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Lot 736A

A 22ct hallmarked gold wedding ring 4.8gm size J

Lot 737

A dress ring set pale green jade cabochon, white metal shank stamped '18k', 2.8gm

Lot 737A

A 14K gold signet ring set black square stone 5gm size S

Lot 738

A diamond solitaire ring, brilliant cut stone, 1 caret approx, set in 18 carat yellow gold shank

Lot 742

An Art Deco dress ring set 3 diamonds and pave set border of square sapphires, 18 carat gold shank

Lot 743

A marquise shaped dress ring set 15 opal beads in yellow gold shank, stamped '15ct'

Lot 744

A ladies dress ring set 2 sapphires and 8 diamonds, 18 carat gold shank

Lot 745

A ladies dress ring set 3 marquise cut emeralds surrounded by 18 diamonds in 18 carat white gold

Lot 746

A Stuart Devlin ladies dress ring   Art Nouveau pierced floral band set 7 diamonds, 14ct gold, 7.9gm. Ring size S/T in good condition

Lot 749

A 9 carat gold dress ring set black opal effect cabochon with rope twist border, size T

Lot 763

Georg Jensen:  a silver dress ring set oval cabochon lapis lazuli.  Ring size T

Lot 767

Catherine Best:  an 18 carat gold dress ring set pear shaped citrine, 10.8gm gross

Lot 800

A Seiko Chronograph Automatic stainless steel gent's wrist watch with black chapter ring, baton numerals, day and date apertures and subsidiary seconds dial

Lot 10

A sapphire dress ring, of openwork design, set with a continuous row of oval sapphire cabochons, stamped ‘750’, ring size L. £800-£1,200

Lot 104

An architectural ring by Vicki Ambery-Smith, 1989, the three-dimensional design inspired by Tuscan architecture, incorporating towers, arched bridge and steps, to a broad shank, gold and silver mounted, ring size approximately L½. £200-£300 --- For an identical example of this ring, see page 17 in Vicki Ambery-Smith’s recent publication referenced below. Vicki Ambery-Smith is known for her finely detailed architectural interpretations of buildings, created in miniature and modelled in gold and silver, both as jewellery and as exquisite Objects of Vertu. Described by Dr Olivia Horsfall Turner, her work “distils the wide-ranging meanings of architecture into a remarkably small compass”. Vicki exhibits her work internationally, including at the annual Goldsmiths’ Fair. Her work can be seen in the Victoria and Albert Museum, the Royal Scotland Museum, the East Midlands Arts school and Houston University, Texas. Literature Vicki Ambery-Smith: Jewellery & Silverware Inspired by Architecture, pub. Unicorn Publishing Group, 2022. Foreward by Dr Olivia Horsfall Turner, Senior Curator of Designs at the V & A, Lead Curator for the V & A and RIBA Architectural Partnership Condition Report The ring is in good condition, slight tarnish and surface wear only. Weight 16.3gm.

Lot 106

An 18ct gold Zodiac band ring by Elizabeth Gage, 1972, the broad band with crosshatch ground and applied Cancer crab motifs, with bead decoration and ropetwist border, London hallmarks, signed ‘GAGE ER’, ring size O-P. £800-£1,200 --- Condition Report General light surface wear commensurate with age and use. Gross weight 18.3gm.

Lot 11

An emerald and sapphire ring, the polished band set with an emerald cabochon with a sapphire cabochon to either side, stamped ‘750’, ring size M. £500-£700 --- Condition Report Indistinct wear, some typical inclusions evident. Overall very good condition. Gross weight 8gm.

