We found 314796 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 314796 item(s)
    /page

Lot 88

Paul Wunderlich (1927 - 2010), The Blue Angel, signed in pencil and numbered 8/75, also signed in the print, lithograph, 43.5 x 55 cm, framed and glazed 65 x 75.5 cm The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDILondon Graphic Art Associates label verso Print is sealed in the frame and glazed, it has not been inspected out of the frame. Paper has discoloured slightly with age, but otherwise looks to be in good condition. Frame and glazing require cleaning, with some wear to the silvering on the frame.

Lot 108

Fernand Leger (after) 'The Outing in the Country' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 79/300, bottom left publishing house stamp 'Leonardo Artis', heavy paper with watermark BFK Rives France, sheet size 50 x 65 cm, without additional documentation, sold unframed

Lot 221

Roy Lichtenstein (after) 'Seductive Girl' limited edition of 150, lithography print, plate signed bottom right, numbered with pencil bottom left 31/150, heavy paper, with 'STYRIA Studio' embossing, 'CASTELLI Graphics' stamp on the back, sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 300

Joan Miro (after) 'Catalan Landscape' lithography print, sheet size 56 x 76 cm, plate signed bottom right, numbered with pencil bottom left, limited edition 53/150, bottom right publishing house stamp 'SPADEM 1973', cotton paper Arches, without additional documentation, unframed

Lot 30

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for "Don't Easily Abandon the Hope". Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

Lot 107

Fernand Leger (after) 'Three Sisters' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 59/300, bottom left publishing house stamp 'Leonardo Artis', heavy paper with watermark BFK Rives France, sheet size 50 x 65 cm, without additional documentation, sold unframed

Lot 169

Roy Lichtenstein (after) 'Thinking Nude' limited edition of 150, lithography print, plate signed bottom right, numbered with pencil bottom left 118/150, heavy paper, with 'STYRIA Studio' embossing, 'CASTELLI Graphics' stamp on the back, sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 1

Amadeo Modigliani (after) 'Portrait Mario Varvogli' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 50/50, bottom left publishing house stamp 'Georges Israel Editeur', heavy paper with watermark BFK Rives, sheet size 51 x 78 cm, without additional documentation, sold unframed

Lot 297

Jean-Michel Basquiat (after) untitled, lithography print, sheet size 50 x 70 cm, plate signed bottom left, numbered bottom right with pencil, limited edition 52/100, bottom right publishing house stamp, cotton paper, without additional documentation, sold unframed

Lot 125

Amadeo Modigliani (after) 'Sleeping Nude' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 32/50, bottom left publishing house stamp 'Georges Israel Editeur', heavy paper with watermark BFK Rives, sheet size 51 x 78 cm, without additional documentation, sold unframed

Lot 277

Victor Vasarely (after) 'Zebra' limited edition of 500, lithography print, plate signed bottom right, numbered with pencil bottom left 369/500, heavy cotton paper, with embossing stamp 'SPADEM, Paris', sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 318

Roy Lichtenstein (after) 'Nude with Blue Hair' limited edition of 150, lithography print, plate signed bottom right, numbered with pencil bottom left 101/150, heavy paper, with 'STYRIA Studio' embossing, 'CASTELLI Graphics' stamp on the back, sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 162

Jean-Michel Basquiat (after) 'Xerox' lithography print, sheet size 50 x 70 cm, plate signed bottom left, numbered bottom right with pencil, limited edition 48/100, bottom right publishing house stamp, cotton paper, without additional documentation, sold unframed

Lot 324

Victor Vasarely (after) 'Feny Arny' limited edition of 500, lithography print, plate signed bottom right, numbered with pencil bottom left 90/500, heavy cotton paper, with embossing stamp 'SPADEM, Paris', sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 20

Edward Hopper (after) 'Summertime' limited adition 41/150, lithography print, signed bottom right, numbered with pencil bottom left, bottom left embossing stamp 'Georges Israel Editeur', cotton paper Arches France, sheet size 38 x 57 cm, without additional documentation, sold unframed

Lot 54

Rene Magritte (after) 'Black Magic' lithography print, limited edition of 100, plate signed bottom right, numbered with pencil bottom left 50/100, bottom left publishing house stamp 'SPADEM, Paris', fine art paper, sheet size: 50 x 70cm, without additional documentation, sold unframed

Lot 106

Fernand Leger (after) 'Le corsage Rouge' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 13/300, bottom left publishing house stamp 'Leonardo Artis', heavy paper with watermark BFK Rives France, sheet size 50 x 65 cm, without additional documentation, sold unframed

