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Lot 601

A decorative dress ring and one other

Lot 349

A gold dress ring and one other

Lot 508

A three stone diamond ring in gold setting CONDITION REPORT Approximate band size, L 1/2.

Lot 353

A sapphire and diamond ring, together with one other CONDITION REPORT 'Other' not hallmarked.

Lot 503

A gold wedding band together with gents ring

Lot 610

An 18ct ring with diamond mounted swirl design

Lot 609

A ruby ring in 22ct setting CONDITION REPORT Gold hallmarked.To our eye, a natural ruby.Approximate band size, P/Q.

Lot 498

A three stone diamond ring in gold setting

Lot 514

A diamond mounted insect brooch, together with designer ring

Lot 600

A diamond solitaire ring in gold setting

Lot 608

A baguette cut dress ring in gold setting, together with a diamond solitaire in gold setting

Lot 357

A platinum, diamond and aquamarine Art Deco style dress ring CONDITION REPORT Stone approximately 1.5cm long, 1cm wide and 0.5cm deep.Condition good, some surface scratches.Band size approximately M/N.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself. To that end, we have provided a number of additional images to showcase the lot in further detail.

Lot 336

An 18ct gold (tested) Brazilian designer ring with pale blue stone mount with the matching 18ct gold earrings CONDITION REPORT Approximate band size, LApproximate stone size 1.8 x 1.2cmGross weight, 11.2gEarrings approximate stone length 2.2 x 0.6cmGross weight, 12.8gOne clasp missing.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself. To that end, we have provided a number of additional images to showcase the lot in further detail.

Lot 338

An 18ct gold and diamond mounted 'swirl' ring

Lot 607

A sapphire and diamond ring in 18ct setting CONDITION REPORT Sapphire is 5mm x 6mmGross weight 4.4gApproximate band size, MWe have attached a number of additional images to showcase the lot in further detail.

Lot 598

A diamond and ruby ring in 18ct setting

Lot 504

A diamond solitaire ring in gold setting

Lot 141

A Burma medal - 1826 - Waterloo type ring suspension - unnamed - as issued CONDITION REPORT.

Lot 133

A pair of «bombée» commodes with a small top, Baroque, scots pine burr-walnut veneer with satinwood fillets, gilt friezes and carvings, bronze mounts en relief with gilt remains, Italian, 18th C. (1st half), small restoration, minor faults and defects, wear to the gilt, a ring missing on a mount, Dim. - 86,5 x 79 x 50 cm