Lot 116

A Victorian silver suite, circa 1880, decorated with engraved scenes inspired by Kate Greenaway, comprising a collar necklace of bead-edged linked panels, suspending an oval locket pendant, with ring bolt fasteners, a hinged bangle, a pair of drop ear pendants on loop fittings and a circular brooch, all unmarked, contained in fitted case, the silk signed for C. H & C. Gowland Goldsmiths, Sunderland, necklace length approximately 47cm, bangle inner dimensions 6 x 5cm. £1,500-£2,000 --- Kate Greenaway (or Catherine Greenaway) (1846–1901) was a Victorian children’s book illustrator and writer. Daughter of a successful draftsman and wood engraver, she studied graphic design and art between 1858–69. Her first book ‘Under the Window’ was an instant best seller and bought her immediate fame, and was followed by numerous highly successful publications. At the same time as her writing career, she excelled as a watercolourist, working with illustrators Walter Crane and Randolph Caldecott. Her distinctive old fashioned style depicting children and young ladies dressed in early 19th century costume in quaint settings, a style of grace and charm that transformed the children’s book market, her talent described by Walter Crane as “captivating the public in a remarkable way”. Condition Report Suite in very good condition. Locket pendant. Brooch - lacking glass verso. Case - scuffed to exterior - lining still good.

Lot 117

A sapphire and diamond bombé ring, set with a circular-cut sapphire in a surround of brilliant-cut diamonds, stamped ‘PLAT’, total diamond weight approximately 1.75 carats, ring size L. £600-£800 --- Condition Report Ring likely Art Deco with central stone and claw setting a replacement - sapphire with surface reaching fracture (eye visible as reflective). Diamonds bright and lively. Evidence of resizing. Gross weight 7.4gm.

Lot 118

A mid 20th century diamond dress ring, the odeonesque cluster set throughout with old brilliant-cut diamonds, the gallery with pierced foliate detailing, principal diamond weight approximately 1.70 carats, remaining total diamond weight approximately 1.20 carats, ring size O. £3,000-£5,000

Lot 119

A Sri Lankan three stone sapphire ring, the oval-cut stones in claw mounts, between textured and lozenge decorated shoulders, gold mounted, ring size L. £1,200-£1,500 --- According to a verbal report from GCS, the two sapphires and one colour-change sapphire are of Sri Lankan origin with no indications of heating. Report number 5783-3513. Condition Report Sapphires all heavily abraded. Colour saturation rather variable. Shank repaired. Weight 5.6gm.

Lot 130

A gold and turquoise suite, comprising a matching bangle, brooch, ring and pair of earrings, each set to the front with tassels of collet-set turquoise cabochons (one deficient), ring size L½. £1,500-£2,000 --- According to a PMI test on an XRF Analyzer, the suite is testing as 17ct and 18ct gold. Condition Report General light surface wear commensurate with age and use. The ring with one cabochon deficient. One earring with signs of pink enamel/pink discolouration visiible. Turquoise untested. Gross weight 81.4gm.

Lot 132

A citrine dress ring, the large step-cut citrine claw-set to a reeded band, the citrine measuring approximately 22 x 11 x 12mm, ring size P. £100-£150 --- Condition Report The citrine is a pale yellow hue with excellent transparency. One corner with a small surface fracture. Gross weight 13.5gm

Lot 133

A diamond dress ring, of openwork design, each row formed as a series of circular and square motifs, alternately-set with brilliant-cut diamonds, stamped ‘750’, ring size M. £500-£700

Lot 135

A diamond dress ring, of bombé design, set with swirls of brilliant and calibré-cut diamonds, stamped ‘K18’, total diamond weight approximately 1.39 carats, ring size K. £600-£800

Lot 136

A diamond dress ring, the old brilliant and cushion-shaped diamonds in an open surround within a similarly-set border, between trifurcated shoulders, total diamond weight approximately 1.55 carats, ring size L-M. £700-£900 --- Condition Report Principal diamond approximately 0.55 carat, SI2/I1 clarity (due mainly due to partially concealed chip), I/J colour. Remaining diamonds bright and lively, some small nibbles and chips evident under 10x magnification. Light wear, metal unmarked. Overall good condition. Gross weight 6.9gm.

