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Lot 119

CHANEL VINTAGE Hosenträger, Koll.: 90er Jahre. Modell aus elastischem, schwarzem Material mit weißem Logo-Druck und goldfarbener Hardware. Tragespuren vorhanden.| CHANEL VINTAGE braces, coll.: 90s. Model made of elastic, black material with white logo print and gold-coloured hardware. Traces of wear present.

Lot 16

LOUIS VUITTON Handtasche "SPEEDY 35". Koll. 2008. Limitierte Edition. Monogramouflage Serie. Designed by Takashi Murakami. Monogram Muster mit Camouflage Print. Details aus naturbelassenem Leder und goldfarbener Hardware. Textiles Innenfutter mit kleinem Fleck. Patina und leichte Kratzer auf dem Canvas. Adressanhänger anbei. 35x19x24cm.| LOUIS VUITTON handbag "SPEEDY 35". Coll. 2008. Limited edition. Monogramouflage series. Designed by Takashi Murakami. Monogram pattern with camouflage print. Natural leather details and gold-tone hardware. Textile lining with small stain. Patina and light scratches on canvas. Address tag attached. 35x19x24cm.

Lot 656

Ben Shahn (1898-1969) was a prominent American artist, painter, and graphic designer known for his social realist and politically engaged art. He was born in Lithuania and immigrated to the United States with his family as a child, eventually becoming a key figure in 20th-century American art.Here are some key points about Ben Shahn and his art:1. **Early Life and Education**: Shahn grew up in a Jewish immigrant family in New York City. He attended New York University and later studied at the National Academy of Design and the Art Students League.2. **Social Realism**: Shahn is often associated with the Social Realist movement, which emerged during the Great Depression. Social Realist artists like Shahn sought to address social and political issues through their art. He used his talent to create powerful and emotionally charged images addressing topics such as labor rights, civil rights, and social justice.3. **Works for the Government**: During the 1930s and 1940s, Shahn worked on various government-sponsored art projects, including murals for the Works Progress Administration (WPA). His murals can be seen in public buildings across the United States.4. **Graphic Design**: In addition to his fine art, Shahn was a skilled graphic designer. He created posters, book covers, and illustrations that often conveyed social and political messages. His style was distinctive, often characterized by the use of bold, simplified forms and a strong visual impact.5. **Civil Rights Advocacy**: Shahn was an advocate for civil rights and social justice. His art frequently addressed issues of racial discrimination and inequality. He created notable works related to the civil rights movement, including the 1965 print titled "Vote."6. **Later Career**: In his later career, Shahn continued to produce art that commented on contemporary social and political issues. His art evolved, incorporating a mix of styles and techniques.7. **Legacy**: Ben Shahn's work had a significant impact on American art and visual culture. His social and political commentary through art remains relevant today, and his contributions to Social Realism and graphic design continue to be celebrated.Ben Shahn's art serves as a powerful testament to the role of art in addressing social and political issues. His works not only captured the struggles and injustices of his time but also inspired future generations of artists to use their craft as a means of social commentary and change.Measures 17.5 x 22.

Lot 37

Framed Limited edition print 'The Back, Kings Hedges College, Cambridge' by Mohammed Djazmi signed in Pencil

Lot 54

Unframed Photographic print of Frankie Dettori signed with COA

Lot 131

Frank Bruno signed photographic print

Lot 194

Framed Lithographic print dated 1962 by Williams depicting Owls in trees with horse and cart to foreground 54 x 41cm

Lot 98

Framed Woodcut print by Takamizawa Ukiyoe Kenkyousho after Katsushika Hokusai 1760 - 1849 'Mount Fuji seen from Kanaya on the Takaido

Lot 363

Harry Clow, 1940-2004, Barmouth Harbour, limited edition print, 63/500, 45 x 60cm, together with various prints of marine and Titanic interest (5)

Lot 482

English school, 19th century, portrait of a gentleman, signed with monogram, oil on canvas, 45 x 34cm, together a print (2)

Lot 261

Adolf Sehring, contemporary, Nature's Bounty, limited edition print, 246/395, 48 x 61cm, together with Don Hatfield, dancing on the sand, print, two Leighton-Jones prints and two others (6)

Lot 473

Cindy, still life basket of flowers, oil, 16.5 x 22.5cm, a card game, colour print, 7.5 x 12cm, Pre-Raphaelite lady, colour print, 8 x 6.5cm, all gilt framed

