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Omnia Veilinghuis
Lot 36

An 18 kt 750/1000 gold row ring with 7 marquise cut blue sapphires and 6 brilliants of 0.05 crt each. Total 0.30 crt H-VS. Ring size 17 mm.

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Omnia Veilinghuis
Lot 510

A 14 kt 585/1000 gold men's signet ring, 8.3 grams, ring size Ø 20 mm.

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Omnia Veilinghuis
Lot 332

A 14 kt 585/1000 gold ring set with three rubies and eight brilliants, total gross weight 4.2 grams, ring size Ø 17 mm.

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Omnia Veilinghuis
Lot 384

A 14 kt 585/1000 gold snake ring set with many diamonds, gross weight 3.2 grams, ring size Ø 17 mm.

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Omnia Veilinghuis
Lot 752

A lot of various silver, including spoons, napkin ring, total approximately 298 grams.

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Omnia Veilinghuis
Lot 70

An 18 kt 750/1000 gold alliance ring with 35 brilliants of 0.74 ct in total H-VS/SI. Ring size 17 mm.

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Omnia Veilinghuis
Lot 406

A porcelain Imari bowl with contoured rim on base ring, Japan, Edo, 18th century. Blue/iron red, partly gold-heightened floral decoration, h 6 x Ø 14 cm. Comes with five Imari cups and a Chinese Imari saucer, total 7x.

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Omnia Veilinghuis
Lot 347

A 1st grade 925/1000 silver vintage brooch and matching ring, set with pearl, 1960s, brooch length 5.8 cm, ring size Ø 18 mm, tot. 2x.

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Omnia Veilinghuis
Lot 170

A 14 kt 585/1000 half parure, consisting of ring and necklace with purple amethyst and brilliants, gross weight ring 3.6 grams, ring size 16.5 mm, necklace 5.5 grams, length 44 cm, tot. 2x.

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Omnia Veilinghuis
Lot 3

An 18 kt 750/1000 gold Victorian entourage ring, set with brilliant-cut diamonds, total gross weight 3.5 grams, ring size Ø 17 mm.

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Omnia Veilinghuis
Lot 601

A 14 kt 585/1000 gold ring, set with a brilliant cut diamond of approx. 0.25 ct, gross weight 2.0 grams, ring size Ø 17 mm (cut)

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Omnia Veilinghuis
Lot 577

A 14 carat 585/1000 gold ring, set with cabochon cut blood coral, gross weight 6.0 grams.

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Omnia Veilinghuis
Lot 521

An 18 kt 750/1000 white gold ring with a facet cut blue sapphire and an entourage of 10 brilliants of 0.35 ct in total G-VS. Ring size 16 mm.

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Omnia Veilinghuis
Lot 201

A silver and 14 kt 585/1000 gold Victorian pendant, set with rose-cut brilliants, ca. 1880, gross weight 5.7 grams, length 4.5 cm. Matching gold ring set with rose-cut diamond, gross weight 3.2 grams, ring size Ø 20 mm, tot. 2x.

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Omnia Veilinghuis
Lot 57

An 18 kt 750/1000 gold ring, set with five faceted oval rubies, gross weight 4.1 grams, ring size Ø 17 mm.

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Omnia Veilinghuis
Lot 646

A 14 kt 585/1000 gold men's wedding ring, 4.5 grams, ring size Ø19 mm.

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The Pedestal
Lot 27

A matched set of six ash and elm Windsor armchairs, Thames Valley, circa 1850 The bowed spindle backs with pierced splats above spindle arms and shaped seats, on ring turned baluster legs joined by crinoline stretchers, each approximately 48cm wide, 40cm deep, 89cm high, seat height 46cm high. (6) Provenance: Private Collection, Henley-on-Thames

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The Pedestal
Lot 221

A Georg Jensen 18ct gold wedding ring The band of undulating design, marked G.J Ld, '750' and G.J cypher, London hallmarks for 2000. Size L. (4.9g)

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Adams
Lot 88

AN ENAMEL AND DIAMOND DRESS RINGOf bombé design, the frontispiece set with brilliant-cut diamond highlighted with black enamel motifs, mounted in 18K gold, diamonds approximately 1.80ct total, ring size N Condition Report: Diamonds: approx. 1.80ct total, unable to assess colour due to yellow mount, estimated clarity VSNo loss of enamel observedYellow metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 7.8g

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Adams
Lot 198

A DIAMOND DRESS RINGCentring a collet-set heart-shaped diamond weighing approximately 3.00cts, between single-cut diamond shoulders, to a bi-coloured curb-link chain, mounted in 18K yellow and white gold, ring size approximately N Condition Report: Diamond: approx. 3.00cts, unable to assess colour accurately due to yellow mount but clear tint within the L/M region, estimated clarity SIStamped 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 13.3g

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Adams
Lot 151

POMELLATO: A GARNET RINGThe oval-shaped cabochon garnet within collet and closed-back -setting, to a curb-link chain, mounted in 18K gold, Italian assay mark, ring size N Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 20g