Lot 53

Rene Magritte (after) 'The Happy Donor' lithography print, limited edition of 100, plate signed bottom right, numbered with pencil bottom left 31/100, bottom left publishing house stamp 'SPADEM, Paris', fine art paper, sheet size: 50 x 70cm, without additional documentation, sold unframed

Lot 161

Jean-Michel Basquiat (after) 'Cabeza' lithography print, sheet size 50 x 70 cm, plate signed bottom left, numbered bottom right with pencil, limited edition 64/100, bottom right publishing house stamp, cotton paper, without additional documentation, sold unframed

Lot 198

Alphonse Mucha (after) 'The Precious Stones - Amethyst' lithography print, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left, limited edition 79/100, bottom left publishing house stamp 'La PLUME, Paris', cotton paper, without additional dicumentation, sold unframed

Lot 65

Alphonse Mucha (after) 'Brightness of Day' lithography print, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left, limited edition 98/100, bottom left publishing house stamp 'La PLUME, Paris', cotton paper, without additional dicumentation, sold unframed

Lot 21

Pablo Picasso (after) 'Woman with Joined Hands' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 52/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Lot 17

Jean-Michel Basquiat (after) untitled - Jean-Michel Basquiat and Andy Warhol, Collaboration #23, lithography print, sheet size 50 x 70 cm, plate signed bottom left, numbered bottom right with pencil, limited edition 65/100, bottom right publishing house stamp, cotton paper, without additional documentation, sold unframed

Lot 2

Amadeo Modigliani (after) 'Jeanne Hebuterne with Large Hat' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 31/50, bottom left publishing house stamp 'Georges Israel Editeur', heavy paper with watermark BFK Rives, sheet size 51 x 78 cm, without additional documentation, sold unframed

Lot 183

Victor Vasarely (after) 'Vonal Prim' limited edition of 500, lithography print, plate signed bottom right, numbered with pencil bottom left 60/500, heavy cotton paper, with embossing stamp 'SPADEM, Paris', sheet size 35 x 50cm, without additional documentation, sold unframed

Lot 64

Alphonse Mucha (after) 'Night's Rest' lithography print, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left, limited edition 74/100, bottom left publishing house stamp 'La PLUME, Paris', cotton paper, without additional dicumentation, sold unframed

Lot 298

Jean-Michel Basquiat (after) 'Victor' lithography print, sheet size 50 x 70 cm, plate signed bottom left, numbered bottom right with pencil, limited edition 71/100, bottom right publishing house stamp, cotton paper, without additional documentation, sold unframed

Lot 85

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for "Don't Easily Abandon the Hope". Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

Lot 63

Alphonse Mucha (after) 'Primrose' lithography print, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left, limited edition 52/100, bottom left publishing house stamp 'La PLUME, Paris', cotton paper, without additional dicumentation, sold unframed

Lot 380

Charming set of partial colour prints, entitled Ballet Dancers II, set nr B17-2, in costume from the 1850's with daring hemlines for the period, each print approx 14.8 x 9.5 cms, framed and glazed. Note: Property of a Yorkshire lady. 

Lot 335

Jean Cocteau repro print, Poiret's eloigne Chanel arrive, nr 252/300, the mount embossed Chanel, approx 32w x 42 h cms, framed and glazed.  Note: Property of a Yorkshire lady. 

Lot 365

Auguste Thomas Marie Blanchard after Sir Lawrence Alma Tadema - Dedication to Bacchus, engraving, publ. H. L.H Lefevre, XRV Print Sellers Association blind stamp, signed in the margin by the artist and engraver, approx 113 x 65 cms, framed and glazed.  Provenance: The Rt. Hon Lord Chalfont, OBE,MC,PC and bequeathed to the current vendor. 

Lot 379

Charming set of partial colour prints, entitled Ballet Dancers I, set nr B17-1, in costume from the 1850's with daring hemlines for the period, each print approx 14.8 x 9.5 cms framed and glazed.  Note: Property of a Yorkshire lady. 

Lot 356

Shinn-Bijutsukai (1898-1902) original wood block print, approx 14.5 x 18 cms, framed and glazed.  Provenance: Property of a lady.  -

Lot 300

Attributed to Nishikawa Sukenobu 西川祐信 (Japan, 1671-1750), woodblock print with verse, a figure on horseback with attendant, a street vendor behind making tea, approx 14 x 18 cms.  Note: Property of a Yorkshire lady. 

Lot 76

Silk screen print. Signed in pencil. Dated 1969 and numbered 17/250. 48.5 x 66 cm.With the embossed stamp of the publisher Gabriele Mazzotta. 

