An early 20th Century Burr Walnut and Walnut cased 8-day triple fuse Bracket Clock, Winterholter and Hoffmier, the case with a moulded and fluted panelled top, surmounted by cast Brass foliate finial over an overhanging cornice to canted corners and pierced Walnut sound frets, with a single arched glazed door and further fluted base and raised on four bracket feet, to an 8” arched Brass dial surmounted by three subsidiaries for chime/silent regulation, and chime on 8 bells/chime on 4 gongs, to cherub mask cast and applied spandrels enclosing a silvered Roman and Arabic chapter ring with half hour markers to a matted centre, with blued steel hands, to a massive signed triple chain fuse movement numbered 1493 and united by four turned pillars with anchor escapement and strike on 8 bells and five blued steeled coiled gongs, height 24”
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A mid 20th Century Burr Walnut cased Mantel Timepiece, the arched case with a single glazed and arched panel and raised on four compressed lacquered Brass feet, to an arched Brass dial with matt finish, signed to the arch “Tempest Fuget” over a Roman chapter ring and further blued steel fleur de lys hands, to a circular Brass movement with lever platform escapement, height 7”
A late 19th Century horse mounted gilt metal cased Mantel Clock, the waisted drum case surmounted by an urn, and flanked by further foliate capped roundels to a broken plinth base, and raised on square section feet, all over set with turquoise blue backed floral decorated porcelain panels, centred with a head and shoulders portrait and cherub, to a 3 ½” Roman enamel dial with turquoise chapter ring and floral decorated centre, and pierced gilt hands to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 14”
A mid 20th Century lacquered Brass year going Timepiece, Violeta, the stepped circular base set with twin support columns to a 2 ½” silvered square dial with Arabic chapter ring and blued steel hands, with year duration movement and four spherical bob rotating pendulum, the whole contained beneath a plain glass dome, height 9”
A mid 20th Century Walnut and line inlaid Mantel Clock, the plinth shaped case with stepped and scrolling sides on bracket feet, to a chrome bezel enclosing a silvered Arabic chapter ring and further silvered hands, to a brass movement with anchor escapement and strike on a coiled gong, height 9”
A Brass framed skeleton Timepiece, with passing strike signed “Dent, 8-days London” the pierced spire frames united by four plain turned pillars, to a painted Roman chapter ring with outside minute track and blued steel hands, to a single chain fuse movement with four spoke gears and anchor escapement, with passing strike on a bell, and raised on a signed circular Brass plate, to a stained Oak socle beneath a plain glass dome, height 16 ½”
An early 20th Century four glass Mantel Clock, Winterholter and Hoffmier, the Mahogany case with overhanging cornice and four glazed panels to a plinth base and 6” silvered rectangular dial, with subsidiaries for regulation and chime/silient, to a Roman and Arabic chapter ring with inside quarters and half hour markers, signed to the centre “C Ince, Newport”, with blued steel fleur de lys hands, to a signed square Brass movement with plates united by four plain turned pillars and lever platform escapement, with bi-metallic balance and blue steel hairspring, with strike on two blued steel coiled gongs, height 10 ¼”
A late 19th Century black slate and variegated marble mounted Mantel Clock, Le Roy & Fils, the drum case raised on stepped and waisted plinth base, to a cast brass bezel with heavy bevelled glass enclosing a 4 ½” Roman enamel chapter ring with outside minute track, to a signed centre with visible Brocot escapement and blued steel moon hands, to a circular Brass movement with anchor escapement and strike on a bell, height 13 ¾”
A late 19th Century Porcelain mounted gilt spelter figural clock garniture, the drum case surmounted by a pair of Doves with scrolling foliate side pieces, to a long trunk, set with figural and trophy decorated porcelain panels and caryatid corners, to a plinth base and four bladed feet, with 3 ½” porcelain dial with Roman chapter ring and further floral decoration with gilt moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, flanked by a matched pair of side pieces of inverted baluster form, with scrolling side hands and shaped bases, height 19” (3)
A late 18th Century Oak Cased 8-Day Long Case Clock, Rd Stimson of Ely, the arched hood with pagoda pediment and acorn finials, over ¾ columns, to an ogee throat and long shaped trunk door, and plinth base (reduced), to a 12” arched brass dial, signed to a boss in the arch within cast and applied floral and foliate spandrels, enclosing a Roman and Arabic chapter ring to a matted centre with sunk subsidiary seconds and date sector and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79 ½”
A late 18th Century Oak cased 8-day Long Case Clock, Thos French of Norwich, the arched hood with overhanging cornice to ¾ columns and ogee throat with long arched trunk door and plinth base, to a 12” arched Brass dial with strike silent subsidiary to the arch, flanked by dolphin spandrels and further spandrels depicting the four seasons, enclosing a Roman and Arabic silvered chapter ring with matted centre and subsidiary seconds, date sector and applied name plaque, to a movement united by four knopped pillars with anchor escapement and strike on a bell (case and movement associated), height 80”
A 3rd quarter of the 18th Century Mahogany Cased 8-Day Long Case Clock, W Clark of York, the arched hood with overhanging cornice, free standing columns and ogee throat with plain frieze to a long arched trunk door and plinth base, to a 12” arched brass dial, signed to a date subsidiary in the arch, over cast and pierced floral, foliate and urn spandrels, enclosing a Roman and Arabic chapter ring with matted centre and subsidiary seconds with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell (movement and case associated), height 85 ½”
