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A collection of 91 photographic, machine-print and colour postcards, all of transportation interest, comprising 20 of railway interest, 26 of coaching interest, 8 featuring aeroplanes, 7 featuring airships and hot-air balloons, 10 of shipping or canal interest and 20 featuring motor cars and traction engines.
A collection of 94 machine-print, colour and photographic postcards, all views of Brighton and its environs, including views of the piers, pavilion, Preston Park, churches, the rough sea, 3 of the Electric Railway, 3 of the ‘Brighton Queen’ paddle steamer, 1 of ‘Corporation Tramways, Brighton’ and 1 of ‘Central Station, Brighton’.
A collection of postcards, the majority machine-print and photographic topographical views of England and Europe, but also including a photographic card of an anonymous football team and a card titled ‘On the Golf Course, Killarney’, together with an album of mounted trade cards and a few photographs.
SAINT VALENTINE’S CARD. – An embroidered, cut-paper and chromolithographed St. Valentine’s card. [N.p.: n.d. but circa 1910.] 6pp., 8vo (130 x 91mm.) The triptych card with five chromolithographed panels contained within pierced paper borders mounted on silk revealing an embroidered verse ‘To the one I love…’. – And an eighteenth century almanac containing views of London, and a miniature book containing a folding print of national costumes (3).
PHOTOGRAPHS. – An album containing numerous albumen print photographs. [N.p.: n.d. but circa 1870-1880.] 4to (291 x 238mm.) The album containing numerous albumen print photographs, the majority topographical views, including views of Wales and Sussex. (Some spotting.) Original cloth (worn). – And a scrap album (2).
PHOTOGRAPHS. – An album containing numerous albumen-print photographs of Britain and Europe. [N.p.: n.d. but circa 1880.] Oblong folio (263 x 352mm.) 96 albumen print photographs including a folding panoramic view in four sections of ‘Malta Harbour’, stamped ‘H. Agius, photographer, Malta’ verso, (many loose, all topographical views. (Some fading and light browning.) Contemporary half-morocco (worn).
EPHEMERA. – A theatre programme titled on the upper cover ‘Royal Opera Covent Garden’. [N.p. but London:] 1939. Shaped 8vo (390 x 226mm.) The quatrefoil-shaped programme printed in red and black. (Affected by mould.) Original paper wrappers, the upper cover with embossed borders containing a print combining emblems of Britain and France (soiled and creased). – And a collection of other ephemera, all twentieth century, including autographs, magazines and prints.
John Mitchell (publisher) RobertHand-coloured lithograph by J. W. Giles, dedicated to Robert Throckmorton Esq, Buckland House, Farringdon, this print representing the beginning, progress and completion of an extraordinary undertaking to prove the possibility of wool being manufactured into cloth and made into a coat between sunrise and sunset, which was successfully finished on Tuesday the 25th June 1811É.53cm x 73cm (margins trimmed)
RAILWAY INTEREST AN L.M.S. BRASS HOT WATER CAN by Jones Bros., 22cm (8.6in) high; A SINGLE LINE TOKEN BAG in leather; A PAIR OF L.M.S. (CREWE, NORTH SHEDS) BRASS MOUNTED BELLOWS, owner M. A Platt, 50cm (19.6in); A L.N.E.R. REFLECTOR LAMP 29cm (11.5in); A PRINT (AFTER GREENE) "The Lune Valley, near Tebay", 15cm x 40cm (6in x 15.75in). (5)
A quantity of prints to include; after George Baxter 'Me warm now', after William Beechy 'Children relieving a begger boy', after Hogarth a scene from the Rakes Progress, two racing prints, six reproduction prints, a Vanity Fair style print of a gentleman in black and a stained glass panel (13).

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314796 item(s)/page