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Bellmans
Lot 741

Kato Fayher (British, 20th Century) Windward Steel, signed, titled and numbered in pencil 'Kato Feyher 82, 2/12' (in lower margin) and bears Westbourne Fine Arts label (verso), colour print, 35cm x 30cm; Jeanne Dodd (British, 20th Century), A view of a roof top, signed 'J Dodd' (lower left), watercolour, 22cm x 26cm, together with two other watercolours of trees in a landscape by the same hand, 34 x 22cm and 29 x 11cm, and an unframed pencil sketch of a female nude by the same hand, 33.5cm x 27cm (5). May be subject to ARR

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Bellmans
Lot 759

An architectural study for the Bevis Marks Synagogue Competition by Leonard Manasseh & Ian Baker of LMP Architects Ltd, bears Royal Academy Summer Exhibition 1997 label (verso), crayon on print, 41 x 75cm. May be subject to ARR

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Bellmans
Lot 781

Sir William Russell Flint (Scottish, 1880-1969), A Spanish dancer, signed in pencil 'W Russell Flint' (in lower margin), colour print, published in 1935 by Frost & Reed, 40 x 54cm. May be subject to ARR

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Bosleys Military Auctioneers
Lot 559

Lord Horatio Nelson Memorial Print. This large fine quality period print appears to be printed onto silk. To the centre a “Jack Tar” holds a Union flag with Nelson’s famous signal “England Expects...” The background shows the Battle of Trafalgar. A union wreath of roses and thistles sports Nelson’s Battle Honours. To each corner sits Britannia and also can be seen portraits of Nelson. Mounted into an ebony glazed frame. Overall size 40 x 30 inches

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Bosleys Military Auctioneers
Lot 560

Napoleon Bonaparte Large Period Silk Print.This large period colour picture is printed on silk and to the centre depicts a full length portrait of the Emperor in military uniform looking out to sea at a distant ship. He is encircled by the ribbon and order of the Legion of Honour. The border is edged with the family crest of Bees. Mounted into an ebony and glazed frame. Overall size 44 x 39 inches. GC

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Halls Fine Art Auctioneers
Lot 61

After Norman Wilkinson, Gun dogs, signed, etching, 25 x 35cm (PL) together with a signed print after Lionel Edwards (2)

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Golding Young & Mawer
Lot 125

Various optical equipment, etc, comprising, a Leitz Prado 150 slide projector, 16cm H, (boxed, with accessories), a Polaroid model 150 land camera, in brown leather case with further accessories, Wink Light model 252, and a Polaroid print copier 240. (a quantity)

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Golding Young & Mawer
Lot 170

Various cameras and associated equipment, a Rolleiflex SL2000F set, boxed, with hand held camera, 10cm H, Ernst Leitz boxed flash gun, Canon E05500 camera, Polaroid print copier 240, Canon Zoom lens 80-200mm, etc. (a quantity)

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Golding Young & Mawer
Lot 183

A Lord Of The Rings related photographic print, signed Peter Jackson, Sportizus.com label, glazed and framed, 41.5cm x 36.5cm.

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Golding Young & Mawer
Lot 184

A Lord Of The Rings related photographic print, signed Christopher Lee, mounted and framed, 31cm x 25cm.

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Golding Young & Mawer
Lot 185

A Lord Of The Rings framed postcard and photographic print, signed Ian McKellen, glazed and framed, 31cm x 43cm.

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Golding Young & Mawer
Lot 375

After Pierre Carrier-Belleuse. Ballerina with a black cat, over painted photographic print, 25cm x 14cm.

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Golding Young & Mawer
Lot 376

John W Winkler (1890-1979). L Oiseleuse lady, stamped and titled to the mount, 9cm x 8cm, Russian School figure before building, oil on board, print Coldstream Guards and various others. (a quantity)

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Golding Young & Mawer
Lot 379

After Lowry. Industrial Landscape-1950, print, 39.5cm x 49cm.

