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Click here to subscribe§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) POPPY STUDY - 2011 Screenprint, P/P, aside from the edition of 80, signed and editioned in pencil, published by Glasow Print Studio, with their blindstampDimensions:59cm x 47.5cm (23.25in x 18.75in)
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) JAPANESE GARDEN II - 2005 Etching, Printer's Proof, aside from the ed. of 50, signed and editioned in pencil to margin, published by the Glasgow Print StudioDimensions:plate size 37.5cm x 54cm (14.75in x 21.25in)
§ SIR TERRY FROST R.A. (BRITISH 1915-2003) LORCA SUN (KEMP 130) - 1991 Etching with lithography, 3/25, signed, dated and editioned in pencil to margin, printed by Hugh Stoneman and Alan Cox at the Print Centre, London, published by the artist, NewlynDimensions:plate size 56cm x 37.5cm (22in x 14.75in)
Five topographical prints comprising 'The SouthWest Prospect of Birmingham in the County of Warwick', with further information below, 28.5 x 79cm, 'A Perspective View of Venice', 29 x 43cm, a coloured etching inscribed 'Peter's Church', also inscribed in pencil to the margin 'Church Lane' and indistinctly signed, 33 x 21cm, an etching of a bridge and a cathedral, signed in pencil to the margin David Law, 23 x 32cm and a contemporary coloured signed limited edition print by John R. Oakenden, signed lower right, numbered and titled '9/550 Lower Heswall' to the lower left margin, 30 x 42cm, all framed (5).
GORDON KING; two prints, 'Lavender Blue', depicting ladies in an orangery/conservatory with floral displays, both no.172/475, both signed in pencil, both 41 x 29cm, John Chancellor; signed print, sailboat in rough waters, pencil signed lower right, no.243/300, 53 x 78cm, and Francis R Flint; signed print, three-masted yacht on rough waters, signed in pencil lower right, 48 x 63cm, all framed and glazed (4). CONDITION REPORT:
A small mixed lot of pictures and prints including a miniature silhouette in ebonised framed, a further silhouette inscribed below 'Horatio Nelson' and signed in pencil 'JG', in ebonised frame, a small Victorian rosewood frame containing six wax seal stamps, a framed pot lid 'The Time' (af), a small map for the road from 'Carlisle to Rarwick in the North and East Riding of Yorkshire', 19 x 12cm, an etching of Napoleon Bonaparte, indistinctly signed to the margin, a small print of a harbour scene, indistinctly signed and dated 1853, an early 19th century print of George III by Rosenberg & Son, a print of HMS Britannia entering Portsmouth 1835, a print titled 'The End of An Era', depicting HMS London leaving the Grand Harbour in Malta, all framed and glazed, also a half boat block mounted on a plinth, bearing plaque 'Falmouth Working Boat 1890' (12).
A quantity of early 20th century and later maritime related ephemera, to include sheet music 'Ship Ahoy (All the Nice Girls Love a Sailor)' sung by Miss Hetty King, prints of 'Our Fighting Navy', typed letters and receipt bills for the United States Naval Institute, a print of the Battle of Aboukir 1801, various bands for the warship 'Arethusa', black and white prints of various ships, a photograph of early 20th century Naval family, newspaper cuttings, also a group of thirteen card calendar fronts from Thos. & JAS. Harrison Line of Liverpool, including one duplicate example, also an early 20th century drypoint etching of a scene on the Solent, Queen Victoria's royal yacht sailing toward the Isle of Wight, c1900, signed in the margin lower right, 39 x 26cm, framed and glazed and fourteen Naval related Original Acts of Parliament, dating from 1802 to 1850, which covers 'His Majesty's Royal Marines: The Speedy Payment of Naval Victualling and Transport Bills', 'Concerning the Capture of British Ships', 'Concerning Enemy Goods Seized as Prizes' and 'Concerning Officers of the Customs and Superintendent of Quarantine', 'The Royal Naval Asylum', etc. CONDITION REPORT: There is a lot of foxing and discolouration to the mount of the print and to the etching itself. The Acts of Parliament all appear to be in good condition.
