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Shouler & Son
Lot 37

9ct gold fox mask wishbone ring 3.9g

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Shouler & Son
Lot 43

18ct gold sapphire/diamond ring 3.5g

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Shouler & Son
Lot 44

18ct gold/platinum solitaire diamond ring 2.8g

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Shouler & Son
Lot 47

18ct gold diamond wishbone ring 2.3g

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Shouler & Son
Lot 49

9ct white gold diamond cluster illusion ring 3.8g

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Shouler & Son
Lot 50

18kt Gold ruby and diamond cocktail ring- with certificate from Matis Jewellery

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Shouler & Son
Lot 56

Costume jewellery- pearls, silver ring, etc

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Shouler & Son
Lot 60

Silver ring tree and indian silver? card case (2)

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Special Auction Services
Lot 59

A mixed lot of 9ct gold and yellow metal jewellery, including earrings, chains and a diamond and sapphire cluster ring. 11g

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Special Auction Services
Lot 62

Two hallmarked 9ct gold rings, including a hematite intaglio signet ring together with a garnet and pearl cluster ring marked 9ct. Total weight 13.9g (3)

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Special Auction Services
Lot 63

A mixed lot of 9ct gold and yellow metal jewellery, including a ring (AF) stamped 9ct, hallmarked crucifixes, earrings, chains, etc. Total weight 10g

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Special Auction Services
Lot 83

An 18ct gold Victorian pearl set posey ring, the three seed pearls in square settings on an 18ct marked shank with registration mark, ring size K, 3g, together with a 9ct gold seed pearl dress ring missing central stone, ring size K, 2.4g (2)

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Special Auction Services
Lot 84

A large early 20th Century citrine dress ring, the oval cabochon topped citrine with faceted pavilion in a crown claw setting, ring size O, 5.8g

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Rendells Auctioneers & Estate Agents
Lot 1087

A mid 20th Century Venetian glass candlestick, a small Caithness bud vase and a Bohemian flash cut ring stand - a/f

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Rendells Auctioneers & Estate Agents
Lot 126

A set of four late 19th Century continental stained wood stick back chairs with circular seat panels, set on ring turned legs

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Rendells Auctioneers & Estate Agents
Lot 1651

Two ring bound albums containing sleeved FDCs 1969 -1980 and 1980's - 90's

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Rendells Auctioneers & Estate Agents
Lot 1652

Two ring bound albums containing sleeved FDCs 1980 - 1984 including a home made GB Maritime Heritage sheet and 2002 - 2015 including The Lovell Telescope mint stamp sets

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Rendells Auctioneers & Estate Agents
Lot 1655

A brown ring bound album containing a collection of early 20th Century and later local interest postcards including Torquay, Babbacombe and Newton Abbot examples

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Rendells Auctioneers & Estate Agents
Lot 1674

A ring bound album containing a collection of 1980's and 90's North Yorkshire Moors Railway FDCs - sold with another containing late 1960's - 1980's assorted FDCs

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Rendells Auctioneers & Estate Agents
Lot 1676

A ring bound album containing Special Railway FDCs - sold with another containing assorted commemorative FDCs

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Rendells Auctioneers & Estate Agents
Lot 1677

A large red ring bound album containing a collection of 300+ early and later 20th Century postcards, including Brixham, other local interest and, Whitby, etc.

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Rendells Auctioneers & Estate Agents
Lot 219

A pair of antique Windsor stick back kitchen chairs with solid moulded elm seats, set on ring turned supports - sold with another similar

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Rendells Auctioneers & Estate Agents
Lot 353

Windsor elbow chair An antique Windsor elbow chair with slender curved central rail and solid elm moulded seat, set on ring turned supports and crinoline stretcher

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Rendells Auctioneers & Estate Agents
Lot 363

An old beech framed ladder back elbow chair with woven rush seat - sold with a Windsor kitchen chair with solid elm moulded seat, set on ring turned legs

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Dawsons Auctioneers
Lot 139

A Chinese silver caddy by Zee Wo, circa 1900, the plain top on a spherical body a dragon around the centre, struck marks, 9.5cm; a Chinese silver n=bowl by Hung Chong, decorated with a stippled ground, with engraved presentation roundel 'SLEC Weekly Rink Competition 1929, won by A McLure', 9.5cm dia, a silver napkin ring engraved 'D N A McLure, and three silver dishes, each inset with a Chinese coin, 9.5 & 8.7cm dia. 442 grams gross weightCondition report: No apparent major defects.

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Dawsons Auctioneers
Lot 198

A Songye maternity standing power figure, Nikisi, Democratic Republic of Congo, with central animal horn charge above a linear carved and sculpted coiffure, the face with brass studs and a nose ring, the neck with coloured glass beads and a brass necklet, the pronounce belly button with brass studs and reptile skin, 108cmFootnote: The collection of Eric Mayes.