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Adams
Lot 187

ELIZABETH GAGE: A WATERMELON TOURMALINE, CULTURED PEARL AND DIAMOND BROOCH, LONDON, CIRCA 1995The fancy-shaped brooch set with polished trapezoid and triangular-shaped watermelon tourmalines and an intaglio watermelon tourmaline cabochon, intaglio depicting the mythological Hippocampus and a Greek god, possibly Triton, accented with brilliant-cut diamonds, to a button-shaped cultured Biwa pearl terminal with similarly-cut diamond cap, mounted in 18K gold, signed Gage, partial maker’s mark, English hallmarks for London 1995, with maker’s case, length 6.7cmElizabeth Gage is heralded as a contemporary pioneer of the British jewellery scene, renowned for her exuberant designs that merge colour, texture, and history. Her creations are celebrated for their exceptional versatility, transitioning seamlessly from day to night, reflecting the spirit of adventure in every piece.With a bold use of gemstones and intricate enamelwork, every jewel radiates personality and charm. Gage’s signature style emerges from the narrative imbued within each piece, its story constructed and inspired by the natural world. Many pieces are named after animals; her love of flora and history becomes infused within the nature of her designs, making them not just adornments, but expressions of individuality.Trained as a goldsmith, her mastery of techniques such as twisting and hammering gold allow her to create striking forms that blend strength with elegance. Elizabeth’s signature works include the iconic Agincourt ring and the Templar ring, each a testament to her innovative approach to design, blending ancient influences with contemporary aesthetics.Elizabeth has achieved a number of accolades in recognition of her contribution to the trade of jewellery design and manufacturing, including the De Beers Diamond Award and an M.B.E. Now aged 85, she continues to work closely with her team of skilled goldsmiths to bring each piece to life.Her pieces have earned a place in prestigious collections, including the Victoria & Albert Museum, underscoring her lasting impact on the industry. Elizabeth Gage's jewellery is a celebration of creativity, heritage, and personal expression, cherished by collectors and admirers alike. Condition Report: Watermelon tourmalines of pink and green hues, mainly pink with green banding, semi-transparent, inclusion eye-visible, overall well matched, minor pits and scratches visible under a bright light sourceDiamonds bright and livelyCultured pearl of white tint with some growth irregularitiesStamped GageStamped 750 and London hallmarks with date letter for 1970?Pin closes securelyNormal signs of wear, overall in good conditionTotal gross weight approx. 34.6gAccompanied by case stamped Elizabeth Gage

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Adams
Lot 250

A DIAMOND FIVE-STONE RINGThe frontispiece set with five brilliant-cut diamonds, within claw-setting, to a plain hoop, mounted in 18K gold, diamonds approximately 2.10cts total, ring size N Condition Report: Diamonds: approx. 2.10cts total, estimated colour I/J, estimated clarity VS2-SI1Superficial signs of wear, overall in good conditionTotal gross weight approx. 4.8g

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Adams
Lot 189

A GOLD BRACELETThe curb-link chain with reeded terminals, finishing with a large spring ring clasp, in 18K gold, length 22.5cm Condition Report: Clasp closes securelyNormal signs of wear, overall in good conditionTotal gross weight approx. 57.5g

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Adams
Lot 129

AN AQUAMARINE AND DIAMOND DRESS RINGThe rectangular-cut aquamarine weighing 10.56cts, within a brilliant-cut diamond surround, to similarly-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.10cts total, ring size MAccompanied by a report from RAG laboratory in Torino, stating that the aquamarine weighing 10.56cts is natural. Report number C10440, dated March 27th 2002 Condition Report: Aquamarine: of blue hue, medium tone, good transparency, facets are smoothDiamonds: bright and lively - approx. 1.10cts, estimated colour G/H, estimated clarity VSWhite metal unmarked, tested by the jewellery department to be 18K goldSuperficial signs of wear, overall in good conditionTotal gross weight approx. 9.4g

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Adams
Lot 144

A YELLOW SAPPHIRE AND DIAMOND DRESS RINGCentring an elongated cushion-shaped yellow sapphire weighing approximately 10.00cts, within a raised mount set with three rows of graduated brilliant-cut diamonds, mounted in gold, diamonds approximately 3.00cts total, ring size L½ Condition Report: Yellow sapphire of medium yellow hue, good transparency, with a few typical eye-visible inclusions, some facet edges with abrasions and a nicks around girdle visible under 10x magnification, minor facets abrasions visible under 10x magnificationDiamonds bright and lively, estimated total diamond weight approximately 2.90cts, estimated colour approximately F, estimated clarity approximately VSMetal unmarked, tested by the jewellery department to be between 16K and 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 11.2g

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Adams
Lot 223

A DIAMOND RING  Of broad undulating design, channel-set to the front with baguette-cut diamonds, mounted in 18K gold, diamonds approximately 1.50cts total, ring size P  Condition Report: Diamonds bright and lively, one diamond with fracture across tableStamped 750Normal signs of wear, overall in good conditionTotal gross weight approx. 13.7gAccompanied by case stamped Infacet Jewellers and accompanied by an insurance valuation, dated 6th March 2002, from Olga Design Studio, South Africa, stating that the diamonds weighing 1.50ct, H colour and VS clarity

