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Lot 467
19th century English School – Figures beside a thatched cottage, oil on board in gilt gesso frame, 15cm x 19.5cm; an early coloured engraving of Pierced Island in the Gulf of St Laurence; an unframed oil on canvas of death bed scene; two framed embroidered silk panels and a small framed print
Lot 446
A mixed lot, comprising a handwritten early-20th century correspondence/account book retailed by David Robertson, Glasgow, varied selection of period postcards to include European, American, South African and Egyptian views, oak-framed print after Louis Wain - "Mrs. Tabby's Academy", silver gilt pin badge etc. Condition Report:Available upon request
Lot 356
A Christian Dior faux aquamarine paste suite, c.1972,comprising a bracelet with a series of articulated clusters of step cut faux aquamarine, to a colourless paste surround, with box clasp, signed Chr. Dior Germany 1972, together with a matching ring and clip-on earrings, signed Chr. Dior Germany 1972, a necklace of the same design, unsigned, and a pair of unsigned swirl design paste clip-on earrings,together with a vintage Fulton parasol umbrella, with celluloid handle signed 'Fulton', a varicoloured floral print summer dress by 'Patricia Sears Court Dressmaker', a day dress regularly worn by Dame Barbara, and a green silk sequin top given to Dame Barbara on a trip to IndiaFrom the private collection of the vendor, daughter of the late Mrs Hazel Clark, who worked for Dame Barbara Cartland from 1973 to 1995, becoming her personal assistant before she retired. The items were gifts, either to the vendor or to Mrs Hazel Clark, from Dame Barbara Cartland for birthdays or Christmas. Condition ReportBracelet length 195mm.Some wear to the paste.Necklace length 420mm.Glue residues on both pairs of earrings. Would benefit from bring cleaned.
Lot 280
Two Sunderland Pottery creamware frog mugs, early 19th century, one Dixon & Co and printed with a ship at sail inscribed 'Success to the Coal Trade', the other J Phillips & Co and printed with the Mariner's Compass, each signed in the print, each mug containing a large frog climbing up the interior wall, small footrim chips, 12.5cm max. (2)
Lot 281
Two Dixon & Co Sunderland creamware frog mugs, early 19th century, one printed and hand-coloured with a view of the Iron Bridge at Sunderland, the other with two figures flanking the Farmers' Arms, inscribed 'God Speed the Plough', each signed in the print, both mugs containing a large frog crawling up the inside, minor faults, 12.2cm max. (2)
Lot 297
A blue and white transferware Durham Ox charger, 1st half 19th century, printed with the eponymous bull standing beside his owner, John Day, from the print by J. Whessell after the painting by John Boultbee, within a border of stylized flowerheads and foliate scrolls, 56cm.The Durham Ox was the result of an intensive breeding programme and became famous after being toured around the country by his aristocratic owner. In one day, London tourists paid a total of £97 in admission fees.Provenance: the Douglas Johnson Collection.
Lot 298
A pair of blue and white transferware Durham Ox plates, 1st half 19th century, printed with the eponymous bull from the print by J. Whessell after the painting by John Boultbee, within a border of stylized flowerheads and foliate scrolls, 25.5cm. (2)The Durham Ox was the result of an intensive breeding programme and became famous after being toured around the country by his aristocratic owner. In one day, London tourists paid a total of £97 in admission fees.Provenance: the Douglas Johnson Collection.
Lot 338
A rare South Staffordshire commemorative patch box, c.1800, printed in manganese with an angel holding a shield bearing the portrait of King George III, in her other hand a shield deflecting the course of an arrow, inscribed 'God Save the King' and 'May no weapon form'd against him prosper', raised on a dark blue base, fitted with an internal mirror, a little cracking, 5.2cm.Provenance: from the estate of the late Barry Lock.The print on the box relates to a failed assassination attempt on George III on 15th May 1800, when James Hadfield fired a shot at the king during the singing of the national anthem at the Drury Lane Theatre. The medal from which this print was taken was designed by P. Kempson.
Lot 345
A South Staffordshire enamel commemorative snuff box, c.1793-95, painted with a depiction of the execution of Louis XVI by guillotine, after a print titled 'Massacre of the French King' published by William Lane, within an oval blue band border with raised white dots, inscribed 'He died lamented by all good men', raised on a white base, restored, 5.4cm.Provenance: from the estate of the late Barry Lock. Formerly the Mort and Moira Lesser Collection.
Lot 346
A South Staffordshire enamel patch box of political interest, c.1801, the circular top printed and coloured with a profile portrait of William Pitt, titled in black around the edge, the moulded ogee base painted with flower sprays, fitted with an internal mirror, restored, 4.5cm.Provenance: from the estate of the late Barry Lock.William Pitt the Younger was Prime Minister between 1783 and 1801, then again between 1804 and 1806. The print derives from a drawing by Robert Dighton, now in the Parliamentary Art Collection.
Lot 595
A Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print 'RH Worcester' for Robert Hancock and with an anchor rebus for Richard Holdship, 12cm.
Lot 608
A Worcester cup and saucer, c.1755, printed in black with L'Amour, depicting a couple courting in a garden setting, the saucer signed in the print with RH for Robert Hancock and with an anchor rebus for Richard Holdship, and a Worcester saucer printed in black by John Sadler of Liverpool with the Tea Drinkers, 11.7cm max. (3)The single saucer formerly in the Raymond Dennis Collection.
Lot 94
A Continental wine glass, the glass c.1760, later engraved to commemorate the hot air balloon flight of James Sadler, the flared bowl with diamond point engraving of a hot air balloon in flight with two figures in the basket, the reverse inscribed 'The Balloon of Mr Sadler Aeronaut', on a plain stem above a conical foot, 17.5cm. Together with a 1785 print of James Sadler and Stuart Amos Arnold from New London Magazine. (2)James Sadler (1753-1828) was the first English balloonist, following a career as a pastry chef and a chemist. He made his first ascent on 4th October 1784 from Christ Church Meadow in Oxford. The depiction on the glass copies a print of his ascent from Hackney in August 1811.
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314766 item(s)/page