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Click here to subscribeBob Carlos Clarke (British, 1950-2006), Untitled Chromogenic print, signed in black ink lower right and numbered 23/150 lower left, label on reverse for the Agfa Collection confirming that "This limited edition print by Bob Carlos Clarke is number 23 of 150. It was taken in 1984 on Agfacolor Optima 125 and printed on Agfacolor paper", with 'Agfa Collection 1994 blind stamp lower left, 16 x 11 3/8in. (40.6 x 28.8cm.). * Good condition.
Sir Terry Frost R.A. (British, 1915-2003), Small Yellow Timberaine screen print printed in colours on wove paper, signed and numbered 49/60 in pencil, published by Galleria Multigraphic, Venice, with their blindstamp, 14 1/8 x 18¾in. (35.8 x 47.7cm.) sight, framed and glazed. * Not examined out of frame. Very good condition with no viaible faults.
after Ben Nicholson (British, 1894-1982), Design for an act drop limited edition print on wove paper, numbered in pencil from an edition of 200, Angela Verren Taunt blind stamp, 2009, 13¼ x 19 1/8in. (33.7 x 48.5cm.) visible, image size 8¼ x 14½in. (21 x 36.8cm.), framed and glazed. * In very good condition with no faults. Not examined out of frame.
Sir Peter Blake CBE, RDI, RA (British, b.1932), Vintage Blake limited edition silkscreen print with glazes, on wove paper, signed and numbered 227/250 in pencil, image size 22¼ x 22¼in. (56.5 x 56.5cm.), sight 30 x 29¼in. (76.2 x 74.25cm.), framed and glazed. * Slight cockling to sheet. Otherwise very good, with no other visible faults. Not examined out of frame.
Sir Peter Blake CBE, RDI, RA (British, b.1932), Some of the Sources of Pop Art 3 limited edition silkscreen print with glazes, on wove paper, 2006, signed and numbered 29/175 in pencil, image size 20 x 20in. (50.8 x 50.8cm.), sight 21 7/8 x 21 3/8in. (55.5 x 54.3cm.), framed and glazed. * Very good condition with no faults visible. Not examined out of frame.
Richard Todd signed 16x12 black and white "The Dambusters" print. Richard Andrew Palethorpe-Todd OBE (11 June 1919 - 3 December 2009) was an Irish-British actor known for his leading man roles of the 1950s. He received a Golden Globe Award for Most Promising Newcomer - Male, and an Academy Award for Best Actor nomination and a Golden Globe Award for Best Actor nomination for his performance as Corporal Lachlan MacLachlan in the 1949 film The Hasty Heart. His other notable roles include Jonathan Cooper in Stage Fright (1950), Wing Commander Guy Gibson in The Dam Busters (1955), Sir Walter Raleigh in The Virgin Queen (1955), and Major John Howard in The Longest Day (1962). He was previously a Captain in the British Army during World War II, fighting in the D-Day landings as a member of the 7th (Light Infantry) Parachute Battalion. Good condition Est.
THOMAS RUFF (B. 1958)Portraits, 1984-1985 a)Portrait, (L. Gerdes)signed and dated Thomas Ruff 1984 (on the reverse)chromogenic colour print24 x 18 cm.9 7/16 x 7 1/16 in.b)Portrait, (K. Kneffel)signed and dated Thomas Ruff 1984 (on the reverse)chromogenic colour print24 x 18 cm.9 7/16 x 7 1/16 in.c)Portrait, (J. Sasse)signed and dated Thomas Ruff 1984 (on the reverse)chromogenic colour print24 x 18 cm.9 7/16 x 7 1/16 in.d)Portrait, (C. Bernhard)signed and dated Aug 85 Thomas Ruff (on the reverse)chromogenic colour print24 x 18 cm.9 7/16 x 7 1/16 in.Footnotes:ProvenancePrivate Collection, UKSale: Bonhams, London, Vision 21, 25 October 2006, lot 27 Acquired directly from the above by the previous ownerThence by descent to the present ownerLiteratureValeria Liebermann, 'Annotated Catalogue Raisonné of Works since 1979' in Matthias Winzen, Ed., Thomas Ruff: 1979 to the Present Exh. cat. Cologne 2001, pp. 181-182, illustrated in colourThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
RARO TOM FORD PER GUCCI ZEBRA PRINT SWIMSUIT P/E 1996 Anni '90 Raro e iconico bikini Design Tom Ford per Gucci degli anni '90, con stampa zebrata, colore nero e turchese, mostrato nell'iconica sfilata P / E 1996 con Kate Moss. Nuovo mai indossato, con etichetta. Tessuto da nuoto in nylon/spandex super morbido con fodera in tulle color carne. Tg. M. Grado di condizione A+.