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Golding Young & Mawer
Lot 380

After Burton. Morning Light, Pin Mill print and various others, seascape, 49cm x 69cm, etc. (a quantity)

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Golding Young & Mawer
Lot 383

After Barraud & Stevenson. Cricket Match, artist signed print, water marked to the mount, 36cm x 49cm, a coloured cavalry print and after Schuller Del, Geais-Mesanges-Bouvreuil bird print. (3)

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Golding Young & Mawer
Lot 394

20thC School. Twinned flowers, mixed media, pastel, crayon, unsigned, Lane Gallery label to the back, 27cm x 20cm, watercolour landscape and a Mary, Joseph and Jesus print. (3)

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Golding Young & Mawer
Lot 395

Hemming. It Could Have Been You, artist signed print with Washington Green watermark, 41cm x 31cm.

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Golding Young & Mawer
Lot 402

John Trickett. Black labrador puppies, artist signed limited edition print, no. 569/850, 40cm x 33cm.

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Golding Young & Mawer
Lot 404

An early 20thC bird's eye maple frame, 35cm x 40.5cm, containing a book plate print.

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Golding Young & Mawer
Lot 422

John Trickett. I Think Therefore I Am, artist signed limited edition print, no. 500/500, titled, signed and numbered to the mount, 21cm x29cm, a painting on glass of a basset hound and after Lowry street scene print. (3)

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Golding Young & Mawer
Lot 563

A 19thC maple frame, 79cm x 95cm, containing a print, Belvoir Castle.

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Golding Young & Mawer
Lot 588

Jane Neville. Hedgehogs In The Undergrowth, artist's signed limited edition print no.33/100, 30cm x 43cm, and three others similar. (4)

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Peter Francis
Lot 169

Three vintage 70's long sleeve patterned maxidresses to include; a floral print dress by Sylvia Mary, a multicolour psychedelic dress and a floral print dress by Kardix with crochet detail at cuffs, collar and bottom of the skirt. Together with a vintage brown floor length hooded cape by Sylvia Mary. (4)(B.P. 24% incl. VAT)

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Peter Francis
Lot 485

Group of assorted original maps and topographical engravings to include; Thomas Kitchin, 'Cardiganshire' and 'Pembrokeshire', uncoloured and restrike print after Samuel and Nathaniel Buck 'Haverfordwest castle', 18th Century engraving castle and bridge Haverfordwest, needlepoint map of Britain, 18th Century engraving Haverfordwest priory in Radnorshire and a text on Haverfordwest. (7)(B.P. 24% incl. VAT)

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Peter Francis
Lot 502

After Barry G Price, steam locomotive study entitled 'Golden Arrow', limited edition coloured print, signed in pencil by the artist. Together with after Keith Hill, 'Tribute to the few', an aviation print, limited edition, signed in pencil by the artist. Each 40 x 60cm approx, framed and glazed. (2)(B.P. 24% incl. VAT)

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Peter Francis
Lot 509

After Archibald Thorburn, braying stag with hinds in Scottish landscape, signed in pencil by the artist, monochrome print. 38 x 55cm approx, framed and glazed. (B.P. 24% incl. VAT)

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Peter Francis
Lot 511

Vintage Coleman's mustard advertising poster, trademark Bull's head, coloured print, unframed. 68 x 52cm approx.(B.P. 24% incl. VAT)

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Peter Francis
Lot 517

Monochrome print, Falmouth working boat, framed. (B.P. 24% incl. VAT)

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Tate Ward
Lot 107

Tony Oursler (American b.1957), 'Ear-Worm 1976/2013', 2013, hand embellished digital print on paper, signed, titled and numbered from an edition of 100 on pencil; sheet: 60.5 x 45.5cm

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Tate Ward
Lot 114

Tracey Emin (British b.1963), 'Crane', 2015, woodcut print on 71gsm Misumi paper, signed, dated, titled and numbered from an edition of 50 in pencil, published by Emin International; sheet: 39 x 45.5cm ARR

