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Lot 523

W.J. Pettit, a harbour scene, possibly Channel Islands, watercolour, 25 x 30 cm, its pair and a print (3)

Lot 661

A framed print of a koi carp, 70 cm x 70 cm

Lot 297

A framed Henry Daniels oil on board of a lakeside cottage and a framed Graham Clark signed print entitled Grange, number 21 of 150, gilt framed print 'Sundial' by J Degham number 74 of 75.

Lot 664

After Archibold Thorburn : The Mountain Hare, colour print, 28 cm x 24 cm, together with two further colours prints by the artist and J G Millais. (3)

Lot 659

A framed print of a bridge, 100 cm x 50 cm

Lot 26

A framed colour print of the New York skyline, black and white framed of Downtown New York, Sara Moon print of a lady, framed NUFC montage

Lot 623

A box of seven assorted framed pictures and prints to include oil on board portrait of a boy by Kingsley dated '76, Tom MacDonald print of Seahouses, etc and two pine framed mirrors

Lot 662

A framed print of a bridge, 100 cm x 50 cm

Lot 653

A framed print of a flower, 70 cm x 70 cm

Lot 652

A framed print of a flower, 70 cm x 70 cm

Lot 154

A large Ikea framed print of a London bus

Lot 45

Jonathan Shaw, 'Cappuccino Skies II', a framed limited-edition print, 151/395, 50 x 40.5cm, signed, numbered and titled in pencil within margin.

Lot 27

Barbara Vincent, 'Port Isaac', a limited-edition screen print, 2/12, 33 x 24cm, signed in pencil and titled on mount, unframed, other modern prints, photographs and miscellaneous items.

Lot 13

After Edward Seago, 'Port of Ponzo', a coloured print, signed in margin, embossed Trade Guild stamp, 50 x 66cm, Pub. Frost & Reed 1968 and various framed coloured prints of sailing ships by Montague Dawson, Norman Wilkinson, etc.

Lot 66

After John Brunsden, 'Derbyshire Mill', a limited edition etching with aquatint, 47 x 61cm, signed titled and numbered 29/125 in pencil within the margin, together with a limited-edition print by Debby Mason 'Coelacanth', 25 x 42cm, signed, titled and numbered 6/50 in pencil within the margin, (2).

Lot 571

BERYL COOK. 'Poetry Reading.' A coloured print signed in pencil & with GFA blind stamp. Published in 1982 by Alexander Gallery, Bristol. Image size 40 x 36cm.

Lot 225

TERENCE CUNEO. 'Bentley v Blue Train'. A print after Terence Cuneo, published in 1970 by Colourviews Ltd., Birmingham (pin holes & some slight bottom edge damage). 74 x 79cm unframed.

Lot 549

EMMA JEFFRYES. Three prints: 'Porthminster Beach, St. Ives, July 2018'; 'Porthminster Beach, St. Ives, July 2018'; & 'Porthgwidden Beach, St. Ives, July 2018'. Each initialled within the print. Each 47 x 62cm, mounted but unframed.

Lot 558

WILHELMINA BARNS GRAHAM. * 'Orange, Red and Pink, 1960-91.' Screen print. Signed, dated 1960-91 & numbered 33/70. 76 x 48cm.

Lot 1046

Mai Trung Thu (Vietnam 1906-1980) signed print - a girl and a bird cage, inscribed and signed in felt pen, in glazed frame, 54cm x 25cm

Lot 1047

William Charles Th. Dobson (1817-1898) collection of seventeen signed black and white prints of Dobson's work, pencil signed by the artist, unframed, mostly with blindstamp for the Print Sellers Association

Lot 64

Pair 18th century Worcester porcelain pickle dishes with rare Single Flower print, moulded vine decoration on the bases, 8.5cm length.Condition report: Both in good order

Lot 882

*Daniel Crane (b.1969) signed limited edition Hunting print, entitled "I Say Old Boy, I Wonder If You Wouldn't Go And Help Those Ladies With That Gate? I Would Go, But One Is My Wife The Other My Mistress..!!?"..."Small World Isn't It!!", signed in pencil and numbered 129/650, in glazed frame, 111cm x 57cm

Lot 910

Cecil Aldin (1870-1935) signed print - The Fitzwilliam, 53cm x 87cm , in original oak frame, two others similar, a signed limited edition print - The Pytchley, together with a pair of Edwardian prints - The Jockey and The Yokel, each framed and glazed (6)

Lot 911

Late Victorian hand coloured print - A Fox-Hunter's Dream, published by Fores, in glazed ebonised frame, 79cm x 63cm

Lot 919

Frank Algernon Stewart (1877-1945) signed print - The West Kent near Penshurst, a watercolour vignette depicting a hound lower left, 26cm x 63cm, together with three other signed hunting prints, each in glazed frame (4)

Lot 921

Snaffles, Charles Johnson Payne (1884-1967) signed print - Blighty - 'and only five-and-twenty per cent of the danger', with Snaffle blindstamp, in glazed frame, 52.5 x 42cm

Lot 922

Snaffles, Charles Johnson Payne (1884-1967) signed print - That far, far-away Echo, with Snaffle blindstamp, in glazed frame, 49.5cm x 49.5cm

Lot 923

Snaffles, Charles Johnson Payne (1884-1967) signed print - That far, far-away Echo, (without fox) with Snaffle blindstamp, in glazed frame 49.5cm x 49.5cm

Lot 924

Snaffles, Charles Johnson Payne (1884-1967) signed print - Foxcatchers. For the love of it, with Snaffle blindstamp, in glazed frame, 41cm x 37.5cm