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Adams
Lot 41

AN EARLY 20TH CENTURY DIAMOND CLUSTER RING, FRENCH, CIRCA 1920Centrally set with an old European-cut diamond weighing approximately 1.35cts, within a similarly-cut diamond frame, to tapering single-cut diamond shoudlers, with geometric pattern detailing to the gallery, mounted in platinum, remaining diamonds approximately 1.20cts total, partial maker's mark, French assay mark, ring size N½ Condition Report: Principal diamond: approx. 1.35ct, estimated colour F/G, estimated clarity VS2-SI1Remaining diamonds: approx. 1.20ct total, estimated colour F/G, estimated clarity VS2-SI1Minor signs of resize located on the hoop visible under a bright light sourceDog's head for French platinum located on outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.6g

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Adams
Lot 133

PIRANESI: A FANCY COLOURED DIAMOND AND DIAMOND RINGThe rectangular-cut Fancy Deep Yellow diamond, weighing 5.31cts, between fancy-cut diamond shoulders, mounted in 18K gold and platinum, remaining diamonds approximately 0.67ct total, signed Piranesi, ring size J¼Accompanied by a report from the GIA laboratory in America, stating that the diamond is natural, Fancy Deep Yellow, SI2. Report number 2131131094, dated February 28, 2011.Accompanied with certificate of appraisal, from Piranesi Jewellers in NY, replacement value $77,000.- dated 2011.Established in 1845, Piranesi is a multi-generational Italian brand renowned for its exquisite artistry and luxurious jewellery. Originally founded in Milan and relocating to New York City in 1976, Piranesi has captivated collectors for over a century with its rich heritage and exceptional craftsmanship. The brand masterfully blends the elegance of Italian Renaissance art with oriental influences, creating timeless pieces that feature rare and exotic gemstones, often combined with dazzling diamonds.A defining chapter in Piranesi’s history came in the 1980s, when the brand collaborated with the legendary Elizabeth Taylor. Known for her unparalleled beauty and iconic style, Taylor’s passion for fine jewellery led her to Piranesi, where she sought to create bespoke pieces that reflected her distinctive glamour. This collaboration resulted in a series of creations that embodied the elegance and opulence of Hollywood’s golden age, capturing the essence of Taylor’s personal taste and the sophistication for which she was renowned.Today, Piranesi honours this rich legacy, preserving some of Taylor’s most cherished designs for a select group of esteemed collectors. The brand continues to stand as a beacon of luxury, inviting you to explore creations that celebrate life’s most precious moments. Through its dedication to craftsmanship and the enduring inspiration of icons like Taylor, Piranesi transcends time, seamlessly blending sophistication, elegance, and contemporary luxury.Elizabeth Taylor, whose passion for fine jewellery is legendary, is also remembered for her love of diamonds. One of her most iconic pieces was a pair of Bulgari diamond cluster earrings, featuring pear-shaped yellow diamond pendants—an extraordinary gift from her then-husband, Eddie Fisher. These earrings, with their vibrant yellow diamonds, were a perfect reflection of Taylor's bold and timeless style.Yellow diamonds, often referred to as “canary diamonds,” are among the rarest and most sought-after gemstones in the world. Known for their brilliant, radiant hue, they symbolise joy, creativity, good fortune, and purity. These fancy coloured diamonds are remarkably rare, with only 1 in 10,000 earth-mined diamonds exhibiting nitrogen: the unique trace element responsible for their vivid yellow colour. Like white diamonds, yellow diamonds are graded using the GIA Colour Grading System, with six distinct grades: Fancy Light, Fancy, Fancy Dark, Fancy Deep, Fancy Intense, and Fancy Vivid—the deeper the hue, the rarer and more valuable the diamond.The allure of yellow diamonds has captivated many of the world’s most celebrated figures, most famously, the Tiffany Yellow Diamond—a stone that once weighed 287.42 carats before being expertly cut to 128.54 carats by gemmologist George Frederick Kunz—has graced the necks of numerous celebrities. Audrey Hepburn famously wore the Tiffany Yellow Diamond in promotional photos for Breakfast at Tiffany’s, while Lady Gaga wore it to the Oscars, solidifying its place as one of the most iconic diamonds in history. Condition Report: Normal signs of wear, overall in good conditionAccompanied by a report from the GIA laboratory in America, stating that the diamond is natural, Fancy Deep Yellow, SI2. Report number 2131131094, dated February 28, 2011.Accompanied with certificate f appraisal, from Piranesi Jewellers in NY, replacement value $77,000.- dated 2011.Total gross weight approx. 6.9g

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Adams
Lot 102

CARTIER: A GARNET DRESS RING, 1993The oval-shaped pyrope-almandite garnet weighing approximately 3.20cts, within a bombé mount, mounted in 18K gold, signed Cartier 1993, numbered, with maker's mark 'Sté LMD', French assay mark, with maker's case, ring size I (stamped with EU size 48) Condition Report: Garnet: of reddish-purple hue, medium tone, good transparency, good transparency, minor facets pits visible under 10x magnificationNormal signs of wear, overall in good conditionTotal gross weight approx. 17gWith maker's case