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Tate Ward
Lot 117

Bambi (British), ‘I’m Too Hot For My Burka (Green)’, 2014, screen print in colours on 300 gsm Somerset paper, signed and numbered from an edition of 75 in pencil, published by Hyde Image Ltd, with publishers blindstamp; sheet: 70 x 50cm ARR

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Tate Ward
Lot 13

Cecily Brown (British b.1969), 'The Last Shipwreck', 2018, Ditone print on paper, signed and dated in pen verso, numbered from an edition of 100 verso; sheet: 52 x 50cm ARR

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Tate Ward
Lot 137

Ben Eine (British b.1970), ‘Shutterfront Numbers (Black)’, 2010, screen print in colours on 330 gsm Somerset Satin paper, signed and dated in pencil, AP outside the edition of 175 in silver pen, published by Nelly Duff; 83 x 62cm inc frame ARR

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Tate Ward
Lot 138

Ben Eine (British b.1970), ‘Shutterfront Numbers (White)’, 2010, screen print in colours on 330 gsm Somerset Satin paper, signed, dated and AP outside the edition of 50 in pencil, published by Nelly Duff; 83 x 62cm inc frame ARR

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Tate Ward
Lot 14

Charming Baker & Gina Soden (Collaboration), 'Military Hospital/72 Women in Uniform, 2019, unique, C-Type print with 1 colour screen print overlay on paper, signed and dated by Charming Baker in pencil; 119 x 89cm inc frame ARR

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Tate Ward
Lot 141

Blek Le Rat x Sybille Prou (Collaboration) ‘Getting Through The Walls’, 2008, C-type photographic print on Fuji Crystal archival paper, signed by both artists and numbered from an edition of 200 in black marker, published by Black Rat Press; 56 x 72.5cm inc frame ARR

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Tate Ward
Lot 142

Borondo (Spanish b.1989), 'Identity', 2014, hand embellished screen print in colours on Hahnemuhle 300gsm paper, signed and AP in pencil, outside of the main edition of 40 unique works, published by StreetArtNews; sheet: 70 x 50cm ARR

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Tate Ward
Lot 143

Bumblebeelovesyou (American), 'Used To Bee', 2015, screen print in colours on 290 gsm Coventry Rag paper, signed, dated and numbered from an edition of 150 in black pen; sheet: 38 x 72cm

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Tate Ward
Lot 145

Cosmo Sarson (British), ‘Breakdancing Jesus – On Water’, 2015, hand embellished screen print in colours with gold leaf on 315 gsm Heritage White paper, signed and AP in pencil, outside of the edition of 50; sheet: 70 x 50cm ARR

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Tate Ward
Lot 146

Cosmo Sarson (British), ‘Angel Of Hope’, 2018, giclee print in colours hand finished with gold leaf, signed and numbered from an edition of 80 in black pen, stamped with a wax seal, published by Art Republic; sheet: 80 x 60cm ARR

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Tate Ward
Lot 147

Cosmo Sarson (British), ‘Breakdancing Jesus – Flares’, 2015, giclee print with hand applied gold leaf on 308 gsm Hahnemeule paper, signed and AP in pencil, outside of the main edition of 75, published by Pure Evil Gallery; sheet: 59.5 x 84cm ARR

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Tate Ward
Lot 149

D*Face (British b.1978), 'Fuck U & Die', 2008, screen print in colours on skate deck, signed to the block; 94.5 x 35cm inc frame ARR

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Tate Ward
Lot 15

Charming Baker & Olivia Kemp (Collaboration), 'Airbourne (I’ve Surprised Myself By Coming To Terms With The End Of The World)', 2019, unique, hand embellished Archival Inkjet with an 8 Colour screen print and varnish overlay, pen and cotton thread on Somerset Enhanced Satin 330gsm Paper, signed by both artists, numbered from an edition of 200 in pencil, published by Jealous Gallery; 109.5 x 84.5cm inc frame ARR

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Tate Ward
Lot 150

D*Face (British b.1978), 'King RIP', 2008, screen print in colours on skate deck, signed to the block; 94.5 x 35cm inc frame ARR

