Limited edition lithograph by contemporary realist painter Adrian Deckbar, numbered 271 of 275. The composition depicts a young man and woman reclining in an intimate domestic setting, rendered in Deckbar's signature hyperrealist style. The work captures a moment of quiet tension, enhanced by the soft yet meticulous detail in the figures' expressions, body language, and interplay of light and shadow. Deckbar, known for her explorations of realism and psychological depth, imbues the piece with a cinematic quality, evoking a narrative beyond the frame. Embossed with the publisher's mark, the print is executed with rich tonal variations, emphasizing the warmth and softness of the subjects. Edition 271/275. Artist: Adrian Deckbar (American/Louisiana b. 1950)Issued: c. 1990Dimensions: 42"L x 32"HCountry of Origin: USACondition: Age related wear.
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Limited edition framed actor James Dean memorabilia, numbered 1681 of 15,000, featuring a color print signed on the lower left by American artist Greg Copeland. The composition presents an evocative street scene with Dean striding through a cityscape, his rebellious and effortlessly cool persona captured in rich, atmospheric tones. This mixed-media presentation includes a black-and-white photographic portrait of Dean and an informational plaque detailing his legacy. Issued in 1995 by KRSI under license from the James Dean Foundation, the artwork is inspired by Roy Schatt's iconic photography of the Hollywood legend. Framed in black with double matting, this collectible piece celebrates Dean's enduring status as a cultural icon.Artist: Greg Copeland (American 20th-21st century)Issued: 1995Dimensions: 15"L x 12"HCountry of Origin: USACondition: Age related wear.
Vibrant and expressive limited edition print by renowned American artist Wayne Ensrud, known for his lively and colorful compositions. This print captures a dynamic cityscape with architectural elements in a rich palette of warm and cool tones. Hand-signed by the artist in pencil and numbered 215/300. Ensrud’s works have been exhibited internationally, and he is recognized for his contributions to fine art, illustration, and design. Measures 27.25"L x 21"H.Artist: Wayne Ensrud (b. 1934)Dimensions: See DescriptionCondition: Age related wear.
This framed limited-edition print by renowned Native American artist Rance Hood is titled Untamed Hearts and depicts a striking battle scene featuring two warriors on horseback, rendered in his signature bold and fluid style. Rance Hood is a contemporary Native American artist, born in 1941 Oklahoma. He is of Comanche descent, and his work is deeply influenced by his Native American heritage, as well as the cultural traditions and spiritual beliefs of the Comanche people. Hood's artistic journey started at a young age, and he developed a passion for art that was deeply rooted in his Native American upbringing. Throughout his career, he has worked in a variety of mediums, including painting, sculpture, and mixed media, with his paintings often being the focal point of his artistic expression. His work is known for combining traditional Native American symbolism with contemporary styles, making it both visually striking and culturally significant. This piece is hand-signed and numbered 130/1500 in pencil along the lower margin, further attesting to its authenticity. The artwork is beautifully framed with a double-matted design and a wooden frame, ready for display. A compelling addition for collectors of Native American and Western art. Artwork can be unframed and rolled for shipment.Artist: Rance Hood (Comanche, 1941-2024)Issued: 1980Dimensions: 33.5"L x 28"HCountry of Origin: United StatesCondition: Age related wear.
This limited edition print titled State II by James Rosenquist (1933-2017) exemplifies his signature fusion of pop art and surrealism. A prominent figure in the Pop Art movement, Rosenquist is known for his large-scale, fragmented compositions that often incorporate commercial imagery and abstract elements. This piece features dynamic, abstract patterns in striking green tones, executed in 1978. Signed and numbered 54/78 in pencil, with an embossed publisher's stamp. Measures 40"L x 23"H.Dimensions: See DescriptionCondition: Age related wear.