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Adams
Lot 20

A 19TH CENTURY DIAMOND BUCKLE BROOCHModelled as a stylised buckle, the oval-shaped diamond frame with wrapped around snake, set with old cushion and single-cut diamonds throughout, with knife-wire prongs accented with a pearl, mounted in silver and gold, diamonds approximately 1.15cts, with case by 'Gowland Bros, 48 Cornhill', length 3.3cm, width 2.2cmIn the early 19th Century in Britain, serpent jewellery was elevated to new heights when Prince Albert presented Queen Victoria with the first ever engagement ring as a symbol of his eternal love. The Royal engagement launched the popularity of the serpent as the dominant motif on rings, brooches and necklaces in the 1840s. Condition Report: Diamonds: approx. 1.15cts total, too small to assess colour or clarity - overall bright and well matchedEyes: probably garnet cabochons, with pits and scratches visible under 10x magnificationPearl: of white tint with pink overtones, good lustreWith inventory stock number on the reversePin/clasp closes securelyNormal signs of wear, overall in good condition and commensurate with ageTotal gross weight approx. 6.4g

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Adams
Lot 47

AN ART DECO SAPPHIRE AND DIAMOND DRESS RINGThe rectangular cut-cornered sapphire weighing approximately 7.36cts, within a double-claw setting, to brilliant and step-cut diamond shoulders, the gallery decorated with geometric detailing, mounted in 18K gold, diamonds approximately 1.50ct total, ring size J½Accompanied by a report from CISGEM laboratory in Italy, stating that the natural sapphire weighing 7.36ct, is of Sri Lankan origin, with no indications of heating. Report no. 23875, dated January 13th 2023 Condition Report: Sapphire: Of cornflower blue hue, medium tone, good transparency, minor facets abrasions visible under 10x magnification due to normal wear, some silk visible under a bright light sourceDiamonds: approx. 1.50ct total - bright and livelyStamped 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 10.3g

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Adams
Lot 245

AN ORANGE SAPPHIRE RINGOf bombé design, the frontispiece set with circular-cut orange sapphires, mounted in 18K gold, ring size M Condition Report: Sapphires: approx. 3.20cts, of orange hue, medium tone, good transparency, overall in well matched in colourStamped 750 for 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 5.7g

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Adams
Lot 168

CARTIER: AN EMERALD, DIAMOND AND ONYX 'PANTHÈRE' JABOT PIN, CIRCA 2005Designed as a panther, pavé-set with brilliant-cut diamonds, speckled by calibré-cut onyx, the eyes highlighted with pear-shaped emeralds, terminating with a circular-cut cabochon emerald, mounted in 18K gold, signed Cartier, numbered, with maker's mark 'JC' and 'PB' for Pierre Brun, European convention mark, with certificate of authenticity from Cartier, dated November 24th 2005, with maker's case, width 5.7cmThe twentieth century saw a profound sociological shift as gender roles were redefined, particularly in the context of two World Wars. Women stepped into roles once reserved for men, asserting their independence and driving progress toward gender equality, including the right to vote. This upheaval laid the foundation for the rise of the 'modern woman’—one defined by her autonomy, versatility, and strength. It was within this context of social change that Cartier distinguished itself as a leader in the world of fine jewellery, creating designs that celebrated the spirit of the modern woman.Central to Cartier's vision was the iconic Panthère motif, a symbol of both elegance and resilience. The panther's allure first appeared in Cartier’s interior designs, where its distinctive spots adorned soft furnishings. By 1914, the motif had transitioned to fashion, with artist George Barbier capturing the panther in an image for an upcoming exhibition. His illustration of a regal, goddess-like figure with a panther at her feet became a defining image, setting the stage for a new era of bolder designs.In 1913, Jeanne Toussaint was appointed Director of Bags, Accessories, and Objects at Cartier. A visionary with an innate sense of style, she quickly rose through the ranks, earning the affectionate nickname “La Panthère” for her sharp intellect and rebellious spirit. Her first Cartier panther piece—a cigarette case featuring a leopard nestled among trees—was designed especially for her. Toussaint’s deep connection to the panther motif grew, and over time, she transformed it into a symbol of both strength and beauty.After mentoring Toussaint for two decades, Cartier entrusted her with the role of Creative Director of Jewellery, a progressive move for the time. This decision underscored Cartier’s commitment to modernity and confidence in "La Panthère." Working with designer Peter Lemarchand, Toussaint brought her emblematic animal to life; in 1935, the first three-dimensional panther piece was created, designed as a ring featuring a central ruby and panther heads on either side.The legacy of the Cartier panther was secured when the Duke of Windsor commissioned a stunning brooch for his wife, Wallis Simpson. The piece, which featured a panther perched atop a dazzling 116.74-carat emerald, cemented the motif’s place in high fashion. Wallis Simpson, a devoted patron of Cartier, would go on to acquire several more pieces, including a 1952 panther bracelet, considered one of the house's finest creations.Throughout her tenure, Toussaint continually reinvented the panther, introducing new forms and expressions—earrings, bangles, and brooches—captivating collectors and admirer alike. When she retired in 1970, her legacy as a trailblazer in jewellery design was firmly established. Today, the Panthère collection remains a cornerstone of Cartier's identity, its timeless elegance and powerful symbolism continuing to resonate with customers around the world, a tribute to the enduring spirit of modern femininity. Condition Report: Numbered on certificate & pin: 43415AMinor signs of wear, overall in good conditionWith certificate of authenticity and maker's caseTotal gross weight approx. 9.6g

