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Lot 201
ERIC GILL (1882-1940) facsimile print - 'Eve', with printed signature, 24.5 x 13cms, together with two volumes: 'Letters of Eric Gill', first edition 1947, edited by Walter Shewring, together with 'Autobiography' by Eric Gill (3)Provenance: private collection CeredigionComments: print framed and glazed, book covers faded
Lot 17
Two railway carriage prints after Cuthbert Hamilton Ellis comprising Travel In 1905, Midland Railway Manchester Express, Headed By The New Compound Locomotive 100, Near Millers Dale and Travel In 1895 Wirral Railway Train On The Way To Birkenhead and one further carriage print after Kenneth Steel, Railway Architecture, Red Hill Tunnels, Trent, all framed under glass, approximately 18 cm x 66 cm including frames. [3]. [W]
Lot 221
David Shepherd (1931 - 2017) - A limited edition print entitled The Pandas Of Wolong, depicting a pair of panda bears feasting on bamboo, signed in pencil and numbered 265/1500 by the artist, mounted and framed under glass, Soloman & Whitehead blindstamp, approximately 49 cm x 65 cm image size. [W]
Lot 217
David Shepherd (1931 - 2017) - A limited edition print entitled Jaguars, A Cool And Shady pool In The South American Rainforests, signed in pencil by the artist and numbered 1420/1500, Soloman & Whitehead blindstamp, mounted and framed under glass, approximately 36 cm x 58 cm image size. [W]
Lot 151R
Laurence Stephen Lowry RBA RA (1887-1976) - A pencil signed print, The Family, with Fine Art Trade Guild blind stamp, DAL, signed lower right, mounted and framed under glass, approximately 29 cm x 22 cm image size. Artist's Resale Rights (ARR) may apply to this lot. [W]Condition Report: Print unexamined outside of frame, appears in very good original condition, with strong colours and no obvious faults, age related wear to the wooden frame with knocks and scuffs in places.
Lot 218
David Shepherd (1931 - 2017) - A limited edition print entitled Luangwa Evening, depicting elephants and other African fauna taking water, signed in pencil and numbered 292/1500 by the artist, Soloman & Whitehead blindstamp, mounted and framed under glass, approximately 36 cm x 68 cm image size. [W]
Lot 220
David Shepherd (1931 - 2017) - A limited edition print entitled Lone Wanderers Of The Arctic, depicting four polar bears in a snowy coastal landscape, signed in pencil and numbered 509/1500 by the artist, mounted and framed under glass, Soloman & Whitehead blindstamp, approximately 47 cm x 71 cm image size. [W]
Lot 199
A limited edition commemorative copy print by Robert Tomlin, Ruby Reds, commemorating the 40th anniversary display season of the Red Arrows in 2004, the print depicting the Red Arrows flying in Diamond Nine formation and signed by nine members of the team, an accompanying print of a pilot in flying gear, numbered CE 15/100, framed under glass, approximately 32 cm 41 cm image size. [W]
Lot 209
Trade Cards - A collection of various trade cards to include The Rocky Horror Picture Show, Manchester United, Batman, Star Wars Galaxy, Lord Of The Rings and other, contained in four collectors binders, also includes a framed Manchester United Football Club squad print for 1993-94 season. [W]
Lot 22
Montacute, Somerset by E.R. Sturgeon limited edition print signed by the artist mounted and framed. 26.5x24 inch approx. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 50
Black Thursday WWII signed 26x20 inch framed and mounted pencil print signatures include artist Robert Taylor and Luftwaffe fighter ace veteran Oberleutnant Adolf Glunz limited edition 23/125. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 31
WW2 Print titled Thundering Home by Nicolas Trudgian. Limited 2/50 Printers Proof, multi signed by artist and veterans Al Brown - Ben Davis - Carrol McColpin - Hugh Wright. Framed print, measures 35 inch by 30 inch appx. Good condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 49