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Dawsons Auctioneers
Lot 207

Royal Doulton "Sherbrooke" dinner and tea wares. To include five cups saucers, side plates, dinner plates. milk jug and cream jug.Condition report: 10 x soup plates OK10 x saucers 1 chipped 9 OK5 x cups OK1 x cream jug OK1 x milk jug OK10 x 10" plates OK10 x 12" plates OK1 x sugar bowl chipped and cracked foot ring10 x side plates OKThe glaze shows scratches from usage on the plates and saucers

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Dawsons Auctioneers
Lot 227

A Clarice Cliff Bizarre octagonal pottery bowl, the body decorated with geometric triangles, 18.2 cm diameter x 8.2 cm high, together with a Fantasque Bizarre clog/sabot in the 'Berries' pattern, 8 cm high x 7 cm wide, printed factory marks to bases.Qty: 2Condition report: No apparent damage or repair, the bowl with a good ring sound when tapped. Minor spots of enamel loss in places

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Dawsons Auctioneers
Lot 311

Joseph(?) Kern of Swansea a mid 19th century 8-day long case clock. The painted broken arch dial with raised chapter ring and calendar aperture and second hand at 12 o'clock. The ebony and satinwood strung mahogany case with a short trunk door. On a simple plinth base. 219 cm high.Condition report: Some old repairs to the case and a shrinkage crease to the plinth.The movement seems to have been recently cleaned and overhauled.

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Tayler & Fletcher
Lot 152

A cut-glass bowl within an ornate silver-plated mount headed with four female mask and ring heads above acanthus leaves and a spreading circular foot, together with a further 19th century glass bowl (broken and repaired) within an ornate pierced silver-plated stand decorated with scrolling foliage and the pierced lid with the finial as a young cherubic-style figure (the second bowl 16.5 diameter) (2)

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Tayler & Fletcher
Lot 182

An early 19th century hallmarked silver berry-spoon-type ladle with gilded interior bowl, together with a late Victorian pierced hallmarked silver napkin ring decorated with cherubic-style figures amongst Classical-style ruins (2)

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Tayler & Fletcher
Lot 196

Various silver and silver plate: two handheld hallmarked silver dressing table mirrors, a matching clothes brush to one of the mirrors, one other clothes brush and a circular silver capstan inkwell. The silver plate to include a three-pronged bread fork, spoons, and an Aesthetic-style napkin ring modelled as pierced openwork bamboo. (13)

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Tayler & Fletcher
Lot 205

A sapphire and diamond set cluster ring; the central oval mixed-cut sapphire above a surround of brilliant-cut diamonds and outer sapphire-set border, 9-carat white and yellow gold setting, hallmarked, size N (2.3g)Condition Report: Overall condition is very good, the gold is slightly tarnished; the sapphires are well matched for colour, some with colour banding; the diamonds have good colour and reasonable clarity

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Tayler & Fletcher
Lot 206

A circular-cut sapphire and brilliant old-cut diamond ring, gypsy-set to the yellow gold setting (hallmark rubbed and third gemstone deficient), size M (4.1g)

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Tayler & Fletcher
Lot 212

A sapphire and white sapphire half hoop ring, the four circular-cut sapphires each separated by a white sapphire to the tapering 9 carat yellow gold band, Birmingham hallmark, size P (2.3g)

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Tayler & Fletcher
Lot 214

A white stone ring, the circular-cut stone coronet-set above the textured shoulders and plain shank stamped '14k', size K½ (3.0g)

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Tayler & Fletcher
Lot 218

A 14-carat gold pearl and diamond ring

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Tayler & Fletcher
Lot 219

An oval amethyst and single-cut diamond-set cluster ring to the 18-carat yellow-gold shank hallmarked shank (partially obscured), size H (with sizing pips) (gross weight 4.5g), together with a 14-carat yellow gold wedding band, Birmingham hallmark, size J, (gross weight 2.9g) (2)

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Tayler & Fletcher
Lot 220

An opal ring, the rectangular cut-cornered opan collet-set to the plain tapering shank stamped '9CT', size O

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Tayler & Fletcher
Lot 230

A three-row diamond-set yellow gold ring; set throughout with single-cut diamonds, hallmark partially obscured, size H (with sizing pips) (gross weight 4.7g)

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Tayler & Fletcher
Lot 231

A gem-set 9 carat yellow gold ring the top section set with five pastel-coloured navette-shaped sapphires and other stones, size N (gross weight 3.5g)

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Tayler & Fletcher
Lot 235

A pale green (probably beryl) ring, the oval mixed-cut stone claw-set to the 9 carat yellow and white gold setting, Birmingham hallmark, size N (5.0g)