Limited edition silkscreen print by Rebecca Blaird, titled Measured Along The Ground #3. This composition employs a layered collage technique, integrating torn paper edges with contrasting tones of deep red, ochre, and muted yellow. The central figure, depicted in profile with a textured overlay, appears juxtaposed against a backdrop of abstracted petroglyph-inspired line drawings, evoking themes of history, identity, and fragmented memory. Rebecca Baird is a Toronto-based Cree/Metis artist whose multidisciplinary practice encompasses sculpture, installation, painting, and public art. Her work delves into themes of Indigenous history, identity, and culture, often challenging Western stereotypes and rearticulating Indigenous narratives. ?Signed, dated and numbered 174/300 in pencil by the artist in the lower margin.Artist: Rebecca Baird (Native American/Canadian 20th-21st century))Issued: 1999Dimensions: 12"L x 19"HCountry of Origin: CanadaCondition: Age related wear.
A striking limited edition engraving on Paper titled Standing Woman (Femme Debout) after Pablo Picasso, featuring an abstract and highly stylized figure, dated 5.7.38 within the image. Rendered in a dynamic linear style, this work embodies Picasso's experimental approach during the late 1930s, a period marked by his engagement with Surrealism and political expressionism. The composition showcases a fragmented, geometric form with radiating lines, evoking movement and an almost celestial aura. Stamped with the estate embossing of the Pablo Picasso Estate, this piece originates from a posthumous limited edition authorized by the artist's estate. The print is noted for its bold, expressive line work, reminiscent of his wartime studies and explorations into Cubism and abstraction. Signed in pencil Collection Marina. Signed in pencil from the Collection of Marina Picasso. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on first-quality Arches paper. To ensure authenticity, each print is signed and numbered in pencil by Marina Picasso and embossed with the estate and chromist's seals.Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: 1982Dimensions: 21.50"L x 29.50"HCountry of Origin: SpainCondition: Age related wear.
This limited edition print by Salvador Dalí, titled "Exploding Madonna," is a stunning example of his surrealist mastery. Featuring Dalí’s signature deconstruction of classical themes, this piece reinterprets the Madonna and Child motif with a fragmented, geometric style, creating an illusion of movement and transformation. Numbered 78 of 500, this print showcases Dalí’s unique approach to religious iconography, blending traditional imagery with his distinctive surrealist elements. Measures 25.75"L x 32.75"H.Dimensions: See DescriptionCondition: Age related wear.
This limited edition print by LeRoy Neiman (1921-2012, American) captures a triumphant moment from the 2005 Special Olympics in Nagano, Japan. Neiman's signature bold brushstrokes and vivid color palette bring to life the exhilaration of an alpine skier celebrating victory, gold medal in hand. This print is hand-signed by Neiman in the lower right margin and numbered 33/300, enhancing its collectible appeal. A remarkable piece for collectors of sports art, Olympic memorabilia, and Neiman's iconic work.Artist: LeRoy Neiman (American, 1921-2012)Issued: 2005Dimensions: 29"L x 34.25"HCountry of Origin: United StatesCondition: Age related wear.
This framed Artist Proof print, titled Blizzard Along Bear Tooth Range, is a captivating work by renowned Native American artist Earl Biss (1947-1998). Known for his dynamic and expressive depictions of the American West, Biss's work blends Impressionism with traditional Native themes. This piece vividly portrays a group of Native American riders braving a snowstorm, rendered in striking blues, whites, and earth tones. Hand-signed by Earl Biss and dated 1988, the print is marked Artist Proof in pencil on the lower left, with the title inscribed at the center. Elegantly framed under glass with a deep blue mat and gold-tone frame, this print is a significant addition to any Western or Native American art collection. Artwork can be unframed and rolled for shipment.Artist: Earl Biss (American, 1947-1998)Issued: 1988Dimensions: 43.5"L x 35"HCountry of Origin: United StatesCondition: Age related wear.