Lot 925

Snaffles, Charles Johnson Payne (1884-1967) signed print - Soldiers, with Snaffle blindstamp, in glazed frame, 40.5cm x 37.5cm

Lot 926

Snaffles, Charles Johnson Payne (1884-1967) signed print - Tally-ho Back, with Snaffle blindstamp, in glazed frame, 37cm x 50.5cm

Lot 927

Snaffles, Charles Johnson Payne (1884-1967) signed print - Tonnage, "And when hounds really run, can show how sixteen stone should o'er a country go", with Snaffle blindstamp, in glazed frame, 40.5 cm x 37cm

Lot 929

Snaffles, Charles Johnson Payne (1884-1967) rare signed print - The Finest View in Europe, with the riders hands showing, circa 1914, with Snaffle blindstamp, in glazed frame, 43cm x 74cm NB: Published just before the 1914 War, this image proved one of Snaffles's most successful and celebrated images

Lot 930

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Finest View In Europe, with Snaffle blindstamp, in glazed frame, 42cm x 67cm

Lot 931

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Worst View In Europe, with Snaffle blindstamp, in glazed frame, 42cm x 66cm

Lot 932

Snaffles, Charles Johnson Payne (1884-1967) signed print - A Bona Fide Fox Chaser, with Snaffle blindstamp, in glazed frame, 48cm x 44cm

Lot 933

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Season 1939-40, with Snaffle blindstamp, in glazed frame, 50cm x 69cm

Lot 934

Snaffles, Charles Johnson Payne (1884-1967) signed print - Tonnage, "And when hounds really run, can show how sixteen stone should o'er a country go", circa. 1922, with Snaffle blindstamp, in glazed frame, 42cm x 37cm

Lot 935

Snaffles, Charles Johnson Payne (1884-1967) signed print - "If There Is Paradise On Earth It Is This! It Is This!! It Is This!!!", with Snaffle blindstamp, in glazed frame, 50cm x 70cm

Lot 936

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Season 1939-40, with Snaffle blindstamp, in glazed frame, 51cm x 72cm

Lot 937

Snaffles, Charles Johnson Payne (1884-1967) signed print - 'Merry England' and worth a guinea a minute, with Snaffle blindstamp, in glazed frame, 44cm x 41cm

Lot 938

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Gent In Ratcatcher, with Snaffle blindstamp, in glazed frame, 39cm x 36cm

Lot 939

Snaffles, Charles Johnson Payne (1884-1967) signed print - 'Merry England' and worth a guinea a minute, with Snaffle blindstamp, in glazed frame, 39cm x 36cm

Lot 940

Snaffles, Charles Johnson Payne (1884-1967) signed print - Prepare To Receive Cavalry, with Snaffle blindstamp, in glazed frame, 49cm x 69cm

Lot 941

Snaffles, Charles Johnson Payne (1884-1967) signed print - "Got yer you old badmash!", with Snaffle blindstamp, in glazed frame, 43cm x 63cm

Lot 942

Snaffles, Charles Johnson Payne (1884-1967) signed print - A Sight To Take Home And Dream About, with Snaffle blindstamp, published by Fores, in glazed frame, 49cm x 62cm

Lot 943

Snaffles, Charles Johnson Payne (1884-1967) signed print - "Oh! To Be In Ireland Now That April's There", published by Fores, in glazed frame, 51cm x 67cm

Lot 944

Snaffles, Charles Johnson Payne (1884-1967) print - Not Taking Any, published by Fores 1913, framed, 48cm x 53cm

Lot 945

Snaffles, Charles Johnson Payne (1884-1967) print - West Of Gib And North Across The Bay, "Blimey! What a life", unsigned, titled in pencil, framed, 50cm x 73cm

Lot 946

Snaffles, Charles Johnson Payne (1884-1967) signed print - Sandown, Asking 'Em The Question, in glazed frame, 51cm x 70cm

Lot 947

Snaffles, Charles Johnson Payne (1884-1967) signed print - A Bona Fide Fox Chaser, in glazed frame, 48cm x 44cm

Lot 948

Snaffles, Charles Johnson Payne (1884-1967) signed print - The Biggest Walls In The Country Was In It, with Snaffle blindstamp, in glazed frame, 49cm x 67cm

Lot 949

Snaffles, Charles Johnson Payne (1884-1967) signed print - Soldiers, 'Nasty steeple chasin ' devils', with Snaffle blindstamp, in glazed frame, 42cm x 36cm

Lot 122

After G. KeaneColour printArkel, Jockey Pat Taff and After PhilippColour print, Shergar, 148/500, signed and numbered in pencil (2)

Lot 123

After Peter BiegelColour print, 24/850Signed in the margin Pat Taff and G W Robinson, steeplechase scene, probably Cheltenham, 48 x 38cm approx, andColour printDawn Run, 51/500, signed and numbered in the margin, 35 x 46cm (2)

Lot 124

Colour print by John Beer, 1683-1822 "Fathers of the turf", 47 x 65cm,together with After M Coward Colour print, Delusions of grandeur, 173/850, signed in pencil lower right, 38 x 47cm, published by Sally Mitchell (2)

Lot 132

After N HemmingColour prints, limited edition, 512/850, signed in pencil in the margin showing a pair of black labradors, 50 x 40cm, together withAfter John TrickettColour print, limited edition, 94/850, signed in pencil in the margin showing a black labrador with a litter of puppies, 39 x 57cm, published by Sally Mitchell 1991

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