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Lot 233

A gilt framed coloured print depicting Charterhouse Square

Lot 238

A pencil signed limited edition print depicting green pigmy geese

Lot 250

K Melling, pencil signed limited edition print of a winter scene

Lot 396

Sheila Fairman, two oil studies entitled "Early to Work" and "Woodbridge"; and a print entitled "Herts and Essex Borders"

Lot 457

A gilt framed print depicting the Prophet Jeremiah; a white framed wall mirror and a gilt framed map

Lot 462

Four 19th Century colour fashion prints; a small watercolour study of swans and one other print

Lot 23

Limited edition 1/1000 signed print Jovan Obican

Lot 24

Limited edition 31/1000 signed print Jovan Obican

Lot 25

Old print titled 'All that was left of them' (Large)

Lot 589

Robert Tavener (1920-2004), artist proof print, Downs and Water Meadows, signed in pencil, 47 x 57cm

Lot 590

Robert Tavener (1920-2004), limited edition print, Cottage and Downs, signed, numbered 1/4, 27 x 36cm

Lot 600

After F. Wheatley RA (1747-1801), Cupid Unveiling Venus, coloured engraving and another print, Campaspe after John William Godward (1861-1922), in decorative carved frame (2)

Lot 631

Michael B. White, Elmax print on paper, 'Flowers as seen on TV', Exhibition label verso, 70 x 89cm

Lot 301

ROLF HARRIS (AUSTRALIAN 1930) 'BACKLIT BABOON - GIBRALTAR' a limited edition print 54/75, signed bottom left with certificate, framed, approximate print size 50cm x 39cm, frame 72cm x 61cm (condition:- small chips to bottom corner edges of the frame) (A)

Lot 303

PAUL NORMANSELL (BRITISH 1978) 'HAPPY AND GLOURIOUS' a limited edition print of HM The Queen 40/195, initialled bottom right with certificate, framed, approximate image size 65cm x 48cm, frame 83cm x 67cm (condition:- slight damage to corner edges of the frame) (A)

Lot 304

SAMANTHA ELLIS (BRITISH 1992) 'EASY STREET' a limited edition print of a Volkswagen split screen van 14/195, signed bottom right, with certificate, framed, image size approximately 37cm x 75cm, frame 60cm x 98cm (condition:- frame dented with paint loss in places) (A)

Lot 305

ROLF HARRIS (AUSTRALIAN 1930) 'BACKLIT GOLD' a limited edition print 27/195 depicting elephants in the bush, signed bottom left with certificate, framed, image size approximately 38cm x 75cm, frame 61cm x 96cm (condition:- slight damage to corner edges of the frame) (A)

Lot 306

CHRISTIAN HOOK (BRITISH 1971) 'TRAFALGAR SQUARE, LONDON' a limited edition print 81/295 of a London cityscape, signed bottom left with certificate, framed, image size approximately 43cm x 70cm, frame 68cm x 94cm (condition:- masking tape on glass) (A)

Lot 308

ROLF HARRIS (AUSTRALIAN 1930) 'YOUNG ZEBRA', a limited edition print on deluxe canvas 59/75, signed top right with certificate, framed, image size approximately 61cm x 41cm frame 85cm x 63cm, condition: slight damage to corner edges of the frame (A)

Lot 309

MACKENZIE THORPE (BRITISH 1956) 'DANCING IN LOVE', a limited edition print of a couple surrounded by love hearts, 48/295, signed to lower margin with certificate, mounted framed and glazed, image size approximately 51cm x 63cm, frame 90cm x 101cm, condition: small dent and scratches to frame (A)

Lot 310

HAYLEY GOODHEAD (BRITISH CONTEMPORARY) 'DAMIENS HERD' a limited edition print on canvas of cows against a spotted background 43/195, signed bottom right, with certificate, framed, image size approximately 51cm x 86cm, frame 64cm x 100cm, condition: frame is marked in places (A)

Lot 312

ROLF HARRIS (AUSTRALIAN 1930) 'FIFTIES RUSH HOUR' a limited edition print of a London sunset cityscape 153/195 signed to lower margin, with certificate, mounted framed and glazed, image size approximately 40cm x 80cm, frame 61cmx 101cm, condition: small amount of damage to corner edges of the frame (A)