Lot 140

A Victorian 15ct gold, ruby and diamond ring, 1867, set with three graduated rectangular-cut rubies spaced by pairs of rose-cut diamonds, with scroll decoration and foliate engraving throughout, the under-bezel inscribed ‘TO W FROM MH’, the inner band engraved ‘Aged 89 A.D 1867’, Birmingham hallmark for 1867, ring size O. £300-£500 --- Condition Report General light surface wear to the mount and settings commensurate with age and use. The rubies are medium purple-pink hue, with some minor wear to the facet edges observed under 10x magnification. Gross weight 2.2gm.

Lot 142

A late Victorian pearl-set ring, the five graduating half-pearls with rose-cut diamond points between, in pierced gallery setting, gold mounted, (pearls untested), ring size M. £240-£300 --- Condition Report Pearls untested for natural versus cultured origin. When viewed from the reverse, one gold closed back setting missing behind one of the pearls. Light surface wear to the mount. Gross weight 3.7gm.

Lot 150

A citrine and diamond dress ring, the cushion-shaped citrine between bifurcated raised shoulders, each set with pairs of single-cut diamonds, shank stamped ‘750’, ring size M. £300-£500 --- Condition Report The citrine is a rich golden orange brown colour, clean and lively, with some surface rubbing to crown facet edges; measuring approximately 14 x 11.5 x 7.5mm. The mount shows general light surface wear. Gross weight 11.4gm.

Lot 160

A tanzanite and diamond ring by Gilian Packard, 1972, the emerald-cut tanzanite in four-claw setting, within a bold architectural setting of vertical polished ribs, with diamond highlights, London hallmark, maker’s mark ‘GEP’, stamped ‘750’, tanzanite approximately 3.0 carats, ring size M. £700-£900 --- Provenance: The tanzanite ring was a private commission made by Gilian Packard in 1972, with the tanzanite being provided by the customer. The ring thence by family descent. Gilian Packard (1938-1997) was born in Newcastle-on-Tyne. Named Gilian (with one ‘l’ - because, as she said “My father couldn’t spell”), she established herself as one of the leading modern jewellers of the 1960s. She studied at the Kingston School of Art, the Central School and the Royal College of Art. After her third year at the RCA, her Diploma exhibition coincided with the public opening of their new building in June 1962. Gilian acquired from it one or two commissions for special pieces. From these gentle beginnings, her work quickly began to gather pace. Most of her work was for private customers: “Designing for particular people is satisfying because one can design pieces that suit them as individuals.” The remaining part of her production went to retail outlets such as Richard Ogden in Burlington Arcade, or Cameo Corner. Progressive provincial jewellers such as Michael Jones in Northampton also retailed certain pieces. She went on to win many important jewellery awards and became the first female Freeman of the Goldsmiths’ Company. She promoted modern jewellery design through her work as a teacher, becoming Professor of Jewellery and Silversmithing at the Glasgow School of Art, and then at the Sir John Cass Department of Silversmithing, Jewellery and Allied Arts at London’s Guildhall University. Gilian died in Aldeburgh in 1997. Examples of her work can be found in the Victoria and Albert Museum in London, and in many public and private collections. With thanks to the Goldsmiths’ Hall for additional information. ---- ---- Condition Report Tanzanite of even mid blue with purple undertones, light wear to facet edges. Ring mount in good condition, maker’s mark slightly rubbed. Gross weight 12.1gm.

Lot 161

An 18ct gold and diamond buckle ring by Ben Rosenfeld Ltd, 1972, designed as two single-cut diamond hoops with textured gold detailing, to polished shank, London hallmark, maker’s mark ‘BRLd’, ring size M. £600-£800 --- Ben Rosenfeld was a British jewellery designer based in Hatton Garden, and trading from around 1959 until 1987. In the immediate years after the Second World War, gemstones were scarce and therefore prohibitively expensive, hence gold became highly fashionable, with often the use of just small gemstones and diamonds as highlights. Rosenfeld gained an international following for his designs during the 1960s and ’70s. Examples of his work can be found in the Victoria and Albert Museum. Condition Report The ring is in good condition, diamonds bright, hallmarks clear. Gross weight 9.6gm.

