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Lot 259
Film and Television memorabilia, to include a crew gilete for the film Nightbreed (1990), Laurence Oliver book Confessions of an Actor, photocopied budget for Gone with the Wind, the original Production budget from Becket (1964) starring Richard Burton, Peter O'Toole and John Gielgud, the Unit list from Who's Afraid of Opera and a gelatin silver print of Lee Remick Provenance - The vendor states: I worked the Film Industry for thirty years under my maiden name Jeannie Stone starting as a Production Secretary through to Production Co-Ordinator, Unit Manager, Production Manager, Production Supervisor and Associate Producer. Among the films I worked on throughout this period were Polanski’s Macbeth and later Tess. The Three Sisters with National Theatre cast including Olivier, Joan Plowright and Alan Bates. Superman I and II with Christopher Reeve and Marlon Brando. Supergirl, The Fourth Protocol with Michael Caine and Pierce Brosnan, A Dry White Season again with Marlon Brando and David Fincher‘s first film Alien III. I also worked on television productions The Canterville Ghost with David Niven, the original The Woman in a Black, Seekers, a Lynda La Plante production and Post Production Supervisor on Scarlett a 4 two hour mini series for RHI.
Lot 45
Max Pinckers (1988) - The Horse to be Sacrificed Must be a Stallion, C-print 2017 photograph, credited and signed to the reverse, as seen as in the book "Will They Sing Like Rainbows Or Leave Me Thirsty", awarded the First Prize of the Photographic Museum of Humanity Grant, 2014, 152mm x 152mm
Lot 324
A signed limited edition print by Terence? Cuneo ''The raising of the Green Howards', a modern acrylic landscape, two shelves of ceramics and ornamental items including Royal commemorative ware, collector's Thimbles and stands, a pair of Spelter figures, Calton Ware vase, three satsuma vases, four boxed white porcelain Easter and Nativity groups, fox fur stole and lace wedding dress with satin train
Lot 888
Full title: eric Paelman (1955): 'Roses are red and violets are blue', pigment print, ed. 1/36Description: Work: 75 x 50 cmÊ Frame: 98 x 72,5 cmÊ Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Jevgeni Chaldej (1917-1997): The Soviet flag on the Reichstag, [1945] and 'Russian Marines on the Alert', 1942, g](https://cdn.globalauctionplatform.com/ea392bd3-9f80-4217-a8ce-ad11018383db/2fba069b-9989-494e-9431-ad1301822d5f/468x382.jpg)
Lot 903
Full title: Jevgeni Chaldej (1917-1997): The Soviet flag on the Reichstag, [1945] and 'Russian Marines on the Alert', 1942, gelatine silver printDescription: Work: ca. 37,5 x 27 cmÊ Frame: 64,5 x 55 cmÊ Ê Work: 21,6 x 14,8 cmÊ Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 999
Full title: Gilles Fabre (1933-2007): 'Het kleine eiland', oil on canvas & Two landscapesDescription: Work: 61 x 46 cm (Fabre)Ê Frame: 80 x 65 cmÊ Ê Guy De Gezelle (1939): 'Brakelmeersen', oil on canvas on board, dated (19)79Ê Work: 24 x 18 cmÊ Frame: 38,7 x 32,5 cmÊ Ê David Shepherd (1931-2017): The harvest, print on canvasÊ Work: 76 x 51 cmÊ Frame: 90 x 65,3 cmCondition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 315B
After Henry Thomas Alken (British 1785-1851): Set six hand-coloured engravings from 'Ideas, Accidental and Incidental To Hunting and Other Sports' pub. Thomas M'Lean 1826-1830, 17cm x 22cm, and another modern hunting print 13cm x 12cm (7)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 387
Isabelle Brent (British 1961-): Pheasant, limited edition colour print illuminated with gold signed and numbered 194/750 in pencil; Brenda Hartill (British 1943-): Three coloured etchings, each signed and numbered in pencil; 'Arctic Terns', limited edition print indistinctly signed titled and numberClick here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 117
Publisher's Advertisement/Trade Card.- Sayer (Robert) A Catalogue of New and Useful Maps, Curious & Entertaining Prints, Books of Architecture..., engraving, on laid paper, c.170 x 95mm., trimmed to edge of printed surface, light staining, Sayer, [1766 or earlier].⁂ Attractive trompe-l'oeil medley print, possibly used as a trade card, for Robert Sayer's publishing and print-selling business, showing a selection of books and prints published by him. Robert Sayer was trading at the Golden Buck on Fleet Street from December 1748; in around 1766 the street was numbered, and his imprint thereafter generally reads "No. 53 in Fleet Street". The present plate was used as a frontispiece or additional title-page for Sayer's New and enlarged Catalogue for 1766 (as illustrated in Antony Griffiths' Checklist), but may have been originally produced before this date, for an earlier catalogue, as a stand-alone advertisement or as a trade-card. ESTC and WorldCat locate Newberry and Library of Congress only for the 1766 Catalogue (the first Sayer catalogue in either database, though there is a unique volume of catalogues for 1753/1755 at the Rijksmuseum). Anthony Griffiths, 'A Checklist of Catalogues of British Print Publishers, c. 1650-1830', Print Quarterly, I:1, March 1984, lists the British Museum copy, and illustrates the present plate on p.10.
Lot 267
NO RESERVE Blampied (Edmund) The Market Argument, etching with drypoint, signed and numbered 66/100, platemark 270 x 270 mm (10 3/4 x 10 5/8 in), under glass, some toning to edges, minor surface dirt, framed, 1929; together with a Japanese woodblocks print, probably 19th century, and another (3)
Lot 74
NO RESERVE Ireland & Irish Literature.- Pollard (M.) A Dictionary of the Members of the Dublin Book Trade 1550-1800..., 2000 § Munter (Robert) A Dictionary of the Print Trade in Ireland 1550-1775, New York, 1988 § Phillips (James W.) Printing and Bookselling in Dublin, 1670-1800: A Bibliographical Enquiry, Dublin, 1998 § Brown (Stephen J.) Ireland in Fiction, vol.1 (second volume published in 1972), reprint of 1919 edition, Shannon, 1968, original cloth or boards, all but the first with dust-jacket; and 5 others on Irish literature & printing, some catalogues, 8vo (9)
Lot 195
• SIR TERRY FROST, RA (1915-2003)ARBOLE, ARBOLE (TREE, TREE) (LORCA SUITE), 1989signed lower rightetching with hand colouring, signed artist's proof565 x 385 mmEdition of 75 plus 15 APThe Lorca Suite is made up of eleven poems by Federico Garcia Lorca 1989 Each image and sheet on Somerset Satin wove paper, published by Austin Desmond Contemporary Books London, designed by Gordon House, printed by Hugh Stoneman and Alan Cox at the Print Centre, London. Edition 75 plus APS (10 numbered). Each print individually signed and numbered.Literature: Terry Frost Prints (Dominic Kemp) p. 126-136 reproduced in colour page 136, plate 107 Terry Frost, David Lewis pages 216-219Provenance: London, Modern Art Auctions, November 26 2014, Lot 177; John Constable
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