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![WILLIAM HEATON COOPER RI 1903-1995 LANGDALE PIKES FROM LINGMORE1938, [PRINT?] 16” X 18” LABELS TO REVERSE.](https://cdn.globalauctionplatform.com/1e71fac2-8948-47e7-9bf6-afab00f7cb80/f42dd6fa-ab5e-48a5-92dc-afb3011ee4f7/468x382.jpg)
![* Michael Blooman [20/21st Century]Sailing Barges at Maldon, I,linocut print,signed, inscribed and numbered 23/50 in the marg](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/0c195a8e-504e-4e42-a9ec-afb500c56833/468x382.jpg)
![Will [20th century school]Bistro sceneinscribed WILL lower rightcoloured inks and gouache on card43 x 27cm; together with a c](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/f41f71f7-5472-49d5-b045-afb500c576c7/468x382.jpg)
![*Sally McLaren [b. 1936]Conflict, 1964signed, inscribed and limited edition numbered 6/20 print in colours32 x 56cm](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/5f49eb06-98c1-4819-a6f1-afb500c59f09/468x382.jpg)
![British School [20th century]Standing Nudepencil drawing on paper34.5 x 13.5cm;together with a sepia tone print of two seated](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/b1aeca6a-5e68-4610-9a87-afb500c5a57b/468x382.jpg)
![* Patrick Akovak [1944-1976]Man Attacking a Bear; Eskimo Western Artic, 1967,Holman print on papersigned, inscribed and numbe](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/193e4ad8-5642-4d68-bc7e-afb500c51892/468x382.jpg)
![* Beryl Cook [1926-2008]The Art Class,colour print, signed in pencil and ELF blindstamp in marginimage size 42 x 42cm.](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/9487bede-9cf6-42c9-8039-afb500c5b9ac/468x382.jpg)
![* Doug Hyde [b.1972]Sweet Nothings:- colour print, signed, inscribed and numbered 42/25056 x 78cm.](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/3f7f56c3-69e8-4e1c-a2da-afb500c5392a/468x382.jpg)
Lot 156
Commodore Matthew C. Perry - Broadsheet/ Kawaraban woodblock print showing the visit of Perry's second visit to Japan in 1854. 42cm x 60cmThe expedition was commanded by Commodore Matthew Calbraith Perry, under orders from President Millard Fillmore. Perry's primary goal was to force an end to Japan's 220-year-old policy of isolation and to open Japanese ports to American trade, through the use of gunboat diplomacy if necessary. The Perry Expedition led directly to the establishment of diplomatic relations between Japan and the western Great Powers, and eventually to the collapse of the ruling Tokugawa shogunate and the restoration of the Emperor.
Lot 293
After Gerald Leslie Brockhurst (1890-1978)Colour print"Fabian", signed in pencil lower right within margin and with blindstamp, framed and glazed, 39cm x 29cm Jessie-May Sterling (Scottish, c.1930's)WatercolourWoman beneath a tree with flowers in her hands, signed lower right, unframed, 25cm x 35cm (2)
Lot 6270
Cards Inc Originals Star Wars The Movie Saga Lithographic Print Collection, Limited Edition number 7401/8000, Mint Unopened, Within Excellent to Near Mint Packaging, includes insert and certificate, Cards Inc Originals Star Wars Revenge Of The Sith Lithographic Print Collection Volume 2, Limited Edition number unknown, Mint Unopened, includes insert and certificate, ARTFX Plus Star Wars Obi-Wan Kenobi 1:10 scale pre-painted model kit, Mint Unopened. (3)
Lot 96
KAMIL CHADIRJI (1897-1968) Two black & white etchings published The Print Centre, London , 1895, Nos. 1 & 2: “The Banks of the Euphrates, Hilla, 1926” & “Cobbler, Baghdad, 1928”, 7¼” x 11” & 7½” x 11”, in matching glazed frames (each 19¼” x 21¾” over-all, the former with some creasing/water damage to lower half, image only slightly affected). *ARR
Lot 114
BRANDT NICK. A Shadow Falls. Signed ltd. ed. 65/150. Forewords by Vicki Goldberg & Peter Singer. Fine & evocative double-page, single page & other photographic illus. Oblong folio. Dark brds. in photo-pictorial d.w., contained in a rectangular black cloth clamshell box with slipped in original limited edition 9/75 photograph of an elephant, pencil signed by Brandt & dated 2008. Abrams, New York, 2009. Some marks and fading to box. Print has crease down right hand side, just in from margin, from slipping in box when shut and catching in fold. Book has good clean dust wrapper. Generally very good clean condition but small dent to bottom of back board and crease to bottom edge of back of dustwrapper.
