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Lot 459
Map After John Speede Hantshire described and devided ... 36 x 48cms, Various Coats of Arms, small town plan of Winchester top right, dark and wrinkled, various framed colour prints, an aerial photogaph of a house, various watercolours, print after A. Viande, Wengernalp, La Youngfrau, Eiger Monch et Silberhorn, 13 x 15cms approx, framed and glazed (11)
Lot 545
Iconic WW2 RAF ÒThe Men Who Saved The WorldÓ Print coloured print of a Battle of Britain pilot getting into his fighter aircraft. Signs of battle and St George in the sky. The lower corner with RAF crest. Lower mount ÒThe Men Who Saved The WorldÓ with Winston ChurchillÕs speech. Printed 1946 by the British Publishers and Fine Art Co Ltd. Now mounted in a modern glazed frame.
Lot 178
Small Selection of Coldstream Guards Badges embroidery badges consist Guards Armoured Div ... Hand embroidery Guards Armoured Div ... 4 x Coldstream Guards collar/shoulder badges ... Bullion embroidery Signaller ... LG ... MG ... Marksman. All mounted on an embroidery panel Ò3rd Bn Coldstream Guards Aldershot 1927Ó. Slight moth glazed and framed. Together with a glazed framed coloured print ÒBirds Eye View of the Battle of Tel-El-KebirÓ. 2 items.
Lot 354
WENCESLAUS HOLLAR (1607-1677) BYRSA LONDINENSIS VULGO THE ROYAL EXCHANGE OF LONDON ETCHING, MOUNTED TO IMAGE, 29.5 X 39CM, J C STADLER (FL LATE 18TH/EARLY 19TH C) AFTER J FARRINGTON, RA (1747-1821) PUTNEY BRIDGE; VIEW OF BLACK FRYERS BRIDGE FROM SOMERSET PLACE, AQUATINTS AND HENRY DIXTON (PHOTOGRAPHER) (1820-1892 - CANONBURY TOWER, CARBON PRINT NUMBERED IN THE NEGATIVE 25, ON THE ORIGINAL LIGHT BLUE PAPER MOUNT, PUBLISHED BY THE SOCIETY FOR PHOTOGRAPHING RELICS OF OLD LONDON, 1879 (4)
Lot 194
* Lear (Edward, 1812-1888). Villa Tennyson, San Remo, c. 1880-1881, three albumen print photos, showing Villa Tennyson under construction, [1880], 94 x 146mm (3.75 x 5.75ins), Villa Tennyson completed [after June 1881], 95 x 149mm (3.75 x 6ins), and View from the Garden of Villa Tennyson [after June 1881], 148 x 105mm (5.75 x 4ins), minor marks and hinges to versos, mat mount. With the same private provenance as the wash drawing of San Remo offered here, these photographs were loaned for the Royal Academy Exhibition on Edward Lear in 1985 and are reproduced in the catalogue as exhibits 110b, c, & d (pp. 197-98 of the catalogue). An exhibition catalogue and paperwork regarding the loan of the photographs to the Royal Academy accompanies the lot. (5)
Lot 238
* Anderson (Alfred Charles Stanley, 1884-1966). Self portrait, etching, trimmed to plate margins, with tab signature in pencil to lower margin, a little spotting, plate size 146 x 128mm (5.75 x 5ins), framed and glazed. Martin Hardie, The Etchings & Engravings of Stanley Anderson, Print Collectors Quarterly, XX, 1933, pp. 221-246. (1)
Lot 350
* + Piper (John, 1903-1992). Carew Castle, 1982, colour screen print on Arches, printed by Kelpra Studio, with their blindstamp to lower right outer corner, one of ten proofs aside from the edition of 100, signed in pencil, and numbered A/P 10/10, image size 44 x 64.5cm (17.25 x 25.25ins), sheet size 55 x 75cm (21.75 x 29.5ins), framed and glazed. Levinson 334. A copy of John Piper’s Buildings and Prospects pub. The Architectural Press, 1948, in frayed and chipped dust jacket is included with this lot. (1)
Lot 352
* Piper (Edward, 1938-1990). Dancing Nude, 1970, colour screen print, signed in pencil, and marked Artist’s proof, one or two light corner creases, sheet size 67.5 x 52.5cm (26.5 x 20.75ins), together with a colour poster for an exhibition of the work of Edward Piper, at the On The Wall Gallery, London, 1986 (creased and marked) (2)
Lot 14
SECTION 14. Various Shelley porcelain tea cups and saucers, including Montrose, Georgian and crochet patterns, five Golden Harvest dinner plates, other china, including green majolica leaf plates, Royal Cauldron botanical and bird print plates, designed by Henry Pansch, and a Dresden two-handled vase.
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314766 item(s)/page