Lot 284

Hendrick Goltzius - Phaeton asking to drive the sun chariot - 1590 Phaeton asking his father Helios to drive his chariot; Helios seated on a throne at right surrounded by other gods, Phaeton kneeling at left. An early work drawn by Goltzius en engraved in his workshop. Print from the second series of scenes from the Metamorphoses whose design occupied Goltzius about 1589. He probably also surveyed the engraving process by a member of his workshop and was involved in the publishing of the series. A first state before the second number at right. Signed and dated in the bottom right corner 'HG Excus A° 1590. 17,50 x 25,50 cm Excellent early impression with full plate border and small margins. Remains of former album tipping on the backside of the corners. In very good condition. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (552-571) --- Bartsch / Le Peintre graveur (III.106.21) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (10-61; 508-559) --- First state. Engraving 1590 240

Lot 283

Hendrick Goltzius (1558-1617) - St Paul at Malta Bitten By The Viper St Paul bitten by the viper; as St Paul, in the foreground, places a bundle of sticks on to a fire, a snake emerges from the sticks and bites his hand; a group of figures around the fire gesticulate in astonishment; beyond, to the right, a stream of figures come ashore from the shipwreck; in the left background, a death bed scene. ). This engraving was made by Goltzius in 1580 when he was 22 years old. At that period he made some works that made part of print series for publishers in Antwerp, before he established his own publishing business in Haarlem in 1582. First published by Philips Galle and this state here on auction published by Joannes Galle in the series with the acts of the apostles designed by Jan van der Straet (Stradanus). 19,20 x 25,50 cm Good impression on laid paper with full plate border and wide margins. Outer margins slightly soiled. Hendrick Goltzius ( New Hollstein 347 ) -----Johannes Stradanus ( New Hollstein 225 ) --- Philips Galle ( New Hollstein part.II, p.92) --- Reference: Baroni Vannucci 688.15 Engraving 1580 240

Lot 204

Aegidius Sadeler, Peter Stevens - Bohemian Landscape with pierced rock / Description: Landscape with a rock vault. From 'Eight Bohemian landscapes' A landscape with in the foreground some travelers. The road they follow passes through a natural rock vault. A farm in the background. The seventh print of an eight-part series with Bohemian landscapes made by Aegidius Sadeler (II) after drawings by Pieter Stevens (II) , publisher: Aegidius Sadeler (II). / Dimensions: 21,10 x 28,20 cm / Condition: Outstanding impression on early watermarked laid paper. Trimmed on plate border with mainly tread margins. Very good authentic condition. Hollstein Dutch 261-1(2) Engraving /Circa: 1597-1629 320

Lot 116

Hieronymus Wierix, Hendrik Van Balen - The Virgin with five Children / Description: The Virgin and child; the Virgin, seated, and the child standing with a banner with his monogram; two angels on either side behind them; five children adoring them, two seen under the Virgin's cloak. Engraving made by Hieronymus Wierix (1553-1619) after a design by the Flemish painter Hendrik Van Balen, signed: 'Hieronymus Wierx fecit et excud.' and 'Cum Gratia et Privilegio Buschere'; and signed on image: 'H. V. Balen in.' A wild guess, but It is tempting to imagine the couple of children in adoration are based on family members of the artists involved. Beneath the print two lines in Latin captions and in bottom right corner the collection stamp of Friedrich Augsburg II, King of Saxony. / Dimensions: 13,40 x 9,10 cm / Condition: Excellent early impression on a dense laid paper. Full plate border. In an excellent untouched condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1019) --- Maquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (747, only state) --- Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (485) / Medium: Engraving /Circa: before 1619 340

Lot 115

Hieronymus Wierix (1553-1619) - The Sleep of Jesus / Description: Holy Family with the sleeping Christ Child Mary lifts the drape on the sleeping Christ Child. She has beaten her arm around the young John the Baptist. Joseph is located behind the child, the arms folded in front of his chest. Engraving made by Hieronymus Wierix (1553-1619, signed: 'Hieronymus Wierix excud' and 'Cum gratia et Privilegio Buschere'. This is MH 466.A., In this variant the young S.John Baptist is entirely cloded in a sheepskin. Beneath the print two lines in Latin captions and in bottom right corner the collection stamp of Friedrich Augsburg II, King of Saxony. / Dimensions: 8,80 x 6,50 cm / Condition: Good impression , on a dense laid paper trimmed on plate border. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (776) --- Maquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (466.A) --- Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (513) / Medium: Engraving /Circa: before 1619 280

