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Lot 140
Friedrich Kunath (German 1974-), 'We're Not Here For Long', 2021, unique Archival Pigment-Print on Museum Natural Velvet, mounted to MDF, signed and numbered from an edition of 25 unique works, published by VogelART; 77.6 x 61.6 x 3cm inc frameARR77.6 x 61.6 x 3cm inc frameIn very good conditionNo sign of paint loss or restorationNo rips or tears to the canvasFramed using a black frame with the corners and edges of the canvas visible This work has not been examined outside of the frameNo visible issues
Lot 173
Oli Epp (British 1994-), 'Bon Voyage', 2021, screenprint in colours with silver ink and varnish on wove paper, signed and numbered from an edition of 50 in pencil, published by Blouin Division; sheet: 86 x 76cmARRsheet: 86 x 76cmIn very good conditionNo knocks or tears to the sheetMinor curvature to the print in the top left hand cornerOne crease to top left hand edge of sheetStored flat and has not been framed
Lot 203
José Parlá (American 1973-), 'One Eighty Fourth Street', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; sheet: 137.5 x 73cm (Framed)sheet: 137.5 x 73cm (Framed)In very good conditionNo visible knocks, tears or creases to the sheetFramed in a black frame with a white mountThis work has not been examined out of the frame or under the mount
Lot 103
Anish Kapoor (British 1954-), 'Breathing Blue', 2020, digital print in colours on 350gsm paper, numbered from an edition of 100, published by the Hospital Rooms, London; sheet: 30 x 42cm (Framed)ARRsheet: 30 x 42cm (Framed)In very good condition No visible knocks, tears or creases to the sheetThis work has been framed in a white frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Lot 39
Julian Opie (British 1958-), 'Suzanne Walking (Back)', 2006, acrylic lenticular print, numbered from an edition of 1000 to the frame verso; 27.5 x 20.9cm (Framed)ARR27.5 x 20.9cm (Framed)In very good conditionNo visible knocks, tears, or creases to the sheetMinor marking on the mountNo signs of cracks or chipsFramed in a metal frame with white mountThis work has not been examined outside of the frame.
Lot 90
Tracey Emin (British 1963-), 'It's A Crime To Live With The Person You Don't Love', 2021, giclee print on Hahnemuhle Fine Art Pearl 285gsm paper, numbered from an edition of 100 to the accompanying Certificate of Authenticity, published by Manchester International Festival; sheet: 42 x 29.5cmARRsheet: 42 x 29.5cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 19a
Damien Hirst (British 1965-), 'Cherry Blossoms', 2021, a set of 6 exhibition posters from the 'Cerisiers En Fleurs' Paris Cartier foundation exhibition, print in colours on 220 gsm fine art paper, sheets: 80 x 60cm eachARRsheets: 80 x 60cm eachIn good conditionNo knocks or tears to any of the sheetsEdgeware to the bottom right hand edge of the 'Wisdom's Blossom' sheet, possibly from time of packagingMinor markings to the 'Wisdom's Blossom' sheet verso, visible upon close inspectionOne minor crease to the bottom edge of the 'God's Blossom' sheet, visible in raking light One minor mark below right section of blossom print on 'God's Blossom', visible upon extremely close inspection Minor edgewear to the top left and bottom right hand side of the 'Fragility Blossom' sheetMinor edgewear to the top right hand corner and bottom left hand side of the 'Colourful Blossom' sheet, visible upon close inspectionOne minor crease to the bottom edge of the 'Colourful Blossom' sheet, only visible in raking light Minor marking on the left hand side of the white border on the 'Colourful Blossom' sheetThese works have been stored flat and have not been framed.
Lot 35
Jammie Holmes (American 1984-), 'Pop Gun', 2020, archival inkjet print on 290gsm paper, signed and numbered from an edition of 150 in pencil, published by Louis & Buhl; sheet: 51 x 40.5cmsheet: 51 x 40.5cmIn very good conditionNo knocks, tears or creases to the sheetStored flat and has not been framed
Lot 236
Conor Harrington (Irish 1980-), ‘Samson’s Nostalgia Trap’, 2014, archival pigment print with silkscreen gloss on 330 gsm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Lazarides; sheet: 74 x 100cmARRsheet: 74 x 100cmIn very good conditionNo knocks or tears to the sheetMinor creasing to the lower left hand corner and some minor edgewear on the right hand edge of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Lot 139
Friedrich Kunath (German 1974-), 'The Last Perfect Day', 2020, hand-finished digital base print with two-colour, screen printed, high tactile lines on 320gsm Hahnemuhle Photo Rag paper, signed and numbered from an edition of 60 unique works, published by Avant Arte; 91 x 67 x 3.5cm inc frameARR91 x 67 x 3.5cm inc frame
Lot 2
Andy Warhol & Keith Haring (Collaboration), 'Montreux Jazz Festival', 1986, screen print in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cmsheet: 100 x 70cmIn very good conditionNo knocks or tears to the sheet Some minor markings to the sheet verso, potentially from time of production. This is not visible rectoMinor creasing to lower right hand corner of the sheet and along right edge, from previously being rolled/tubedThis work has been stored flat and has never been framed.