This limited edition framed print by renowned artist Joe Petruccio showcases an expressive black-and-white composition of legendary rock musicians, including John Lennon, Elvis Presley, Jimi Hendrix, Jim Morrison, and others, captured in his signature bold, dripping ink style. The print is hand-signed by Joe Petruccio in the lower right corner and numbered 48/500, adding to its collectible appeal. Elegantly framed with a black and gold double mat and dark wood frame, this piece is a must-have tribute to the icons of rock and roll. A striking addition for collectors of music memorabilia, pop culture art, and legendary musicians. COA by the artist.Artist: Joe Petruccio (American, b. 1958)Issued: 20th centuryDimensions: 30.25"L x 25.5"HCountry of Origin: United StatesCondition: Age related wear.
Pop art silkscreen print by Allison Lefcort featuring three stacked Pepsi-Cola bottle caps against vibrant red, yellow, and blue backgrounds. Lefcort, known for her bold, graphic style influenced by artists such as Andy Warhol and Keith Haring, brings a contemporary twist to classic American branding. Signed by the artist in pencil at the lower right and numbered AE (Artiste Epreuve: Artist Proof) 86/100 at the lower left, this limited-edition artwork exemplifies her signature use of sharp contrasts and high-impact color schemes. A dynamic homage to pop culture and commercial iconography, this piece captures the essence of modern Americana.Artist: Allison Lefcort (American 20th-21st Century)Issued: c. 2000Dimensions: 8"L x 22"HCountry of Origin: USACondition: Age related wear.
This framed limited-edition print, titled Mestizos, is a striking work by renowned Southwestern artist Amado Maurilio Pena Jr. Known for his bold depictions of Indigenous and Mestizo figures, Pena's art is characterized by intricate geometric patterns, earthy tones, and a textured composition. This piece, numbered 17 of 65, captures a mother and child in traditional regalia, reflecting cultural heritage and artistic depth. Amado Maurilio Peña Jr. is a prominent Native American artist known for his vibrant and powerful depictions of Native American culture, particularly that of his own heritage, the Lipan Apache tribe. Born in 1948 in Laredo, Texas, Peña’s works often reflect the beauty, strength, and dignity of Native American peoples through a contemporary lens. His works have been exhibited in numerous galleries and museums across the United States including The Smithsonian Museum of American Art in Washington DC, and his pieces are held in many private and public collections. His work has been part of exhibits in Peña is recognized for his significant contributions to the art world, not only as an artist but also as a cultural ambassador, helping to preserve and promote Native American art and traditions. In addition to his painting, Peña is also involved in community work and has been a mentor to many young Native American artists. His efforts to bridge the gap between traditional Native American art forms and contemporary artistic movements have solidified his place as a leading figure in Native American art. A stunning addition for collectors of Pena's work and Southwestern art. Artwork can be unframed and rolled for shipment. Hand-signed and numbered by the artist in pencil along the lower margin, it is elegantly presented under glass in a double-matted frame with burgundy and blue accents. A valuable addition for collectors of Pena's work and Southwestern art. Artwork can be unframed and rolled for shipment.Artist: Amado Maurilio Pena Jr. (American, b. 1943)Issued: 20th centuryDimensions: 26"L x 34.5"HCountry of Origin: United StatesCondition: Age related wear.
This limited edition print titled Coup Stick Song by renowned Native American artist Rance Hood showcases a striking depiction of a Native American warrior on horseback. Set against a dramatic deep blue background with silhouetted riders and a crescent moon, the piece embodies Hood's signature style, influenced by traditional Comanche themes and vibrant colors. The warrior's intricate attire, featuring a headdress, shield, and flowing feathers, highlights Hood's attention to cultural detail. Hand-signed and numbered 472/1500 in pencil by Rance Hood, this 1980 artwork also includes the artist's signature and copyright date within the composition. Rance Hood is a contemporary Native American artist, born in 1941 Oklahoma. He is of Comanche descent, and his work is deeply influenced by his Native American heritage, as well as the cultural traditions and spiritual beliefs of the Comanche people. Hood's artistic journey started at a young age, and he developed a passion for art that was deeply rooted in his Native American upbringing. Throughout his career, he has worked in a variety of mediums, including painting, sculpture, and mixed media, with his paintings often being the focal point of his artistic expression. His work is known for combining traditional Native American symbolism with contemporary styles, making it both visually striking and culturally significant. Professionally framed with a wooden border and double matting, it is ready for display. Artwork can be unframed and rolled for shipment.Artist: Rance Hood (Comanche, 1941-2024)Issued: 1980Dimensions: 28.75"L x 33.5"HCountry of Origin: United StatesCondition: Age related wear.