An early 19th Century Mahogany and Boxwood line inlaid 8-Day Long Case Clock with moon phases, Smith of Norwich, the arched hood with two globe and spike finials, over free-standing gilt metal mounted Corinthian columns to an ogee throat and long trunk with canted corners flanking an arched long trunk door, to a panelled plinth base on bracket feet, to a 12”, 2nd period arched painted dial with moon roller over east and west hemispheres, to gilt highlighted floral spandrels enclosing an Arabic chapter ring with further Arabic quarters, and subsidiary seconds with date sector and blued steel pierced hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87 ½”
A late 18th Century Oak cased 30 Hour Long Case Clock, unsigned, the hood with overhanging cornice to a plain frieze and cast Brass capped plain finials, to an ogee throat and shaped long trunk door, and raised on a plinth base, to a 12” painted second period dial, with gilt and painted floral spandrels to an Arabic chapter ring with outside minute track and quarters, to a plain centre with date sector and pierced steel hands, to a movement with plates united by four knopped pillars and back mounted count wheel, strike on a bell (bell and hammer lacking), height 77”
A late 18th Century Oak Cased 8-Day Long Case Clock, John Wenham of Dereham, the arched hood with “Whale Tail” pediment and overhanging cornice over plain ¾ columns to an ogee throat, and long arched trunk door with plinth base (reduced), to a 1st period painted dial, with river scene to the arch, over gilt highlighted gesso floral spray spandrels, enclosing a Roman and Arabic chapter ring, and further to subsidiaries for date and seconds with pierced steel hands, to a movement with plated united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A Victorian Rosewood Dressing Table Box or Casket, the ogee top with beaded rims, inlaid throughout with mother-of-pearl dots and stringing, lifting lid enclosing a fitted interior with compartments, and two doors below enclosing three fitted drawers, raised on ring turned bun feet, and applied on either side with ring handles (one non-matching), 13 ½” wide
A Victorian Mahogany Model of a Half-Tester Bedstead, the canopy with floral drapes, plain headboard and the footboard with ring turned columns crested with a compressed bun finial, and raised on ball feet, applied with a paper label inscribed “Made For Mary Grandorge circa 1849”, 20” long
A 19th Century mahogany four tier Buffet or Whatnot, the top with a plain surround encrusted with baluster finials, and raised on ring turned tulip baluster columns, the lower tier fitted with a full width frieze drawer on short balustered feet with brass caps and casters, 36 ¼” wide
A set of four late 19th Century Oak Arts & Crafts influenced Dining Chairs, the cresting rails applied at the corner with balustered finials over ecclesiastical style arcaded backs, upholstered seats and plain aprons and raised on ring turned front supports, with cylindrical block feet
A 19th Century Mahogany Writing Table, the folding and swivelling top with a red gilt tooled leather inset, and fitted on side with a frieze drawer, raised on “X” framed support, joined by central ring turned stretcher, terminating in brass caps and casters, 18” wide
A late 19th Century Elbow Chair, with tapestry upholstered back and seat and two splayed arms, moulded with acanthus leaves and scrolls, raised on ring turned supports joined by a decorative pierced stretcher, similar ring turned “H” stretcher below and paw front feet
A 19th Century Rosewood Sofa Table, fitted at either end with a drop flap, the frieze fitted on one side with two drawers and on the other side with dummy drawers, and raised on four ring turned foliate moulded columns, terminating in heavy paw feet, 36” wide (ILLUSTRATED INSIDE BACK COVER)
A late 19th Century Mahogany Break Front Sideboard, cross banded and boxwood and ebonised strung top, central frieze drawer, flanked on either side by a deep drawer, fitted with cellaret and a cupboard, and applied throughout with later foliate ring handles, and raised on tapering square supports with spade feet, 66” wide
An early 20th Century Mahogany Bonheur Du Jour, with a pierced gallery surround over a concave drawer, flanked on either side by doors enclosing drawers and pigeon holes, and also painted throughout with neo-classical urns and flowers etc, with a gilt tooled inset over a bow front with full width shallow frieze drawer, and raised on ring turned tapering reeded support joined below by a shaped “X” stretcher and splay feet, 32 ½” wide
A Mahogany and Rosewood simulated rectangular Fold Top Card Table with beaded edge, and the frieze applied in the centre with a foliate mount, raised on a ring turned spreading cylindrical support, terminating in a quadruped base with brass scrolled caps, 36 ½” wide
A pair of Victorian Oak Jacobean style Dining Chairs, the cresting rails carved with winged putti clutching coronets, flanked on either side by twisted side columns, cane backs and seats, and the front stretchers also carved with coronets and scrolls, joined below by ring turned “H” stretchers
A Regency mahogany and rosewood banded sofa table, the twin flap top above two frieze drawers fitted replaced brass ring handles, with dummy drawers to the reverse, the curved support on a quatreform base and four hipped legs to foliate and palmette cast brass sabots to castors, 28.25in (71.5cm) h, 40in (101.3cm) w, 26.25in (66.6cm) d. Restoration.
A Regency mahogany barrel front sideboard, with turned brass curtain rail, with a frieze drawer and arched drawer below flanked by a cupboard door and a deep drawer, fitted later circular brass plate handles, on ring turned tapering legs, 36in (91.5cm) h excluding rail, 66in (168cm) w, 24in (61cm) d.
A mahogany twin pedestal partner's desk, the rectangular moulded edge top inset green gilt tooled leather, above three frieze drawers and three drawers to each pedestal, cupboards to the reverse, fitted brass ring handles, to a plinth base and ceramic castors, 29.5in (74.6cm) h, 60.25in (153cm) w, 41.75in (106cm) d. One castor off but present.
A George IV mahogany and rosewood banded card table, the swivel hinged top baize lined, and stamped 'Wilkinson Ludgate Hill 13296,' on a single ring turned tapering stem to ribbed collar on a triform base with part ribbed bun feet and brass castors, 29.5in (75cm) h, 36in (91.5cm) w, 17.75in (45.5cm) d.

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1087795 item(s)/page