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Adams
Lot 235

A DIAMOND DRESS RINGComposed of four collet-set brilliant-cut diamonds, within a similarly-cut scrolling frame, mounted in 18K gold, diamonds approximately 1.00ct total, ring size L Condition Report: Diamonds: principal diamonds: approx. 0.20ct each, estimated colour G/H, estimated clarity VS | remaining diamonds: bright and livelyWhite metal unmarked, tested by the jewellery department to be 18K goldSome discoloration, the ring could do with some rhodium plating - approx. €20.-Normal signs of wear, overall in good conditionTotal gross weight approx. 4.6g

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Adams
Lot 197

A SAPPHIRE AND DIAMOND RINGComposed of a continuous series of oval-shaped sapphires, interspersed and between brilliant-cut diamond borders, mounted in 18K gold, numbered, sapphires approximately 5.00cts total, diamonds approximately 1.00ct total, ring size N Condition Report: Sapphires: approx. 5.00cts total, of cornflower blue hue, medium tone, good transparency, overall well matched in colour, minor natural inclusions visible under 10x magnification, facets are smoothDiamonds: bright and livelyNumbered inside hoop + stamped 'D.0.96' & 'C.5.16', probably weights of stonesSuperficial signs of wear, overall in good conditionTotal gross weight approx. 3.2g

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Adams
Lot 243

A CORAL, EMERALD AND ENAMEL COCKTAIL RINGThe horizontal oval-shaped mount set with an oval-shaped coral corallium rubrum cabochon between edges applied with black enamel, shoulders slightly raised and accented with oval-shaped emerald cabochons, to a polished hoop, mounted in 18K gold, with maker’s mark, French assay mark, ring size M½ Condition Report: Coral of deep red hue, some light surface scratches visible under magnification and a bright light sourceSome minor loss and wear to enamel around cornersEmeralds of medium green hue, with some surface fractures and light wearStamped with French maker’s mark within an horizontal lozenge-shape frame, possibly ‘AB’ and with a three-clover motif centring letter AStamped with French assay marks of the eagle head for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 21g

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Adams
Lot 174

POMELLATO: A BLUE TOPAZ 'NUDO' RINGSet with a closed-back mixed-cut blue topaz, mounted in 18K gold, signed Pomellato, numbered, Italian registry mark, French assay mark, ring size G Condition Report: Blue: blue hue, medium tone, good transparency, facets are smoothNumered: C700066939Minor signs of wear, overall in good conditionRetail price on Pomellato website: €2,900https://www.pomellato.com/en_nl/jewelry/rings/ring-nudo-classic-rose-gold-18kt-white-gold-18kt-blue-topazTotal gross weight approx. 8.1g

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Adams
Lot 60

A RETRO RUBY AND DIAMOND RING, CIRCA 1945The sculpted mount set with calibré-cut synthetic rubies accented with single-cut diamonds within millegrain, mounted in 18K gold, ring size M½ Condition Report: Rubies: Of purplish-red hue, medium tone, overall well matched in colourDiamonds: bright and livelyMetal unmarked, tested by the jewellery department to be 18K goldTotal gross weight approx. 12.7g

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Adams
Lot 95

A SAPPHIRE, RUBY AND DIAMOND RING, CIRCA 1990Centrally set with an oval-shaped sapphire cabochon and two similarly-cut rubies, accented with calibré-cut rubies, within a surround pavé-set with brilliant-cut diamonds, mounted in 18K gold, Italian registry mark, ring size N½ Condition Report: Diamonds: bright and livelyRubies: of purplish-red hue, overall well matched in colourNormal signs of wear, overall in good conditionTotal gross weight approx. 12g

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Adams
Lot 159

A YELLOW SAPPHIRE AND DIAMOND DRESS RINGThe cut-cornered rectangular yellow sapphire, weighing 4.02cts, between a double four-claw setting, to brilliant-cut diamond shoulders, mounted in platinum, diamonds approximately 0.50ct total, ring size L½Accompanied by a report from GCS laboratory in London, stating that the natural yellow sapphire weighing 4.02cts, is of Sri Lankan origin, with no indications of heating. Report number 5785-0129, dated October 22nd 2024 Condition Report: Yellow sapphire: Of yellow hue, medium tone, good transparency, no inclusions visible face up with 10x magnification, facets are smoothDiamonds: approx. 0.50ct total, bright and livelySuperficial signs of wear, overall in good conditionTotal gross weight approx. 5.9g

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Adams
Lot 130

AN EARLY 20TH CENTURY DIAMOND RINGOf target design, the cluster centring a European-cut diamond weighing approximately 1.60cts, framed by old-cut diamonds within millegrain setting, to a plain hoop, mounted in platinum and gold, ring size Q Condition Report: Central diamond estimated colour approximately J/K, estimated clarity approximately SI due to an inclusion at the centre of the tableRemaining diamonds: bright and livelyNormal signs of wear, overall in good conditionA couple of metal loss on smaller diamond setting visible under 10x magnificationWhite metal unmarked, hoop tested to be 19K gold and gallery & setting tested by the jewellery department to be platinumTotal gross weight approx. 5.0g