Through A Broken Window by Mike Tiernan, Limited First edition Mis-print and signed by the author, softback book. DEDICATED. Charity book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
A Japanese surimono print “Court Lady and Wooden Horse” from the series for the Hanazono Group (Hanazono bantsuzuki) by Totoya Hokkei (1780-1850), inscribed with a poem and signed Hokkei, Edo period circa 1824. The print, including the blue frame measures 18.5 x 21cm and is loosely attached to a larger brown paper backing measuring 33 x 37cmNotes: For comparison see Harvard Art Museum (object number 1933.4.1919) and Museum of Fine Arts Boston (accession number 00.1911); also see auction results for similar prints at Christie’s (12 July 2018 Lot 46) and Bonhams (23 May 2023 Lot 341) The print shows signs of wear, including stains and discoloration, particularly on the backing paper (see images). No visible tears, major damages, or repairs.
A set of four Japanese prints reproducing a screen painting attributed to Kano Yoshinobu (1552–1640), held by Kita-in Temple, Kawagoe, published in the early 20th century (1917?), depicting a series of Japanese interior scenes under roofs. The back of each print bears handwritten texts stating "published in 1917" along with a seal for the Japanese Gallery Kensington, London. Dimension: 29cm x 45cmNotes: Identical prints are held in the Harvard Art Museum collection (object number 1950.66.3), which entered the museum in 1950. The Japanese Gallery Kensington has been a well-renowned dealer of Japanese ukiyo-e woodblock prints since the 1970s. Good condition with well preserved colours. No noticeable damages or repairs
A set of six Japanese woodblock prints of 誠忠義士傳 (Biographies of Loyal and Righteous Samurai) by Utagawa Kuniyoshi 歌川国芳 (1797–1861), published in 20th century after the original version in 1847. Each print measures 35 × 25cm, or 47 × 34cm including the black frame. In excellent condition inside the original case.
A set of Chinese wood-engraved albums, Shi Zhu Zhai Jian Pu (Ten Bamboo Studio Letter Paper Manual), published by Beijing Rongbaozhai in 1952. Comprising four volumes of small folio books, most pages printed in color, measuring 31 × 21 cm. Each volume features gold-splashed cover pages with title labels to the upper cover, housed in an embroidered silk folding case with bone clasps.Notes: Comparable versions can be found in the University of Cambridge Library (FH.20.75-76) and the Needham Research Institute main library collection. See also previous auction results at Bonhams (14 March 2016, Lot 8124) and Sotheby’s (28 July 2020, Lot 231).Shi Zhu Zhai Jian Pu is a renowned printed art book from the late Ming dynasty, created by the artist and publisher Hu Zhengyan (胡正言) around 1633. It is among the earliest known examples of multicolored woodblock printing, featuring exquisite designs of decorative letter papers adorned with delicate paintings and calligraphy. The manual includes motifs of flowers, birds, landscapes, and auspicious symbols, reflecting the refined aesthetics of literati culture. Shi Zhu Zhai Jian Pu is celebrated for its pioneering printing techniques, artistic elegance, and significant influence on later Chinese and Japanese print traditions.《十竹齋箋譜》雕版印刷 四卷 一九五二年版Provenance: From a family inheritance The albums are preserved in excellent condition with no noticeable damage or repairs. Some light water marks are visible on the top of the case and on some pages of volume 4 (see images). 本套書譜品相極佳，無明顯破損或修補，書盒上部及第四冊部分頁面有輕微水漬（見圖片）。
A near-complete set of Japanese woodblock prints illustrating Genji Monogatari (The Tale of Genji), comprising 53 color prints by Masao Ebina (1913–1980), published by Yamada Shin in 1953. Each print features a tissue overlay with a chapter summary in both English and Japanese. Dimensions: 35 × 26 cm.Notes: The original set consists of 54 prints; however, this collection includes 53 prints, with three missing (chapters 1, 3, and 17) and two duplicates (chapters 5 and 7).Provenance: From the collection of a retired university professor at University College London. Well-preserved, with no noticeable damage.