Lot 140

Philips Galle (1537-1612) -The misery of human life - Complete series (6) / Description: Rare complete series in 6 plates on the miseries of human life, all numbered and the first plate signed PG. 1563 with the publishers address Car Collart excu. The images were designed by Maarten van Heemskerck and engraved by Philips Galle. Plate 1: Man is born naked. An allegorical scene with personification of nature handing a naked child to a woman in the center. On the right, another woman is holding a swaddled baby. The surrounding landscape is filled with a variety of animals. Plate 2: Man must learn everything. In the foreground, two women are busy with some toddlers who need help. In the background, the landscape with rock formation and coastline is filled with animals. Plate 3: Man is exposed to danger and disease. Six men walk in the foreground including a blind man, a cripple and a man with a toothache. Plate 4: Man is tormented by sin. Personifications of Greed (Avarita), Wrong Opinion (Opnio), Envy (Invidia), Sadness (Tristitia) and Haughtiness (Superbia) afflict man (Homo). The character Conscience (Conscientia) tries to lead him on the right path by using a mirror that offers insight and a rod that represents punishment. Plate 5: Man is beset by poverty, imprisonment and death. In this allegorical scene, we see poverty as an old woman, a man in chains and a man who is just falling on a sword. In the background, a body falls from a rock with a burning town. Plate 6: Man is always fighting. Spread across the print we behold fighting pairs of men. In contrast, we find pairs of animals quietly enjoying each other's company. --- A very rare complete series of humanistic prints seldom found on the market. Not in the Rijksmuseum, and only two on six in the British Museum. / Dimensions: 18,40 x 24,00 cm / Condition: Good impressions on interlaced C's watermarked laid paper. Still in the original full sheets with wide margins. Good condition with occasionally some dust soiling of the outer margins. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (291)-----New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (287-292) / Medium: Engraving /Circa: 1563 1800

Lot 252

Cornelis Brouwer, Gerbrand van den Eeckhout - Botanists From a collection of print drawings here completely hand-colored (rare!) by Ploos van Amstel himself. Subject : Four botanists examining specimens, a gardener at right bringing in a basket of plants, several books on the floor, one at left open, through the window a house and walled garden; after a drawing by Gerbrand van den Eeckhout now in the British Museum in London designed for the title-page to Pieter Nijlandt's 'De Nederlantse Herbarius' published in 167;. Print made by Cornelis Ploos van Amstel (project director), etched by: Cornelis Brouwer (1733-1803), after the drawing by Van den Eeckhout, a pupil of Rembrandt. Signature of artist, in lower right: "G.V. Eeckhout fe.". From a series of print drawings (published in separate sets between 1765-1787). Etched in 1780 and published in 1787 . On the backside the coat of arms of Ploos van Amstel (Lugt. 2034). Here completed with hand-coloring (rare!) by Ploos van Amstel himself (shades of red, bleu ,brown and green) 12,80 x 9,20 cm Top quality original print drawing in excellent condition on laid paper. Tipped with left side only on a part of the original square thick laid paper sheet , with hand drawn frame border in washed ink. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (75) --- vH:42, vA:44, W:44, vB:43, Josi 1821:25, --- Lit.: T. Laurentius, J.W. Niemeijer and G. Ploos van Amstel, 'Cornelis Ploos van Amstel 1726-1798, Kunstverzamelaar en Prentuitgever', Assen, 1980, 263-264 no.43. The 'Ectypa' of Ploos van Amstel, since that was the Latin term Ploos van Amstel used to describe his plates on the first title-page. A series of print drawings of Dutch and Flemish artists. They were published by Ploos van Amstel in separate small sets between 1765 and 1787. Ploos van Amstel hired several printmakers to assist him in the production of the plates, this one is not in the British museum. Most of the plates were also available separately. They usually have Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Hand colored etching 1780 260

Lot 276

Bernard van Someren (1572-1632) - Salvator Mundi - RRR Jesus Christ, half-length, with right hand raised in blessing and resting his right hand on a globe surmounted by a cross. Signed and lettered around the impression: "Bernaerdus de Seumeren fe. et ex. a Bos." and "Ego Svm Via Veritas et Vita". First plate of a series of Christ with The Apostles and St Paul. Extremely rare engraving by the Flemish, Antwerp born artist Bernard van Someren (1572-1632). Only three engravings known to Hollstein, including a Saint Jude similar to our print. This one unknown to Hollstein. diameter 14,50 cm Very good inked early impression with nice plate tone, on fragmentary watermarked laid paper. The print is on a little square sheet of 18,00 by 18,50 cm and has full plate border and wide margins. Margins occasionally soiled but in a nice authentic untouched condition. Hollstein unknown ----- In counterpart to the series by Zacharias Dolendo after Jacques de Gheyn II from 1596. --- This design of Christ as Salvator Mundi was apparently used for the ceiling decoration from the supposed Guise Palace, Edinburgh; see Michael Bath, 'Was there a Guise Palace in Edinburgh?', in Robert Gowing and Robyn Pender (eds), 'All Manner of Murals: The History, Techniques and Conservation of Secular Wall Paintings', London, 2007, pp.11-21, fig.3. The house was demolished in 1845 but the panel survives in the National Museum of Scotland, Edinburgh. ----- Barend van Someren (1572–1632) was a Flemish painter and printmaker who after training and working in Antwerp moved to Rome. He was also active as an art dealer, publisher and innkeeper. Van Someren was born in Antwerp and the brother of Paul van Somer I. He trained in his hometown with Filips Lisaert the Younger. He traveled to Rome in 1600 were he worked in the workshop of Aert Mijtens. He left Rome for Amsterdam in 1602 and operated an inn in Amsterdam. The Flemish painter Adriaen Brouwer stayed in this inn when he first arrived in the Dutch Republic in 1625. He is reported to have painted history and landscape paintings bu no extant paintings by him are known. A few prints by his hand are portraits of religious and historical figures such as the Judas Taddeüs. Engraving 1590-1630 260