Lot 214

A portable oratory for suspention, Namban Art, fully black lacquered wood with mother-of-pearl inlay and gold decoration "Birds and flowers" and "Landscapes", Cornice with medallion "Insignia of the Society of Jesus", original copper clasp, nippo-portuguese - Momoyama period (1573-1615), faults, mounts and later consolidation plaques, painting missing. Notes: Portable oratory Japan; ca. 1580-1620 Lacquered and gilded wood with mother-of-pearl inlays; copper fittings 69.0 x 51.0 x 7.0 cm (closed); 69.0 x 102.0 x 7.0 (open) A large, rare, and significant Namban portable oratory, or two-door retable, made in Japan for export to the European market. It features a low curved pediment and simple narrow socle, and is fitted with two doors that once covered a devotional painting, now lost. Designed to be hung on a wall, this oratory was created for private devotion within the context of the Jesuit missionary work in Asia, specifically in Japan. Made from a lightweight wood, likely the Japanese cypress (Chamaecyparis obtusa), locally known as hinoki, it is lacquered (urushi) in black and decorated in gold with mother-of- pearl (raden) inlays. The back panel is lightly coated with lacquer on both sides, and the copper fittings (kazarikanagu) include four hinges (chotsugai), a two-part clasp for securing the doors when closed, and a suspension ring on top. The sides and top are decorated with East Asian arrowroot vines (Pueraria lobata), known as kuzu. Both the exterior and interior sides of the doors are exquisitely decorated in horror vacui, featuring large panels divided into two registers. These panels, as those on the interior, are bordered by a typical frieze of the ‘endless pearl’ pattern (shippotsunagi). This distinctive frieze, inherent to this production, is also used on the border of the arched pediment, the socle, and the interior frame that once secured the now lost painting inside, possibly on copper. The interior frame also boasts a frieze of meandering vines and tendrils (karakusa), characteristic of this production. The exterior side of the left door is decorated with two long-tailed birds: one below perched on the branches of fully bloomed tree peonies (Paeonia x suffructicosa), known in Japan as botan, and the other above, hovering over flowering plants of the Chinese bellflower (Platycodon grandiflorus), or kikyo. On the interior side, a large branch of the Chinese persimmon (Diospyros kaki), or kaki, is depicted on the lower register, while the upper register features, on a rocky landscape, flowering plants of the chrysanthemum (Chrysanthemum sp.), or kiku. Similarly, the exterior side of the right door depicts two long-tailed birds: one below, perched on the flowering branches of the Japanese cherry tree (Prunus serrulata), known as sakura, and the other above gliding over chrysanthemums. The interior side showcases a branch of the Mandarin orange tree, or tachibana (Citrus tachibana), in the lower register, and Chinese bellflowers in the upper register. The decoration of the arched pediment inside features a central round medallion bearing the emblem of the Jesuits: the Christogram inside a flaming sun, surmounted by a cross, and with the nails of the Crucifixion below, set against a ground decorated with Chinese bellflowers. The pediment is bordered by a frieze of alternating triangles. Unlike other examples, the pediment of our oratory, featuring the Jesuit emblem, only becomes visible when opened. This is likely a testament to the growing difficulties faced by missionaries in Japan in the early decades of the seventeenth century and the subsequent persecution of the newly converted and missionaries, some of whom were martyred. The Jesuits were finally banned in 1587 and officially expelled in the 1620s, marking the end of Jesuit missionary work in Japan, which began in 1549, when Francis Xavier (1506- 1552) landed in Kagoshima on August 15. The refined gold decoration applied to this rare portable oratory, known as maki-e, literally ‘sprinkled picture’, was common in the Momoyama and early Edo periods in Japan. Lacquerware made especially for export at the imperial city of Kyoto, which combined mother-of-pearl inlays with hiramaki- e, is referred to as nanban makie or nanban shitsugei - see Pinto (1990), Impey (2000), Impey and Jörg (2005), Curvelo (2010), Kawamura (2013), and Canepa (2016). Namban or nanban-jin (literally, ‘Southern Barbarian’) is a Japanese term of Chinese origin that denotes Portuguese and Spanish merchants, missionaries, and sailors who arrived in Japan in the sixteenth and seventeenth centuries. Over time, Namban has become associated with lacquerware and other goods commissioned in Japan for domestic or export, reflecting Western tastes and often modelled after European prototypes, or included European iconography, such as depictions of Portuguese merchants, officials, and missionaries. Namban- style products thus combine Japanese techniques, materials, and motifs with European styles and shapes, illustrating a cultural fusion that emerged during this period of cultural exchange. Namban portable oratories, usually fitted with doors and featuring a pediment, survive in limited numbers, varying in size and shape, scattered across public and private collections in Japan, Europe, and the United States of America - see Impey and Jörg (2005), pp. 186-189, and Canepa et al (2008), pp. 246- 253, cat. 28. Our example is one of the largest known portable oratories from this production, surpassing the large (68.2 x 30.4 x 5.6 cm) oratory in the Wolverhampton Art Gallery (inv. O.J. 232) - see Impey and Jörg (2005), pp. 186-189, cat. 444. The Wolverhampton oratory, distinguished by its tall triangular pediment, also bears the Jesuit emblem. In contrast to many examples of this production, which often exhibit signs of wear, restoration, or loss of their delicate lacquered and gilded decoration, our large oratory remains remarkably well-preserved, having never undergone restoration., Dim. - (fechado) 69 x 51 x 7 cm; (aberto) 69 x 102 x 7 cm

Lot 122

H. STERN - SÉC. XX, A "Highlight Stars" Ring, 750/1000 gold, set with smoky quartz and 164 brilliant cut diamonds weighing approximately 2.50 ct., Brazilian, signs of use, marked H. STERN, later marked with portuguese post-2021 mark, Dim. - 14 (17 mm) cm; Peso - 34,5 g.

