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A George IV burr walnut and sycamore strung tea caddy, circa 1825, of sarcophagus form, mounted with floral cast gilt metal ring handles to either side and raised on conforming engine milled ball feet, the pyramidal cover opening to two subsidiary hinged caddies and a moulded glass vessel within, 21cm high, 30cm wide, 16cm deep
A carved oak longcase clock, the eight-day bell striking movement with 12inch brass arched dial with a moon phase to the arch, a silvered Roman numeral chapter ring with Arabic five minutes to the outer track and marked for John Clark, with subsidiary five minute dial and date aperture, now in an associated carved oak case in late 17th century style, 219cm high
A Chinese underglaze-blue and yellow 'Gardenia' dish, in Ming Style, painted in shaded tones of cobalt with a leafy branch bearing two five-petalled gardenia blooms encircled on the cavetto by fruiting branches of pomegranate, grape, peach and a ribbon-tied lotus bouquet, the base glazed white and inscribed in underglaze blue with apocryphal six-character reign mark within a double ring, 22.5cm diameter
A French Empire ormolu figural mantel clock , Alexandre Roussel, Paris, early 19th century The eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum with silk suspension and numbered 158 to backplate, the dial with fine rosette cast centre within Roman numeral chapter ring indistinctly inscribed ALEXANDRE ROUSSEL A PARIS above six o’clock, with steel moon hands set within entwined snake cast bezel, the case cast with Apollo dressed in robes standing and supporting a lyre with his right hand whilst leaning on an architectural pedestal surmounted with a scroll resting within a laurel wreath, over egg-and dart cornice, dial and musical trophy mount to front, set onto a generous plinth base with mount cast and chased with triple foliate wreaths issuing reeded trumpets, on acanthus cast ogee moulded skirt base with generous stylised foliate scroll cast bracket feet, 61cm (24ins) high.
A pair of George III brass candlesticks, mid 18th century, the urn sockets above ring moulded spreading stems each cast with a single knop, on ribbed circular bases, one with working push-up ejector, 21.5cm high; a further, smaller pair of George III brass candlesticks, mid 18th century, 18cm high; a pair of George III brass desk candlesticks in Neoclassical taste, circa 1790, on spreading square bases, 14cm high; a George III latten columnar candlestick in Neoclassical taste, circa 1780, 25cm high; and four various brass 18th century candlesticks, some circa 1710-20, including two faceted, probably Queen Anne examples with octagonal bases CATALOGUE NOTES: similar faceted examples from the first quarter of the 18th century are held in the collection of the Victoria & Albert Museum, London (see for example museum number M.146-1939) The columnar candlestick is an example of Neoclassical design in the manner of Robert Adam, similar models are illustrated in Rupert Gentle and Rachael Feild, Domestic Metalwork, 1640-1820, figs. 128, 129, 131 pp. 165-66
ϒA Dutch ‘mulberry’ veneered eight-day longcase clock with moonphase, Daniel Soos, Amsterdam, mid 18th century The five pillar rack and bell striking movement repeating the hour on a second smaller bell at half past and with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with date-of-the month and day-of-the week apertures, ringed winding holes and subsidiary seconds dial to the scroll decorated matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Daniel Soos, Amsterdam to lower margin, with scroll pierced steel hands and spandrels cast as figures emblematic of the four seasons to angles within a herringbone border, the silvered arch with rolling moonphase incorporating cloud engraved lunettes, age of the moon to the visible circumference and high-water times to a sector within the conforming cloud decorated upper margin, the lampblack-stained burr field maple veneered case with giltwood flambeau finials and domed ogee caddy over fretwork frieze and ebonised cavetto moulded break-arch cornice with conforming fret to lintel, with ebonised three-quarter columns to hood door and the sides with scroll pierced break-arch sound frets and conforming quarter columns set against bargeboards at the rear, the trunk with triple-line bordered break-arch door centred with a circular brass lentical, the sides with twin ebony line bordered panels, on conforming panel-outlined plinth base with swept skirt and bracket feet, 254cm (100ins) high excluding top finial. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
GB Used - 1840-1936, one ring binder comprising FIFTEEN PENNY BLACKS (two on paper), 1841 and later- small-crown WMK 1d Red and 2d Blue Imperf and Perf Colour Variation, 150x 1d Red plate 5 consecutive numbers 71-224, Victoria, Edw. VII and George V colour variations, WMK inverted and sideways examples, etc etc, lightly-mounted and neatly delineated on Stanley Gibbons loose leaf graph paper
Collection of postcards, including a ring-binder with Isle of Man real photograph postcard of Velocette rider with crowd, aluminium 'Cunard Series' postcard, leather postcard from NY, various Christmas cards and vintage suet and soap packaging, and various modern postcards, small qty of coins, in a shoe box
A sapphire and diamond ring, the central rectangular cut stone approx. 5.43ct, the surrounding stones gross approx. wt. 0.75ct, band marked '18', gross wt. 5g, size S. Condition - sapphire deep blue with colouration variations zoning visible to naked eye, minor nibbles to facets, diamonds with various inclusions visible with with 10x loupe only.
An Art Deco style five stone diamond ring, total approx. diamond wt. 1.46 carats, white metal band unmarked, gross wt. 2.9g, size R. Condition - central stone approx. 0.56 carats, stones either side approx. 0.27 carats each and the two smallest stones approx. 0.18 carats each, one of the 0.27 diamonds with inclusion visible with 10x loupe only, no further inclusions visible, colour very good, no yellowness visible with naked eye nor loupe.
A three stone diamond and ruby ring, the central oval cut ruby approx. 0.93 carats, total approx. diamond wt. 1.16 carats, white gold band marked '750', gross wt. 3.4g, size R. Condition - minor inclusion visible with naked eye in ruby, i can't see any inclusions to diamonds with naked eye nor loupe, colour very good, no yellowness visible.
A contemporary Art Deco style ruby and diamond cluster ring, the oval cut ruby set within a surround of baguette and round brilliant cut diamonds, 14ct white gold band marked '14K', gross wt. 4.7g, size M, with high gloss black box. Translucent deep pink to red ruby with bright vitreous lustre, measuring 7mm x 5mm, depth approx. 3mm, ruby wt. approx. 0.90 carats, inclusion visible with naked eye, minor nibbles and scratches visible with 10x loupe.
A contemporary Art Deco style emerald and diamond cluster ring, the oval cut emerald set within a surround of eight round brilliant and two baguette cut diamonds, 14ct white gold band marked '14KT and also set with a single diamond, gross wt. 4.7g, size L, with soft grey cloth bound box. The transparent to translucent vivid green emerald measuring approx. 8mm x 5.96mm, depth 4.77mm, approx. wt. 1.33 carats, inclulsion visible with naked eye, not tested for any treatment, appears free from chips/scratches, total diamond wt. approx. 0.50 carats.], minor inclusions visible to some diamonds with 10x loupe, little wear to band.

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1087795 item(s)/page