Lot 314

ROLF HARRIS (AUSTRALIAN 1930) 'FOUR GIRAFFES' a limited edition print 48/195, signed bottom right, no certificate, framed, image size approximate 36cm x 90cm, frame 58cm x 111cm, condition: corner edges of frame are chipped, paint loss to frame in places (A)

Lot 317

ROLF HARRIS (AUSTRALIAN 1930) 'ALERT FOR PREY', a limited edition print on deluxe canvas depicting a Leopard 65/75, signed bottom left with certificate, framed image size approximately 89cm x 44cm, frame 110cm x 66cm condition: corner edges of the frame are damaged (A)

Lot 338

PAINTING AND PRINTS, to include A Veal, 'Sailing Boats on a Lake', signed and dated 1976, watercolour, framed, James D Preston limited edition landscape prints, David Shepherd print of Puppies, Linda Jane Smith prints of cats, William Geldart cat print, signed Robert Calvert print etc (12)

Lot 384

A COLLECTION OF FORTY SEVEN BOXED OVAL GLASS PAPERWEIGHTS, each with a print to the base, mostly scenes of parish churches, with some fish and city scenes (47)

Lot 402

PAINTING AND PRINTS ETC, to include an early 20th century sunset over a woodland, unsigned oil on re-lined canvas, unframed size approximately 46cm x 72cm, a book of Japanese wood block prints by Hiroshige Ando 'Tokaido 53 Tsugi' (one print missing, loose cover and pages), an unsigned study of a female nude, size approximately 80cm x 103cm some damage, an early 20th century gilt picture frame size of rebate approximate 75cm x 62cm, with topographical prints etc (box and loose)

Lot 406

DAVID MYNETT (1942-2013) 'ACROSS THE WATER', an impressionist view across the River Thames, signed bottom right, pastel on paper, mounted, framed and glazed, size approximately 28cm x 38cm, together with a Franchesca Stuart Sindili print 'Going to the Meet', engraved by R Wallace Hester and five other prints, all framed (7)

Lot 407

PAINTINGS AND PRINTS ETC, to include watercolours of buildings in rural settings by Dorothy Cross, watercolour of a rural scene by Frank R Hull, signed and dated 1977, watercolour of a Greenfinch, signed Brant, three prints, a mirror and two fire screens, both oak framed one with wool work panel, largest framed print size 54cm x 65cm (12)

Lot 475

STEPHEN DOIG (BRITISH 1964) 'IMAGINE', a limited edition print of portrait studies of John Lennon 515/850, signed to lower margin, with certificate, mount is inset with a brass and enamel medallion of John's trademark glasses, approximate size including frame 81cm x 68cm

Lot 653

Wainwright. Pictorial Guides to the Lakeland Fells. A carton. Books 1-7. Mixed early impressions, some first editions in the later books. Many duplicates. Some in dust wrappers. Condition mixed. With a signed print, framed. (41)

Lot 414

A watercolour, Geoffrey H Pooley, Fleetwith, Lakeland view, signed, 34 x 50cm, framed and glazed, and a print after William Heaton Cooper, Scafell, 30 x 44cm, framed and glazed

Lot 430

A Ltd Ed print, after Judy Boyes, Spinning Gallery, Tiberthwaite, signed and numbered 584/850, 26 x 38cm, framed and glazed

Lot 431

A print, after Jeff Sanders, A Summer Evening at Windermere, signed, 18 x 51cm, framed and glazed

Lot 433

A Ltd Ed print, after Howell, When The Boat comes in, numbered 83/195, signed, 37 x 50cm, framed and glazed

Lot 438

A Ltd Ed print, after David Hall, Waxwing Winter, signed, numbered 19/250, 46 x 50cm, framed and glazed

Lot 494

A Ltd Ed print, after Wolfgang Weber, Majesty lion study, numbered 369/495, signed, 53 x 65cm, framed and glazed

Lot 104

Paul Peter Piech (American Contemporary), Whitman, signed and dated 1993 lower left, inscribed 'to S Talbot' lower right, measurements 41 x 29 cm, frame 45.5 x 33 cm. Provenance: Acquired by the vendor from the exhibition 'Dedicated to all Defenders of Human Freedoms, The Art of Peter Paul Piech', 2016-2017 Printmaker Paul Peter Piech created this print to honour 100 years since Walter Whitman's death Piech grew up in New York and began his career as a graphic artist for the Dorlands Advertising Agency under Herbert Bayer. During World War Two he was stationed in Cardiff with the US Air Foce where he met his future wife and decided to remain in the UK following the end of the conflict. He studied at the Chelsea College of Art before continuing in the advertising industry. Piech set up his own independant press, Taurus Press. He is best known for his politically-charged linocut imagery. Piech's works can be seen in a number of national collections including the V&A, British Library, National Library of Wales and Aberystwyth University Collection.