Lot 113

German 16thC. - The Nativity / Description: Anonymous (15-16th cent.) (The Nativity). Large woodcut on around 16th century's laid paper. The open structure of the barn roof is similar to those of the Durer period. The just born child in the star shaped cradle point also to very early designs. The clothing has the gothic folding. There is some mystery about this rather primitive print. Attempts to find another example have been unsuccessful. This might be a very early example. As this work is so rare to compare, all dates are given with reservation. / Dimensions: 38,30 x 27,60 cm / Condition: Closed paper loss near the bottom right edge. Faded spotting near top margin. Otherwise fine with margins around the image border. / Literature: / Medium: Woodcut /Circa: Ca. 1460-1540 320

Lot 292

Jan Saenredam (1565-1607) - Adam and Eve mourn over Abel From the Series: The story of Adam and Eve : The elderly Adam and Eve lament over the corpse of Abel; a jawbone lies discarded on the ground lower right corner; Print made by: Jan Saenredamafter Abraham Bloemaert around 1604. 26,00 x 20,00 cm Excellent impression, watermarked laid paper, plate border and margins, remarginned at bottom with omission of text line. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (6.I) ----- Roethlisberger 1993 / Abraham Bloemaert and his sons: Paintings and prints (77) ----- Bartsch / Le Peintre graveur (III.225.18) Engraving 1604 180

Lot 234

Cornelis Galle (1576-1650) - Portrait of Carolus Quintus after Titian Portrait of Emperor Charles V (1500-1558). Charles was the eldest son of Philip the Handsome and Joan of Castile, who would enter history as Joan the Mad. The countries he ruled, the Spanish Empire, together formed the largest European empire since that of Charlemagne. In fact, his entire empire, so including the American and Asian territories, was even larger than the earlier Roman Empire and it can rightly be called one of the first world empires of the New Age. In this bust portrait, he is shown in profile. The light reflects on his shining armor. We also recognize the chain of the Order of the Golden Fleece. The Subscript "En fulminanti similis inuic ta Herculis, Ultra labores arma sic Carolis tulit" links to the motto of arms 'Plus Ultra' chosen by Emperor Charles V. It was a variation on 'Non plus ultra', the text Hercules is said to have chiselled on the Pillars of Hercules on either side of the Strait of Gibraltar to mark the end of the world in classical antiquity. Under Charles's reign, Spain experienced tremendous colonial expansion and with the new motto, he wanted to indicate that the Strait of Gibraltar was no longer the end of the world and that Spain's ambitions extended further. 22,00 x 17,00 cm Excellent condition, nice dark sharp print, clearly defined plate edges. With full plate border and wide margins in the full sheet of watermarked laid paper (Weapon of Amsterdam) Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (133) Engraving 1630-1650 220

Lot 148

Maerten de Vos, Carel de Mallery - Envy brings war / Description: From one of the nicest humanistic series: Envy brings war. Envy sitting on a trone of snakes with snake hair devours a heart (humility) a girl at hear feet in armor (Bellum) predicting war. The print has a Latin caption and is part of a series of eight plates on human actions: Circvlvs Vicissitvdinis Rervm Hvmanarvm. The series was engraved by Theodor Galle (pl.6) and Carel the Mallery (Pl. 2,4,8) and Joan Collart (Pl. 1) Every condition creates another until the circle of life is completed. Both are shown, the present full scale, and the following in smaller scale at their feet. / Dimensions: 17,60 x 23,00 cm / Condition: Good Impression on watermarked laid paper with full plate border and good margins. Excellent condition. / Medium: Engraving /Circa: 1580-1620 280