A GROUP OF TWO WOODBLOCK PRINTS AFTER KATSUSHIKA HOKUSAI 葛飾北斎 (1760-1849) Kajikazawa in Kai Province (Kōshū Kajikazawa) Woodblock print/Oban yoko-e From the series of 'The Thirty-six Views of Mount Fuji' (Fugaku sanjūrokkei) Dated Meiji 5 corresponding to 1872 Shodan (Act I) Woodblock print/Oban yoko-e From the series of 'The Forty-Seven Loyal Retainers' (Sho-dan/Kanadehon Chushingura) Dated Meiji 3 corresponding to 1870
AFTER UTAGAWA HIROSHIGE 安藤 広重(1797-1858) Crescent moon behind monkey bridge Oban tata-e / woodblock print A print dating to the Taisho / Showa period (circa 1920s-1930s) Dimensions (the sole print): 35 x 22,5 cm Note: Splendid colors and high quality printing, inventory label and with Made in Japan on the verso.
AFTER UTAGAWA HIROSHIGE 安藤 広重(1797-1858) Mount Fuji and cherry trees full of blossoms with a full moon Oban yoko-e / woodblock print A print dating to the Taisho / Showa period (circa 1920s-1930s) Dimensions (the sole print): 22,5 x 35,2 cm Note: Splendid colors and high quality printing, inventory label and with Made in Japan on the verso.
AFTER UTAGAWA HIROSHIGE 安藤 広重(1797-1858) Awa Province: Naruto Whirlpools (Awa, Naruto no fûha) Oban tata-e / woodblock print From the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue / 六十余州名所図絵 阿波 鳴門の風波) A later (1920s-1930s) print dating to the Taisho / Showa period Dimensions (the sole print): 36 x 23 cm
TSUKIOKA YOSHITOSHI 月岡 芳年 (1839-1892) Fudō Myōō Threatening a Novice Triptych of oban tata-e / woodblock prints Dated Showa 18 equivalent to 1885 in the margin Dimensions (each print): 35,7 x 24,4 cm Notes: 1. Tsukioka Yoshitoshi was one of the great innovators of Meiji ukiyo-e. A legend about Abbot Yūten (1637-1718) of Zōjōji Temple tells how, as a novice, he prayed for Fudō Myōō's aid to become a wise monk. He then dreamed that the statue of Fudō leaped down from its pedestal and made him swallow one of his swords; upon waking, he became an excellent cleric. In this scene, Fudō aims his sword at Yūten while the deity's attendants witness his magical power. Compare with a related triptych housed in the collection of the Metropolitan Museum, accession number 2005.350a-c.
UTAGAWA KUNIYOSHI 歌川國芳 (1797-1861) Waikyakuko Oei : 矮腳虎王英 : Wang Ying Oban tata e / woodblock print From the series Tsuzoku Suikoden goketsu hyakuhachinin no hitori (通俗水滸傳濠傑百八人一個 / One of the 108 Heroes of the Popular Water Margin) Dimensions (the sole print): 37,2 x 25,5 cm Note: Compare with a related print housed in The British Museum under the accession nr. 2008,3037.10067.
UTAGAWA KUNIYOSHI 歌川國芳 (1797-1861) Odai Matarokurô (Yorisada) breaking a huge sake-jar with his spear while Iwazu Tetsuemon (Shigenobu) is drinking in the background Oban tata e / woodblock print From the series Eight Hundred Heroes of Our Country's Suikoden (Honchô Suikoden gôyû happyaku-nin no hitori / 本朝水滸傳剛勇八百人一個) Publisher: Kaga-ya Kichiemon Dimensions (the sole print): 38,2 x 26 cm Note: Compare with a related print housed in The British Museum under the accession nr. 2008,3037.10067.