Baltasar de Figueroa the Elder (Seville, circa 1550 - Bogota, Colombia, early 17th century)‘Our Lady of the Rosary with Philip the Second and Charles, Prince of Asturias as donors’.Oil on canvas on tablexWith important carved and gilded period wooden frame.113 x 71,5 cm.As noted by art historian Manuel Salvador Sánchez Aparicio in his historiographical review of this artist, it is surprising that Baltasar de Figueroa the Elder, known as such to differentiate him from his grandson, remains "one of the great enigmas in the historiography of Colombian painting, despite the craftsman’s significance, as he, indeed, began a dynasty of painters that flourished well into the 18th century."When we study the artworks of the Figueroa Dynasty, we can appreciate a very particular and unique style among them, and almost by default or instinct, we find ourselves compelled to relate the works to each other to finally understand that this family developed a style that many have since followed. It is clear that within this family, they influenced and collaborated with each other. The significant generational presence of the Figueroas persisted throughout the 16th, 17th, and 18th centuries, positioning them at the pinnacle of painting in New Granada.The painting we study here depicts Our Lady of the Rosary and the Christ Child, with the notable feature of having King Philip II and Prince Carlos of Austria at their feet as donors. Both are dressed in the typically austere and puritanical, dark fashion promoted by King Philip II himself, due to the discovery of logwood in America for dyeing garments, a dye that would be commercialised by the Crown.This work is the only pictorial record produced in Latin America that depicts the King and the Prince together. It is also the only known image of Prince Carlos of Austria produced in America to date.Undoubtedly, the elongated face, pronounced features, marked eyebrows, beard, and moustache of our donor are exactly the same as in the portrait of Philip II found in the National Historical Museum of Chile, making the connection between these works evident. We could even consider that they had access to a print. The portrait of the King of Spain is also comparable to other versions by Sánchez Coello and Pantoja de la Cruz, where he is depicted at an older age with his white hair. In Pantoja de la Cruz’s engraving “Death of Carlos of Austria,” the prince is depicted similarly to this painting, as a young man of 21, a very similar age to that of Carlos when he was portrayed here, suggesting that Baltasar de Figueroa is likely to have painted it in the late 1560s.We highlight the importance of this piece not only because it was painted by one of the greatest artists of the Viceroyalty, who had the talent, initiative, and perseverance to create a school that endured over time, but also because it is an invaluable historical and pictorial record of the influence of Philip II and his fashion. This work makes us direct participants in a history of synergies and syncretisms that resulted not only in the creation of Latin American artworks influenced by European techniques and themes but also in the Americanisation of the old world, of which our work is a material witness. Reference bibliography:- Sánchez Aparicio, Manuel Salvador. (2012). "Baltasar de Figueroa «el viejo» Revisión historiográfica, aportaciones y rectificaciones relevantes en torno a su biografía y procedencia sevillana." Ensayos. Historia y teoría del arte, Bogotá, D. C., Universidad Nacional de Colombia, num. 22, pp. 70-86.
Lot 28
Novo-Hispanic School. 18th century. Signed by Francisco de Albala and dated 1768."Saint Francis Xavier baptising Indians and infidels"Oil on canvas.152 x 195 cm.In a clearly Italianate scenography, with lintels, columns, and perspectives, and a profusion of details and colour, the New Spanish author draws inspiration from an Italian or European painting, Flemish engraving, or print of the era to create his painting. Saint Francis Xavier, full of kindness and luminous mysticism, dressed in a tunic, surplice, and stole, under the blessing and light of the sky (an IHS hovers above him), baptises Indians and infidels. The vivid colours and light, very typical of Italian art of the time, stand out, as does the quality in the details of jewels, jugs, carpets, embroidered fabrics and brocades, and headdresses with feathers and ribbons, turbans, and brooches. In the lower left corner, a donor's cartouche is prominent (“MARIA SACHEN LISARDA LIT ADORADIÓ HESTE CUADRO LE DIO A. 1768”). This could refer to María Sánchez Lisarda.
Lot 95
Vicente López Portaña (Valencia, 1772 - Madrid, 1850)‘Saint Thomas Aquinas’.Ink drawing on paper. 10.5 x 7.5 cm.Preparatory for the print engraved by Francisco Jordán, catalogued under number E-213 in the catalogue raisonné of José Luis Díez, Vicente López: vida y obra, Madrid, 1999; p. 594 (plate 82). Although Díez assumes that the drawing he catalogues as D-279 (p. 594, plate 82) is preparatory to the print, it is our unpublished drawing that fulfilled this role.
