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Lot 4
To be sold on behalf of the Injured Jockeys Fund: an autographed Stephen Smith limited edition print of the triple Champion hurdler Istabraq, signed by the jockey Charlie Swan, additionally signed by the artist and numbered 214/500, mounted, framed & glazed, overall 61 by 76cm., some scuffing to frame.
Lot 8
To be sold on behalf of the Injured Jockeys Fund: An autographed A J Dent limited edition print of Looks Like Trouble beating Florida Pearl in the 2000 Cheltenham Gold Cup, signed by Tim Collins (owner), Noel Chance (trainer) and Richard Johnson (jockey), additionally signed by the artist and numbered 114/750, mounted, framed & glazed, 78 by 89cm., some scuffing to wooden frame.
Lot 318
L G Polti artist proof print of the jockey Fred Archer,signed by the artist in pencil, the print & plate by Chancellor & Son, Dublin, for publication by Angus Morrison, London, the lower mount with Fred Archer facsimile signature, the jockey portrayed in smart clothing and a walking cane, mounted, framed & glazed, 83 by 69cm., two horizontal areas of discolouration, otherwise good.
Lot 85
Six racehorse portraiture prints,the earliest a coloured engraving by H. Roberts of Lord Onslow's Victorious; two similar b&w; prints after J F Herring of Vespa and Don John; two similar coloured prints (possibly Harry Hall) of Blue Gown and Pretender; and a John Sturgess coloured print of the Derby winner Merry Hampton, various sizes, all framed & glazed, the largest 34 by 42cm., overall in good condition, (6).Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
Lot 1
To be sold on behalf of the Injured Jockeys Fund: Lester Piggott signed limited edition print of Nijinksy with the jockey up by Caroline Cook, signed by Lester in fine marker (a little faded), additionally signed by the artist and numbered 19/395, mounted, framed & glazed, overall 51 by 42cm., overall in good condition.
Lot 66
Susan Crawford (British, 20th/21st century) limited edition print of the 200th Derby winner Troy with Willie Carson up on Epsom Downs,signed by the artist, numbered 390/850, mounted, framed & glazed, overall 67 by 76cm., good condition; sold together with a 1979 Derby racecard and a Derby 200 souvenir magazine both signed by Willi Carson; and an unsigned 1979 King George racecard, (4 items).
Lot 320
A Victorian print after Archibald P. Tilt portraying the ghost of the jockey Fred Archer riding across Newmarket Heath at night,French photoaquatint by Goupil & Co., published in London by McQueen & Sons, and by other publishers in Berlin & New York, C.1887, the mount printed with the verse ACROSS THE HEATH - ALONG THE COURSE, TIS SAID THAT NOW ON PHANTOM HORSE, THE GREATEST JOCKEY OF OUR DAYS, RIDES NIGHTLY IN THE MOONLIGHT RAYS, mounted, framed & glazed, 60 by 72cm., good condition.
Lot 451
Ten Horse racing prints, six by the artist Peter Deighan (Irish, b.1941), comprising Lester Piggott's Oaks winners 552/850, unsigned; Lester Piggott's St Leger winners 552/850, unsigned; Lester Piggott's 1,000 & 2,000 Guineas winners 552/850, unsigned; The Golden Boy Steve Cauthen, 216/550, signed by the artist; Dawn Run & Jonjo O'Neill, 300/500, signed by the artist; and an artist's colour proofing for a Peter Deighan print of the 1984 Cheltenham Gold Cup that has been signed by the two featured jockeys Phil Tuck and John Francome; sold together with Shergar with Walter Swinburn up, by Gillian E Hoare, from the Sporting Life Champions of the Turf Series; and three other prints with no artist or edition details, featuring Sea Pigeon with Jonjo O'Neill up, Night Nurse with Paddy Broderick up and Momksfield with Dessie Hughers up, good condition, all rolled in a tube, (10).