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Adams
Lot 150

A RUBY AND DIAMOND DRESS RINGThe oval-shaped ruby 1.50cts within collet-setting, between graduated baguette-cut shoulders, within single-cut diamond borders, mounted in 18K gold, diamonds approximately 1.60ct total, ring size M½ Condition Report: Ruby: approx. 1.50cts (looks larger as flat stone), of purplish-red hue, good transparency, minor facets abrasions visible under a bright light source, a surface reaching inclusions located near pavillionDiamonds: approx. 1.60cts total, bright and livelyYellow metal unmarked, tested by the jewellery department to be 18K goldTotal gross weight approx. 8.2g

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Adams
Lot 7

CARTIER: A PINK SAPPHIRE AND DIAMOND 'MÉLI MÉLO' RING, CIRCA 2002The knife-wire band set with marquise, oval and pear-shaped pink sapphires, highlighted with three brilliant-cut diamonds, mounted in platinum, signed Cartier, numbered, French assay mark, with maker's case, ring size J¼ (EU size stamped 50) Condition Report: Signature inside hoop, numbered 954687Normal signs of wear, overall in good conditionWith Cartier box, does not close porperlyTotal gross weight approx. 7.4g

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Adams
Lot 242

AN EARLY 20TH CENTURY EMERALD AND DIAMOND CLUSTER RINGSet with a cut-cornered rectangular-shaped emerald, within a scalloped frame set with old-cut diamonds, with millegrain detailing, mounted in platinum, ring size M (with sizing band) Condition Report: Emerald of deep bluish-green hue, good transparency, with a chip visible under a bright light source and facet abrasions visible under 10x magnification, estimated to weigh approximately 2.45 caratsDiamonds approx. 1.00cts, bright and livelyWhite metal unmarked, tested by the jewellery department to be 800 platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 5.3gAccompanied by a case stamped Victor Hawkins, Master Jewellers Colchester

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Adams
Lot 183

A SAPPHIRE AND DIAMOND DRESS RINGThe cushion-shaped sapphire weighing approximately 4.00cts, within a four-claw setting, to a fancy-cut diamond shoulders, mounted in platinum, diamonds approximately 0.40ct total, ring size M½Accompanied with a report from LFG laboratory in Paris, stating that the sapphire is natural, of Sri Lankan origin, with no indications of thermal enhancement. Report number 413268, dated October 24th 2014 Condition Report: Sapphire: of cornflower blue hue, medium tone, good transparency, facets are smoothDiamonds: bright and livelySuperficial signs of wear, overall in good conditionTotal gross weight approx. 6.9g

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Adams
Lot 222

LANGI: A SAPPHIRE AND DIAMOND ETERNITY RINGComposed of a continuous row of circular-cut sapphires, accented with brilliant-cut diamonds, with similarly-cut sapphire and diamond borders and interior, mounted in 18K gold, sapphires approximately 8.50cts total, diamonds approximately 1.20ct total, signed Langi, Italian registry mark, ring size K½  Condition Report: Sapphires: approx. 8.50cts, of blue hue, medium tone, good transparency, facets are smooth, overall well matched in colourDiamonds: approx. 1.20ct total, bright and livelyMinor signs of wear, overall in good conditionTotal gross weight approx. 6.6g

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Adams
Lot 182

A SAPPHIRE DRESS RINGOf Georgian style, the elongated cushion-shaped sapphire weighing 6.42cts, within a multiple-claw setting, to a plain hoop, mounted in 18K gold, ring size J½Accompanied by a report from C. Dunaigre in Switzerland, stating that the natural sapphire weighing 6.42cts, is of Sri Lankan origin, with no indications of heating. Report number CDC 2206591, dated June 24th 2022 Condition Report: Of cornflower blue hue, medium tone, good transparency, facets are smoothMinor signs of wear, overall in good conditionTotal gross weight approx. 7.1g

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Adams
Lot 11

A DIAMOND SINGLE-STONE RINGSet with a brilliant-cut diamond weighing approximately 2.20cts within a six-claw setting, between baguette-cut diamond shoulders, mounted in 18K gold, remaining diamonds approximately 0.40ct total, ring size J; together with a plain platinum hoop, ring size I¾ Condition Report: Principal diamond: approx. 2.20cts, estimated colour F/G, estimated clarity SI1 (due to a small crystal located on the table, hardly noticeable with the naked eye (trained eye), fluo. faint blueRemaining diamonds: approx. 0.40ct, bright and livelyMetal unmarked, tested by the jewellery department to be 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 5.2gTogether with a platinum wedding band, superficial signs of wear, overall in good conditionTotal gross weight approx. 4.9g

