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Lot 207

Angus McBean - Fashion study for Pierre Cardin, Ilford colour print, signed, titled and dated 1984 to the margin, 47 x 38cm,

Lot 208

Angus McBean - Fashion shoot for Christian Dior, Ilford colour print, signed, titled and dated 1984 to the margin, taken for Vogue, March 1984, 47 x 38cm,

Lot 209

Angus McBean - Fashion study for Pierre Cardin, Ilford colour print, signed, titled and dated 1984 to the mount, as published in Paris Vogue, March 1984, 50 x 40cm (with 11" scratch across centre),

Lot 210

Angus McBean - Surrealist study for Balmain, Ilford colour print, signed and dated 1984 to the margin, as published in Paris Vogue, March 1984, 33 x 48cm

Lot 211

Angus McBean - Surrealist study for Balmain, Ilford colour print, signed and dated 1984 to the margin, as published in Paris Vogue, March 1984, 33 x 48cm

Lot 212

Angus McBean - Surrealist study for Balmain, Ilford colour print, signed and dated 1984 to the mount, as published in Paris Vogue, March 1984, 39 x 49cm

Lot 213

Angus McBean - Surrealist fashion study for Hanae Mori, Ilford colour print, signed and dated 1984 to the mount, taken for Vogue, 49 x 39cm

Lot 214

Angus McBean - Surrealist fashion study for L'Officiel, Ilford colour print, signed and dated 1983 to the mount, 49 x 39cm

Lot 215

Angus McBean - Surrealist fashion study for Yves St Laurent in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris September 1983, 49 x 39cm

Lot 216

Angus McBean - Surrealist fashion study for Pierre Balmain in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris, September 1983, 49 x 39cm

Lot 217

Angus McBean - Surrealist fashion study for Guy Laroche in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris, September 1983, 49 x 39cm

Lot 218

Angus McBean - Surrealist fashion study for Christian Dior in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris, September 1983, 49 x 39cm

Lot 219

Angus McBean - Surrealist fashion study for Yves St Laurent in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris, September 1983, 49 x 39cm

Lot 220

Angus McBean - Two surrealist fashion studies for Chanel in L'Officiel, Ilford colour print, signed and dated 1983 to the mounts, as published in L'Officiel Paris September 1983, each 49 x 39cm (one with surface scratches)

Lot 221

Angus McBean - Surrealist fashion study for Jean Patou in L'Officiel, Ilford colour print, signed and dated 1983 to the mount, as published in L'Officiel Paris, September 1983, 49 x 39cm

Lot 222

Angus McBean - Surrealist fashion study for Hubert de Givenchy, Ilford colour print, signed and dated 1984 to the mount, as published in Paris Vogue, March 1984, 50 x 40cm

Lot 223

Angus McBean - Marie Seznec Martinez portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 224

Angus McBean - Florence de Gramont portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 225

Angus McBean - Charlotte Floussault portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 226

Angus McBean - Victorie de Taillac portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 227

Angus McBean - Sylvia de Castellane portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 228

Angus McBean - Florence de Gramont portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 229

Angus McBean - Denzil Allwood portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 230

Angus McBean - Princess Leticia Poniatowska portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 231

Angus McBean - Emmanuelle Gare portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 232

Angus McBean - Athenais de Mortemart portrait for Harpers & Queen, Ilford colour print, signed and dated 1989 to the mount, 50 x 40cm

Lot 243

* Bill Wyman - Ringo Starr in the South of France, October 1978, colour photographic print, No.2/12, signed and titled to the mount, 35 x 35cm

Lot 244

* Roger Fenton (1819-1869) - Lichfield Cathedral porch, albumen print mounted on textured paper, 35.2 x 43.1cm

Lot 245

* Roger Fenton (1819-1869) - Roslyn Chapel south side, salt print, signed and numbered lower right H.41, mounted on textured paper, 34.7 x 42.7cm

Lot 246

* Roger Fenton (1819-1869) - Gloucester Cathedral, albumen print mounted on textured paper, 35.3 x 43.8cm

Lot 247

A quantity of wallpaper rolls, many of which were used as studio backdrops; a framed McBean surrealist print etc

Lot 29

AFTER MACKENZIE THORPE (b. 1956) "The Best Little Car in the World", limited edition coloured print No'd. 464/600, inscribed, and signed in pencil in margin, 27 cm x 39 cm (ARR)