Lot 164

A ruby and diamond necklace, bangle and ring suite by Becker & Reister, of organic design, comprising a tubular choker necklace with textured matte finish and ruby cabochon and brilliant-cut diamond highlights, the bangle and ring en suite, stamped ‘585’, maker’s mark, ring size very approximately L (sizing beads). £1,200-£1,500 --- Provenance: Purchased in 1993 from Argenta Design Ltd, 82 Fulham Road, London SW3. Condition Report General light surface wear commensurate use. The ruby cabochons with inclusions typical to the nature of the stone, one obviously chipped (see ring). The diamonds bright and lively. Gross weight 46.3gm.

Lot 181

An 18ct gold and diamond-set band ring, 1907, the tapered band set to the front with an old brilliant-cut diamond, London hallmark, diamond weight approximately 0.35 carat, ring size R. £300-£400 --- Condition Report General light surface wear commensurate with age and use. The diamond bright. Gross weight 7.1gm.

Lot 182

Two antique gem-set rings, the first 12ct gold ring composed of a lozenge-shaped cluster of rectangular-cut rubies and emeralds, to an engraved scroll work band; the second 18ct gold ring with pierced cluster of circular-cut diamonds, sapphires and emeralds, Birmingham hallmarks for 1865 and 1900 respectively, ring sizes M½-N. £300-£500 --- Condition Report Both with general surface wear to the mounts and settings commensurate with age and use. Some light abrasion to the gemstones, the first ring with thinning shank and initial engraving to the under bezel, possibly ‘AC’. Viewing advised. Gross weight 5gm.

Lot 184

A vari gem-set bracelet and eternity ring, both set with assorted gemstones including amethyst, citrine, peridot, garnet, aquamarine, in claw mounts, ring stamped ‘750’, bracelet length 18.2cm, ring size N. £500-£700 --- Condition Report Bracelet - unmarked, assumed gold but untested for carat. One stone - beside the tongue of the clasp, is displaced within its setting, so needs adjustment. Width of bracelet 5.5cm. Ring: some scratches to the inside of the mount, but stones bright and lively. Weight of bracelet 16.9gm. Weight of ring 3.3gm.

Lot 185

An Italian 18ct gold gem-set floral collar necklace by Giampiero Fiorini, the front comprising graduating articulated pierced work panels mounted with carved hardstone flowerheads and leaves, including amethyst, chalcedony, tourmaline, jade and topaz, with diamond and aquamarine highlights, embellished with entwined gold foliage, to a three row back chain of faceted vari-coloured tourmalines beads, to a ring and bolt clasp, Italian hallmarks for Milan, length approximately 44cm. £3,000-£4,000 --- Giampiero Florini was founded in Milan in 1983, focusing on hand-fashioned unique pieces of jewellery. Blending classical and contemporary styles, and drawing on nature for inspiration. their designs are a harmonious creation of hardstones, textures and different precious metals. The company now specialises in the production of bespoke, individually-crafted jewels. Condition Report The necklace is in excellent condition, no sign of wear. Gross weight 64.2gm.

Lot 188

A diamond ring by Piaget, set with three sliding heart-shaped diamond collets, on a polished band with reeded detailing, signed, numbered, stamped ‘750’, Italian assay mark, total diamond weight approximately 1.15 carats, ring size K-L. £1,500-£2,000

Lot 189

An emerald ring and matching ruby ring, both with polished bands tension-set with an oval-cut emerald or ruby, stamped ‘750’, assay mark, ring sizes K. 600-800

Lot 192

A diamond and ruby bombé dress ring, circa 1940, bezel-set to the front with vari-cut diamonds and circular-cut rubies within star settings, stamped ‘14K’, total diamond weight approximately 0.25 carat, ring size P. £200-£300 --- Condition Report General light surface wear commensurate with age and use. The rubies are well matched with light surface abrasion, the diamonds bright and lively with inclusions typical to the nature of the stone, all observed under magnification. Gross weight 9.0gm