Lot 83
Double-print of Newmarket in the time of George I and in 1790,twin colour engraved plates, the earlier example after John Wootton (circa 1682-1764) and featuring a match on the racecourse between the Duke of Somerset's Grey Windham and the Duke of Bolton's Bay Bolton, the other after E F Burney (figures) and J Bodger (landscape) and a very lively view of Warren Hill, framed & glazed, 33 by 38cm., reasonably good condition; sold together with another Newmarket print, the July Sales at Tattersalls, hand-coloured circa 1890, unframed, (2).Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
Lot 10
To be sold on behalf of the Injured Jockeys Fund: Limited edition print by Stephen Smith of One Man in the 1998 Queen Mother Champion Chase,signed by the artist and numbered 382/500, mounted, framed & glazed, the backboard taped with a Weatherby's print out of One Man's 36 race and 20 wins career, point-to-point, hurdles and chasing, good condition, overall 59 x 68cm.
Lot 71
Collection of telegrams, letters and a 'Good Luck' horseshoe from the Mrs Marion Glenister Collection, owner of racehorse Nimbus, comprising group of congratulatory telegrams sent to Mrs Marion Glenister following the victories of her colt Nimbus in the 1949 Derby and 2,000 Guineas, of historical value and including an example sent to Mrs Glenister from HH The Aga Khan after the Derby victory; congratulatory letters sent to Mrs Marion Glenister the owner of Nimbus winner of the 1949 Derby, of historical value, over 50 letters congratulations plus some begging for money!, also letters from artists and photographers pitching to paint/photograph her Classic winning horse and a 'Good Luck' horseshoe sent to Mrs Marion Glenister the owner of Nimbus before the 1949 Derby, lucky indeed!, 32 by 26cm., sold together with various original racing photographs originally owned by the Newmarket-racehorse trainer George Colling, circa 1940s, including the horses Nimbus, Las Vegas, Sicaro et al., sold together with Official Photo Finish print of Nimbus and Charlie Elliott beating Abernant and Sir Gordon Richards in the 1949 2,000 Guineas, P.A.-Reuter Photo stamped "specimen print", 6 by 8in. b&w;, backstamp and caption and miscellany of of old racing books, breeding, racing, historical etc., earliest publication date 1919; the lot also including a set of four framed book plates of the Vale of Aylesbury Steeplechase, 20 by 26cm.; an original press photograph of Desert Orchid and Simon Sherwood in the 1989 Cheltenham Gold Cup, (qty).Provenance: From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.
Lot 480
Collection of horse racing memorabilia,including a framed limited edition print of Sea The Stars with Mick Kinane up by the artist Peter Bambridge, 56 by 76cm.; complete sets of Grand National Meeting three-day racecards for 2022, 2023 (two sets) & 2024, plus an additional 2022 Grand National Day; a complete set of four day racecards for the 2024 Cheltenham Festival; and three racecards for the 2023 Festival (lacking the Wednesday); and four day badges for the 2020 Festival (two for the Wednesday, no Tuesday); framed photographs of A Plus Tard and Rachel Blackmore winning the Cheltenham Gold Cup, Constitution Hill with Nico de Boinville jumping a hurdle, Noble Yeats & Sam Waley-Cohen in the Grand National, and a set of eight postage stamps commemorating champion racehorses; ; the lot also including two framed photographs featuring legendary footballers, (a lot).
Lot 339
A trio of Vanity Fair prints of jockeys,John Watts “The King's Jockey”, Tom Cannon and John Osborne Jr. “The Demon”; sold with a modern repro Vanity Fair Print of Fred Archer, all framed & glazed, the originals in matching frames, fair condition, 42 by 28cm., the repro slightly larger, good condition, (4 items).
![A Victorian colour print of the jockey Fred Archer and Newmarket trainer Mathew [sic] Dawson, the picture traditionally attri](https://cdn.globalauctionplatform.com/19384bf7-ac2d-4704-8632-b210012a4fc0/15d1e964-1e00-4e65-b22a-b210012c4259/468x382.jpg)
Lot 306
A Victorian colour print of the jockey Fred Archer and Newmarket trainer Mathew [sic] Dawson, the picture traditionally attributed to Richard Dighton (1795-1880), Archer wearing the 'magpie' colours of Lord Falmouth, the image 24 by 26.5cm., mounted under glass in a maple veneer frame, overall 44.5 by 36.5cm.All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.
