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Lot 481
Balniel.Commemorative Cat..Italian Art...RA 2 vol. 1931 § Longhi (R.) Piero della Francesca 1930 § Hussey (Christopher) Tait McKenzie: A Sculptor of Youth 1929 § Monkhouse (Cosmo) A History and Description of Chinese Porcelain limited edition becoming loose n.d. § Landolt (H.) 100 Master Drawings of the 15th and 16th Centuries from the Basle Print Room original vellum-backed boards slip-case Basle 1972 plates and illustrations some colour all but the last original cloth rubbed some a little faded and damp-stained v.s.(6)
Lot 137
Two lady`s vintage fur coats. (2) The fur coat with the leopard print needs a small amount of re-stitching to the inside lining, only a very minor repair. There are also a few patches to the exterior which show wear - the right hand elbow of the jacket has worn thin and the reverse of the left shoulder along the seem. Neither of the jackets smell musty or require major repair. The leopard fur is slightly longer, aroudn 90cm, whilst the other jacket is around 80cm.
Lot 120
Charlet Decoration Moderne dans le Textile title in red and black 20 colour pochoir plates 1 with marginal ink finger-print and 1 with marginal ink spots occasional light soiling mostly marginal loose as issued in original half cloth portfolio ribbon ties spine ends and corners frayed folio Paris Massin [1925].
Lot 284
* Cairo. Bouillard (Jacques), Le Kaire, Vue Exterieure de la Mosquee de Toulon, pub. Paris, 1809-28, uncoloured engraving, slight spotting, largely confined to margins, 635 x 440mm, framed and glazed, together with, Murray (John, pub.), Cliffs at Attah & Mountains & Market Canoes near Bokweh, 1840, two hand coloured lithographs on one sheet by T.Picken, 220 x 280mm, mounted, framed and glazed, with one 19th century lithograph of Egyptian hieroglyphics and a print of Venice, both framed and glazed. The first described item was published in “Description de L”Egypte ou Recueil des Observation faites en Egypte” by Vivant-Denon. A monumental work of thirteen volumes with 892 plates. (4)
Lot 306
* New Zealand. Barraud (Charles), New Zealand Graphic and Descriptive, pub. C.F.Kell, 1877, five chromolithographs, each print laid on orig. thin card with printed title, some browning to backing card, prints with occ. spotting and slight staining, image size approx. 250 x 345mm, mounted. Scarce. (5)
Lot 351
* Sedgwick (Adam, 1785-1873). Three autograph letters signed “A. Sedgwick”, Cambridge, 1867-68, two addressed to Dean and one to Augusta, written on his 83rd birthday, “I first saw the light on the 22nd of March 1785 - it was a day of howling tempest & driving snow ... & the surgeon who attended my mama very nearly lost his life while forcing his way through the snowdrifts”, the first two letters referring to Christianity, the Chapter, and a visit to Norwich, a total of 9 pp., some album adhesion marks and one small tear to upper margin of a letter to Dean with loss affecting three lines of second page, all 8vo, plus a carte de visite albumen print of Sedgwick by Ernest Edwards, old adhesion remains to verso. While an influence on the young Charles Darwin in his early study of geology, Sedgwick remained an outspoken of Darwin’s theory of evolution by means of natural selection. (4)
Lot 413
Vines (Richard). The Hearse of the Renowned, the Right Honourable Robert Earle of Essex and Ewe..., As it was Represented in a Sermon, Preached in the Abbey Church at Westminster, at the Magnificent Solemnity of His Funerall, Octob. 22. 1646, Published by Order of the House of Peeres, Printed by T.R. and E.M. for Abel Roper, 1646, lacks first leaf facing title (A1, Order to print), 38pp., some browning and spotting, modern qtr. cloth, slim 4to. Wing V553. (1)
Lot 491
Disney (Walt). Treasures of Disney Animation Art, Preface by Robert E. Abrams, Introduction by John Canemaker, New York, Abbeville Press, 1982, col. illusts. throughout, orig. cloth gilt in d.j., oblong folio, together with The Disney Studio Story, by Richard Hollis and Brian Sibley, 1988, col. and b&w illusts. throughout, orig. printed cloth in d.j., folio, plus Walt Disney’s Fantasia, by John Culhane, New York, Harry N. Abrams Inc., 1983, col. and b&w illusts. throughout, orig. print cloth gilt in d.j., folio, plus fifteen other Disney related (18)
Lot 607
* Great Britain, Australia, etc. A pair of photo albums, late 19th c., containing mounted albumen print views of Britain, Spain, Canada, the smaller album containing some views of Ceylon, Sydney and other views in Australia, St. Helena, etc., various sizes, contemp. half morocco/morocco, rubbed, second album with covers detached and backstrip deficient, both 4to (2)