Lot 30
Etel Adnan (Lebanese 1925-2021), 'We Have To Reconnect What Words Separated', 2021, Giclée print on Hahnemühle Bamboo 290gsm paper, from an edition of 100; sheet: 42 x 29.7cmsheet: 42 x 29.7cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 43
Mel Bochner (American 1940-), ‘Blah Blah Blah & Background Noise’, 2013, double-sided screen print in colours, signed, dated, and numbered from a varied edition of 100 in pencil, published by Whitechapel Gallery; sheet: 38 x 38cmsheet: 38 x 38cmVery good conditionNo knocks, tears or creases to the sheetThis work has been stored flat in it's original gallery slip-case and has not been framedVery Good Condition
Lot 44
Miaz Brothers (Italian Duo), 'Mona Lisa', 2021, giclee print in colours on wove paper, signed and numbered from an edition of 100, published by Maddox Gallery; sheet: 130 x 90cmARRsheet: 130 x 90cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored rolled in it's original gallery packing and never been framedIn very Good Condition
Lot 219
Pejac (Spanish 1977-), 'Love Letter (Hand Finished Edicioń Especial)', 2018, hand-finished photopolymer print with hand-drawn birds on custom made envelope from 250gr Arches paper, signed and numbered from an edition of 30 in pencil, published by the Artist; Envelope: 16 x 26cmEnvelope: 16 x 26cmIn very good condition No visible knocks, tears or creases to the sheet The work has been stored in the artist's original shipping crate No apparent issuesAccompanied by a Pejac Certificate of Authenticity.
Lot 202
Invader (French 1969-), 'Repetition Variation Evolution', 2017, screen print in colours on 300g BFK Rives paper, signed, dated, and numbered from an edition of 150 in pencil, published by Space Shop; sheet: 66 x 88cmARRsheet: 66 x 88cmIn very good condition No knocks, tears or creases to the sheet Minor marking to the upper left hand corner of the sheet, visible upon close inspection Section of marks to bottom right hand edge area of sheet Some minor markings verso, not visible rectoThis work has been stored flat and has not been framed.
Lot 18
Damien Hirst (British 1965-), 'Fruitful (Small) H8-2', 2020, laminated giclée print on aluminium composite panel, stamp signed and numbered from an edition of 3308 to the label affixed verso, published by HENI Editions; panel: 39 x 39cmARRpanel: 39 x 39cmIn excellent conditionStored inside it's original Heni packagingNo apparent issues.