OLIVER MESSEL FOR JACQMAR- A SILK SCARF TO CELEBRATE THE CORONATION OF H.M. QUEEN ELIZABETH II, 1953 Printed on silk, signed lower right within the print, in glazed frame approximately 97cm x 94.5cm overall Provenance: Exhibition label to reverse: Michael Parkin Fine Art Ltd, 11 Motcomb Street, London "Cecil Beaton and Friends", No 129, purchased by Lady Becher 29th May 1985. Oliver Messel originally designed the scarf in 1952 for the 1953 Coronation. The scarf was reproduced with colour changes for H.M. Queen Elizabeth's 1977 Silver Jubilee with all the gold colour details changed to silver. Saleroom Notice: Please note, the description has been updated and differ from the printed catalogue. Condition Report: Lot 248 Saleroom Notice: Please note, the description has been updated and differ from the printed catalogue and this lot is not liable to ARR OLIVER MESSEL FOR JACQMAR- A SILK SCARF TO CELEBRATE THE CORONATION OF H.M. QUEEN ELIZABETH II, 1953 Printed on silk, signed lower right within the print, in glazed frame approximately 97cm x 94.5cm overall Provenance: Exhibition label to reverse: Michael Parkin Fine Art Ltd, 11 Motcomb Street, London "Cecil Beaton and Friends", No 129, purchased by Lady Becher 29th May 1985. With scattered small stains and marks, small pull to thread left centre margin, thin vertical fold mark, frame with losses and some stains to lower slip, old tape residue to glazing- unexamined out of sealed frameCondition Report Disclaimer
λ CHRIS RIISAGER (BRITISH B. 1961) OBIDOS, THE TOWN WALL, PORTUGAL Oil on board Signed and titled (verso) 32.5 x 38.5cm (12¾ x 15 in.) Condition Report: Some very light surface dirt throughout. There is a small thumb print to the board at the lower right edge, however this appears to be the thumb print of the artist and most likely occurred during the work's conception. Inspection under UV light reveals no evidence of restoration or repair.Condition Report Disclaimer
FRENCH SCHOOL (LATE 18TH CENTURY) TWO SKETCHES FOR A FRENCH FASHION JOURNAL Pencil and watercolour, a pair Both inscribed and dated, 'Journal des Luxus *** des Modern' one dated 'Junius 1790', the other 'Feb 1972' (upper left), each numbered '131' and '44' respectively (upper right) Each 31 x 19cm (12 x 7¼ in.) Together with a set of twelve silhouettes (framed as two), depicting members of the Hallett, Robbins and Hart families, each 27 x 31cm, a large silhouette of Sophia Colemann, dated 1815, 35 x 28cm, and a print of Viscount Wenman, 22 x 15.5cm (6)
AFTER BEN MARSHALL SIR JOHN SHELLEY'S CELEBRATED POINTER, SANCHO IN A WOODED LANDSCAPE Oil on canvas 32 x 46cm (12½ x 18 in.) Together with another painting of Southern Hound after Ramsay Richard Reinagle, and a print of the same work, 25 x 35cm and 14 x 19cm respectively (3) The original work painted by Ben Marshall in 1805, was sold at Sotheby's on 12 April 1995, lot 151.