UTAGAWA YOSHIIKU 歌川 芳幾 (1833-1904) Ghost ghost Toriyama Akinari Terutada with Ghost Oban tata e / woodblock print The Lavender Chapter from the series Modern Parodies of Genji (Imayô nazorae Genji / 今様擬源氏十九うすくも薄雲大江因幡之介) Dimensions (the sole print): 34,4 x 22 cm Note: Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. JP3682.
UTAGAWA YOSHIIKU 歌川 芳幾 (1833-1904) Ghost Usugumo and Ône Inabanosuke Oban tata e / woodblock print Chapter 19th from the series Modern Parodies of Genji (Imayô nazorae Genji / 今様擬源氏十九うすくも薄雲大江因幡之介) Dimensions (the sole print): 34,4 x 22 cm Note: Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. 11.41115.
YŌSHŪ (HASHIMOTO) CHIKANOBU 豊原周延 (1838-1912) Chiyoda Castle (Album of Women) A triptych of oban tata e / woodblock prints Dimensions (each, solely the print): 35,9 x 24 cm Notes: 1. A very fine triptych of bijin-ga with high-quality craftsmanship effects : embossing, burnishing, metallic pigments. 2. Compare with a related triptych housed in the collection of the Metropolitan Museum, accession number JP3521.
HASEGAWA KANPEI XIV (TADAKIYO) (1847-1929) Actor Ichikawa Danjûrô IX as Juteikô Kan'u Oban tata-e / Woodblock print From the series The Eighteen Great Kabuki Plays (Kabuki jûhachiban) Dimensions (the sole print): 36 x 24,5 cm Notes: A fine print with a very good embossing. Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. RES.53.8.
HASEGAWA KANPEI XIV (TADAKIYO) (1847-1929) Actor Ichikawa Danjûrô IX as Kazusa Akushichibyôe, with an actor from the past as Shigetada Oban tata-e / Woodblock print From the series The Eighteen Great Kabuki Plays (Kabuki jûhachiban) Dimensions (the sole print): 36 x 24,5 cm Notes: A fine print with a very good embossing. 2. Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. RES.53.14
HASEGAWA KANPEI XIV (TADAKIYO) (1847-1929) Actor Ichikawa Danjûrô IX as Narukami Shônin, with an actor from the past as Taema-hime Oban tata-e / Woodblock print From the series The Eighteen Great Kabuki Plays (Kabuki jûhachiban) Dimensions (the sole print): 36 x 24,5 cm Notes: A fine print with a very good embossing. Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. RES.53.16.
HASEGAWA KANPEI XIV (TADAKIYO) (1847-1929) Actor Ichikawa Danjûrô IX as Yamanoue Gennaizaemon, with an actor from the past as Suzuka no Ôji Oban tata-e / Woodblock print From the series The Eighteen Great Kabuki Plays (Kabuki jûhachiban) Notes: A fine print with a very good embossing. Compare with a related print housed in the Museum of Fine Arts of Boston, accession nr. RES.53.18.
YOSHIMOTO GESSO 吉本月荘(1881-1936) Flowers and grasshopper Oban tata-e / woodblock print A print dating to the Taisho / Showa period (circa 1920s-1930s) Dimensions (the sole print): 36,4 cm x 23,4 cm Note: Splendid colours and high quality printing by Shin-hanga artist, inventory label and with Made in Japan stamp on the verso.
YOSHIMOTO GESSO 吉本月荘(1881-1936) A wild goose is descending to a snow covered river bank Oban tata-e / woodblock print A print dating to the Taisho / Showa period (circa 1920s-1930s) Dimensions (the sole print): 36,4 x 23,4 cm Note: Splendid colors and high quality printing by Shin-hanga artist, inventory label and with Made in Japan stamp on the verso.
TSURUYA KOKEI 弦屋光渓 (1946-) Setsushu Gokokutsuji, Ichimura Uzaemon's 17th Generation Gokoku Doshin Woddblock print Dated June 1989 Dimensions (the sole print): 37,8 x 25,6 cm Note: A limited edition of 90 copies, superb printing on very thin paper, mica powder on the background, hand signed with artist seal, with its original folder.