Lot 73
FRANCESCO VEZZOLI (N. 1971)Dear Miss Gloria 2001 impression laser sur toile et broderie métallique dans cadre d'artistelaser print on canvas and mettalic embroidery in the artist's frame 57 x 51 x 4.5 cm. 22 7/16 x 20 1/16 x 1 3/4 in.Réalisée en 2001, cette Å“uvre est unique.Footnotes:Nous remercions le Studio Francesco Vezzoli des informations qu'il nous a communiquées sur cette Å“uvre. ProvenanceCardi Gallery, Milan Collection particulière, Italie Puis par descendance au propriétaire actuelCette Å“uvre a été réalisée à l'occasion de la participation de l'artiste à la Biennale de Venise de 2001, où d'autres portraits brodés de Gloria Swanson ont été exposés.This work was made for the artist's participation to the Venice Biennale in 2001, where other portraits of Gloria Swanson were exhibited.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 68
EMILIO ISGRÒ (N. 1937)Atlante Roma Istanbul 2007 signé, titré et daté 2007 au reversacrylique et impression sur toile marouflée sur bois peint dans une boîte en plexiglassigned, titled and dated 2007 on the reverseacrylic and print on canvas mounted on painted wood in a Perspex box38.7 x 62.7 x 8.3 cm.15 1/4 x 24 11/16 X 3 1/4 in.Footnotes:Cette Å“uvre est accompagnée d'un certificat signé de l'artiste. ProvenanceProvenanceCollection particulière, ItaliePuis par descendance au propriétaire actuelThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 56
A photograph of Princess Sophia Duleep Singh (1876-1948) by Lafayette, London, circa 1900brown tone albumen print on card, Lafayette commercial backing verso, detailing awards and branch addresses 208 x 155 mm.Footnotes:ProvenanceGifted by the Princess to her maid at Rathenrae House, Buckinghamshire c.1930s. Thence by descent. PublishedPeter Bance, Sovereign, Squire and Rebel: Maharajah Duleep Singh, London 2009, p. 147, no. 205.***Cf. P. Bance, The Duleep Singhs: the photograph album of Queen Victoria's Maharajah, 2004, p. 117, depicting Princesses Catherine and Sophia Duleep Singh posing in saris and Indian jewellery.P. Bance, Sovereign, Squire and Rebel: Maharajah Duleep Singh, London 2009, p. 144, no. 200; (p. 147, no. 205).***For further information on this lot please visit Bonhams.com
Lot 41
A Vizagapatam engraved-ivory mounted sandalwood Bureau Cabinet South India, circa 1800in two parts, the lower element on four bracket feet with hinged fall front opening to reveal a fitted interior with seven drawers, three pigeon holes and two concealed upright compartments disguised as columns, a large drawer to the front fitted with lidded divisions and four glass bottles, the upper element of rectangular form with stepped cornice and four drawers to the front flanked by hinged doors, a larger drawer above, the doors opening to reveal three further drawers and four pigeon holes to each side, decorated in ivory veneer etched with borders of trailing flowers and foliage, each leg with a makara 87 x 62 x 37 cm. Footnotes:This is a miniature version of a full-sized English bureau-cabinet made with sandalwood and veneered with ivory, with etchings in lac. This miniature bureau-cabinet showcases the flourishing international port of 18th and 19th Century Vizagapatam and its deep involvement with the English and European markets. The small size of these furniture pieces made them easily transportable and therefore more marketable to the many travellers and traders passing through the busy port (Amin Jaffer, Luxury Goods from India: The Art of the Indian Cabinet-Maker, London 2002, p. 80). The components of the cabinet reference the English furniture industry, while the floral engravings reproduce the patterns on the textiles made in Vizagapatam for export to the European market (ibid.). The furniture piece itself is assembled by Vizagapatam's expert craftsmen out of high-quality luxury materials, thanks to the city's access to natural resources like ivory and different timbers.For a similar ivory-veneered miniature bureau-cabinet, see Jaffer, pp. 80-81, no. 33. The version published by Jaffer includes additional lac engravings of trees and architecture based on European print sources.This lot has been registered as exempt from the prohibition in the United Kingdom on dealing in ivory in accordance with the Ivory Act Section 2(2). Certificate reference no. HH57UDQB.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Lot 399
AFTER GEORGE MORLANDTHE THATCHER; FEEDING THE PIGS Hand-coloured prints, after engravings by W. Ward & J. R. Smith Each overall inc. frame 72 x 84cm (28¼ x 33 in.) Together with another set of prints after J.K. Sherwin, after engravings by Chaponnier, each overall inc. frame 63 x 73cm (4)Provenance:Woodleys, near Woodstock, OxfordshireCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses and observations including: the smaller pair of prints with aged frames lacking some gilt gesso, revealing some underlying white of the gesso, with cracks and some later gilt paint touching up chips etc; the blackened glass has aged with some irridescence from the flaking of the paint; some possible later painting suggested by the black paint touches to the paper; a visible tear to the lower right corner of one print; some foxing, spotting and discolouration, areas with white residue; some rippling of the printed paper; old back boards to the smaller prints with aged paper tape; the larger pair of prints in later frames, with later painted glass inner frames, the backboards similarly modern; some foxing, discolouration, spotting, white marks, paper rippling; the prints visibly cut to the plate mark; none of the prints have been removed from their frames for inspection.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 328
TWO EARLY WORCESTER BLUE AND WHITE PRINTED TEA BOWLS AND SAUCERSCIRCA 1757-60One printed with the so-called 'Man in the Pavilion' pattern, the tea bowl with hatched crescent mark; the other with the so-called 'Creeper Print' pattern, un-markedSee Branyon, French & Sandon, Worcester Blue and White Porcelain (1990), p.'s 326 & 328.Condition Report: No serious damage or restoration found.Condition Report Disclaimer
Lot 377
Jürgen Klauke, Menschenbild (aus dem Prosecuritas-Zyklus)C-Print unter Plexiglas (Diasec). 265,5 x 185,5 cm. Rückseitig auf der Rahmenrückwand Künstleretikett, darauf mit Filzstift signiert, datiert, betitelt und nummeriert. Exemplar 1/3. - In Künstlerrahmen.AusstellungenBielefeld 1994 (Kunsthalle), Jürgen Klauke "Prosecuritas"; Bonn 2001 (Kunst- und Ausstellungshalle der Bundesrepublik Deutschland), Absolute Windstille. Jürgen Klauke. Das fotografische WerkLiteraturHans-Michael Herzog (Hg.), Jürgen Klauke "Prosecuritas", Ausst.kat. Kunsthalle Bielefeld, Ostfildern 1994, S. 75 mit Abb.; Absolute Windstille. Jürgen Klauke. Das fotografische Werk, Ausst.kat. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn u.a., Ostfildern-Ruit 2001, S. 85 mit Abb.