A GEORGE II BRONZED CARVED WOOD PORTRAIT BUST OF WILLIAM SHENSTONE (1714-1763) MID 18TH CENTURY The poet and landscape gardener depicted in the manner of the line engraving print to the frontispiece of "The Works of William Shenstone", set on later ebonised socle base approximately 23cm high overall Saleroom Notice: Please note, the description has been updated and differ from the printed catalogue. 'A large, heavy, fat man, shy and reserved with strangers', the poet William Shenstone's first poems were published whilst he studied at Oxford, although he left without completing his degree. Of private means, in 1745 he inherited the farming estate of Leasowes, near Birmingham. He retired there and continued to write poetry in a pastoral vein. Shenstone coined the term 'landscape gardener', and created one of the earliest and most influential landscape gardens, his ferme ornée. Diverting streams to create waterfalls he stage-managed the landscape to create views that unfolded from carefully chosen vantage points- a country estate laid out to be admired and walked through whilst retaining the sensibilities of a working farm. The venture impoverished him but led to acclaim among contemporaries. In his 1770 Observations on Modern Gardening Thomas Whately wrote of Shenstone and his work: The ideas of pastoral poetry seem now to be the standard of that simplicity; and a place conformable to them is deemed a farm in its utmost purity. An allusion to them evidently enters into the design of the Leasowes, where they appear so lovely as to endear the memory of their author; and justify the reputation of Mr. Shenstone ... every part is rural and natural. Condition Report: Saleroom Notice: Please note, the description has been updated and differ from the printed catalogue. The height is approximately 23cm, width 16cm Rubbing to painted surface to margins notably back of head, nose and shoulders, some surface movement to paint around folds of dress- likely to have scattered spot retouching throughout- some shrinkage faults Condition Report Disclaimer
A PAIR OF GILTWOOD X-FRAME STOOLS OF EMPIRE STYLE LATE 20TH CENTURY, BY NICK HODGES FOR PHILIP ASTLEY-JONES With leopard print upholstery on curving supports joined by a stretcher 41cm high, 64cm wide, 41cm deep Condition Report: Good, structurally secure with wear and tear consistent with age and use. The upholstery is clean and undamaged. The gilding is scuffed and chipped, in places it's flaking off to reveal the timber frame.Condition Report Disclaimer
Holy Land.Twenty-five mounted albumen print photographs of the Holy Land, inlcuding Jerusalem, the River Jordan, 'Khan-el-Ahmar: Scene of the good Samaritan episode.', Jaffa, house of 'Simon the Tanner', Bethlehem, etc. [Circa 1870s-1880s], each approx 230mm x 284mm, majority signed Bonfils and titled and numbered in the negative, stiff card mounts (mounts rather soiled), majority of mounts with additional ink manuscript caption and number.(25)Maison Bonfils was a French photography studio founded in the 19th century in Beirut by Félix Bonfils, his wife Lydie and their son Adrien. The studio became renowned for its images of the Middle East, including Palestine, capturing landscapes, architecture, and local life.
A group of three limited edition prints, and one other, to include Michael James Chaplin RE (b1943) - Shell Collection, signed, titled and numbered, 67/200, in pencil to lower margin, 35.5 x 44cms; Lawrence Jenkins (b1942) - The Strand, Rye - signed, titled and numbered, 116/150, to lower margin, 36 x 35, both aquatints in glazed frames; Vincent Haddersley (1934-2010) - Fox Hunting Meet, signed & numbered, 162/200, in pencil to lower margin, 53 x 73, glazed frame; and a print after Leonard Squirrel (1893-1979), depicting Ridleys Tavern street and Dial Lane, Ipswich c1945, 35 x 47cms, mounted in glazed frame.Location: GIf there is no condition report shown, please request
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