Lot 196

An 18ct white gold tanzanite and diamond-set dress ring, the oval-cut tanzanite claw-set within an open surround of brilliant-cut diamonds, to similarly-set pavé shoulders, stamped ‘750’, Birmingham assay mark, total diamond weight approximately 0.85 carat, ring size N. £400-£600 --- Accompanied by a report card by Anchor Cert Gem Lab. Report number 20038715. Condition Report General very light surface wear commensurate with use. The tanzanite is a violet-blue hue with excellent transparency. The diamonds bright and lively with. Gross weight 4.5gm.

Lot 197

An 18ct white gold peridot and diamond cluster ring, the circular-cut peridot bezel-set within a surround of brilliant-cut diamonds, the shoulders channel-set with trios of pale green gemstones, partial UK hallmarks, total diamond weight approximately 0.20 carat, ring size J½. £240-£300 --- Condition Report General surface wear to the mount and settings commensurate with use. The peridot is a vibrant green hue with good transparency and light abrasion observed under 10x magnification. The diamonds are bright and lively. The pale green shoulder stones are are moderately rubbed and too small to be accurately identified. Gross weight 5.7gm.

Lot 198

A diamond single stone ring, the old brilliant-cut diamond in a rubover setting, stamped ‘585’, assay mark, maker’s mark ‘MG’, diamond weight approximately 0.50 carat, ring size N-O. £300-£400

Lot 201

A diamond dress ring, circa 1940, of odeonesque form, the vari-cut diamond mount centred with two principal old brilliant-cuts, the band with partial French assay mark for platinum, total diamond weight approximately 1.45 carats, ring size I½-J. £500-£700 --- Condition Report General light surface wear commensurate with age and use. The diamonds bright and lively. A few of the smaller single-cut diamonds with some tiny nicks. Gross weight 4.8gm.

Lot 205

A dress ring by Bulgari, of bicoloured bombé form, signed ‘Bulgari’, stamped ‘750’, Italian assay marks, ring size L. £300-£500

Lot 208

Three dress rings, of complimentary bicolour design, each with screwhead decoration, ring sizes M (x2) and P. (3) £500-£700

Lot 211

A diamond-set dress ring, comprised of articulated concentric hoops, set throughout with brilliant-cut diamonds, stamped ‘750’, total diamond weight approximately 0.40 carat, ring size M½. £300-£400 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Gross weight 7.2gm.

Lot 212

A diamond dress ring, of openwork whorl design, set throughout with brilliant-cut diamonds, the central section rotating, stamped ‘G750’, total diamond weight approximately 1.50 carats, ring size M. £800-£1,000

Lot 216

A diamond and enamel panel ring, set throughout with circular-cut diamonds, the pierced panel revealing a blue enamel ground, to a scrollwork gallery and trifurcated shoulders, total diamond weight approximately 1.00 carat, ring size O. £600-£800 --- Condition Report General surface wear to the mount and settings commensurate with use. The enamel plague/under-bezel is fitted by screws which are visible through the pierced panel, and have some slight enamel loss around the screw fitting. The principal brilliant-cut diamond has at least two small nicks to the girdle, observed under 10x magnification, and will need the claws re-tipping to be worn with confidence, the stone being loose in its setting. Gross weight 12.2gm.

Lot 218

A diamond eternity ring, set throughout with brilliant-cut diamonds, total diamond weight approximately 2.00 carats, ring size N-O. £400-£600 --- Condition Report General light surface wear commensurate with age and use. The diamonds are bright and lively. Inclusions typical to the nature of the stone observed under 10x magnification. The diamonds are a combination of modern, transitional and old-cut brilliants. Ring size approximate as band slightly oval. Gross weight 5.0gm.

Lot 220

A diamond panel ring by Iliana, centred with four princess-cut diamonds, without outer border of brilliant-cut diamonds, the shoulders set with three alternating rows of princess and brilliant-cuts, shank signed, European convention mark for 18ct gold, ring size approximately O. £500-£700 --- Condition Report General wear to the white gold setting. Diamonds bright. Gross weight 10.7gm.

