Bookseller's trade card.- Bickham the Elder (George, 1683-1758) Trompe-l'œil medley print with portraits, letters, and playing cards, large format trade card, etching and engraving on laid paper with indistinct watermark, sheet 330 x 250 mm (13 x 9 3/4 in), trimmed within the platemark, minor browning and surface dirt, framed, published by Cluer Dicey (active c. 1713-1775), [circa 1705 but slightly later]*** Scarce. The British Museum hold another impression from this plate, and another example was sold in these rooms, albeit with Henry Overton's publication details.
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Hawking (Stephen) & Leonard Mlodinow. A Briefer History of Time, first edition, signed with author's right thumb-print and presentation inscription from Elaine Hawking "Angela - Thank you for all your support. Have a cosmic Christmas" with authentication note from Elaine, illustrations, original boards, dust-jacket, 4to, 2005.
Wright (Thomas) Universal Architecture, Book 1. Six Original Designs of Arbours, vol.1 only (of 2), first edition, title in red & black with engraved vignette by M.Darly, list of subscribers also with engraved vignette, 12 engraved plates and plans, without the preliminary leaf ‘The Method of Executing the Design A (-F)’ (?issued later as not apparently missing), light stain to upper outer corner of title, a couple of marginal spots, stab-holes to upper or lower margins, contemporary marbled boards with paper label titled in manuscript "Designs of Arbours No1" on upper cover, a little rubbed and soiled, [Harris 951; BAL 3720, defective copy of Book I only, lacking 2 of the 12 plates), oblong folio, for the author, 1755.*** One of the great rarities of the literature of English eighteenth-century garden architecture, with fine impressions of the plates and in a contemporary binding. Thomas Wright (1711-1786) had had an initial career as a writer of books on astronomy, but had begun by the late 1740s to design garden buildings and to remodel country houses for a network of aristocratic English patrons. He announced in 1753 his intention to publish a volume of his designs for garden architecture, to be issued in three instalments covering “arbours, grottos and alcoves”, but the publication was dependent on his securing sufficient subscribers and it was not until 1755 that the present Book I, on arbours, appeared in print. The imaginative designs include a domed temple, an arbour “of the parasol kind”, an aviary, a hermitage and a platform for open air entertainment. Sadly he was unable to attract the required number of subscribers and although Book II, on grottos, followed in 1758, Book III, on alcoves, was never published."There are no other pattern-books of grottos, rustic buildings and ruined follies, nor at that time were there any books of architectural design so attractively presented in complete landscape settings." (Harris)
HMS Dauntless (D45-1918 Danae-Class Light Cruiser), a solid cast relief ship's plaque, depicting a Classical figure on horseback, mounted on original moulded mahogany base, overall height 27cm, label on reverse states that this badge is 1 of 2 cast at the Palmers Foundry in 1918, this badge presented to James Twaddell Managing Director of Palmers on his retirement in 1919, together with a framed print depicting HMS Dauntless 1918 (2)
lithographic print on bone china depicting the Wedgwood family in the grounds of Etruria Hall, after the painting by George Stubbs, limited edition of 500, printed marks to reverse, in a wooden frame, 39cm x 27cm overall. *CR no obvious signs of damage or restoration but has not been removed from the frame for inspection.

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