Lot 53
Horse racing memorabilia, comprising: racecards and Timeform racecards for Doncaster and Pontefract in the 1990s bearing autographs of racing personalities, the lot including a 1996 flat season finale Doncaster racecard when Saeed bin Suroor was crowned Champion Trainer for the first time, double-signed by the trainer and Frankie Dettori, other racecard autographs including Henry Cecil, Linda Ramsden, Kevin Darley, Jimmy Fortune, Willie Carson, Willie Ryan, John Reid, Walter Swinburn, Pat Eddery, Geoff Lewis, Fergal Lynch, Oscar Urbina, Saeed bin Suroor, Jim McGrath, Derek Thompson, Lesley Graham, John Francome, Brough Scott, John Oaksey, John McCririck, Peter Savill, Lester Piggott, Claire King, & Jack Berry; Ladbrokes Diaries, with the 1997 edition bearing 63 signatures, mostly from racing, but also other sportsmen and celebrities who had been attending Doncaster races, autographs including Frankie Dettori, John Gosden, Pat Eddery, Walter Swinburn, Henry Cecil, Joe Mercer, Richard Dunwoody, A P McCoy, David Nicholson, Richard Johnson, Aidan O'Brien, Willie Carson, Jenny Pitman, Michael Dickinson, Michael Kinane, Michael Stoute, John Dunlop, Alex Ferguson, Jackie Charlton, Kevin Keegan, Jimmy White, Eric Bristow and many others; the lot also includes 40 day badges from Doncaster and Pontefract 1990s and 2000s; and other miscellaneous items including a small caricature print signed by Jack Berry (a qty.).The proceeds for this lot are being donated to Wakefield Hospice in memory of the care and support given to the vendor's late daughter.
Lot 398
A print after Harry Hall of Cotherstone the 1843 Derby winner with William Scott up,engraved by Charles Hunt, published by S & J Fuller, Sporting Gallery, 1843, framed & glazed, good condition; sold with a mid-20th century colourised photograph of a racehorse & jockey, framed & glazed, 58 by 69cm., good condition, (2 items).
Lot 9
To be sold on behalf of the Injured Jockeys Fund: an autographed Stephen Smith limited edition print of Istabraq at Cheltenham, signed by trainer Aidan O'Brien and jockey Charlie Swann, additionally signed by the artist and numbered 115/650, the artwork featuring owner J P McManus watching his Champion Hurdler canter down to the start, mounted, framed & glazed, 84 by 68cm., good condition.
Lot 65
Sir Henry Cecil-signed limited edition photographic print of Frankel,15 by 22in. colour photograph signed by the legendary trainer in fine black marker, portraying Frankel's final career victory in the Champion Stakes at Ascot 20th October 2012, numbered 36/100, printed legend including full race record, mounted, framed & glazed, 54 by 70cm., very good condition.
Lot 315
Two limited edition modern prints featuring the Victorian jockey Fred Archer,the 1881 Derby winner Iroquois with Archer Up, 704/850 after the Henry Stull work in the National Museum of Racing, Saratoga Springs, USA, published in conjunction with the 200th Epsom Derby in 1979, framed & glazed, 64 by 86cm.; and a limited edition reprint of the 1887 Fores Celebrated Winners series print of the 1886 Triple Crown winner Ormonde with Archer up, mounted, framed & glazed, 62 by 78cm., (2).
Lot 358
A set of four framed Lester Piggott limited edition Classic Winners prints,all signed by the artist Peter Deighan and numbered 501/850, 1,000 & 2,000 Guineas winners combined as one print, the others featuring Lester's Derby, Oaks & St Legers victories, uniformly mounted, framed & glazed, 74 by 79cm., good condition; sold together with a set of six framed modern reproduction prints after James Pollard's 1832 St Albans Steeple Chase set, 43 by 50cm., good condition, (10 frames).
Lot 6
To be sold on behalf of the Injured Jockeys Fund: autographed Stephen Smith limited edition print of Florida Pearl winning the Martell Cup at Aintree in 2002, signed by the jockey Barry Geraghty, additionally signed by the artist and numbered 71/195, mounted, framed & glazed, overall 68 by 86cm., some scuffing to frame.
Lot 13
To be sold on behalf of the Injured Jockeys Fund: a limited edition horse racing print by Leesa Sandys Lumsdaine (British, 1936-1985),signed by the artist in pencil, dated '76 in the plate, numbered 164/500, published by The Tyron Gallery, London, 1977, titled on a Packhorse Galleries, Bath, label to the reverse “Winter Woollies”, mounted, framed & glazed, 65 by 72cm.
