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Lot 548
ANDRE STEMPFEL (FRENCH 1930), a Limited Edition print of an abstract study, 35/150, from a member of the Madi Art movement, signed bottom right, framed, approximately 45cm x 65cm, together with a Limited Edition print of an abstract study of people, 96/150, indistinctly signed Leon Denys ?, framed, approximately 44cm x 65cm (2)
Lot 573
PICTURES AND PRINTS, to include two Anna Pugh (British 1938), Aquatint etchings, 'Bonsai Beach' and 'Dragon Fly', both signed and dated (19)85, artists proofs 19/20, two Limited Edition Geometric prints, published by the Retigraphic Society in 1978, indistinctly signed from Editions of 100, Val Archer Limited Edition print of flowers, 11/11, a Limited Edition Rosalind Forster print of a still life flower display, an abstract triptych by Stilana Alexieff, mixed media on canvas and mixed media art work by Michael Marcon (10)
Lot 598
VINCENT CORPET (FRENCH) 1958) an abstract study of a pig, limited edition print 60/150, signed bottom centre, framed, image size approximately 49cm x 65cm, together with a study of clothes on a washing line, signed SORE, limited edition print 112/150, framed, image size approximately 44cm x 64cm (2)
Lot 607
JEAN-PIERRE VIOT (FRENCH 1936-2013) an abstract geometric study limited edition print 122/150, signed and dated (20)07 bottom right, framed, image size approximately 45cm x 64cm, together with a limited edition abstract print 53/150 initialled F R, attributed to Roy verso, framed, image size approximately 49cm x 65cm (2)
Lot 612
RICARDO MOSNER (ARGENTINE 1948) 'HOTEL QUEL' an abstract study limited edition print 105/150, signed lower right, framed, image size approximately 44cm x 65cm, together with Michel Tyszblat (French 1936-2013) a limited edition abstract study 69/150, signed lower right, framed, image size approximatelym 49cm x 65cm (2)
Lot 614
VINCENT CORPET (FRENCH 1958) an abstract study of a cow? Limited edition print 62/150, signed bottom left, framed, image size approximately 49cm x 64cm, together with Michel Tyszblat (French 1936-2013), a limited edition abstract study 81/150, signed lower right, framed, image size approximately 49cm x 65cm (2) (condition:- Corbet frame is damaged)
Lot 620
ANDRE STEMPFEL (FRENCH 1930) an abstract geometric study from the member of the Madi Art Movement, limited edition print 43/150, signed bottom right, framed, image approximately 45cm x 54cm, together with an indistinctly signed abstract study limited edition 125/150, framed, image size approximately 45cm x 65cm (2)
Lot 633
A LARGE GLAZED FRAMED PRINT, of Sgt Ian McKay, Parachute Regiment, Falklands War 1982, depicting the Action for which he was to be awarded the Victoria Cross, sadly McKay was killed in the Action, this was a Limited run print by the artist Peter Archer, 1983, approximately 80 of these prints are currently in circulation
Lot 634
FIVE GLAZED FRAMES CONTAINING A MAP AND FOUR SCENES all connected with 'Operation Corporate' Falklands Islands War, May 1982, of Parachute Regiment interest, Map of the Islands, Advance to Port Stanley, Teal Inlet, captured Argentine Gun position, Estancia House Farm, the latter four by the artist Reginald Reed (prints), one frame has cracked glass and Lady Butler (1846-1933) 'The Roll Call' an open edition print after the original in The Queens Collection, a study of the roll call after an engagement in Crimea, mounted, framed and glazed, approximate size 40cm x 78cm (6)
Lot 652
JEAN-PIERRE VIOT (FRENCH 1937), a Limited Edition abstract study, 121/150, signed and dated (20)07 bottom right, framed, together with Jean-Luc Parant (French 1944), a Limited Edition print, 136/150, signed bottom right, framed and Michel Tyszblat (French 1936-2013), a Limited Edition abstract print, 70/150, signed bottom right, framed, approximately 49cm x 65cm (3)
Lot 685
PICTURES AND PRINTS etc, to include a limited edition print by Frank Wootton 'Silver Fire', Thai relief pictures of horses and figures playing instruments, print of a cavalry charge by George Rankin photograph of a female wearing a silk slip, assorted other prints and decorative mirror (Note:- available to view in the ring)
Lot 84
Chris Calle (American, B. 1961) "Battle of Gettysburg" Signed lower right. Original Mixed Media on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Art Print for the U.S. 1995 Civil War Series. During the first two years of the Civil War, the South won every major battle in the Eastern theatre except Antietam. General Robert E. Lee, however, preferred not to fight another battle in Virginia, where provisions were scarce. Supplies could be readily obtained in the North and a battle won on Northern soil would be more impressive. Lee wanted to bring about a battle he could fight on his own terms that would result in the destruction of a large part of the Union Army. As Lee's army marched north, however, the choice of Gettysburg for the greatest battle of the war was mere happenstance. On July 1, 1863, Confederate forces converging there numbered around 75,000; opposing Union forces, under General George Meade, that would ultimately add up to about 85,000. The first day of battle, however, saw the Confederates outnumbering Union soldiers by three to two. The fierce Confederate attack sent Union troops scattering through the town of Gettysburg and into the hills to the south. On the second day, the Confederates came close to seizing Little Round Top, a hill that might have given them a victory, but a strong rally by Union troops prevailed. On the decisive third day of battle, with Confederate supplies running short, General Lee was confronted by the decision to retreat and admit failure or try one more assault. His response was to order 15,000 men, under Major General George E. Pickett, to attack the center of the Union line on Cemetery Ridge. Image Size: 14.25 x 15.25 in. Overall Size: 23.25 x 18.5 in. Unframed. (B15054)
Lot 220
Beck & Jung (Swedish, Holger Bäckström, 1939-1997 and Bo Ljungberg, 1939-2007) Lithograph. Numbered (42/125) and titled lower left. Signed and dated (1977) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings.Sheet Size: 31.5 x 23.5 in. Unframed.
Lot 221
Beck & Jung (Swedish, Holger Backstrom, 1939-1997 and Bo Ljungberg, 1939-2007) "Sky Shadow" Lithograph / Collage. Numbered (42/125) and titled lower left. Signed and dated (1977) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings.Sheet Size: 31.5 x 23.5 in. Unframed.
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314796 item(s)/page