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Click here to subscribeA FRENCH .69 YEAR IX FLINTLOCK CAVALRY PISTOL, 7 3/4in. barrel, tang marked 'M. AN. 9', lock marked 'MANUF.E NATIONAL / DE CHARLEVILLE', walnut three-quarter stock (some cracks), brass mounts, butt pierced with a large iron suspension ring, iron ramrod (iron parts with some surface corrosion).
A thirty-hour longcase clock movement with eleven inch dial Thomas Perkin, Evesham, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed Thos. Perkin, Evesham to an arched plaque applied to the matted centre with a foliate engraved calendar aperture, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes within foliate cast spandrel applied angles, now in a later mahogany hooded wall case.
An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.
An unusual oak eight-day longcase timepiece Abraham Torn, Sheffield, mid 18th century The four-pillar movement with anchor escapement and 10.75 inch square single-sheet brass dial with subsidiary seconds dial and curved applied plate signed Abraham Torn, Sheffield to centre within a Roman numeral chapter ring with Arabic five minutes and plain spandrels to angles, the slender case with tall ogee caddy and integral pilasters to hood above long rectangular trunk door and plinth base with moulded skirt incorporating bracket feet, 220cm high.
An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.
An oak thirty-hour longcase clock William Barnard, Newark, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed W. Barnard, Newark within a rectangular cartouche to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with applied foliate cast spandrels, the case with cavetto cornice above integral pilasters to hood, break-arch long trunk door and a reduced plinth with double skirt, 189cm high. William Barnard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newark 1707-84.
A mahogany crossbanded oak eight-day longcase clock with penny moon 18th century and later The 19th century four-pillar rack and bell striking movement with 12 inch square brass dial with arched calendar aperture, ringed winding holes and penny moon, with age of the moon aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed Woolley, Codnor to lower edge, the angles with winged cherub's head and foliate cast spandrels, in a case with swan neck pediment above turned pilasters to hood and shaped-top crossbanded short rectangular trunk door, on tall plinth base with double skirt, composite, 216cm high.
An inlaid mahogany eight-day longcase clock Late 18th century and later The four-pillar triple train rack and bell striking movement with incomplete quarter chiming work, now with a 12 inch brass break-arch dial with subsidiary seconds dial and shaped silvered plaque bearing signature Tho: Gardner, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrel applied angles, the arch with silvered boss engraved with a sunburst and inscribed TEMPUS FUGIT between dolphin cast mounts, in a pagoda pedimented case with line inlaid pilasters to hood above conch shell centred break-arch trunk door and conforming panel fronted plinth base with reduced ogee bracket feet, composite, movement altered and incomplete, 225cm high.
A mahogany eight-day longcase clock with moonphase Jn.o Hughes, Carnarvon, early 19th century The four-pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to the castle landscape painted centre, the chapter ring signed Jn.o Hughes Carnarvon to lower edge within cottage painted spandrels to angles and with rolling moonphase to arch, the swan neck pedimented case with double baluster turned and carved pilasters to hood above short crossbanded rectangular trunk door flanked by conforming pilasters, on raised panel fronted plinth base with ogee bracket feet, 231cm high. John Hughes is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Carnarvon 1844-63.
A French lacquered brass carriage clock with push button repeat Unsigned, circa 1900 The eight-day gong-striking movement with platform lever escapement and cream Arabic numeral chapter ring signed for the retailer USHER & SONS within a foliate pierced and engraved mask to the dial, in a corniche type case with hinged carrying handle, 12.5cm high excluding handle, with original leather-covered outer case.
A Victorian brass lantern clock Unsigned, late 19th century The twin fusee movement with anchor escapement within a posted frame, with a scroll engraved dial applied with a Roman numeral chapter ring with fleur de lys half hour markers beneath armorial frets and bell supported within the domed bearer above, on turned brass feet, 37cm high.
A Regency mahogany and brass mounted bracket clock Unsigned, early 19th century The five-pillar twin fusee bell-striking movement with anchor escapement and border engraved backplate, with 8 inch circular white painted Roman numeral convex dial, in a chamfer-top case with foliate brass ring handles above Gothic pierced frets to sides and recessed brass lined quarter panels around dial flanked by brass fillet inlaid canted angles to front, on moulded base with brass ball feet, 50cm high.