AUSTIN MOSELEY (1930-2013); print, 'Faithful Friends', edition size 195, no.20 of Artist's Proof, hand embellished giclée board, size 12, 30.5 x 40.5cm, framed and a limited edition signed print of a kingfisher with water iris, no.154/200, unframed (2). †CONDITION REPORT: This lot may qualify for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
MICHAEL FAIRCLOUGH (SCOTTISH B.1940) ORKNEY, HOY SOUND Mixed media on paper, signed lower right, 13 x 17cm Title inscribed verso Together with another etching titled, The Last Apple Campden, signed 'ARD', and another print, City of London, by John Bryce (3) Condition Report:Available upon request
A collection of five paintings, pictures and prints including a 20th century school, oil on board, landscape scene, 37cm x 34.5cm, signed W. Jackson, an old framed photo, a watercolour and a 19th century coloured print after H. M Paget, 'The Trial of Jabez Balfour and his co-directors of The Liberator Society in Court 3 of The Queen's Bench before Mr Justice Bruce', drawn by H M Paget, 48cm x 32cm, framed and glazed.
Five hand coloured engravings; three after H Alken, from the series 'Fores's Hunting Casualties', 'A Mutual Determination', 'A rare sort for the Downs' and 'A turn of speed over the Flat', engraved by J. Harris, published 1850 by Mefs Fores at their Sporting and Fine Print Repository & Frame Manufactory, 41 Piccadilly, 32cm x 25cm, all framed and glazed, together with a pair of 19th century hand coloured etchings after J F Herring Snr, 'Muley' and Aectaeon engraved by C Hunt, plate marks 35cm x 28cm, framed and glazed, together with a print of horses, 55cm x 55cm, framed and glazed.
Bernard Leach St Ives studio pottery Tenmoku glazed vase of flattened form with incised willow tree decoration, incised Bernard Leach monogram and St Ives Pottery mark, H21cm. With letter of provenance stating the vase was purchased in 1952 directly from Bernard Leach, when the buyers were told the vase was made for an exhibition involving Hamada, the family member mentioned in the letter is the vendor. Also included is an auction print of a similar stoneware jar that realised $16,000 at Brunk Auctions North Carolina in 2008
Aviation - Frank Lemon - Wright Brothers Offset Lithographs, full set of seven produced by the Wright Aeronautical Corporation, Christmas 1928, from a limited edition of 500. Titles include: The Conqueror of one pole attempts the other: Commander Byrd, the Antarctic, 1929. To Australia by Air: Kingsford-Smith and his companions over Suva, 1928; With one beat of his wing, Charles Lindbergh goes to Paris, 1927; Crossing the States in the span of the same sun, Lieutenants Macready & Kelly, 1923; Lieutenant Commander Albert C. Read nears the Azores in a navy plane, 1919; Louis Bleriot passes the White Cliffs of Dover in May 1909; The Wright Brothers' "Strange Contraption" rises at Kitty Hawk, 1903; signed within the print, 17 in x 19 in approx., framed and glazed (7)
UTAGAWA HIROSHIGE II (1826-1869)TWO UKIYO-E WOODBLOCK PRINTS IN INKS AND COLOURS ON MULBERRY BARK PAPERFrom the series Views of Famous Places in Edo And another print by Hiroshige, Late Edo-Meiji Period (3) Condition Report: all trimmed and some fading and stainingplease see images for visual reference to condition Condition Report Disclaimer
A SATINWOOD BOX EARLY 20TH CENTURY Bearing the Belgian Royal Family crest and motto 'L'UNION FORCE FAIT LA' (Unity Makes Strength or Strength Through Unity), possibly a presentation casket for the insignia of the 'Order of Leopold II' 17cm high, 57cm wide, 40cm deep Together with a print of HRH Princess Charlotte and HRH Prince Leopold attending Divine service in their seat at Church of Esher near Kingston, mounted, framed, and glazed, 46 x 36 overall
â–´ Frank Martin (1921-2005) Portrait of Montgomery Clift, 1971 dry point etching on copper, signed 'Frank Martin' in pencil l.r., inscribed 'Montgomery Clift' and numbered 8/15plate 7.5 x 25cmCondition ReportFramed size: 43 x 53cmNot examined out of the glazed frame. Some mount staining to edges of print, otherwise appears to be fine, some marks to the underside of glass/mount.
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