Lot 109

After Pablo Picasso, Francoise with Garland, limited edition Giclee print, stamp bottom right, certificate of endorsement verso, numbered 786/1000, on Hahnemuhle etching paper, framed. Measurements 41.5 x 34 cm (i), frame 62 x 53 cm

Lot 125

Bruce Alfred (B.1950), Canadian Kwakwaka'wakw artist. Print signed 'Bruce Alfred/80' bottom right, titled 'Wolf, Mosquito, Octopus', numbered 17/200, mounted and framed. Measurements 39 x 48.7 cm (i), framed measurements 53 x 72.5cm Bruce Alfred (b.1950) is a Canadian Kwakwaka'wakw artist. He is a printmaker and carver from Alert Bay in British Colombia, Canada. Alfred was mentored by Doug Cranmer and worked with Wayne Alfred, Beau Dick and Richard Hunt. He specialises in steam-bent boxes, chests and totem poles, and is also known for his printmaking. Some of Alfred's most notable projects include the restoration of the Wak'as totem pole and house in Ottawa.

Lot 14

Harry Holland (British Contemporary b.1941) Glade, signed print bottom right, mounted and framed. Measurements 28 x 21.3 cm (PL), frame 49 x 39 cm Harry Holland is a Glaswegian born figurative artist. Since 1973 he has been living and working from Cardiff. His works are represented in a number of national collections including the British Museum, Tate, National Museum of Wales and the Fitzwilliam Museum.

Lot 149

John Piper (British 1911-2001) Trio of Landscape Prints in a frame, numbered 16/20, signed bottom right, mounted and framed. Largest print measurements 22 x 41.5, frame 40.5 x 101 cm

Lot 160

Chris Vince (British Contemporary), Limited Edition Print of a skeleton in a tuxedo and top hat, signed bottom right, numbered 1/15, signed and dated 2009 verso. Measurements 18 x 12 cm, frame 40 x 34 cm

Lot 163

Mackenzie Thorpe (British Contemporary Northern School) Walking Through Telegraph Poles, limited edition print, signed bottom right, numbered 401/850, framed. Measurements 18.5 x 35.5 cm, frame 46 x 62 cm *note this print has sustained some water damage Mackenzie Thorpe (b.1956) is a British contemporary artist from Middlesbrough. He began his working life in ship building before studying at the Cleveland College of Art and Design and the Byam Shaw College of Art in London. His work is predominantly abstract, ranging from more accessible figures to challenging pieces exploring themes such as isolation and human struggle, many influenced by his childhood growing up in working-class North East. He has received a number of honours including an Honorary Masters Degree from Teeside University and an Honorary Professorship from Seisa University in Japan. Thorpe was appointed as the official artist for 2019 Tour de Yorkshire and in 2019 launched a world tour 'From the Heart' as a 30 year retrospective

Lot 35

Robert Heindel (American 20th Century, 1938-2005), Study for Floating Angel No.10, Print, Signed bottom right, numbered 35/500, certificate of authenticity verso edition number 6, mounted and framed, 37 x 36.5 (PL), framed 66 x 65.5 cm

Lot 50

John Knapp-Fisher (British 1931-2015), Cyclists on the Harbour Wall 1982, limited edition print, hand signed bottom right, numbered 90 x 500 cm, mounted and framed. Measurements 16.3 x 47 cm, frame 38 x 66 cm John Knapp-Fisher (1931-2015) was a British post-war artist who is heavily associated with Pembrokeshire. He began his career in Graphic and exhibition design before becoming a full time artist in 1960. He is best known for his dark, dramatic watercolour paintings and his muted colour palette, often opting for earthy colours with simple dabs of primary as they emerge from the dark wash. Knapp-Fisher favoured subjects such as trees, bogs, hedgerows and the undergrowth over flowers, and was a fervent believer in painting en plein, often seeking his inspiration in his beloved Pembrokeshire. Although he did paint in oil, the majority of his work was created in his preferred medium of watercolour, and he is known for his characteristic letter-box shape paintings. He had a life-long love for the sea, building and sailing his own boats, even spending some years living upon one of his crafts, with seascapes and paintings of his daily catch becoming regular features within his artwork. Knapp-Fisher was elected to the Royal Cambrian Academy in 1992 and has a strong following particularly across the UK and South Africa.