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Tate Ward
Lot 151

D*Face (British b.1978), ‘Green Lady’, 2007, screen print in colours with varnish on 410 BFK Reeves paper, signed and numbered from an edition of 85 in pencil, published by Black Rat Press; sheet: 81.5 x 68cm ARR

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Tate Ward
Lot 152

D*Face (British b.1978), 'No Joke', 2013, screen print in colours on paper, signed and numbered from an edition of 75 in pencil, published by Stolen Space; sheet: 75 x 75cm ARR

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Tate Ward
Lot 153

D*Face (British b.1978), 'Suck Face', 2014, screen print in colours on cotton paper, signed and numbered from an edition of 150 in pencil, published by Stolen Space; sheet: 77 x 61cm ARR

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Tate Ward
Lot 156

D*Face (British b.1978), 'Drive Bye Shouting (Blink 182) (First Edition)', 2017, screen print in colours on 300 gsm paper, signed and numbered from an edition of 150 in pencil, signed by all three members of Blink 182 in pencil, published by Stolen Space; sheet: 47 x 100cm ARR

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Tate Ward
Lot 157

D*Face (British b.1978), 'Going Nowhere Fast', 2011, screen print in colours on 400 gsm archival paper, signed and numbered from an edition of 150 in pencil, published by Stolen Space; sheet: 55 x 100cm ARR

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Tate Ward
Lot 159

Dale Marshall (British), 'Vacant Hero (Hand Finished)', 2017, hand embellished screen print in colours on 330gsm Somerset Velvet paper, signed and numbered from an edition of 20 in pencil, published by Goldmark Atelier; sheet: 72 x 72cm ARR

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Tate Ward
Lot 16

Charming Baker (British b.1964), 'Bird III', 2013, hand embellished screen print in colours on Somerset Satin White Tub Sized paper, signed and A/P in pencil, outside of the main edition of 125, published by Jealous Gallery; sheet: 83.5 x 70cm ARR

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Tate Ward
Lot 160

Dolk (Norwegian b.1979), 'Graffiti Remover', 2013, screen print in colours on 300 gsm paper, signed, dated and numbered from an edition of 300 in pencil, published by Handmadeposters; sheet: 65 x 65cm ARR

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Tate Ward
Lot 161

Dolk (Norwegian b.1979), 'Punk', 2012, screen print in colours on paper, signed, dated and numbered from an edition of 300 in pencil, published by Gypsy Eyes; sheet: 77 x 77cm ARR

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Tate Ward
Lot 162

Dot Dot Dot (Norwegian), 'Bumfire', 2014, screen print on 350gsm Arches 88 paper, signed and numbered from an edition of 150 in pencil, published by Piece Of Sheet; 27x27cm. ARR

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Tate Ward
Lot 164

Dran (French b.1979), ‘House Of Cards’, 2015, screen print in colours on paper, signed and numbered from an edition of 125 in pencil,published by Pictures On Walls; sheet: 37.5 x 27.5cm ARR

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Tate Ward
Lot 165

Dran (French b.1979), 'Drim (Dream)', 2018, hand embellished screen print in colours on stock paper, signed, titled and numbered from a varied edition of 25; sheet: 32 x 45cm ARR

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Tate Ward
Lot 166

Dran (French b.1979), ‘Sunset’, 2015, hand embellished screen print in colours on paper, signed and numbered from a varied edition of 75 in pencil; sheet: 37.5 x 26.5cm ARR

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Tate Ward
Lot 167

Dran (French b.1979), 'Pluie de Couleurs', hand embellished screen print in colours on paper, numbered from an edition of 99 unique works in pencil; sheet: 42 x 30cm ARR

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Tate Ward
Lot 169

Eelus (British b.1979), ‘Where They’ll Never Find Us’, 2015, screen print in colours on 400 gsm Somerset paper, signed, dated and numbered from an edition of 225, bearing Eelus blind stamp, sheet: 70 x 50cm ARR

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