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Lot 1
Thomas Ruff, b. 1958, NACHT 2 II, signed and numbered 26/45 on the reverse, chromogenic print, image: 59x62cm.; 23.25x24.25in. sheet: 70x73cm.; 27.5x28.75in. Executed in 1993, this work is from an edition of 45 plus 8 artist's proofs and 3HC. Literature: Matthias Winzen (ed.), Thomas Ruff Fotografien 1979 - Heute, Cologne 2001, p. 249
Lot 1
Thomas Ruff, b. 1958, NUDES FN 06, signed, dated 2001/03 and numbered 064/100 on the reverse, chromogenic colour print, image: 32x22cm.; 13x8.75in. sheet: 41x30cm.; 16x11.75in. Literature: Matthias Winzen (ed.), Thomas Ruff Fotografien 1979 - Heute, Cologne 2001, p. 240, illustration of another example in colour. Michel Houellebecq (ed.), Thomas Ruff Nudes - A Short Story, Schirmer/Mosel 2003, p. 49, illustration of another example
Lot 1
Bill Viola, b. 1951, HATSU TUME - FIRST DREAM, each c-print: signed on a label attached to the reverse; signed on a label attached to the video cassette, three c-prints on aluminium, one video (56 minutes) and one book, held in box, each c-print: 40x50cm.; 15.75x19.75in. (5) Conceived in 1981 and executed in 2002, this work is number 8 from an edition of 15. Provenance: FrameWorks, Vienna
Lot 1
Richard Prince, b. 1949, IT'S A FREE CONCERT FROM NOW ON, signed, dated 2001 and numbered 57/66 on the reverse, ektacolour print, image: 76x85cm.; 30x33.5in. sheet: 76x101.5cm.; 30x40in. Provenance: Parkett No. 72. "Woodstock 1969. I took this picture Friday evening around seven thirty. I had just turned nineteen. It was the only picture I took that weeeknd. I had gone to Woodstock with only one exposure in my camera. Not knowing what I was getting into, I thought I could get out of it. You know, "come and go". "Coming" was hard enough (it took six hours to travel the last twenty miles), and "leaving" was impossible. Anyway, realizing I was there to stay, I decided not to save my only exposure but rather get rid of it as fast as I could. So I just stood up, whirled around and (click) took it". (Richard Prince)
Lot 1
A group of assorted prints and engravings, including subjects after Constable, George Harvey, Landseer, Angelica Kauffmann, T. Oliver, and others, All unframed.(af) (qty) Best Bid 643 A group of assorted pictures and prints, Including a reproduction print of oriental figures, a pair of framed reproductions of interior scenes, a reproduction of an etching entitled "Eventide", a framed print of commemorative stamps, a study of a boat by M H Brendon and a pen and ink study in the manner of Thomas Rowlandson. (qty) Best Bid
Lot 1
John Fulwood, Signed Dry Point Black and White Etching "Glen Finlas", signed in pencil, 22.5cm x 28.5cm, John Cherry, signed black and white etching depicting figures in street scene, a 19th century coloured print "The March to Finchley", a coloured print depicting abattoir, a black and white print "The Wiltshire Moonrakers", and a coloured print depicting 3 children and adults in interior (6)
Lot 1
Merry (Tom, i.e. William Mecham, caricaturist). An album of 102 double-page col. litho. political cartoons from St Stephen's Review, 29th October 1887 to 2nd November 1889, all partially pasted in and mounted back-to back throughout, accompanying text often pasted to print versos, two double-size prints (Houses of Commons and Lords), some occ. minor spotting and a few centrefold splits but overall very good condition, contemp. half morocco, broken and spine deficient, folio. A run, apparently lacking only five cartoons for 19th, 26th November, 17th December 1887, 10th March and 20th October 1888. A good collection including many of Irish interest, cartoon themes including horse racing, hunting, one of W.G. Grace, etc. (1)
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314796 item(s)/page