A German oak cased quarter chiming bracket clock Junghans, early 20th century The two-train movement chiming the quarters on four gongs and striking the hour on a further gong, the brass full-arch dial with matted centre within an applied silvered Arabic numeral chapter ring beneath regulation and chime/silent dials to arch within a foliate scroll etched gilt ground, the case with moulded caddy top above pilaster applied canted angles and moulded plinth base with pad feet, 44.5cm high.
A brass skeleton clock with passing strike Unsigned, 19th century and later The five-pillar single fusee movement with anchor escapement and passing strike on a bell set between two elaborate scroll pierced waisted plates, with applied pierced silvered Roman numeral cartouche chapter ring, mounted on four cylindrical feet and on moulded white marble oval base with glass dome, composite, 45cm high overall.
A George I walnut kneehole desk or dressing table, circa 1720, the re-entrant top centred by a quartered oval within a surround of four shaped panels and broad crossbanded borders, the one long and six short drawers with brass loose ring handles and oval escutcheons, the kneehole with a cupboard, outlined throughout with feather bandings and applied with crossbanded frame mouldings, on bracket feet, 73cm high, 77cm wide, 51cm deep
A 19th century Indian Colonial sugar box and cover, by George Gordon & Sons, Madras, circa 1830-40, of compressed circular shape, the lower body fluted below a reeded girdle with two lion mask ring handles, raised on a plain circular pedestal foot and having a part fluted cover with gadrooned loop handle, crested, 18cm high, 17oz
A late Victorian gold, enamel, and gem set pendant, by Carlo and Arthur Giuliano, circa 1900, centrally set with an oval mixed cut pink sapphire to a Renaissance revival style mount of black and white enamel with old cut diamond accents, with three baroque pearls (untested) suspended beneath, signed C&AG so the reverse; with a similar black and white enamel chain by Carlo and Arthur Giuliano, circa 1900, composed of enamel candy twist baton links interspersed with pearls (untested), signed C&AG to the jump ring; the pendant in a fitted gilt tooled green leather bound C & A Giuliano 115 Piccadilly case
A George I gold, paste and diamond mourning ring, circa 1725, the central colourless pastes set in a cult down collet with fluted mount with old cut diamond shoulders to either side, on a black enamel shank with the dedication “A Perrin OBT Nov 1725 AE 81”, finger size I
An early 18th century rock crystal ring, circa 1720, the central foiled rock crystal claw set in a cut down collet with a fluted back, with two rock crystals to either side, mounted in gold backed silver on scrolled gold shoulders to a reeded shank, finger size O
A George II amethyst and diamond three stone mourning ring, circa 1755, the foiled amethyst rub over set with a rose cut diamond to either side to a gold scrolled shank with black enamel and the dedication “Rich”d Bryan OB 23 Set 1754 AE 76”, finger size I
An early 18th century gold and garnet memorial ring, circa 1740, the central foiled flat cut garnet claw set in a fluted cut down collet with a locket base, to bifurcated shoulders and a black enamel shank with the dedication “Rem Your Gr. Father W.Ms Philpott”, finger size N; a mid 18th century garnet and diamond ring, the foiled garnet claw set in a cut down fluted collet with a table cut diamond to either side, to pierced shoulders and a reeded shank, finger size F; and a mid 18th century garnet and diamond five stone ring, the flat cut garnet rub over set with to rose cut diamonds to either side, on a reeded shank, finger size J
A George IV gold, half pearl, diamond and black enamel mourning ring, the half pearl and diamond cluster on a base of silver and black enamel within a chased gold mount, with a glazed locket beneath, to black enamel foliate shoulders and reeded shank, mounted in 18 carat gold, London 1828, finger size K
A late Victorian diamond daisy cluster ring, circa 1900, the central old brilliant cut diamond, approximately 0.70 carats, claw set in a cut down collet above ten further old brilliant cut diamonds, approximately 1.00 carats total, to carved shoulders and a grooved shank, stamped “18”, finger size O
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