by Advanced Graphics and the Royal Academy of Arts, Londonfull sheet printed to the edges 23.5 x 28.5cm,with accompanying hardback book'Terry Frost: Six Decades' at the RA, the final text page also signed and numbered 220/300 in pencil (2)*Artist's Resale Right may apply to this lot.Condition report: Print not viewed out of glazed frame - paper stuck down. Edges of paper uneven, but not damaged. Appears to be in good condition.
Lot 255
*David Hockney RA (b.1937)'Beautiful and White Flowers'etching and aquatint, signed, dated '66 and numbered 46/75 in pencilplate 34.5 x 22.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Brown marks to upper margin, a few tiny orange spots on print. Looks overall like there may be a little discolouration. Paper a little cockled. Thunderbugs under galss.
Lot 262
*Gary Hume (b.1962)'Kate'screenprint, a Habitat Limited Edition, signed, inscribed, dated '97 and numbered 86/90 in pencil76 x 56cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down. Glass dirty. Print appears to be in good condition.
Lot 278
Bob Dylan (American, b.1941)'Three Chairs', from the 'Drawn Blank' series, 2009giclée print in colours on Hahnemüle paper, signed and numbered 229/295 in pencil, published by Washington Green & Buffalo Artworks, printed by GTZ Fine Art Editions, New Yorkimage 54 x 40cmCondition report: In generally good condition, unexamined out of frame.
Lot 289
*Pure Evil (b.1968)Sylvette David 'I have loved the stars too fondly to be fearful of the night'Screenprint with glow-in-the-dark ink, signed, doodled and numbered 24/40 in pencil, with Print Club London blind stamp70 x 50cm*Artist's Resale Right may apply to this lot.Condition report: An area of half moon creases near the top edge, and a few scattered elsewhere
Lot 294
Swoon (American, b.1977)'Monica'signed in pencil on the heel of the figure, mixed media, coffee stain, acrylic gouache and linoleum block print with stitching on mylar219 x 169.5cmCondition report: Framed and glazed. Some scratches, the mylar appears to be in two sections which has been vertically stitched together to the right hand side. This appears to be integral to the work.
Lot 81
*Laurence Stephen Lowry RA (1887-1976)'Industrial Scene'offset lithograph in colours, signed in pencil l.r., published by Venture Prints Ltd., 1974, with the Fine Art Trade Guild blind stampimage 34 x 24cmProvenance: The Royal Academy of Arts, London, print no.298*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper in the top area, barely noticeable. Some light staining from the acidic mount. Appears to have been taped into the mount, so we have not been able to view the full sheet without the mount.
Lot 87
Lots 87-103The Curwen Press was founded by the Reverend John Curwen in East London in 1863. Under the management of his grandson, Harold, a great revolution in 20th century British printmaking occurred, with the Press championing the work of artists such as Eric Ravilious, Edward Bawden and Paul Nash, and a host of illustrators, designers, painters and sculptors.A subsidiary of this was the Curwen Studio. Opened in November 1958 and led by master printmaker Stanley Jones MBE, the Studio grew its reputation internationally, and with it, the long list of artists whose work was produced in collaboration with the studio’s printmakers.In 2000, Stanley Jones and Sam Alper formed The Curwen Print Study Centre with Lorraine Chitson as Centre Director. This operates as an educational charity offering printmaking courses from premises in Linton, Cambridgeshire. The Curwen Print Study Centre is now in need of new premises to allow both for an additional studio and space to display and store a large print archive, making it available to the public. £250,000 needs to be raised and we are pleased to offer the sale of lots 87-103 to help raise funds. Sworders' Chairman, Guy Schooling, has been appointed ambassador of this fundraising project. www.curwenprintstudy.co.uk*Stanley Jones MBE (b.1933)'Esklar 2'lithograph printed in colours, signed, dated 2010 and numbered 8/20 in pencil37 x 27cmProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot. Condition report: Print in good condition. There is only a margin to left edge.
