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Lot 248

Bookseller's trade card.- Bickham the Elder (George, 1683-1758) Trompe-l'œil medley print with portraits, letters, and playing cards, large format trade card, etching and engraving on laid paper with indistinct watermark, sheet 330 x 250 mm (13 x 9 3/4 in), trimmed within the platemark, minor browning and surface dirt, framed, published by Cluer Dicey (active c. 1713-1775), [circa 1705 but slightly later]*** Scarce. The British Museum hold another impression from this plate, and another example was sold in these rooms, albeit with Henry Overton's publication details.

Lot 465

Hawking (Stephen) & Leonard Mlodinow. A Briefer History of Time, first edition, signed with author's right thumb-print and presentation inscription from Elaine Hawking "Angela - Thank you for all your support. Have a cosmic Christmas" with authentication note from Elaine, illustrations, original boards, dust-jacket, 4to, 2005.

Lot 190

Wright (Thomas) Universal Architecture, Book 1. Six Original Designs of Arbours, vol.1 only (of 2), first edition, title in red & black with engraved vignette by M.Darly, list of subscribers also with engraved vignette, 12 engraved plates and plans, without the preliminary leaf ‘The Method of Executing the Design A (-F)’ (?issued later as not apparently missing), light stain to upper outer corner of title, a couple of marginal spots, stab-holes to upper or lower margins, contemporary marbled boards with paper label titled in manuscript "Designs of Arbours No1" on upper cover, a little rubbed and soiled, [Harris 951; BAL 3720, defective copy of Book I only, lacking 2 of the 12 plates), oblong folio, for the author, 1755.*** One of the great rarities of the literature of English eighteenth-century garden architecture, with fine impressions of the plates and in a contemporary binding. Thomas Wright (1711-1786) had had an initial career as a writer of books on astronomy, but had begun by the late 1740s to design garden buildings and to remodel country houses for a network of aristocratic English patrons. He announced in 1753 his intention to publish a volume of his designs for garden architecture, to be issued in three instalments covering “arbours, grottos and alcoves”, but the publication was dependent on his securing sufficient subscribers and it was not until 1755 that the present Book I, on arbours, appeared in print. The imaginative designs include a domed temple, an arbour “of the parasol kind”, an aviary, a hermitage and a platform for open air entertainment. Sadly he was unable to attract the required number of subscribers and although Book II, on grottos, followed in 1758, Book III, on alcoves, was never published."There are no other pattern-books of grottos, rustic buildings and ruined follies, nor at that time were there any books of architectural design so attractively presented in complete landscape settings." (Harris)

Lot 121

SHUNBAISI HOKUEI (JAPANESE, FLOURISHED 1824-1837) - 'Iwai Shijaku as Ushiwakam, Maid of Cherry Blossom Viewers', woodblock print, published 1832, framed, 35.5cm x 25cm, frame size 38cm x 26.5cm, also a companion and one other woodblock print. (3)

Lot 56

HOWARD BEHRENS (AMERICAN, 1933-2014) - A Mediterranean terrace, hand embellished giclee print, signed in ink and numbered 128/195, framed, 53cm x 72cm, frame size 71cm x 88cm, also another limited edition giclee print by the same hand. (2)

Lot 116

HMS Dauntless (D45-1918 Danae-Class Light Cruiser), a solid cast relief ship's plaque, depicting a Classical figure on horseback, mounted on original moulded mahogany base, overall height 27cm, label on reverse states that this badge is 1 of 2 cast at the Palmers Foundry in 1918, this badge presented to James Twaddell Managing Director of Palmers on his retirement in 1919, together with a framed print depicting HMS Dauntless 1918 (2)

Lot 259

4 bottles of Scotch Malt Whisky, Genmorangie 10 Years Old 1L 43%, Abelour 10 Years Old 70cl 40%, Glenfiddich Centenary edition 1L 43%, Cardhu 12 Years Old 750ml 40%, all in original presentation boxesGood condition, Glenfiddich has original centenary print.

Lot 1287

lithographic print on bone china depicting the Wedgwood family in the grounds of Etruria Hall, after the painting by George Stubbs, limited edition of 500, printed marks to reverse, in a wooden frame, 39cm x 27cm overall. *CR no obvious signs of damage or restoration but has not been removed from the frame for inspection.

Lot 1088

A Victorian walnut cased Polython, with a winding handle at the front of the box and with a lithographed print on the inside of the lid. With approx 48 discs (9 1/2ins, 24cms diameter) made in Germany. *CR In working order, teeth all seem intact, case in tidy condition.

Lot 342

A Japanese triptych woodblock print, 19th century. 49 x 88.5cm.