Lot 2010
Corgi Toys 261 Special Agent 007 James Bond Aston Martin D.B.5 from the James Bond film "Goldfinger", gold body, red interior with seated James Bond and Bandit figures, wire spoke wheels, boxed - later reproduction box with later reproduction inner cardboard display piece, later reproduction Secret Instructions packet with contents; a framed reproduction promotional print, 25cm high, 34cm wide (measurements including frame) (2)
Lot 2460A
Autographs, Harry Potter - a Warner Brothers Harry Potter and the Chamber of Secrets rectangular shaped promotional advertising poster type print, signed in silver inked pen by cast members including Daniel RADCLIFFE, Emma WATSON, Rupert GRINT, Robbie COLTRANE, Alan RICKMAN, Joanne ROWLING (J.K.Rowling), Julie WALTERS etc, framed with certificate of authenticity, 45.5cm high, 30cm wide (measurements excluding frame and mount)
Lot 8
MANOLO VALDÉS (Valencia, 1942).Rug designed by the artist.Virgin wool. 100% pure. Exemplary 115/125.With traces of label on the back.Needs cleaning.It has a handwritten signature.Provenance: private collection conceived since the 70's between London and Madrid.Measurements: 170 x 240 cm.During his career, Manolo Valdés has made exclusive designs for the production of carpets, even collaborating with the Royal Tapestry Factory. In this particular case, the carpet, which belongs to a series of 125 examples, has the design of the Valencian artist, recreated in virgin wool. The piece has the personal and irreverent style of Valdés, who reinterprets myths, approaching figures such as Picasso and Velázquez, which in this work are evident through the figure of the Menina. Although the composition and aesthetics are close to Paul Klee's "Dances out of fear".Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the 2nd International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal of the International Festival of Fine Arts, and the medal of the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
Lot 98
RAQUEL LUENGO (Salamanca, 1982).Untitled.Etchings on paper. Copies P.ASigned and justified in pencil.Provenance: private collection conceived since the 70s between London and Madrid.Size: 31,5 x 23,5 cm (print,x2); 56 x 37 cm (paper,x2); 79 x 61 cm (frame,x2).Raquel Luengo graduated in Fine Arts at the University of Salamanca, although she broadened her academic training with numerous studies, including several courses in contemporary engraving, digital gouge engraving, silkscreen printing, lithography and alkogravure, among others. Throughout his career he has participated in numerous exhibitions, among which we can highlight: "El camino de la luz". Santibañez de la Sierra. Diputación de Salamanca and University of Salamanca (2015), Artists of the workshop. La Calcografía. Salamanca (2018), Retrospectiva Expolón. Consulado del Mar Hall. Burgos (2019), and El Trazo 3D. Casa Junco. Palencia (2019), among others
Lot 99
RAQUEL LUENGO (Salamanca, 1982).Untitled.Etching on paper. Copy P.A.Signed and justified in pencil.Provenance: private collection conceived since the 70s between London and Madrid.Size: 31,5 x 23,5 cm (print); 56 x 37 cm (paper); 75 x 57 cm (frame).Raquel Luengo graduated in Fine Arts at the University of Salamanca, although she broadened her academic training with numerous studies, including several courses in contemporary engraving, digital gouge engraving, silkscreen printing, lithography and alkogravure, among others. Throughout his career he has participated in numerous exhibitions, among which we can highlight: "El camino de la luz". Santibañez de la Sierra. Diputación de Salamanca and University of Salamanca (2015), Artists of the workshop. La Calcografía. Salamanca (2018), Retrospectiva Expolón. Consulado del Mar Hall. Burgos (2019), and El Trazo 3D. Casa Junco. Palencia (2019), among others
Lot 44
GUILLERMO PÉREZ VILLALTA (Tarifa, Cádiz, 1948).Untitled, 1985.Lithograph on paper. Copy 32/75.Signed and justified in pencil.Provenance: private collection conceived since the 1970s between London and Madrid.Measurements: 51 x 70 cm (print) 55 x 76 cm (paper); 65 x 85 cm (frame).Pérez Villalta was one of the leading representatives of the New Figuration in Madrid. He was awarded a scholarship by the Ministry of Culture in 1975, by the Juan March Foundation in 1980, and by the Ministry of Foreign Affairs for the Spanish Academy in Rome in 1989. His awards include the Premio Nacional de Artes Plásticas in 1985, and the Medalla de Andalucía in 1989. Since his solo debut in 1972 at the Amadís gallery in Madrid, Pérez Villalta has held numerous solo exhibitions in such prominent venues as the Juana de Aizpuru, Vandrés, Soledad Lorenzo, Rafael Ortiz and Soledad Riera galleries, the National Library, the Estampa fair, the Banco Zaragozano and the Bilbao Fine Arts Museum. He has participated in group exhibitions at the Metropolitan Museum in Tokyo, the Guggenheim in New York, the Gulbenkian Foundation in Lisbon and the Musée d'Art Moderne in Paris, among many others. Pérez Villalta is represented in the Museo Nacional Centro de Arte Reina Sofía, the Artium in Vitoria, the Patio Herreriano in Valladolid, the Centro de Arte Contemporáneo in Málaga, the Fundación Juan March in Palma, the Centro Andaluz de Arte Contemporáneo in Seville, the Fundación Suñol in Barcelona, the Centro Atlántico de Arte Moderno in Las Palmas, the Museo Colecciones ICO in Madrid and the Museo de Bellas Artes in Bilbao, among other leading contemporary art collections.
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314796 item(s)/page