Lot 504

Gerald Kelly (1879 - 1972), Burmese Dancer in Yellow, colour print, 56 x 43cm together with John Gilroy (1898 - 1985), Kuku (Chrysanthemum), colour print, 60 x 48cm, both framed and glazed

Lot 524

John Speede (1552 - 1629) Glocestershire ( Gloucestershire) map, hand coloured engraving, label verso ' This print is guaranteed to be over 120 years old, Regent Gallery, 14 Regent St, Cheltenham 52826 ', glazed both sides, 40.5 x 53cm

Lot 541

Pears advertising print, ' A Quiet Pipe ' after Sir Edwin Landseer, one of four coloured plates presented with Pears Annual 1907, 33.5 x 39.5cm, framed and glazed

Lot 510

Rugby match scene, limited edition colour print, indistinctly signed in pencil lower right, numbered 16/150 lower left, inscribed ' Out of the Ruck', 44 x 54cm, framed and glazed

Lot 503

L.S. Lowry (1887 - 1976), ' The Old Town Hall ', Middlesborough, limited edition print, numbered lower left 601/850, 41.5 x 31cm, gilt framed

Lot 505

Auguste Rodin (1840 - 1917), female nude, colour print, 21 x 14cm and nude couple, colour print, 21.5 x 16cm, both framed and glazed

Lot 483

Cecil Aldin (1870 - 1935), ' A Check ', colour print, 37 x 60 cm, and ' Gone Away ', colour print, 37 x 60cm, both framed and glazed

Lot 424

Mid 20th Century quilt having a pink and green floral paisley style print with stitched label marked 'The Comfy'. Measures approx 204cm x 172cm.

Lot 435

Late 19th / early 20th century Persian painting of Religious men by a mosque, with script to margin (approx 24cm x 18cm overall); together with a small 19th century oil painting of ships in choppy water (13.5cm x 10cm), 19th century watercolour of a landscape with figures by a tree, a painted circular plaque depicting a hunt with figures on horse-back, and an 'English Hare' ltd edn print, signed to margin. (5)

Lot 508

Botanical print, Pterocarpus Furvus, 37 x 25cm, a 19th century English titled family crest and motto, 17 x 12cm, an engraving after Bartolozzi entitled ' Form Didelots Benefit ', 19 x 14cm and a coloured engraving of an unusual bird, all framed and glazed

Lot 480

Our Leading Jockeys of the Day, print After GEORGE VEAL 1885, engraved by E G Hester and with facsimile Jockeys signatures, framed and glazed. 124 x 82.5 cm overall.

Lot 492

ENDLESS (British), Diana, limited edition hand embellished print, numbered 1/35, signed in the margin, with certificate of authenticity, unframed. 81 x 114 cm.

Lot 444

A Victorian framed and glazed print of a Military Officer and a Young Lady. 35.5 x 52 cm.

Lot 442

HELEN BRADLEY MBE (1900-1979) British, Figures and Cattle by a River, print, framed and glazed. 37 x 27 cm.

Lot 445

A Saunders Live Stock Transport advertising print, framed and glazed. 89.5 x 48.5 cm overall.

Lot 883

A vintage Boots print, Puppy Love by L Shabner, framed. 47 x 57 cm.

Lot 852

PETER BASHAM, Hunstanton Cliffs, limited edition print, numbered 71/250, framed and glazed. 43 x 8.5 cm.

Lot 491

ENDLESS (British), Daniel Sturridge, limited edition hand embellished print, numbered 12/35, signed in the margin, unframed. 81 x 83 cm.

Lot 493

ENDLESS (British), Hayeday, limited edition hand embellished print, numbered 24/35, signed in margin, unframed. 109 x 82 cm.

Lot 473

Queens College, Cambridge, print, framed and glazed. 12 x 16 cm.