Lot 223

A diamond ballerina ring, set throughout with brilliant and calibré-cut diamonds, between trifurcated shoulders, total diamond weight approximately 2.10 carats, ring size N. £700-£900 --- Condition Report Some calibré-cut diamonds slightly loose. Diamonds bright and lively, too small to accurately assess. Evidence of resizing. Light wear. Metal unmarked. Overall good condition. Gross weight 4.8gm.

Lot 224

A diamond single stone ring, circa 1970, set with a brilliant-cut diamond in a raised claw setting, between textured shoulders, stamped ‘18CT’, diamond weight approximately 1.05 carats, ring size L. £1,000-£1,500 --- Condition Report Diamond graded in setting as very approximately VS2 clarity, M+ colour. Resizing line to base, some light wear and yellowing here. Overall good condition. Gross weight 7.3gm.

Lot 227

A late 19th century diamond ring, the old brilliant-cut diamond, weighing 1.93 carats, in a claw setting to a plain polished hoop, mounted in gold, ring size M-N. £2,000-£3,000 --- Condition Report According to a verbal report from GCS the diamond is M/N colour, SI1 clarity. Report number 5783-3510. Resizing to base of ring, light wear. Overall very good condition. Gross weight 2.9gm.

Lot 230

A natural pearl and diamond cluster ring, circa 1890, the pearl measuring approximately 7.5mm diameter, within a surround of old-cut diamonds, the under bezel pierced decorated, between scroll engraved shoulders, mounted in silver and gold, ring size L. £400-£600 --- According to a verbal report from GCS, the pearl is of natural saltwater origin. Report No. 5783-3594.

Lot 234

A Victorian 18ct gold turquoise and diamond ring, 1863, of boat-shaped design, the cabochon turquoise spaced by pairs of old-cut diamonds, Birmingham hallmark, ring size Q. £300-£500 --- Condition Report The ring is in good condition, light surface wear commensurate with age. Weighyt 6.5gm.

Lot 24

A gem-set dress ring, the stylised foliate spray set with an oval-cut yellow garnet, circular-cut blue sapphires and colourless gemstones, stamped ‘750’, ring size S-T. £200-£300 --- Condition Report Gross weight 8.1gm.

Lot 249

An 18ct three colour gold ring by Cartier, with reeded ball terminal, signed ‘Cartier’, numbered ‘195898’, stamped ‘750’, cased, ring size H. £300-£500 --- Condition Report Some overall wear to the ring. Gross weight 4.8gm.

Lot 254

An 18ct gold amethyst set dress ring, of reeded bombé form, collet-set with a circular-cut amethyst, UK hallmarks, ring size size L½. £500-£600 --- Condition Report General light surface wear commensurate with age and use. The amethyst is a pale purple hue with very good transparency. Gross weight 14.5gm.

Lot 263

A five stone ruby ring, the oval mixed-cut rubies spaced by diamond points, gold mounted, ring size P-Q. £500-£700 --- According to a PMI test on an XRF Analyzer, the ring is testing as 18ct gold. Condition Report General light surface wear commensurate with age and use. The rubies are a medium pinkish-red hue with inclusions typical to the nature of the stone. Ring size only approximate as band of oval shape. Gross weight 5.6gm.

Lot 264

Two gem-set rings, the first a moonstone and diamond cluster ring, centred with a cabochon moonstone, collet set within a border of old-cut and brilliant-cut diamonds, the second, a ruby and diamond crossover ring, the shank hallmarked for Birmingham 1886, ring sizes N and Q. £500-£600 --- Condition Report First: one diamond possible replaced with an old-cut diamond, the remainder brilliant-cut. Surface wear to the moonstone. Weight 5.2gm. Second: diamonds are old-cuts, the rubies with wear, and a little mismatched, Weight 2.2gm.

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