Lot 611
* India. A group of twenty-four mounted albumen prints, c. 1870s and later, mostly approx. 20 x 25cm and similar, some mounted back to back, together with an album containing twenty-three mounted gelatin silver print and albumen print views of India and Burma, c. 1890s, many views and scenes in and around Naini Tal, a few family group portraits and one loose leaf with two images of Burmese interest, approx. 15 x 20cm and similar, some spotting and soiling throughout, six photos loosely inserted, contemp. half morocco, covers detached and spine deficient, oblong folio (approx. 30)
Lot 617
* [Jackson, William Henry, 1843-1942]. The Rocky Mountains - Scenes along the line of the Denver and Rio Grande Railway, c. 1885, mammoth albumen print showing the progress of locomotive 273 through a valley, some fading from margins and printed details in the negative now indistinct, original mount with printed caption beneath and logo at head, image 42 x 53cm, framed and glazed (1)
Lot 621
* Japan. A collection of approx. 100 mostly colour tinted albumen prints, late 19th c., the majority views, temples and some of people, mostly on old album mounts, a few mounted back to back and all but approx. twenty smaller format images including gelatin silver print snapshots are approx. 20 x 25cm or similar (approx. 100)
Lot 626
* Macpherson (Robert, 1811-1872). Facade of the Church of Santa Maria at Toscanella, c. 1860, mounted albumen print, somewhat faded, 40 x 31.5cm, together with Etruscan gateway at Perugia, c. 1860, mounted albumen print, somewhat faded, 40 x 31cm, photographer’s oval embossed stamp with pencil negative numbers 142 & 135 beneath, first mount lightly soiled, second mount heavily soiled at extremities and with several closed tears, together with four further mounted albumen prints with Macpherson stamps and pencil negative numbers, numbers 72 & 73 (2 copies), all bas-reliefs by Gibson, and 79 (from a painting by Ratti), plus two further mounted albumen prints of paintings and a Vatican sculpture of Antoninus, probably all by Macpherson, various sizes, mounts sl. soiled, plus a mounted albumen print of Venice by Ponti with embossed studio stamp to lower left corner, 24 x 35cm, mount sl. soiled (10)
Lot 628
* Macpherson (Robert, 1811-1872). Arch of the Goldsmiths, sometimes called the Arch of Septimius Severus, in the Forum Boarium, c. 1860, mounted albumen print, image 35.5 x 27cm, together with a more faded albumen print by Macpherson, Arch of the Consul Dolabella on the Celian Hill, c. 1860, 40 x 27cm, both with photographer’s oval embossed stamp on mount beneath, numbered 76 and 54 respec., first mount a little soiled at extremities, second mount creased and soiled (2)
Lot 632
* Military Officer. A hand-painted whole plate salt print of a military officer, c. 1850, the English officer seated with one hand on his sword, 19 x 14.5cm, oval mount in a leather desk frame with two hinged flaps by Sutton of Regent Street, somewhat rubbed and scuffed, catches no longer working, 24 x 20cm (closed), together with ten unrelated albumen prints of military groups and related (11)
Lot 635
* Miscellaneous photography, late 19th c., a group of three albums, the first containing mostly small format albumen print portraits and British views, c. 1860s, second including a small number of (mostly faded) West Africa albumen prints, late 19th c., plus an assortment of loose photographs loosely inserted, the third album containing cartes de visite, cabinet cards, pasted in family portraits, c. 1870, various bindings, some wear, 4to (3)
![* Fenton (Roger, 1819-1869). The Reed Deep, River Ribble, [1858-59], albumen print, some fading, 235 x 290 mm, mounted on car](http://lot-images.atgmedia.com/SR/10729/2795515/638-2010615113653_468x382.jpg)
Lot 638
* Fenton (Roger, 1819-1869). The Reed Deep, River Ribble, [1858-59], albumen print, some fading, 235 x 290 mm, mounted on card, neat italic pencil title `The Reed deep` and `No 110` below image with photographer`s printed credit beneath, mount spotted, soiled and bruised with several closed tears outside of image, (see Valerie Lloyd, `Roger Fenton Photographer of the 1850s`, (1988), cat. 80), together with `On the Wye, the Wyndcliffe`, c. 1859, albumen print, some fading, 218 x 278 mm, mounted on thick paper with photographer`s printed credit beneath, mount spotted and soiled with small marginal closed tears, plus `View up the Esk, Roslin Castle`, c. 1856, arched top albumen print, some fading, 354 x 290 mm, mounted on card with neat italic pencil caption and `H. No. 42` beneath image, , mount spotted and soiled with small marginal closed tear to right margin, plus twenty unrelated miscellaneous mounted albumen prints incl. views of Middleham Castle, Genoa, Rome, mosques (two by E. Bechard), Algeria (two by C. Portier), an Arab tent, Yorkshire, etc. (23)