Lot 462

A print of The Dancer Henri Matisse published by School Prints Ltd - unframed - 49cm x 76cm

Lot 460

A Japanese print rare artiste joint by Kunihiko and Kuniterh (1818-1859) Service of Beauties - frame size 62cm x 45cm

Lot 473

A Limited Edition print signed by John Major and Lord Renton of Glatton Village

Lot 427

Framed L/E print from Orde Levinson's Hope and Optimism portfolio by Faisal Samra

Lot 327

David Shepherd L/E signed print - Approx image size: 94cm x 51cm

Lot 415

Textile screen print by John Piper for Sanderson's Centenary in 1960 - Chiesa della Salute - Approx image size: 122cm x 50cm

Lot 406

Framed print of stormy seas signed Raymond Sipoz

Lot 515

Painting of a girl with a letter together with a print of an Art Nouveau girl in gilt frame

Lot 150

Signed L/E print The Waiting Room - Mary Hillhouse

Lot 304

Signed L/E print 20/85 - Anemones by Celia Stephens

Lot 317

Signed L/E print 3/19 - Geranium for a Pink Oriental Carpet by Bel Cowie 1980

Lot 313

Textile print by John Piper for Sanderson's Centenary in 1960 - Northern Cathedral - Approx image size: 59cm x 47cm

Lot 314

Framed L/E print from Orde Levinson's Hope and Optimism portfolio by Lorna Robertson

Lot 175

20th century school, coloured print, framed under glass, 39 x 30cm

Lot 172

After Robert Gemmel Hutchison, framed print, 66 x 46cm

Lot 278

An Austrian Silver-Mounted Wood Cigarette-Box, by Silberwarenfabik Alexander Strum, Vienna. 1922-2001, oblong, the hinged cover with silver frame with glazed print of a river scene, with silver thumbpieces 20.5cm wideThis lot will be sold under the Auctioneers' Margin Scheme Marked on side with 'Toucan' 800 standard mark, maker's mark and further stamped '800'. The marks are clear. There is some overall scratches to the silver mounts. There is a split/crack to the wood veneer on one narrow side of the box.

Lot 84

Image of New China - Chinese revolutionary prints from 1951. The cover of the print is bright red. - Weight: 140 g - Shipping available - Region: Chine - Period: Republique de chine - Sizes: DIVERS - At first glance: normal wear / patina of use - Object type: Livre

Lot 1206

Star Trek: First Contact (SkyBox) 1996 Trading Cards. Complete Base set (1-60), also includes all the Behind the Scenes Cards (BS1-BS10), Techno-Cel Borg Cards (B1-B12), Enterprise Cards (E1-E6), Character Cards (C1-C10) and Blue Print Posters (S1-S3). Majority of Cards are in Near Mint Condition. Condition Report: Majority of Cards are in Near Mint Condition.

Lot 115

A mixed group of blue and white comprising a Sadler's pottery ginger jar and cover (h-12cm), a tea pot (27cm) and a jar and cover with raffia type handle (h-12cm) together with a British Anchor Old Willow pattern plate (w- 25cm), Elsterwerda baluster style jar and cover decorated with a wind mill to centre (chip to rim) (h-34cm) and a transfer print small planter (w-26cm h-10cm) (marked verso) (6)

Lot 220

Sonas MacLeon ('94), field scene with farmhouses to backgroup, print no 30/45, signed pencil bottom right, in a gilt glazed frame. (22cmx37cm)

Lot 237

A group of framed works including indistinctly signed Loch Maree print, mixed media titled Entry, watercolour views of Florence and a watercolour view of the Harbour of Valetta. (4)

Lot 202

Eva Rubinstein, titled Bed and Mirror print, in a silver glazed frame. (44cmx59cm)

Lot 204

Signed indistinctly, a woman with a eastern style robe, lithographic print 36?/300 signed in pencil in a silver glazed frame. (48cmx33cm)

Lot 201

Zora Stancic, a print of a woman, 25/60, signed and date in pencil in a glazed mounted frame. (46cmx32cm)

Lot 195

λ&nbspTIM HALL (BRITISH 20TH/21ST CENTURY) MARGATE II Photographic print Titled and numbered 2/25 to backboard (verso) Overall inc. frame 121.5 x 92cm (47¾ x 36 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Appears to be in good original condition. Please note Dreweatts is not liable for damages to (glazed) frames.Condition Report Disclaimer

Lot 199

λ&nbspWOLGANG SUSCHITZKY (AUSTRO/BRITISH 1912-2016) CHARING CROSS ROAD C. 1936, printed later Gelatin silver print, printed later Signed, titled and dated 95 (verso) and artist's label affixed (verso) Overall inc. frame 37 x 28.8cm (14½ x 11¼ in.)Printed in 1995. Condition Report: Stuck down to backboard at the upper two corners with acid free tape. Slight undulation to the sheet and some very slight scratches to the upper right corner but this appears to be within the print itself. Otherwise no obvious condition issues. Please note Dreweatts is not liable for damages to (glazed) frames.Condition Report Disclaimer

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