Lot 56

John Knapp-Fisher (British 1931-2015), Buildings and Water at Conwy, limited edition print, hand signed bottom right, numbered 146/850, mounted and framed. Measurements .4 x 31 cm, frame 57.5 x 51.5 cm John Knapp-Fisher (1931-2015) was a British post-war artist who is heavily associated with Pembrokeshire. He began his career in Graphic and exhibition design before becoming a full time artist in 1960. He is best known for his dark, dramatic watercolour paintings and his muted colour palette, often opting for earthy colours with simple dabs of primary as they emerge from the dark wash. Knapp-Fisher favoured subjects such as trees, bogs, hedgerows and the undergrowth over flowers, and was a fervent believer in painting en plein, often seeking his inspiration in his beloved Pembrokeshire. Although he did paint in oil, the majority of his work was created in his preferred medium of watercolour, and he is known for his characteristic letter-box shape paintings. He had a life-long love for the sea, building and sailing his own boats, even spending some years living upon one of his crafts, with seascapes and paintings of his daily catch becoming regular features within his artwork. Knapp-Fisher was elected to the Royal Cambrian Academy in 1992 and has a strong following particularly across the UK and South Africa.

Lot 68

Amy Clampitt, Beach Glass, limited edition print, on laid paper, numbered 4/50, inscribed 'for Maryjane from Mirium and Sam....' framed. Measurements 65 x 50 cm (SH), frame 75 x 56 cm Amy Clampitt (1930-2001) was an American poet and author, this poster quotes a line from her Beach Glass poem.

Lot 1511

Artist: David Hockney (British, b.1937). Title: "White Porcelain [David Hockney/Preventive Intervention/Tyler Graphics exhibition]". Medium: Color offset lithograph. Date: Composed 1988. Dimensions: Overall size: 33 1/2 x 24 1/2 in. (851 x 622 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Preventive Intervention Research Center for Child Health, Albert Einstein College of Medicine/Montefiore Medical Center, for the exhibition opening June 5, 1988. Features Hockney's print "White Porcelain," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23684-6-100]

Lot 1521

Artist: Jacob Ira Mumper (American, 1867-1923). Title: "Warren's Statue, Little Round Top". Medium: Original vintage albumen print. Date: Composed c1895. Printed c1895. Dimensions: Image size: 3 7/8 x 5 9/16 in. (98 x 141 mm).Lot Note(s): Titled in the negative. J.I. Mumper studio stamp, verso. Good to very good condition; on original mount. Comment(s): Levi Mumper (1843-1916) opened a photographic gallery in Gettysburg c.1864. His imprints generally read, "L. Mumper" or "Mumper & Co.". He moved to Littlestown, PA in 1869, returning to his former Gettysburg studio in 1874. Most of Levi's battlefield scenes appear to have been taken beginning in the mid-1870s. He sold the photographic business to his son Jacob Ira Mumper (1867-1923) c.1895. Jacob continued the business, using a predominant imprint of "J.I. Mumper", until 1911, when it was taken over by Jacob's brother Clyde (1879-1967). Clyde and another brother, John A. (1874-1957) operated the business until it was closed in 1948, using the major imprint "Mumper Studios". [24051-1-200]

Lot 1526

Artist: David Hockney (British, b.1937). Title: "Views of Hotel Well III [David Hockney/Moving Focus Prints exhibition]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 32 x 22 in. (813 x 559 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Baggot/Hockney Posters 124 (1987); Baggot/Hockney Posters 157 (1994). Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): This poster (unsigned) sold for US$2,064 at Christie's South Kensingston, 03/25/1999, lot 124. Scarce/rare with the signature. Published by the Tate Gallery for the "Moving Focus Prints from Tyler Graphics, Ltd." exhibition, March to May, 1986. Features Hockney's print "Views of Hotel Well III," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23683-5-125]