Lot 11
To be sold on behalf of the Injured Jockeys Fund: Frankie Dettori signed limited edition print by Stephen Smith of Authorized and the jockey winning The Derby in 2007,signed by Dettori in pencil, additionally signed by the artist and numbered 61/250, printed legend, mounted, framed & glazed, overall 57 byb73.5cm., good condition.
Lot 468
Three 19th century horse racing prints,the first a woven silk stevengraph titled “The Start”; the next a colour lithograph titled Jockeys of the Day, a supplement of the Illustrated London News dated 1891; the other an engraving after the artist Ben Herring titled “Wanota, Winner of the Ascot Stakes”, all mounted, framed & glazed, the jockeys print the largest 57 by 47cm., good condition, (3).
Lot 79
John Beer (British, 1860-1930) print celebrating the race career of the outstanding filly Pretty Polly between 1903 and 1905,with central portrait surrounded by nine scenes of her greatest triumphs, published by Fores, mounted, framed & glazed, overall 57 by 82cm.Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
Lot 336
Rolled gold brooch containing two prints of the jockey Fred Archer,can be worn either side, the first print depicting Archer in the colours of the HRH The Prince of Wales, the other in the ‘magpie’ colours of Lord Falmouth; together with a stick pin, unmarked, with a crystal mounted with a print of Fred Archer in the Royal Colours, (2 items).
Lot 465
Two early 20th century horse racing prints,a French horse racing print after Pierre Dubaut (1886-1968) titled ‘L’evolution de la passion du jei', produced for the magazine ‘La Guirlande’, from an edition of 800, dated 1919, further details to gallery label on reverse, mounted, framed & glazed, overall 36 by 37cm.; together with a 1925 Grand National print after Charles Simpson (British, 1885-1971), titled in pencil, mounted, framed & glazed, overall 48 by 50cm., both in good condition, (2).
Lot 78
Watercolour painting of the 1910 2,000 Guineas at Newmarket by Isaac Cullin (British, 1859-1942),signed & dated 1910, titled TWO THOUSAND GUINEAS 1910, featuring Lord Rosebery's Neil Gow ridden by Danny Maher beating his chief rival for the race Lemberg, who would go on to win The Derby, 25 by 35.5cm., mounted, framed & glazed, overall 43 by 55cm., some foxing marks but overall good; sold with a further item of Lord Rosebery interest, a political print by the Punch cartoonist Linley Sambourne portraying WIlliam Glastrone as Lord Rosebery's jockey riding a horse called “Verbosity”, above lines of political satire, framed & glazed, 45.5 by 58cm., some foxing and stains, paper browned, (2).Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
Lot 3340
PHOTOGRAPHS. A lacquered album containing 32 hand-coloured albumen-print photographs of Japan, mostly Yokohama, leaves 26cm x 34cm, together with another photograph album containing approximately 64 black and white photographs of overseas topographical views, mostly around the Mediterranean.
Lot 3187
PHOTOGRAPHS. A collection of various photographs, the majority relating to London, including three mounted photographs advertising Edwardes Furniture Depository of Clapham Junction, 25cm x 35.5cm and larger, a view of Hammersmith fire station 18cm x 27cm, an albumen-print cabinet card ‘Lambeth Palace from Suspension Bridge’, 12.5cm x 19cm, views of shopfronts and two showing the fleet of Arding & Hobbs Ltd vehicles from Clapham Junction 35.5cm x 42cm. Provenance: The Ron Elam Collection of Local Yesterdays.
Lot 227
A LARGE COLOURED PRINT DEPICTING GANESHA, DECCAN, SOUTHERN INDIA, 19TH CENTURY divided into nine panels, each framed by a cusped arch, the central figure of the elephant god, with pairs of devotees on either side, the top with Krishna on the serpent raft, flanked by images of Krishna with Yashoda, and Ganesha with Parvati, the lower tier with Vishnu on Garuda, Radha with Hanuman, and Radha and Krishna, old identifying inscriptions in English partly visible on the reverse, 66 x 52cm
Lot 53
A mixed lot of framed and glazed prints to include a D'Ogly John Parisian café scene print, along with a still life watercolour of a board of apples, and a similar example painted in oils on board, along with various picture frames, and a 19th century watercolour study of a boy with a musical instrumentLocationIf there is no condition report shown, please request
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314796 item(s)/page