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A SELECTION OF PRINTS AND ENGRAVINGS TO INCLUDE A FRAMED PRINT TITLED 'SAVING THE GUNS AT MAIWAND 1893' (BRITISH ROYAL HORSE ARTILLERY, E/B BATTERY) AFTER MAJOR GODFREY DOUGLAS GILES FROM THE SECOND AFGAN WAR. TOGETHER WITH AN ENGRAVING OF AN ITALIAN LANDSCAPE BY J T WILLMORE ARA AFTER J M W TURNER. ALSO INCLUDING AN ENGRAVING ON CANVAS TITLED ' DEPARTURE OF THE ISRAILITES FROM EGYPT' BY J P QUILLEY AFTER D ROBERTS. AN ENGRAVING MOUNTED ON BOARD TITLED 'WOBURN SHEEP SHEARING' AFTER AND ENGRAVED BY G GERRARD PUBLISHED IN 1811. TOGETHER WITH A FRAMED AND GLAZED ENGRAVING TITLED 'THE ROLL CALL CRIMEA 1854-55' AFTER LADY BUTLER ELIZABETH THOMPSON, 1874
Illuminated Testimonial. An illuminated testimonial for John Dent Goodman upon tendering his resignation as director and chairman of the London and Midland Bank Ltd., 15th July 1898, produced by Blades, East & Blades, [1898], a total of 4 well-executed watercolour, gilt and gouache leaves, the first 2 with text, the third leaf with 23 mounted vignette oval portrait photographs (manuscript key leaf loosely inserted), the fourth leaf with 15 vignettes of bank buildings (11 albumen print photographs and 4 well-executed watercolours to match), the Art Nouveau decorative borders with floral and foliage designs, the second leaf with 2 armorials and mottos to lower border, each 34 x 25 cm and window-mounted in thick card, Blades, East & Blades gilt stamp to final blank leaf, some mostly marginal spotting, moire silk doublures, all edges gilt, contemporary red morocco with gilt rules and bank's circular gilt crest to upper cover, inner dentelles with gilt floral design, minor rubbing at head and foot of spine, large 4to (49 x 40 cm) From the collection of his grandson Sir Victor Goodman, Clerk of the Parliaments. (1)
*Berkeley Family. A small group of ephemera relating to the Berkeley family, late 19th and early 20th century, including letters and manuscript notes relating to members in Upper Norwood and Eastbourne, some genealogical ephemera and a few pre-printed and legal documents, plus a group of approximately 45 albumen print cartes de visite and 7 framed portrait miniatures, one identified as John Richard Berkeley (1815-1896) to verso, and including 3 small watercolour miniatures on ivory attributed to Mabel Hobson(?-1943), one of a young woman (5.5 x 4.5 cm), one of a young boy (7 x 5.5 cm) and one of a baby with fair curly hair (5 x 5 cm), the last with label to verso identifying the sitter as Marion Ida Berkeley of Upper Norwood, south east London, titled 'Baby April' (a carton)
Collier (John). No Traveller Returns, The White Owl Press, 1931, signed by the author to the limitation page, original gilt decorated black suede cloth in slipcase, slipcase slightly rubbed, limited edition 55/210, 8vo, together with Bone (Gavin), Beowulf, Basil Blackwell, 1945, colour plates by the author, original quarter vellum to cearm cloth in dust jacket, covers slightly marked, limited edition 43/75, 8vo, and Seymour (W.L), The Street of Dreams, 1st edition, 1914, front endpaper inscribed by the author to the artist Flora Kendrick, includes a small colour print by F.A. Kendrick, some light spotting, original full vellum binding, boards slightly toned, 8vo, plus other early 20th century and modern poetry, plays, and related reference, including approximately 180 copies of London Magaznie, 1950s-70s, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves + 2 cartons)
Gregynog Press. The Romance of Parzival and the Holy Grail, by Wolfram Von Eschenbach, Retold by Carl Lofmark, published by Gwasg Gregynog, Newtown, Powis, 1990, twelve wood engraved plates (including frontispiece) by Stefan Mrozewski, fore-edge & lower edge untrimmed, original red quarter morocco gilt, decorative repeating diamond pattern cloth to boards, folio, (limited edition 52/195), includes loosely inserted prospectus, together with The Story of the Afanc King & the Sons of Teyrnon, by Christopher Meredith, published by Gwasg Gregynog, Newtown, Powis, 2006, frontispiece and illustrations print directly from etched linocuts by Sara Philpotts, original cloth-backed pictorial boards, slim folio, (limited edition 56/200), plus The Book of Ruth, published by Gwasg Gregynog, Newtown, Powis, 2003, three full-page wood engraved illustratoions by Anna Ravenscroft, original cloth-backed printed boards, slim folio, (limited edition 28/200) (3)
Manner of David Cox, Junior, 'The Mumbles, S.W.', watercolours, unframed, together with W. Des Hawkins, 'Bracelet Bay, Swansea', signed watercolours, unframed, and After Gordon Stuart, 'Ladies in the Rain', a limited edition coloured print, no. 15/100, signed in pencil by the artist, unframed. (3)
A contemporary oil painting, by P. Leathan - flower study, signed and dated '87; a pastel painting, by Peter Gray - "Hartley, West Farm", signed and dated August 1981; signed and inscribed verso; a pen and chalk drawing of skeleton hands; together with a print of a mountain, after William Heaton Cooper. (4)
A watercolour, by C.A. Wigmun - East Asian village scene, signed and dated 1903; a chromolithograph - "Entrance to Petra", after L. Tenifuz; two reproduction maps of Scotland and The British Isles; a pair of 20th Century Chinese landscapes, signed; and a colour print - "Grand approach to the temple of Philae, Nubia", after David Roberts. (7)
After Henry G Walker, The Inner Harbour, Brixham, a framed dry-point etching, signed in pencil within mount, labelled verso, 19 x 30cm, another etching, Landing Fish, Brixham, 21.5 x 27cm, signed in pencil, titled label verso; after Donal Cobb, a signed coloured print, The Regatta, 49 x 64.5cm and a framed print after Frank Sherrin, Fishing Boats Returning, 18.5 x 28cm, (4).
The Abdication of Edward VIII, 1936Printed Act: Print text headed “A Bill to give effect to His Majesty's abdication, brought before the Commons 11 December 1936.” Edward VIII abdicated the throne owing to his refusal to renounce his intention of marrying Wallis Simpson, an American socialite divorcee deemed unsuitable as a royal consort by the British establishment. The event had its impact on Ireland, where de Valera, encouraged by the perceived weakness of Britain, moved swiftly to introduce laws that would reduce the influence of the Crown in Irish affairs. Rare. (1)

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314796 item(s)/page