Lot 434
Thomas Ruff, h.e.k.03 (aus der Serie: l.m.v.d.r.)C-Print auf Kodak-Professional-Papier unter Plexiglas (Diasec). 172,5 x 129,5 cm (210 x 165,5 cm). Rückseitig mit Bleistift signiert, datiert, betitelt und nummeriert. Exemplar 1/5 (+ 2 A.P.). - In Künstlerrahmen.WVZ LMV29ProvenienzGallery David Zwirner, New York; Privatsammlung, BerlinLiteraturMatthias Winzen (Hg.), Thomas Ruff. Fotografien 1979 - heute, Ausst.kat. Staatliche Kunsthalle Baden-Baden u.a., Köln 2001, S. 243 mit Abb.
Lot 465
Andreas Gefeller, Ohne Titel (Stadium), DüsseldorfC-Print auf Aludibond unter Plexiglas (Diasec). 170 x 222 cm. Rückseitig mit Filzstift signiert, datiert, betitelt und nummeriert. A.P. 1 neben einer Auflage von 8 Exemplaren (+ 3 A.P.).LiteraturRoland Nachtigäller (Hg.), Andreas Gefeller. Supervisions, Ausst.kat. Städtische Galerie Nordhorn, Ostfildern-Ruit 2004, S. 54-59 mit Abbn.; Stephan Berg (Hg.), Andreas Gefeller. Works 2023–1996, Ausst.kat. NRW-Forum, Düsseldorf, Ostfildern-Ruit 2023, S. 156/157 mit Abb.
Lot 485
David Lachapelle, Pamela Anderson, Voluptuous AttentionsC-Print auf Aludibond. 44,5 x 60,8 cm. Rahmen rückseitig mit Etikett des Studio David LaChapelle, darauf maschinenschriftliche Werkangaben. Beiliegend weiteres Etikett des Studio LaChapelle, darauf mit Filzstift signiert und Fingerabdruck des Photographen sowie maschinenschriftliche Werkangaben. Exemplar 5/10. - In Künstlerrahmen.Mit beiliegendem Echtheits-Zertifikat der Guy Hepner Gallery, New YorkProvenienzGuy Hepner Gallery, New York
Lot 248
Φ Edward Wolfe RA (1897-1982)Song of SongsThe complete set of twelve, each signed and numbered 237/250 Wolfe (in pencil to mount), and further signed Wolfe (in pencil to warranty)Each reproduction print on silver paper, within a green cloth solander box, Senecio Press, 1980Each 35.6 x 26.5cm (sheet); 48.9 x 34.7cm (box) (12)
Lot 322
Φ Hughie O'Donoghue RA (b.1953)On the RapidsSigned and dated O'Donoghue 1998 (lower right) and further inscribed and numbered On the Rapids 7/35 (lower left)Carborundum print, from 'On the Rapids' series52.4 x 60cmProvenance:Purdy Hicks Gallery, London;The Collection of Bob and Elisabeth Boas
Lot 314
Φ Baron (Sterling Henry Nahum) (1906-1956)Portrait of King George VI, Princess Elizabeth (later Queen Elizabeth II), Prince Charles (later King Charles III), Prince Philip and Queen Elizabeth at the christening of Prince Charles, 15 December 1948Photographic print29.7 x 37.3cmUnframedTogether with Attributed to Baron (Sterling Henry Nahum) (1906-1956); Portrait of Princess Elizabeth (later Queen Elizabeth II), Prince Charles (later Charles III), and Prince Philip; Portrait of King George VI, Princess Elizabeth (later Queen Elizabeth II), Prince Charles (later Charles III), and Queen Mary; Portrait of Queen Mary and Prince Charles (later Charles III); Three, each photographic print; Each 37.2 x 30cm; Unframed (4)
Lot 105
Φ After Laurence Stephen Lowry RA, RBA (1887-1976)Crowd around a Cricket Sight Board; Lancashire League Cricket MatchTwo, the former numbered 56/850 (in pencil to margin) and with Fine Art Trade Guild blindstamp, the latter numbered 795/850 (in pencil to margin) and with Adam Collection blindstampBoth reproduction print23.6 x 76.2cm; 33 x 66.1cm (image) (2)