Lot 268

Paulus Pontius, Van Dyck - Portrait of Hendrik van Steenwyck ( III / VII ) Early state: Portrait of Hendrik van Steenwyck II, half-length, turned to the right but looking towards the viewer, wearing a large collar and frilled cuffs, and a coat, holding a letter in his left hand and gesturing towards it with his right; third, lettered state with the title and production details added; after Anthony van Dyck Engraving. After: Anthony van Dyck Published by: Maarten van den Enden Print made by: Paulus Pontius Lettered below the portrait: "Henricvs Steenwyck". Lettered in lower margin with production details: "Ant. van Dyck pinxit" and "Mart. vanden Enden excudit Cum priuilegio". 24,80 x 17,70 cm Excellent impression, excellent condition, watermarked laid paper. Hollstein 129 Mauquoy-Hendrickx 1991 67.( III / VII )New Hollstein (Dutch & Flemish) 93.III (Van Dyck) Etching 1630-1645 300

Lot 196

Johann Theodor de Bry (1561-1623) - Five Sea Monsters / Description: Frieze with five sea monsters ridden by putti. The three creatures at left have horse-like front legs, serpentine tails, and (from left to right) the head of a horse, lion, and goat. At right, two fanged fish. From a rare series of five plates after Giovanni Andrea Maglioli. Unknown in Hollstein. With the address 'de Bry excud' bottom middle. / Dimensions: 4,40 x 20,50 cm / Condition: Good strong contrasted impression trimmed along the plate borderline. Top right some accidents in the tread margin. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed) -- Same print in The Met, Accession Number: 57.658.13 (5) Engraving /Circa: 1580-1600 320

Lot 80

French book of hours - The three dead - 1499 / Description: Famous woodcut of the three dead in various stages of various stages of decay, while the left one is fully in his flesh, the middle one losses his skin and the right one is more or less a skeleton. This subject was common in the 15th century (Simon Vostre editions) and a pendant to the three living, both memento Mori subject. Beneath this print a French text meaning: we were famous in our days but see us now... This woodcut was made in the late 15th early 16th century and used in a publication by the female printer Jolanda Bonhomme in Horae, Use of Rome. Hore beate Marie virginis ad usum fratres predicatorum, ordinis sancti dominici, 1542. Jolanda Bonhomme (1490-11557) was the widow of Thieleman Kerver (fl. 1497-1522). After he died, his widow Jolande Bonhomme took over his shop at the "Sign of the Unicorn" in the ue St. Jacques, and in 1526 she produced the first Bible printed by a woman. The printing profession at this time was dominated by men who were printing books for other men to use. In sixteenth-century France, widows were the only women allowed to run or own businesses. They would do this until they re-married and their new husbands took over the business. --- Here a very interesting early old colored woodcut used in a publications by one of the most notable female printers of sixteenth-century France. / Dimensions: 12,80 x 7,20 cm / Condition: Good impression on laid paper, old hand coloring, trimmed outside the image and mounted on a laid paper sheet. Very good condition. / Literature: Portland State University Portland State University: Kerver's Widow and Female Printers in Sixteenth-Century France / Medium: Oldcoloured woodcut /Circa: 1499-1520, printed 1542 180

Lot 21

Adolphe Appian - Chemin de L'etang de Frignon - 1877 / Description: CHEMIN DE L'ETANG DE FRIGNON (ISERE) 1877 ( J.40, P.45 ). A winter scene. Signed Appian 77 in top right corner. / Dimensions: 10,80 x 19,80 cm / Condition: Impression on laid paper with margins. In very good condition. / Literature: Curtis & Prouté 1968 / Adolphe Appian, son oeuvre gravé et lithography (45) --- Jennings.40 ---- Appian was one of the outstanding landscape painters of the 19th century in Lyon. He was also an excellent etcher who was extremely sensitive to light and atmosphere. He was able to create a mood with line and by carefully leaving a fine layer of ink on the surface of the copper plate which prints as pale tone. Adolphe Appian studied at the École de Dessin et Beaux-Arts in Lyon, where he was taught by Jean-Michel Grobon (1770-1853). In 1851 he debuted at the Salon of Lyon with three paintings. In 1852 he moved to Crémieu, where he painted the region. He befriended Corot and Daubigny and they influenced his work. 1854 he made his first excursion to the forest of Fontainebleau, In 1861 Appian settled in Creys, located twenty-five kilometers from Crémieu and ten kilometers from Morestel. In 1863 he became an active member of the new Société des Aquafortistes founded by Alfred Cadart in 1862.F. In 1866 the two works he exhibited in Paris were bought by Napoleon III and by princess Mathilde. From 1871 until the early nineties he often visited the Mediterranean coast.Appian is one of the regional artists who showed their territory with love and grace. Besides his paintings he made 76 etchings and 4 litho. Appian was one of the artists closely followed by the publisher Cadart who's merit it was to publish their genius graphical work. Appian was responsible together with Corot and Daubigny for the renewal of the etching in the middle of the 19th century. The great esteem for his work was boosted by Atherton Curtis for Paul Prouté who published his catalogue raisonné in 1968.He based his catalogue on that one of H. Jennings published in the Print Collector's Quarterly" from February 1925 / Medium: Etching /Circa: 1873 160