Lot 341

Utagawa Kunisada (1786-1865). Japanese woodblock print. Scene from Iso Chidori Naruto no Adsauchi of the young samurai holding a shakuhachi flute in one hand, frame 55.5 x 38.5cm.

Lot 202

A Japanese woodblock print, 'Lumberyards on the Takekawa River, Hokusai'. Frame 44.5 x 55cm.

Lot 347

Hiroshige Ando (1797-1858). Japanese woodblock print. 'Nihonbashi Morning Scene' one of the fifty-three stations of the Tokaido Road, early-mid 20th century, label to reverse, frame 30 x 35cm, image 16.5 x 23cm.

Lot 337

Utagawa Hiroshige (1797-1858) Japanese woodblock print. 'Sudden Shower over Shin-Ohashi Bridge and Atake', from the series One Hundred Famous Views of Edo. Photographs have been added of the reverse

Lot 306

Kitagawa Utamaro. Woodblock print. Edo period (1753-1806) Depicting two courtesans, frame 55.5 x 43cm, image 36 x 24cm.

Lot 339

Kawase Hasui (1883-1957). Japanese woodblock print. 'Spring Dusk at the Tosho Shrine, Ueno'.

Lot 307

A Japanese woodblock print, depicting two courtesans. 53 x 40.5cm.

Lot 336

Kawase Hasui (1883-1957). Japanese woodblock print. 'Chuzenji Utagahama' (Chuzenji Lake, Utagahama).There is a small crease and some discolouration, photos have been added. It is unframed.

Lot 340

Kitagawa Utamaro. Japanese woodblock print. 'Fancy-free Type', from Ten Physiognomies of Women series, frame 55 x 39.5cm.

Lot 346

A Japanese woodcut print of a seated courtesan. 40 x 35.5cm, image 20 x 13.5cm.

Lot 338

Utagawa Hiroshige (1797-1858). Japanese woodblock print. 'Meguro Drum Bridge'.

Lot 343

A Japanese triptych woodblock print, 19th century. 50 x 87cm.

Lot 305

Utugawa Hiroshige. Woodblock print. The Jewel River in Musashi Province. (Musashi Tamagawa) No 13 from the series thirty-six views of Mount Fuji, frame size 46 x 33cm.

Lot 995

After Mackenzie Thorpe(b.1956)"Morning Snow",signed and titled,limited edition giclee print, 98/295,60 x 54cms, in frame.Note: With certificate of authenticity.

Lot 1008

Inam(Contemporary)"Into the Forest",signed,limited edition print,40.5 x 40.5cms, in frame.

Lot 916

Victor Vasarely(Hungarian-French, 1906-1997)"Kernoo": for Edinburgh Weavers (1962),screen print on cotton,43 x 54cms, in frame.

Lot 1010

Alessandro Paglia(Contemporary)"Gold Rush",signed,limited edition print,51 x 51cms, in frame.

Lot 1006

David Hockney OM CH RA(b.1937)"Still Life in Landscape", electrophotographic print, with pen and ink autograph,11.5 x 17.5cms, in frame.

Lot 920

Joseph Fernand Henri Léger(French,1881-1955)"Vitrail": for Fuller Fabrics (1955),screen print on cotton,23 x 23cms, in frame.

Lot 914

Pablo Picasso(Spanish, 1881-1973)"Musical Faun": for Bloomcraft (1963),screen print on cotton,68 x 43cms, in frame.

Lot 1004

Sir Grayson Perry OBE RA (b.1960) "Red Alan Manifesto" Luncheon Napkin,digital print on 3ply paper napkin,32.5 x 31.5cms, in frame.

Lot 989

After Yoko Ono(Japanese, b.1933)"Bottom" wallpaper, originally mounted on a plasterboard wall in the Baltic Centre for Contemporary Art, Newcastle, during Yoko Ono's solo exhibition there,digital print,49 x 39cms, in frame.

Lot 1009

Alessandro Paglia(Contemporary)"Gold Karat",signed,limited edition print,61 x 40.5cms, in frame.

Lot 993

After Jack Vettriano OBE(Scottish, b.1951)"The Weight",signed,limited edition print, 172/250,36 x 30cms (image), in frame.Note: With certificate of authenticity.

Lot 922

William Gear RA RBSA (1915-1997)"Idiom": for Horrockses (1950s),screen print on cotton,110 x 120cms.

Lot 919

Marc Chagall(Russian-French, 1887-1985)"Les Amoureux": for Fuller Fabrics (1954),screen print on cotton,23 x 23cms, in frame.