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Lot 48

AN EARLY ART DECO EMERALD AND DIAMOND DRESS RING, CIRCA 1920The cut-cornered rectangular-cut emerald, weighing 1.36cts, within a single-cut diamond surround accented with four calibré-cut emeralds, mounted in platinum, partially numbered 024410?4, French assay mark, ring size L¼Accompanied by a report from CGL laboratory in France, stating that the natural emerald weighing 1.36cts, is of Colombian origin, with minor oil. Report number CGL21146, dated January 2020. Condition Report: Emerald: of medium bluish-green hue, good transparency, a minor pit on the table visible under 10x magnification otherwise facets are smoothRemaining emeralds: of similar colour, well matchedDiamonds: bright and livelyDog's head for French platinum, located outside the hoopPartially numbered inside the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g

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Lot 192

A MULTI-COLOURED SAPPHIRE AND DIAMOND ETERNITY RINGThe continuous row of oval-shaped sapphires of various tints, including pink, blue, green, yellow, orange and pink, between borders pavé-set with brilliant-cut diamonds, mounted in 18K gold, sapphires weighing 5.18cts total, diamonds 1.05ct total, ring size N Condition Report: Stone weights stamped inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 3.5g

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Lot 178

BULGARI: AN IMPORTANT RUBY AND DIAMOND DRESS RINGComposed of a cushion-shaped cabochon ruby, within a four-claw setting, to baguette-cut diamond shoulders within brilliant-cut diamond setting, mounted in 18K gold signed Bvlgari, signed 45.53cts (for ruby), diamonds approximately 8.00cts total, ring size MAccompanied by a report from Gubelin laboratory in Switzerland, stating that the natural ruby, approx. 20.45 x 19.05 x 10.60mm, is of Burmese origin, with no indications of heating. Indications of minor clarity enhancement. Report number 23030258, dated April 19th 2023 Condition Report: Ruby: of pinkish-purplish red hue, translucent, some surface pits and scratches visible under a bright light source, surface reaching inclusionsDiamonds: approx. 8.00cts total, unable to assess colour due to yellow mount, estimated clarity VSSigned Bvlgari & 45.53cts under the gallery, stamped 750 for 18K gold inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 30g

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Lot 99

POIRAY: A CITRINE DRESS RINGThe oval-shaped citrine cabochon within collet-setting, to polished bombé frame and buckle-type hoop, mounted in 18K gold, signed Poiray, with maker's mark, French assay marks, ring size LPoiray was founded in 1975 by François Hérail and Michel Ermelin whose mission was to create jewellery which was suitable for any occasion and which could fit any mood.Poiray designed their first watch in 1980 and in 1987 released their beloved Ma Prèmiere collection which could be personally customised with the wide range of straps which could be easily changed due to the unique clasp opening. Poiray is a House which prides itself on it’s ability to be both classic and edgy, and therefore it makes sense that French actress Isabelle Adjani, a winner of five César awards, was chosen as the face of the brand.Today Poiray is led by Director Aurélie Bidermann who brings influences from the cities of Paris and New York, as well as her love of literature, into the Houses designs. Condition Report: Superficial scratches visible under 10x magnification due to normal wearSome pits and scratches located on the hoop due to normal wearStamped with eagle's head for French 18K gold, stamped 750, signature located on the outside of the hoopNormal signs of wear, overall in good conditionFor a similar ring at Poiray with a citrine, retail price approx. €2,980https://poiray.com/en/products/bague-ma-preference-10Total gross weight approx. 16g

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Lot 2

CARTIER: A TRINITY 'MUST DE CARTIER' RINGComposed of three polished interlocking bands in either yellow, rose or white gold, in 18K gold, signed 'Les Must de Cartier', with maker's mark, ring size I (EU size stamped 51) Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 7.2g

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Lot 37

A FINE, RARE ART NOUVEAU ENAMEL, OPAL AND DIAMOND RING, CIRCA 1900Designed as two opposing dragonflies, wings set with plique-à-jour green enamel and eyes applied with brilliant-cut diamonds, joining at the centre by two collet-set marquise-shaped opal cabochons, mounted in 18K gold, with maker’s mark ‘Sté F (or E) L’ with a scale as a symbol between letters within horizontal lozenge, French assay mark, with case, ring size LFor a photo of the ring please see plate 121 in the ‘Art Nouveau Jewelry’ book by Vivienne Becker, published in 1985.Condition Report:Opals with red, green and blue play-of-colourDiamonds bright and livelyEnamel in good conditionStamped with French assay marks of the eagle head for 18K goldWith maker’s mark ‘Sté F (or E) L’ with a scale as a symbol between letters within horizontal lozengeNormal signs of wear, overall in good conditionTotal gross weight approx. 7.5gAccompanied by case

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Lot 134

A SAPPHIRE AND DIAMOND CLUSTER RINGSet with a cushion-shaped sapphire weighing 3.62cts, within a four-claw setting, to a brilliant-cut diamond surround, mounted in platinum, diamonds approximately 0.50ct total, ring size MAccompanied by a report from GCS laboratory in London, stating that the natural sapphire weighing 3.62cts, is of Sri Lankan origin, with no indications of heating. Report number 5784-3707, dated October 15th 2024 Condition Report: Sapphire: of cornflower blue hue, medium tone, good transparency, very light silk visible under 10x magnification, facets are smoothDiamonds: approx. 0.50ct total, bright and livelySuperficial signs of wear, overall in good conditionTotal gross weight approx. 6.8g