Lot 103

Albrecht Dürer (1471-1528), after - The Crucifixion / Description: Christ is nailed on the cross, the blood is collected by three angles holding cups. Large woodcut after the large passion by Albrecht Dürer (1471-1528). Rather flat impression in a brown reddish ink. On laid paper with visible chain lines. Dating probably from later 17th, 18th century. Still impressive copy of this famous print. / Dimensions: 38,50 cm x 28,00 / Condition: Full borderlines and tread margins. Remains of former album tipping at the backside of the corners. / Literature: Reference for the original: Meder 1932 / Dürer Katalog (120.) --- Bartsch / Le Peintre graveur (VII.117.11) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.274.19) / Medium: Woodcut /Circa: original 1497-1500, but later 300

Lot 263

Jan Sadeler I (1550-1600) - The Last Judgement Large engraving of the Last Judgement. The Archangel Michael, in his hands a sword of flame and the scales that weigh souls. Around him angels. Above his head the saint three units in the clouds surrounded by cherubs, after the design of Giovanni Maria Viani (1636-1700) and engraved by Jan Sadeler I in 1591. Signed by inventor and engraver at the bottom of the print with the date 1591. 45,20 x 32,20 cm Evenly printed impression on laid paper with a circular Italian watermark. Trimmed to the image border with omission of text line. Remains of some hinges and reinforcement with a small paper strip at the backside. Acceptable condition for a large print like this with this interesting subject. Hollstein 261 Engraving 1591 340

Lot 157

Pieter Breugel the Elder, Van Doetecum - The Emmaus walkers / Description: Euntes in Emaus (Landscape with Pilgrims at Emmaus), fragment, from the series of the large landscapes, circa 15555-1556 published by Hieronymus Cock. Between circa 1555 and 1556 a twelve-part series of prints originates that is known as The Large Landscapes. The panoramic series in large format is published by Hieronymus Cock in Antwerp. The series, with ten mountainous landscapes, exercised significant influence on the genre of landscape in the Netherlands. / Dimensions: 19,00 x 27,50 cm / Condition: This good early impression is a fragment of the left side of a print that is much larger in size. It is a smooth rich impression that catches the genius of the designer and the skill of the engraver. Besides the trimming it is in a good condition. New Hollstein Dutch 56 (Pieter Bruegel The Elder) ---- New Hollstein Dutch 18 (Van Doetecum) ----- Riggs 28.9 ----- One of a series of twelve prints known as the Large Landscapes. All of them reflect the deep impression the dramatic mountain vistas made on Bruegel as he traveled through the Alps on his return from Italy around 1554. Carried out primarily in etched lines that have the appearance of engraved ones, the unsigned Large Landscapes were executed by the brothers Joannes and Lucas van Doetecum and published by Hieronymus Cock through his Antwerp shop, At the Four Winds. The prints, which were among the most widely circulated and celebrated of Bruegel's images, allowed a large audience to become acquainted with his strikingly naturalistic and broad-eyed conception of landscape. / Medium: Etching and engraving /Circa: 1555-1556 600

Lot 197

Johann Theodor de Bry (1561-1623) - Four Sea Monsters / Description: Frieze with four sea monsters, each with wings, serpentine tails, and the head of different animals. The creature at far left has a dog-like head, followed by a lion, elephant, and bull. From a rare series of five plates after Giovanni Andrea Maglioli. / Dimensions: 3,40 x 21,40 cm / Condition: Good strong contrasted impression trimmed along the plate borderline, bottom left corner small accident. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed) -- Same print in The Met, Accession Number: 57.658.13 (5) Engraving /Circa: 1580-1600 320