Lot 19

GOLD AND PEARL PYRAMID RING 

Lot 27

9CT GOLD RUBY AND OPAL RING 

Lot 104

18CT GOLD DIAMOND EMERALD & RUBY RING SIZE L - 3.7 GRAMS APPROX

Lot 43

14CT GOLD RUBY & DIAMOND RING 

Lot 86

WHITE GOLD ART DECO DIAMOND & PEARL FLORAL RING - BOXED - SIZE K / L - 6.7 GRAMS APPROX

Lot 40

VICTORIAN PERIDOT & RUBY BROOCH - BOXED & RING 

Lot 96

18CT GOLD GUCCI RING - SIZE M - 3.7 GRAMS APPROX

Lot 121

14CT GOLD RUBY & DIAMOND RING SIZE R - 5.3 GRAMS APPROX

Lot 98

18CT GOLD DIAMOND & SAPPHIRE CLUSTER RING - SIZE S - 8.6 GRAMS TOTAL APPROX

Lot 297

BJON WECKSTROM FOR LAPPONNIA SILVER ''CARINA'' RING FINLAND

Lot 30

9CT GOLD SEED PEARL & TURQUOISE RING 

Lot 34

9CT GOLD PEARL & DIAMOND RING AND 9CT GOLD EARRINGS 

Lot 102

LADIES DIAMOND RING - APPROX 3.4 GRAMS -SIZE M

Lot 47

9CT GOLD CAMEO BROOCH & 9CT GOLD RING 

Lot 49

14CT GOLD TIGERS EYE RING 

Lot 108

GOLD & ROSE CUT DIAMOND RING SIZE H - 3 GRAMS APPROX

Lot 82

18CT WHITE GOLD APPROX 1 CARAT SINGLE DIAMOND RING SIZE J - 3.8 GRAMS APPROX

Lot 105

14CT GOLD DIAMOND CLUSTER RING SIZE O - 5.9 GRAMS APPROX

Lot 106

18 CARAT GOLD & DIAMOND TRILOGY RING - SIZE M - 2.8 GRAMS APPROX

Lot 88

10CT GOLD DIAMOND & AMETHYST RING SIZE S - 5 GRAMS APPROX

Lot 135

A silver and turquoise set signet ring

Lot 224

An 18ct white gold and opal doublet set ring, ring size P, approx. total weight 1.8gms

Lot 226

A 22ct gold wedding band, ring size O/P, approx. 5.6gms

Lot 139

A 925 silver moonstone and diamanté set ring

Lot 190

A Sterling silver, tanzanite and metal gem stone ring, rings size M

Lot 132

A copper ring with emerald and malachite band, ring size R/S

Lot 138

A Carnelian set ring

Lot 126

A large Sterling silver statement ring, ring size N/O, approx. 11.5gms

Lot 81

A Chinese blue and white Hawthorn pattern vase and cover, having double ring mark to base AF

Lot 223

A 9ct gold signet ring, ring size S, approx. total weight 5gms

Lot 53

A box of decorative jewellery to include necklaces, necklace and ear-ring sets etc.

Lot 221

A 9ct gold diamond and sapphire coloured cluster ring, ring size P, approx. total weight 2.8gms; and another 9ct gold diamond and sapphire coloured stone cluster ring, ring size O, approx. 1.8gms

Lot 140

A yellow metal ring set with white stones

Lot 136

A rose quartz set ring

Lot 500

A 9ct gold opal doublet ring. Size of stone approximately 1.5cm x 1cm. Size K 1/2. 3.6g.

Lot 435

A white metal shell cameo jewellery suite featuring bracelet, ring, earrings and necklace. Makers mark GM stamped to all pieces.

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