Lot 297
Botany.- Watson (W.P.) & others. The Mattioli Woodblocks, number 39 of 150 copies with 9 prints from the original blocks in pocket at end, this copy with an original leaf loosely inserted (lightly water-stained at edges) with pencil note by JC "added an original leaf from 1565 with print of pl. 7", original morocco-backed patterned-paper boards, uncut, London & Amsterdam, 1989 § Bliss (Carey S.) A Leaf from the 1583 Rembert Dodoens Herbal printed by Christopher Plantin, one of 385 copies, original leaf tipped in, Bernard Rosenthal's copy with his book-label to front pastedown, San Francisco, 1977 § Atchley (WS.C.) Wild Flowers of Attica, Oxford, 1938 § Lack (H.Walter) The Flora Graeca Story: Sibthorp, Bauer, and Hawkins in the Levant, Oxford, 1999 § Desmond (Ray) Dictionary of British and Irish Botanists and Horticulturists..., 1994, plates and illustrations, the last four original cloth or boards, all but the first and last with dust-jackets, the first two a little frayed at upper edge; and a quantity of others on botany and gardens, many pamphlets/catalogues, v.s. (3 boxes)
Lot 263
Prints & Drawings.- Vertue Note Books, vol.1-5 only (of 6), reprint, original cloth-backed boards, Walpole Society, 1968 § Layard (G.S.) The Headless Horseman: Pierre Lombart's Engraving - Charles or Cromwell?, number 12 of 25 copies on hand-made paper signed by the author, list of subscribers, plates loose in pocket at end, original buckram, uncut, rubbed & stained, 1922 § Krill (J.) English Artists' Paper Renaissance to Regency, New Castle, De., 2002 § Griffiths ( Antony, editor) Landmarks in Print Collecting: Connoisseurs and Donors at the British Museum since 1753, 1996; The Print before Photography: An Introduction to European Printmaking 1550-1820, broken, 2016 § Hyde (R.) Panoramania! The Art and Entertainment of the 'All-Embracing' View, 1988, plates and illustrations, the last four original cloth or boards with dust-jackets; and c.35 others on prints & drawings, 4to & 8vo (c.45)
Lot 173
Natural History.- Moore (Thomas) The Octavo Nature-Printed British Ferns, 2 vol., first 8vo edition, 122 nature-printed colour plates by Henry Bradbury, tissue guards, some foxing, with A.L.s. from the author loosely inserted recommending this edition "...the text of the smaller work is much more complete..." and that the out-of-print large edition has acquired "a fictitious value", original cloth, slightly rubbed, recased and with repair to one joint, [Nissen BBI 1401], 1859 § Gosse (Philip Henry) Actinologia Britannica. A History of the British Sea-Anemones and Corals, first edition, frontispiece and 11 plates, all but one printed in colours by W.Dickes, guards, advertisement leaf at end, original cloth, gilt, [Nissen ZBI 1641], 1860, slightly soiled, 8vo (3)*** The first contains many more plates than the folio edition of 1855, which was the first book published in Britain using nature-printing.
Lot 303
Brooks (H.C.) Compendiosa Bibliografia di Edizioni Bodoniane, one of 150 facsimile reprints (unnumbered), Mansfield, Ct., 1994 § Austin (Gabriel) The Library of Jean Grolier: A Preliminary Catalogue, New York, Grolier Club, 1971 § Wegmann (A.) Schweizer Exlibris bis zum jahre 1900, 2 vol., some spotting, Zurich, 1933-37 § Hellinga (Wytze Gs) Copy and Print in the Netherlands, Amsterdam, 1962 § Hamilton (Alastair) Arab Culture and Ottoman Magnificence in Antwerp's Golden Age, 2001, illustrations, original cloth, the last with dust-jacket; and a quantity of others on continental books including booksellers' catalogues and bound sale catalogues of the libraries of Léon Curmer 1874, Eugène de Beauharnais 1935, Mme. Th. Belin 1936, Maj. Adrian McLaughlin 1980, Greffuhle 1982 (interleaved with many old cataloguing slips pasted in), & La Roche-Guyon 1987, some pamphlets and several issues of Quaerendo, some bound, v.s. (6 boxes)
![Clair (Colin) The Spread of Printing, 11 parts [a complete set], original printed wrappers, 1969-72 § Pine-Coffin (R.S.)](https://cdn.globalauctionplatform.com/0252a742-362c-457e-b7f6-b18f00e49597/cfbad6ee-345b-43c9-8fb7-b18f00ee135c/468x382.jpg)
Lot 264
Clair (Colin) The Spread of Printing, 11 parts [a complete set], original printed wrappers, 1969-72 § Pine-Coffin (R.S.) Bibliography of British and American Travel in Italy to 1860, original wrappers, uncut, spotted, Florence, 1974 § Ballhorn (F.) Grammatography: A Manual of Reference to the Alphabets of Ancient and Modern Languages, original pictorial cloth, gilt, 1861 § Zammit (William) Printing in Malta 1642-1839, Malta, 2008 § Taylor (Barry, editor) Foreign-Language Printing in London 1500-1900, Boston Spa & London, 2002 § Ingamells (John) A Dictionary of British and Irish Travellers in Italy 1701-1800 compiled from the Brinsley Ford Archive, New Haven & London, 1997 § Keighren (Innes M.) & others. Travels into Print: Exploration, Writing, and Publishing with John Murray, 1773-1859, Chicago & London, 2015, illustrations, all but the first three original cloth or boards with dust-jackets; and a quantity of others on travel, linguistics, foreign imprints etc., including odd 12mo volumes of Parry's Journals and 2 bound volumes of Quentin Keynes sale catalogues (Christie's & Bloomsbury Auctions), plus a few stamp albums, some catalogues/pamphlets, v.s. (c.130)
Lot 248
PHOTOGRAPHY: a group of 12 albumen-print photographs, late 19th-early 20thc to include post-mortem image of small child in coffin bedecked with flowers: autopsy or human dissection with 2 morticians in attendance: trick photograph showing a decapitated woman holding her head in left hand, and other images unrelated, various sizes. (12)
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314753 item(s)/page