Lot 32

AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) "October morning on the Baise", coloured print, bearing blind stamp and signed in pencil in the margin, 52 cm x 68 cm (ARR)

Lot 41

AFTER TAKESADA MATSUTANI (1937-) "Propagation", silk screen artist's proof print inscribed, signed and dated '73 in the margin (ARR) CONDITION REPORTS Is under a plastic cover which is quite dirty. Bottom left corner of print has been creased and folded. Some slight yellowing towards outer edge of mount, and some areas of staining along bottom edge of the mount. Appears previously to have been out of the cover and has got quite dirty. Small tear along right side. Several areas of scratching to the main picture, under image where it folds - there are two deep scratches and two pin head bumps/dots of wear. A couple of small pin head areas of wear and some small scratches.

Lot 43

AFTER MACKENZIE THORPE (b. 1956) "Walking in the rain", limited edition coloured print No'd. 390/850, bearing "Fine Art Washington Green" blind stamp, signed in pencil and bearing certificate of authenticity verso, 23 cm x 38.5 cm (ARR)

Lot 44

AFTER VICTOR VASERELY (1908-1997) "An untitled composition in shades of yellow and brown, in cube form", image size 53 cm x 54 cm, together with a volume of ten colour prints, each 27 cm x 27 cm (ARR) CONDITION REPORTS Is in a contemporary chrome frame which has numerous bumps and deep knocks to metal throughout - quite deep towards the top, picture is slightly discoloured but evenly throughout and slightly faded, there is a very slight crease to the second yellow area in from the edge approx. 5 cm along the top and approx. 2 cm along the outer, very slightly creased in a couple of other places. Binding of volume of ten prints is in very used condition (please see photo), back is very worn with wear to gilding and a large amount of creasing to edges, binding quite worn and rubbed to all corners with creases to edges and corners. Prints - ones on white show some discolouration and slight yellowing to edges but otherwise appear reasonably sound, silver mounted print appears reasonably sound, prints on black background have some nibbles to edges of the black on the outer edges (please see photos), and one with triangular point decoration has a fold across the lower right corner where the black has come away completely (please see photos).

Lot 55

AFTER P SANDBY (1725-1809) "The encampment in the museum garden MDCCLXX" and "The encampment in Hyde Park MDCCLXXX", a pair of black and white prints, 30 cm x 45 cm, one bearing "James Rimell & Son" label verso, (2) CONDITION REPORTS Both prints are very browned in colour throughout. "The Encampment in the museum garden ..." has clearly been cut down right to the edge and has small areas of damage all along the top edge and some damage/restoration to centre of skyline, there is foxing throughout. Other print appears in more sound condition but is still quite browned with some foxing to skyline. Both in quite dated frames which have knocks and bumps to corners and general wear to edges throughout, inner black top left corner to one of the frames has a chip approx. 1 x 1 cm.

Lot 679

A reproduction map print of Monmouth

Lot 696

A Victorian black and white print of a nude

Lot 703

A print of magnolias after Stanley Spencer

Lot 706

A Paul Klee print man in a boat with sea monsters

Lot 716

A Baxter print of Queen Victoria - 11 x 7cm

Lot 718

Two watercolour nursery pictures and pen and ink print of woman darning socks

Lot 722

Tom Adams - silk screen print `Fan de Siecle` 19/50

Lot 724

A large limited edition print of a nude `A Bright Red Kimono` by Fletcher Sidthorpe

Lot 861

Dorothy Wilding bromide print of Elizabeth II, signed by the Queen and dated 1953 45 x 34

Lot 69

Smith (William, Jr., of Morley, Yorkshire). Adventures with my Alpen-stock and Carpet-bag, or a Three Weeks’ Trip to France and Switzerland, 1st ed., 1864, mounted albumen print port. frontis., carte size by Harrison of Leeds, minor spotting at front and rear, a.e.g., orig. green cloth gilt, small 8vo. Rare. Not in Gernsheim, Incunabula of British Photographic Literature 1839-1875. (1)

