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Lot 1
Remembering The Lancaster Bomber - ' Lest We Forget ' by Piotr Forkasiewicz - autographed print. Signed to the lower margin by 617 Squadron Bomb Aimer and Dambuster George Johnny Johnson, Bomb Aimer John Bell and Pilot Benny Goodman (d.2021). All with Squadron's added. All obtained personally by the vendor. Unframed 30cm x 45cm.
Lot 19
Remembering The Lancaster Bomber - ' Bomber Command - Lest We Forget ' - digital composite artwork print on canvas, having been autographed by 3x Bomber Command crew. Comprising: Pilot Benny Goodman (d.2021), last surviving Dambuster George Johnny Johnson, and 617 Squadron Bomb Aimer John Bell. Unframed. Unique item. Measures approx; 30cm x 60cm.
Lot 160
Damien Hirst (B. 1965) The Souls II - Silver Gloss/Topaz/Blind Impression. Pencil signed lower right, pencil numbered (12/15) lower left. Foil print in colours, 2010, on Arches 88 archival paper. (There were also five artist's proofs), co-published by Other Criteria and Paul Stolper, London. Christie's label verso. Image Size: 27 x 19 in. Overall Framed Size: 31.5 x 23.25 in. Framed behind glass.
Lot 294
Graciela Rodo Boulanger (born 1935) Lithograph of two Children. Pencil signed lower right. Numbered (XXVII/L) lower left. More than 150 exhibitions of works by the artist have been held on five continents of the globe. In 1979 she was designated by UNICEF as official artist for the International Year of The Child poster. In 1993 the world Federation of the United Nations chose one of her oil paintings to illustrate a stamp issue and accompanying limited edition print with the theme of endangered species. Works by the artist have been acquired by many institutions including: the Museum of Modern Art of Latin America, Washington, D.C.: the Bibliot?que Nationale, Paris; the Museum of Modern Art, La Paz; and the Modern Art Center, Zurich. Image Size: 24 x 16.5 in. Overall Framed Size: 35 x 27.5 in. Framed behind glass.
Lot 413
David K. Stone (American, 1922 - 2001) "New York Statehood" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 22c New York Statehood stamp issued July 26, 1988. In the state of New York, the Anti-Federalists had done a good job of organizing and, but for the timing of their convention, they might have won the vote and kept New York out of the new United States. Thanks to machinery set in motion by the powerful Governor George Clinton and his associates, the Anti-Federalists found a receptiveness to their point of view in New York. There, articles appeared in newspapers against, as well as for, the Constitution, and the opinions and viewpoints of "Cato," "Brutus," "Sidney," and "A Republican" were immortalized in print. In February, a committee of seven Anti-Federalists organized in Albany to help manage the elections of delegates to the state convention. They corresponded with other New York Anti-Federalists, wrote articles for the newspapers, and distributed pamphlets. When the convention convened in Poughkeepsie in the summer of 1788, the vast majority of delegates were opposed to ratification. But soon the news arrived that New Hampshire and Virginia had ratified, and the delegates realized that a failure to ratify now would leave New York outside of an already-existing Union. Aaron Burr put it succinctly, stating that, "after the adoption by ten states, I think it became both politic and necessary that we should also adopt it (the Constitution)." New York ratified the Constitution on July 26, 1788, the eleventh state to do so. Image Size: 20.75 x 18.25 in. Overall Size: 26.75 x 24 in. Unframed. (B11656)
Lot 1781
Albrecht Fuchs (Bielefeld 1964 – lebt in Köln). „Martin Kippenberger in Dawson City“. 1995C-Print. 32,7 × 26,3 cm (40,5 × 30,5 cm) (12 ⅞ × 10 ⅜ in. (16 × 12 in.)). Rückseitig signiert.Einer von 10 nummerierten Abzügen. [3208]Zustandsbericht: Ex. 2/10. Harmonischer Gesamteindruck. Die Kanten ohne Einrisse oder Fehlstellen, im weißen Blattrand schwach vergilbt. Mit leichten Dellen. Rückseitig in den oberen Ecken jeweils mit Papierklebestreifen auf den Unterkarton montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1757
Norbert Bisky (Leipzig 1970 – lebt in Berlin). „8.23 h“. 2010Ditone-Print auf Velin. 29,9 × 39,9 cm (11 ¾ × 15 ¾ in.). Betitelt, signiert und datiert.Einer von 100 nummerierten Abzügen. Berlin, Texte zur Kunst, 2010. [3100]Zustandsbericht: Ex. 25/100. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1758
Norbert Bisky (Leipzig 1970 – lebt in Berlin). „Paraisópolis“. 2012/13Ditone-Print auf Velin. 22,9 × 30,9 cm (9 × 12 ⅛ in.). Betitelt, signiert und datiert.Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 140 Exemplaren. [3471]Zustandsbericht: Ex. 16/100. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Die jeweils äußerste obere linke und untere rechte Ecke minimal bestoßen. In der oberen linken Ecke drei schwache Knickspuren (max. 5 cm).Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1904
Rosemarie Trockel (Schwerte 1952 – lebt in Köln und Berlin). Ohne Titel. 1995C-Print. 29,4 × 28,8 cm (Passepartout-Ausschnitt) (11 ⅝ × 11 ⅜ in. (Passepartout-Ausschnitt)). Unten rechts signiert und datiert.[3780]Zustandsbericht: Harmonischer Gesamteindruck. Das Blatt in ein Passepartout montiert, so dass die Seitenränder und die Rückseite nicht einsehbar sind. Im unteren rechten Randbereich drei schwache Muschelknicke (bis zu 0,7 cm).Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 179
WWI interest: a Public Notice issued by the German Authorities Warning of Consequences if Tampering with Telegraph Operations, handwritten inscription verso Souvenir from Lille, October 1918, Private J. Alexander Wessex Field Ambulance, 57 Division (36cm x 21cm) with reproduction WWI posters and a Dawn of Peace print (4)
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314796 item(s)/page