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Lot 127

A DIAMOND AND GEM-SET DRESS RINGThe wide band centring a brilliant-cut diamond weighing approximately 0.60ct, within a circular-cut emerald frame, to a wide band pavé-set with brilliant-cut diamonds, accented with oval and circular-cut sapphires and emeralds, mounted in 18K gold, ring size M¾ Condition Report: Principal diamond: approx. 0.60ct, estimated colour H/I, estimated clarity VSEmeralds around principal diamond: green hue, light tone, overall well matched in colourRemaining emeralds: of bluish-green hue, medium tone, good transparency, overall well matched in colourSapphires: of blue hue, medium tone, good transparency, overall well matched in colourRemaining diamonds: estimated colour G/H, estimated clarity VSStamped 750 for 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 13g

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Lot 86

A QUARTZ COCKTAIL RINGSet with an oval-shaped rutile quartz cabochon, within a scrolled textured gold naturalistic mount, mounted in 18K gold, ring size O Condition Report: Rutile Quartz: multiple rutile needs visible with naked eye, a minor chip visible with naked eye, some pits due to normal wearYellow metal unmarked, tested by the jewellery department to be 18K goldStone slightly loose in its mountNormal signs of wear, overall in good conditionTotal gross weight approx. 12.5g

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Lot 169

CARTIER: A DIAMOND AND EMERALD 'PANTHÈRE' DRESS RING, FRENCHThe sprung ring designed as a panther, the head pavé-set with brilliant-cut diamonds, the eyes set with pear-shaped emeralds, the nose with onyx detailing, mounted in 18K gold, signed Cartier, numbered, with maker's mark 'Sté HV' for Abysse Hamard Vitau, French assay mark, ring size M (EU size stamped 52)The twentieth century saw a profound sociological shift as gender roles were redefined, particularly in the context of two World Wars. Women stepped into roles once reserved for men, asserting their independence and driving progress toward gender equality, including the right to vote. This upheaval laid the foundation for the rise of the 'modern woman’—one defined by her autonomy, versatility, and strength. It was within this context of social change that Cartier distinguished itself as a leader in the world of fine jewellery, creating designs that celebrated the spirit of the modern woman.Central to Cartier's vision was the iconic Panthère motif, a symbol of both elegance and resilience. The panther's allure first appeared in Cartier’s interior designs, where its distinctive spots adorned soft furnishings. By 1914, the motif had transitioned to fashion, with artist George Barbier capturing the panther in an image for an upcoming exhibition. His illustration of a regal, goddess-like figure with a panther at her feet became a defining image, setting the stage for a new era of bolder designs.In 1913, Jeanne Toussaint was appointed Director of Bags, Accessories, and Objects at Cartier. A visionary with an innate sense of style, she quickly rose through the ranks, earning the affectionate nickname “La Panthère” for her sharp intellect and rebellious spirit. Her first Cartier panther piece—a cigarette case featuring a leopard nestled among trees—was designed especially for her. Toussaint’s deep connection to the panther motif grew, and over time, she transformed it into a symbol of both strength and beauty.After mentoring Toussaint for two decades, Cartier entrusted her with the role of Creative Director of Jewellery, a progressive move for the time. This decision underscored Cartier’s commitment to modernity and confidence in "La Panthère." Working with designer Peter Lemarchand, Toussaint brought her emblematic animal to life; in 1935, the first three-dimensional panther piece was created, designed as a ring featuring a central ruby and panther heads on either side.The legacy of the Cartier panther was secured when the Duke of Windsor commissioned a stunning brooch for his wife, Wallis Simpson. The piece, which featured a panther perched atop a dazzling 116.74-carat emerald, cemented the motif’s place in high fashion. Wallis Simpson, a devoted patron of Cartier, would go on to acquire several more pieces, including a 1952 panther bracelet, considered one of the house's finest creations.Throughout her tenure, Toussaint continually reinvented the panther, introducing new forms and expressions—earrings, bangles, and brooches—captivating collectors and admirer alike. When she retired in 1970, her legacy as a trailblazer in jewellery design was firmly established. Today, the Panthère collection remains a cornerstone of Cartier's identity, its timeless elegance and powerful symbolism continuing to resonate with customers around the world, a tribute to the enduring spirit of modern femininity. Condition Report: Diamonds: bright and livelyEmeralds: of bluish-green hue, medium tone, both well matchedNumbered 05232CSignature + maker's mark + number located inside hoop, French assay mark eagle's head for 18K gold on the outside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 18.5g

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Lot 8

CARTIER: A SAPPHIRE AND DIAMOND 'MÉLI MÉLO' RING, CIRCA 2002The knife-wire band set with marquise and oval-shaped sapphires accented with brilliant-cut diamonds, within collet-setting, mounted in platinum, signed Cartier, numbered, with maker's case, with copy of invoice from Cartier dated 2002, retailed for €3,663), ring size EU stamped 49 Condition Report: Sapphire: of blue hue, medium tone, facets are smoothDiamonds: bright and livelyNumbered 944282With copy of invoice from Cartier dated 2002, retail price €4,310.- sold for €3,663.-  with stock number same as number on ringNormal signs of wear, overall in good conditionTotal gross weight approx. 5.7g

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