Lot 174

René Boyvin - Ariadne / Description: Ornament print, with central scene representing Ariadne in an ornamental design . Plate 5 from a set of sixteen ornament plates representing Greco-Roman gods and goddesses: Panneaux d'ornaments anomés des divinités du paganisme (Paris 1563). Engraving by René Boyvin after Léonard Thiry ( c.1500 - c.1550) / Dimensions: 17,50 x 11,00 cm / Condition: Excellent impression with nice plate tone. With full plate border and good margins on early watermarked laid paper. In excellent condition. Berlin 1939 286, Robert-Dumesnil 1835-70 VIII.67.123, First state on two. ---- Léonard Thiry (1500 - c.1550): Painter and designer of Flemish origins, working as one of Rosso's principal assistants in Fontainebleau from 1536 to Rosso's death in 1540. Returned to Antwerp c.1545. Now known only from drawings and prints after his designs, mostly by Boyvin. Designer of series of the Golden Fleece (drawings in Leyden). --- René Boyvin (1525? - c.1580 (latest known work)) Engraver, etcher and draughtsman. Born in Angers, he worked for the Mint there before settling in Paris around 1545. Documents indicate that he was working exclusively for Pierre Milan from 1547 to 1551, and in 1553-54 he completed several works left unfinished by Milan. Series of the Golden Fleece after Thiry published in 1563. Seems not to have produced anything after the 1570s. / Medium: Engraving /Circa: 1563 120

Lot 149

Maerten de Vos, Theodor Galle - Poverty breeds humility / Description: From one of the nicest humanistic series.: Poverty Breeds Humility, from the series Circvlvs Vicissitvdinis Rervm Hvmanarvm. The personification of Poverty (Pauperies), dressed in rags, sits in a winter landscape on a chair made of tree branches and straw. Behind her is a shabby house. At her feet sits Humility (Humilitas): a girl with a shepherd's staff and a cleft heart in her hands. A shabby village and beggars can be seen in the left background. The print has a Latin caption and is part of a series of eight plates on human actions: Circvlvs Vicissitvdinis Rervm Hvmanarvm. Every condition creates another until the circle of life is completed. Both are shown the present full scale and the following in smaller scale at their feet. / Dimensions: 17,60 x 23,00 cm / Condition: Impression on laid paper with full plate border and good margins. Excellent condition. Hollstein Dutch 1271 (II/II) / Medium: Engraving /Circa: 1580-1620 280

Lot 253

Cornelis Brouwer, Jan Luyken - The Alchemists From a collection of print drawings here completely hand-colored (rare!) by Ploos van Amstel himself: Interior with a sitting man tempering a candle, two other man at a stove at right. The design for this drawing is now in the 'Amsterdam Historisch Museum, collection Fodor. This print was formerly also called 'The Alchemists'. Print made by Cornelis Ploos van Amstel (project director), etched by: Cornelis Brouwer (1733-1803), after the drawing by Luyken. From a series of print drawings (published in separate sets between 1765-1787). Etched in 1782 and published in 1787 . On the backside the coat of arms of Ploos van Amstel (Lugt. 2034). Here completed with hand-coloring (rare!) by Ploos van Amstel himself (shades of red, bleu ,brown, ) 12,00 x 9,20 cm Top quality original print drawing in excellent condition on laid paper. Tipped with left side only on a part of the original square thick laid paper sheet , with hand drawn frame border in washed ink. vH:76, vA:42, W:42, vB:44, Josi 1821:26, --- Lit.: T. Laurentius, J.W. Niemeijer and G. Ploos van Amstel, 'Cornelis Ploos van Amstel 1726-1798, Kunstverzamelaar en Prentuitgever', Assen, 1980, 263-264 no.45. The 'Ectypa' of Ploos van Amstel, since that was the Latin term Ploos van Amstel used to describe his plates on the first title-page. A series of print drawings of Dutch and Flemish artists. They were published by Ploos van Amstel in separate small sets between 1765 and 1787. Ploos van Amstel hired several printmakers to assist him in the production of the plates, this one is not in the British museum. Most of the plates were also available separately. They usually have Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Hand colored etching 1782 180

Lot 281

Hendrick Gotzius - Spanish Inquisition - Judgment of Solomon This print of Salomons' judgment deals with the Inquisition in Flanders. The cruel monarch, Philip II, is blinded by evil counsellor and is about to pass judgment on the two women who claim to be the mother of a certain child. The dead child 'Barabas' is left to kill the living child 'Christ' (or the victims of the Inquisition). Executions can be seen in the background. Bottom right of the print six lines from Exodus. This engraving was made and designed by Hendrik Goltzius (1558-1617) and published by Hendrick Hondius (I) in 1604. Sighed HG F. and HH exc. 1604 towards bottom middle. Collection mark of King Friederich August II of Saxonia in bottom left corner. 25,00 x 18,60 cm A very good impression on watermarked laid paper trimmed on plate border. Excellent condition. The Illustrated Bartsch 76-2(2) ----- Hollstein Dutch 76-2(2) ----- New Hollstein Dutch 74-3(5) Engraving 1590-1620 380

Loading...Loading...
  • 314796 item(s)
    /page

Recently Viewed Lots