Lot 13
Φ Eric Kennington RA (1888-1960)Studies of Ian Duncan Struthers (1915-1944), the artist's nephew, as a boySigned E KENNINGTON 20 (lower centre)Charcoal on conjoined sheets29.7 x 39.8cmTogether with a reproduction print after the above (2).Provenance:Property of Eric Kennington;And by family descent
Lot 174
Φ David Hockney OM, CH, RA (b.1937)MSigned David Hockney (in pen lower centre) and inscribed Love/life (in red crayon upper centre)Reproduction print, from Hockney's Alphabet, published by Faber & Faber for the Aids Crisis Trust, 1991, with Muybridge by Craig Raine (b.1944) to verso27.8 x 21cmProvenance:Marguerite Littman (1930-2020);And by descent
Lot 133
Φ Louis Le Brocquy (Irish 1916-2012) The Holy Family, a Christmas cardLithograph21.7 x 10.7cmTogether with Patrick Heron (1920-1999); Two boats; Signed, inscribed and dated Christmas Greetings from Patrick Heron 1955 (to verso according to label); Reproduction print; 12.2 x 16.9cm (2)Provenance:Private Collection, Wiltshire
Lot 16
Φ Eric Kennington RA (1888-1960)Portrait of Kenneth Struthers (1887-1916), the artist's brother-in-law, bust-lengthInscribed and dated Eric H Kennington/Portrait of/Kenneth Struthers/Sept 09 (to reverse)Oil on board27.1 x 21.1cmTogether with After Eric Kennington; Portrait of Kenneth Struthers (1887-1916), the artist's brother-in-law; Reproduction print; 32.2 x 26.2cm (2)Provenance:Property of Eric Kennington;And by family descent
Lot 227
Φ Emanuel Manasse (20th Century)Portrait bust of Sir Winston Churchill (1874-1965)Signed MANASSE (to underside)Bronze on an onyx base19.8 x 9 x 12cmTogether with Winston Churchill, Franklin D. Roosevelt and Joseph Stalin in Tehran; Photographic print; 20.1 x 26cm; Unframed; Chiang Kaishek, Franklin D. Roosevelt, Winston Churchill, and Song Meiling at the Cairo Conference; Photographic print; 20.4 x 25.8cm; Unframed; and Winston Churchill and General Dwight D. Eisenhower in Tunisia; Photographic print ; 21 x 25.4cm; Unframed (4)
Lot 407
AFTER WILLIAM RUSSELL FLINT "Florentine Masquerade", study of a young woman in circa 20s style outfit in a park, limited edition colour print No'd. 444/750, bears blind studio stamp, 71 cm x 52 cm, together with AFTER ANDREW C GOW "Farewell to Nelson - Portsmouth September 14th 1805", chromolithograph print, 64.5 cm x 40 , together with a similar print depicting "Soldiers on horseback at a ship building yard", 59 cm x 45 cm and three further floral prints (6)
Lot 374
AFTER ERTÉ (ROMAIN DE TIRTOFF) (1891-1976) "The Golden Fleece", a fashion study of woman in horned headdress, colour dot matrix print, 24.5 cm x 20.5 cm, together with AFTER KAY NIELSEN (1886-1957) "In the Autumn of Beautiful Youth: Fallen Leaves", modern colour print produced for the Christmas edition of The Illustrated London News 1912, 23.5 cm x 21.5 cm
Lot 376A
AFTER DAVID J LAWRENCE "Salute to Concorde", limited edition colour print, No'd 78/110, signed in pencil by the artist and King Hussein of Jordan, 37 cm x 51.5 cm, mounted with inscription "Present to Carol Sloggett in grateful recognition of .... International Air Tattoo 1989 at RAF Fairford"
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