Lot 1548

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Un Pez Se Llaman Sierra". Medium: Original photogravure. Date: Composed 1944. Printed later. Dimensions: Overall size: 7 7/8 x 5 13/16 in. (200 x 148 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $14,400 realized at Swann Auction Galleries, 2/19/2009, lot #61. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29772-2-300]

Lot 1554

Artist: Keith Haring (American, 1958 - 1990). Title: "Two Men with Heart". Medium: Lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 7/16 in. (232 x 214 mm).Lot Note(s): Signed by Haring in silver marker. A proof (?) from the edition. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29480-2-800]

Lot 1559

Artist: Diane Arbus (American, 1923-1971). Title: "Two Boys Smoking in Central Park, N.Y.C". Medium: Original photogravure. Date: Composed 1963. Printed later. Dimensions: Overall size: 8 3/8 x 8 1/4 in. (213 x 210 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): A very rare print. “Gordon’s” locates only two sales in the past 35+ years, the highest price at Phillips, New York, 10/4/2018, lot #34, realizing $62,500. Image copyright © The Estate of Diane Arbus, LLC. [29609-2-600]

Lot 1587

Artist: Diane Arbus (American, 1923-1971). Title: "The Junior Interstate Ballroom Dance Champions, Yonkers, N.Y". Medium: Original photogravure. Date: Composed 1962. Printed 1978. Dimensions: Overall size: 15 3/4 x 11 5/8 in. (400 x 295 mm). Image size: 10 5/16 x 10 in. (262 x 254 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $377,000 realized at Sotheby's, New York, 12/11/2014, lot #37. Arbus’s direct, confrontational approach to photography meant that her subjects did not always like their portraits. After seeing his, the writer Norman Mailer famously said, "giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. Image copyright © The Estate of Diane Arbus, LLC. [27161-3-225]

Lot 1607

Artist: Andy Warhol (American, 1928 - 1987). Title: "Texan [Robert Rauschenberg]". Medium: Original color letterpress print. Date: Printed 1970. Dimensions: Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm).Lot Note(s): Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Comment(s): This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]

Lot 1608

Artist: Georges Braque (French, 1882 - 1963). Title: "Tete". Medium: Original color collotype. Date: Composed 1944-45. Printed 1962. Dimensions: Overall size: 11 13/16 x 15 3/8 in. (300 x 391 mm). Image size: 10 15/16 x 14 1/4 in. (278 x 362 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated T.P., lower left. A proof aside from the regular edition. Light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Comment(s): Authorized by and printed under the supervision of Braque shortly before his death. This print, from a limited edition, was not issued separately; rather, in a signed and numbered portfolio. Braque applied a complimentary signature to several AP, TP, and numbered impressions. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [21782-3-225]

Lot 1609

Artist: Georges Braque (French, 1882 - 1963). Title: "Tete Grecque". Medium: Original color collotype. Date: Composed 1948. Printed 1962. Dimensions: Overall size: 13 3/16 x 10 3/4 in. (335 x 273 mm). Image size: 12 3/8 x 9 3/4 in. (314 x 248 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated E.A., lower left. A proof aside from the regular edition. Light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Comment(s): Authorized by and printed under the supervision of Braque shortly before his death. This print, from a limited edition, was not issued separately; rather, in a signed and numbered portfolio. Braque applied a complimentary signature to several AP, TP, and numbered impressions. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [21780-3-225]

Lot 1614

Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph. Date: Composed 1991. Dimensions: Overall size: 28 1/2 x 20 1/4 in. (724 x 514 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Comment(s): A scarce/rare poster with the signature. Published by the Petit Musee, Japan. Features Hockney's print "Table Flowable," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23686-5-300]

Lot 1626

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Study on Voyeurism [Los Angeles]". Medium: Original vintage photolithograph. Date: Composed 1989. Printed 1997. Dimensions: Image size: 10 1/2 x 10 7/16 in. (267 x 265 mm).Lot Note(s): Signed "Helmut" in black marker, lower center. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): Scarce. According to ‘Gordon’s Photography Prices’ the auction record for a silver print of this image is $37,500 realized at Christie's, New York, 9/23/2014, lot #3. Image copyright © Helmut Newton Foundation. [26175-3-225]

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