Lot 83

Williams (W. Mattieu). Through Norway with Ladies, 1st ed., 1877, wood-engs., folding map and 36 pp. publisher’s catalogue at rear, some minor spotting, orig. cloth gilt, a little rubbed and marked, together with Mockler-Ferryman (Major A.F.), In the Northman’s Land. Travel, Sport, and Folk-lore in the Hardanger Fjord and Fjeld, 1st ed., 1896, b & w illusts. from photos, folding map, orig. cloth gilt, rubbed and minor wear to extremities, plus Oppenheim (E.C.), New Climbs in Norway. An Account of Some Ascents in the Sondmore District, 1st ed., 1898, photogravure frontis. (fore-edge a little frayed), numerous b & w illusts. from photos and drawings by A.D. McCormick, t.e.g., remainder rough-trimmed, orig. green cloth, lettered in gilt, large b & w photographic print to upper cover (badly rubbed), 8vo (Neate O12), and Lees (J.A.), Peaks and Pines, Another Norway Book, 1st ed., 1899, b & w illusts. from photos and illusts. by the author, orig. pict. cloth, a little rubbed and soiled, all 8vo, and Gunneng (Asbjorn and Schlytter, Boye), Climbs in the Horungtinder, Norway, Edited Norsk Tindeklub, pub. Oslo, 1933, 23 pp., b & w illusts. from photos, folding map contained in rear pocket, orig. printed wrappers, a little dust soiled, (Neate Q863), with others of Norwegian interest including four climbing and holiday guides to Norway by Per Prag, and three by Tony Howard, plus a photograph album chronicling a Norwegian cruise in 1956, etc. (29)

Lot 8

AFTER LUCA GOIRDANO (1632-1705) "Christ Disputing with the Doctors", P & D Colnaghi & Co. Ltd label to the reverse stating "second state of two", etching, 11.5" x 16.25"There is a crease line running down the middle of this print. There are also other small crease marks in places especially around the edges. Also occasional spot marks. The work appears to be mounted and stuck to the mount in places although not fully stuck down. Not inspected out of the frame.

Lot 10

* WILLIAM NICHOLSON (1872-1949) "Twelve Portraits 1899" A complete set of twelve woodblock coloured prints and one additional print "The Kaiser" (13). See illustration.

Lot 14

19TH CENTURY SCHOOL, `Taking a Fly`, published by Thos. Mclean, 26 Haymarket, titled and numbered. 1 to the margin and print, 7.75" x 9.25" (plate), hand coloured engraving, and two further etchings, including `A View of Blandford` (3)The fly fishing print appears in fair condition with some discolouration to the paper but the colours are still strong, and no apparent damage or restoration. The shooting print has creases and a loss to the centre as well as some stains and the frame is in poor condition. The Blandford print is also discoloured with occasional spots.

Lot 24

CHARLES PROSPER SAINTON (1861-1914) "Away to the Enchanted Land", signed within the print and further signed in pencil, lithograph, 8.75" x 13.75" Some discolouration. Occasional spotting. The mount is quite dirty. Not inspected out of the frame.

Lot 25

H TAIGEN (?) A heavy horse and her foal, signed and dated `23 in pencil to the margin and further titled, woodblock print, 11" x 12.5" Slight discolouration. Occasional spotting. No apparent damage or restoration. The mount is quite stained especially on the right hand side. The work has not been inspected out of the frame.

Lot 26

* ELIZABETH BLACKADDER (1931-)"Abyssinian and Lilies", signed and dated within the print and further signed in pencil to the margin and no. 112/350, colour lithograph, 27" x 80.25".

Lot 27

FRANS KARL OPITZ (1916-1998) Abstract composition, signed in pencil to the margin and no. 64/110, colour print, 18.75" x 18.25"Appears in quite good condition with no visible damage or restoration but has not been inspected out of the frame.

Lot 30A

* WILLIAM RUSSELL FLINT (1880-1969) "Three Poor Travellers, Madrid", signed in print within the image and further signed in sepia ink to the remarque, dry point etching, 4.25" x 5.75".

Lot 32

AFTER MARTIN PEIKERT (1901-1975) `Davos, Schweiz Weissfluh`, an advertising ski resort poster, circa 1938 with printed signature and publishers details of A Trub Cie, colour print, 41" x 26.5". See illustrationThere is a repair in the lower left corner. There are also losses on the face of the figure. There are also other areas of creasing to the paper surface. The work appears to be stuck down. It is framed and glazed and has not been inspected out of the frame.

Lot 377

A CHINESE GOVERNMENT BOND FOR ONE HUNDRED POUNDS, print no. 828214, dated 21st day of May 1913, 17.5" x 12.5"

Lot 378

`The Newcastle Quayside in winter`, a limited edition colour print, 36 cm x 45 cm, indistinctly signed, framed. Good condition.

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