Lot 998

Jason Keeley(Contemporary)"Midnight Penumbra" (2020),direct print to brushed steel, with aluminium sub frame,limited Metal Edition, 5/15,140 x 85.5cms.

Lot 994A

After Mackenzie Thorpe (b.1956) "Like Father Like Son", signed and titled, limited edition giclee print, 186/295, 126 x 97cms, in frame.

Lot 991

After Jack Vettriano OBE(Scottish, b.1951)"Marked Heart",signed,limited edition print, 72/75,24.5 x 19.5cms (image), in frame.Note: With certificate of authenticity.

Lot 911

After Kenneth Rowntree(1915-1997)"Full Measure": for Edinburgh Weavers (1957),screen print on cotton,39 x 63cms, in frame.

Lot 913

John Egerton Christmas Piper CH (1903-1992)"Foliate Head": for David Whitehead (1957),screen print on cotton,44 x 33cms, in frame.

Lot 921

John Egerton Christmas Piper CH (1903-1992)"Chiesa Della Salute" [church in Venice, Italy]: for Sandersons (1960),screen print on Sanderlin,38 x 58cms, in frame.

Lot 1005

Joe Webb(b.1976)"Kissing Magritte",signed,limited edition silkscreen print, 42/50,67 x 53cms, in frame.

Lot 994

After Mackenzie Thorpe(b.1956)"After the Storm",signed and titled,limited edition giclee print, 120/125,75 x 70cms, in frame.Provenance: Purchased at DeMontfort Fine Art.

Lot 918

Joan Miró(Spanish, 1893-1983)"Women and Birds": for Fuller Fabrics (1955),screen print on cotton,23 x 23cms, in frame.

Lot 992

After Jack Vettriano OBE (Scottish, b.1951) "The Master Tattooist", signed, limited edition print, 67/100, 21 x 16.5cms (image), in frame. Note: With certificate of authenticity.

Lot 1678

† JOY KIRTON-SMITH; pencil signed limited edition print, 'Romeo & Juliet', numbered 39/250, 81 x 40cm, framed and glazed.

Lot 1687

† DAVID SHEPHERD OBE FRSA; a signed limited edition print, 'Highland Mist', numbered 657/975, signed lower right, 29 x 42cm, framed and glazed.

Lot 1686

† JENNIFER HOGWOOD; a signed limited edition print, 'Daisy Chain', numbered 36/125, signed lower right, 55 x 70cm, framed.

Lot 1692

† HAROLD FRANCIS RILEY DL DLITT FRCS DFA ATC (1934-2023); pencil signed limited edition print, 'Alice with the Evening News', numbered 9/25, 43 x 30cm, with red wax seal mark, framed and glazed,

Lot 1713

† F SHENTON; watercolour, 'Mottram Church', signed, 51 x 31cm, and an Arthur Delaney pencil signed limited edition print, Manchester street scene, both framed and glazed (2).

Lot 1693

AFTER LAURENCE STEPHEN LOWRY; print, 'Family Discussion', 36 x 26cm, framed and glazed.

Lot 1703

† EDMUND MILLER; three pencil signed limited edition prints, 'Hawker Siddeley Trident 3B', 'Vickers Super VC10' and further print, each signed lower right, largest 49 x 63cm, each framed and glazed (3).

Lot 1677

† JACK VETTRIANO; a signed limited edition print, 'The Billy Boys', numbered 108/275, signed lower right, 43 x 53cm, framed and glazed.

Lot 1702

DAVID O'KEEFE (American); signed limited edition print, 'Godfather II - Never Betray the Family', 409/5000, signed lower right, 55 x 84cm, framed and glazed.

Lot 1651

† HAROLD FRANCIS RILEY DL DLITT FRCS DFA ATC (1934-2023); heightened print, 'Panorama', signed, 32 x 49cm, framed and glazed.

Lot 1680

HAROLD FRANCIS RILEY DL DLITT FRCS DFA ATC (1934-2023); ink signed print, a drawing from a sketchbook, 'A visit to a fair near Mottram in Longdendale', signed and dated 86, 13 x 19cm, framed and glazed.

Lot 1512

HALL THORPE; pencil signed print, 'Nasturtiums', signed lower right, 24.5 x 29cm, framed and glazed.

Lot 1704

† HAROLD FRANCIS RILEY DL DLITT FRCS DFA ATC (1934-2023); heightened print, 'St Mary's Church, Swinton', inscribed 'for Brian and Pat', signed and dated 87, 31.5 x 22cm, framed and glazed.

Lot 1113

† R HIGHTON; a signed limited edition print, 'Dutch Master', 157/500, signed lower right, 69 x 49cm, together with a further print of Eric Cantona and a Manchester United aluminium sign.

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