KOHO SHODA 庄田耕峯 (1871-1946) Full moon and river Woodblock-print From the Night scenes series Signed and sealed on the lower right within the print Dating to the 1920s / 1930s With an inventory label on the verso Dimensions (the sole print): 24 x 36,3 cm Note: The Night Scenes series of twenty-one chuban prints illustrates evening views evocative of traditional Japan in a limited palette of sepia or blue originally issued in the 1910s, although Nishinomiya seems to have continued to produce the simple nocturnes in the same format into the 1920s-30s. The collaborative series included the work of Shoda Koho (1871-1946), Arai Yoshimune (1873-1945), Kobayashi Kiyochika (1847-1915), Gyosui Suzuki (1898-) and Eijiro Kobayashi (1870-1946) and Yoshimoto Gesso (1881-1936).
LILIAN MAY MILLER (Tokyo, 1895 - San Francisco, 1943) Japanese Dwarf Plum Tree B Woodblock print / Oban tata-e Dated 1928 Signed on the lower left within the print Bearing the seal of the artist within the print on the lower right Titled in the margin Dimensions (the sole print): 36,1 x 24,1 cm Notes: Lilian May Miller (July 20, 1895 - January 11, 1943) was an American painter, woodblock printmaker and poet born in Tokyo, Japan. A very rare Shin hanga print illustrated in the exhibition catalog Between Two Worlds : The Life and Art of Lilian May Miller, p. 63 (PACIFICA ASIA MUSEUM 1998).
PAUL JACOULET (active in France and then Japan, 1896-1960) Les jades chinoises Woodblock print/Oban tata-e Signed within the print together with a red boat seal Titled in the lower right margin Printer: Onodera Yoshizo Engraver: Maeda Kentaro Dimensions (the sole print): 39 x 30cm Notes: Paul Jacoulet lived in Japan most of his life. During a span of twenty-six years, he produced 166 masterfully printed colour woodcuts. His inventive compositions reveal a synthesis of traditional Japanese printing techniques with modern European aesthetics and are examples of superb craftsmanship. Our piece is a testimony of his travels to China and Mongolia and his observation of local customs and clothes. For a related print at public auction, see Christie's South Kensington, 2001/06/28, lot 176.
Elizabeth Keith (1887-1956) Marriage Procession Seoul Woodblock print Titled within the plate on the lower left corner Signed, monogrammed and dated within the plate on the lower right corner: 1921 Dimensions (the sole print as visible within the frame): 25 x 37,5 cm Note: Elizabeth Keith was a Scottish artist and writer, a print maker and a watercolorist. Keith's work consists of prints depicting Asian life and culture,[4] a fascination she acquired when she travelled to Tokyo at the age of 28 and remained there for nine years. Uncontestably, one of the best signature of the Shin Hanga art movement.
ADAM BUCK (1759-1833) "Young child in lace bonnet and white dress with blue ribbon and shoes, seated in a bar back elbow chair", watercolour, signed and indistinctly inscribed and dated lower right, 17.5 cm x 12.5 cm, together with 19TH CENTURY ENGLISH SCHOOL "Young child in bonnet facing left", silhouette portrait study, black wash oval, within a gilt-line on paper, 6 cm x 4.5 cm, another ENGLISH SCHOOL "Young girl in a red dress with blue trim", portrait study, 5.5 cm x 4.5 cm oval and two black and white portrait prints, one AFTER JOHNSON "His Royal Highness Frederick Bishop of Osnabrug", published 1770, 15 cm x 11.5 cm and another "Charlotte Queen of Great Britain & C", black and white print, 15 cm x 11.5 cmCondition ReportRe ADAM BUCK watercolour "Portrait of Young Child" - paper very browned with several spot marks. Image faded and with staining in various areas. See images for further detail.
George Philip and Sons Ltd, Dunkirk to Berlin June 1940 to July 1945: Journeys Taken by The Rt. Honble. Winston S Churchill OM CH FRS MP Prime Minister of Great Britain, In Defence of the British Commonwealth and Empire, map print published by The London Geographical Institute, frame size 99cm x 124cm
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