Lot 89
*Mary Fedden RA (1915-2012)Two Pearssigned and dated '10 l.r., oil on canvas35.5 x 45.5cm, unframedProvenance: Gifted in person by Mary Fedden RA to Stanley Jones MBE and Lorraine Chitson in 2010 to raise future funds for the Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.'Mary Fedden became involved in printmaking at the Curwen Studio through the influence of Julian Trevelyan, her husband who had gained experience of printmaking in his early career from time spent in Paris with S W Hayter, the well-known etcher and engraver. However, it was only when in London and both were commissioned to produce work by the Waddington Gallery in Cork St, that Mary made her appearance at the Curwen Studio and our association began. She was fascinated by the possibilities of zinc plate lithography and quickly learned how to collaborate with the printers in technical aspects of making her images, which were reflective of a style also present in her paintings. During these years, the images developed a freshness that marked them as some of her most characteristic lithographic prints. Over the many years of working together, we became close friends as well as Artist and Printmaker - a friendship which I valued.'Stanley Jones MBE'Mary and Stanley sat together on a small settee in the studio, she holding his hand delighted to have her old friend with her. They reminisced about Julian and memories of Paris and times gone by. It was very special to have the opportunity to listen to their stories and share our news and plans for the future of the Study Centre. Mary then selected a painting ('Two Pears') that she wanted us to have so that we may use it to raise funds for development.'Lorraine Chitson, Curwen Print Study Centre DirectorCondition report: Good condition.
Lot 90
We are grateful to Helen Bellany, wife of John Bellany RA, for her assistance in the cataloguing of the following five lots:*John Bellany RA (1942-2013)'The Eyemouth Disaster'lithograph, signed and numbered 50/50 in pencilsheet 73.5 x 54cm, unframedProvenance: Curwen Print Study Centre.'A young mother and her child are waiting with an older woman in the vain hope that their fishermen might still yet return. Behind them are the cliffs of Eyemouth and by the treacherous Hurcur rocks boats lie upturned and wrecked after the storm that has devastated the community and left many widows and fatherless children that day.'Helen Bellany*Artist's Resale Right may apply to this lot. Condition report: Good condition.
Lot 91
*John Bellany RA (1942-2013)'The Guardian'lithograph, signed and numbered 45/50 in pencil73.5 x 54cm, unframedProvenance: Curwen Print Study Centre.'A skate with all its human qualities watches over a young girl and affirms the pervading power of the rich culture and heritage of the fishing community into which she has been born. It is her life blood and will largely determine what her future holds.'Helen Bellany*Artist's Resale Right may apply to this lot.Condition report: good condition.
Lot 92
*John Bellany RA (1942-2013)'In the smokehouse'lithograph, signed and numbered 44/50 in pencil73.5 x 54cm, unframedProvenance: Curwen Print Study Centre.'With the haddock hanging up to be smoked behind her a fish gutter stands in deep contemplation exuding the profound spirituality that is imbued in the fishing fraternity.'Helen Bellany*Artist's Resale Right may apply to this lot.Condition report: Good condition.
Lot 93
*John Bellany RA (1942-2013)'Crescent moon' lithograph, signed and numbered 33/50 in pencil 73.5 x 54cm, unframedProvenance: Curwen Print Study Centre.'There is a wistfulness and innocence in the young girl dreaming of someone important to her who may be out on the sea. She holds the icon of a fish, a symbol of Christianity.'Helen Bellany*Artist's Resale Right may apply to this lot.Condition report: Good condition.
Lot 94
*John Bellany RA (1942-2013) Mother and child lithograph, signed and numbered 46/50 in pencil 73.5 x 54cm, unframedProvenance: Curwen Print Study Centre.'The mother with her child seems to symbolise the continuity of the proud family fishing tradition. The child being tenderly protected in her mother’s arms seems already to be growing into the certain role that awaits her.'Helen Bellany*Artist's Resale Right may apply to this lot.Condition report: Good condition.
Lot 95
*Diana Armfield RA (b.1920)'Welsh sheep seen from the window';'Sheep sheltering at Llwynhir'two lithographs, signed and numbered 35/150 and 34/150 respectively in pencil28.5 x 29cm and 25.5 x 32.5cm (2)Provenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Good condition.
Lot 99
*John Mills (b.1933)'Rembrandt Regardent IV'etching, signed, inscribed with title and numbered 10/25 in pencil56.5 x 34cm, unframedProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Some light brown staining to margins, image in good condition.
Lot 345
1950's figured satin evening dress with Oriental print, labelled 'Patricia Anne, Beauchamp Place, SW3', a 1930's bias-cut lace full length gown, a 1930's turquoise brocade bias-cut gown with ring detail to the shoulders with matching jacket, button detail and tie waist and similar in cream brocade , both dresses have small trains (4)Condition ReportPLease see images, there are rust marks, and wear. The sashes on the two bias cut dresses are worn. But overall the material of the dresses and small amount of wear do not detract.
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314783 item(s)/page