Lot 650
* Roman models. An album containing eight mounted albumen prints, c. 1870s, each a staged portrait including six of single subjects, approx. 22 x 18cm and similar, mounted one to a leaf, a pencil note at the front indicating they were purchased in Rome in 1874-5 by W. F. Witts, the remainder of the album containing approx. sixty mounted albumen print views of Italy and Britain including snapshot views, mostly identified in the negative on the mount, various sizes, contemp. half sheep, worn and lower cover det., folio (1)
Lot 657
* Taber (Isaiah). “The Grizzly Giant”, Marlposa Grove, Yosomite, Taber Photo, San Francisco, c. 1880, mammoth albumen print, photographer’s title, credit and number in negative, 51.5 x 39cm. This is an extraordinary photograph of Giant Sequoia trees in Marlposa Grove, California, some of which reach heights of over 300 feet. (1)
Lot 658
* Talbot (William Henry Fox). Salt print from calotype negative of Orleans Cathedral, as seen from the opposite tower (From Nature, 1843), mounted opposite p. 143 in The Art-Union, Monthly Journal of Fine Arts, vol. 8, 1846], image 16 x 20cm (clipped corners), faded as usual, printed caption beneath and printed patent label to mount verso, volume a composite of twelve monthly issues from the years 1842-46 with accompanying engravings and some ads., etc., one leaf of ads. at rear excised, occ. spotting, contemp. half morocco, worn, 4to (1)
Lot 661
* Zanzibar. Profile portrait of a seated Zanzibar slave, c. 1873, oval albumen print, 11 x 8cm, horizontal crease, tipped-onto card with modern pencil note and date at foot, together with five similar but somewhat faded and with horizontal creases, three tipped-onto later mounts with modern captions dating the photographs to 1873, subjects being an arab priest, “a native of the west coast of Africa” and three further head and shoulders portraits of arabs, together with six other contemporary but unrelated India interest albumen prints, including four carte de visite size portraits (12)
Lot 684
* Landau (Ergy, 1896-1967). Unidentified woman dancing in the style of Isadora Duncan, c. 1920, vintage sepia toned gelatin silver print, photographer’s name in the negative, 21 x 16cm, signed in pencil on mount beneath “Landau, B”pest”, photographer’s Budapest Studio wetstamp to mount verso (1)
Lot 686
* Mitchell (Bernard, 20th c.). A collection of eighteen portraits of artists in Wales, 1990-97, gelatin silver print portraits of Joseph Herman, Kyffin Williams, Ernest Zobole, John Knapp Fisher, Shani Rhys James, Peter Prendergast, Will Roberts, etc., including two dups., all signed and identified with name of subject, place and date to lower margin or written vertically to right hand margin of portrait format photographs, 30 x 24cm or the reverse, plus two gelatin silver prints of John Piper in his studio by Jan Goulding, c. 1983, 25 x 20cm and the reverse, unsigned (18)
Lot 687
* Morath (Inge, 20th c.). Italian procession, n.d., gelatin silver print, photographer’s credit stamp to verso, 25 x 17cm, tipped onto mount, together with Haas (Ernst, 20th c.), a German politician (?) shaking hands with numerous fans, gelatin silver print, photographer’s name stamp and other credit marks to verso, 18 x 25cm (2)
Lot 688
* Oxley (Alan, 20th c.). Muhammad Ali, 1980, carbon pigment print by Jon Cone printed 2009, image size 30.5 x 45.5cm, signed and numbered (3/40) in pencil to wide lower margin and additionally signed, titled and numbered to verso. Taken at Chris Dundee’s 5th Street Gym on Miami Beach in January 1980 and showing a perspiring Muhammad Ali during preparations for his upcoming fight (October 1980) against Larry Holmes. (1)
Lot 692
* Sato (Hiro, born 1951). Nude in the wood, c. 2000, vintage gelatin silver print, signed on the reverse, matt mount with printed label to verso, image 20 x 25cm, together with Mutter (Scott, 1944-2008), Shopping mall/cathedral, photo montage silver print, sl. crease on surface, 22 x 17.5cm, matt mounted, with pencil identification (signature?) to mount verso plus unrelated photo portraits by Joe Cox, Claudino Cocilio and two photographs of Mussolini’s body in the morgue (7)
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314753 item(s)/page