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Tayler & Fletcher
Lot 243

A cabochon opal and sapphire-set cluster ring to the 9 carat yellow gold ornate shoulders and wirework band, hallmarks rubbed, size P (1.5g)

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Tayler & Fletcher
Lot 248

A solitaire diamond ring, the stone set in a white gold ring marked 10K (total weight 1.6g, diamond spreads 0.05cts approx.)Condition Report: 

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Tayler & Fletcher
Lot 251

A 9 carat yellow gold band ring, with engraved decoration and alternately set at intervals with circular-cut sapphires and single-cut diamonds, hallmarked, size S (2.9g)

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Tayler & Fletcher
Lot 254

An emerald and diamond-set ring, the pear-shaped emerald claw-set above an openwork setting with single-cut diamond detail, trifurcated shank, 9 carat gold import hallmark, size K (2.1g)

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Tayler & Fletcher
Lot 255

A diamond-set half hoop ring, the top section with three baguette-cut diamond-set arches, each separated by a pair of brilliant-cut diamonds to the plain tapering shank, size N (gross weight 4.3g)

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Tayler & Fletcher
Lot 256

An aquamarine and diamond-set ring; the three graduated rectangular aquamarines each separated by a line of four diamonds, 9 carat yellow gold setting, size M (gross weight 3.1g)Condition Report: Overall condition good; minor chips to outer edge of largest stone and very small chips to table/crown (Aquamarines: largest 8.9mm x 7.0mm x 4.1mm, smallest 5.9mm x 4.0mm x 2.5mm)

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Tayler & Fletcher
Lot 259

A three stone brilliant-cut diamond ring to the plain shank stamped '18CT PLAT', size J (gross weight 2.1g)

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Tayler & Fletcher
Lot 262

An early 19th century rosewood and brass inlaid eight-day mantle clock; the white-enamel dial with Roman numerals and signed 'RAINGO FRESA, PARIS' within an octagonal case with two applied ring handles, the gilded movement signed and individually numbered 1332 and striking on a bell, the base section with further brass inlay and four finials as pineapples and further flanked by two further applied rings, standing on four gilt-metal lion's paw feet (41cm high including handle x 33cm including gilded feet)

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Tayler & Fletcher
Lot 268

A 19th century eight-day three-piece mantel clock garniture: the gilt-bronze-cased clock in reformed Gothic style with a central finial (bent) and pierced vertical tracery gallery above a painted porcelain dial with a castle by water scene and Roman numerals to the chapter ring; the lower porcelain section gilt-framed and decorated with soldiers in 17th century dress atop battlements looking over a town, the two decorated porcelain side panels with similar scenes of guards at castle doors; the movement striking on a bell and signed 'Japy Fréres'; the clock raised on four spreading square feet; the similar period, but unassociated, gilt-metal and porcelain garnitures of urn-form and having pineapple finials, mythical beast masks and ring handles, raised on elaborate cast bases (one garniture minus front left-hand foot) (the clock 33cm high) (3)

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Tayler & Fletcher
Lot 280

A good early 19th century brass inlaid mahogany-cased eight-day bracket clock; the figured domed top above an eight-inch cream dial with Roman numerals and signed 'P. Lacey - Bristol', flanked by two ring carrying handles above arched gilt-metal fish-scale-style sound apertures, the fine gilded twin fusee movement striking on a bell and with dogtooth and foliate engraving, with original pendulum, raised on four gilt metal ball-style feet, the front two feet with moulded decoration (42cm high x 30cm wide including handles x 17cm deep including convex glass)This comes with an insurance valuation from Montpellier Clocks in Cheltenham who original supplied the clock in 2008.   They said it was circa 1825 and the valuation then is the same as that paid for it of £5,500.  Signed Mr T. Birch.  Looking at it from the front there is a very small fingernail sized piece of moulding away, front right where the arch meets the horizontal moulding at the top.  Some of the brass stringing is very slightly proud of the mahogany.  The dial looks to be in reasonable condition with some very minor pieces of paintwork away.  Being super critical there are slight scuffs around the winding holes and again scratches and paintwork away.  The mahogany case on top is of a nice figuring and there is a very small historic L shaped crack of about 1cm in between the 12 an 1 o’clock position at the top of the wood but in the Auctioneer’s opinion this does not detract.  The sides look quite good and it is noted that looking at the from the left hand side there is a small 6.5cm piece away at the back of the “fish scale” side fret.  The arched back door is glazed and there is an approx. 1cm square piece of mahogany away from the escutcheon hole on the left.  The lock looks OK an it has a service ticket on it, which appears to be October 2014 by Time In Hand (Shipston) Ltd.  This comes with pendulum, keys etc., and the bell is quite large and striking and the gilded twin fusee movement has been nicely engraved.

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Tayler & Fletcher
Lot 281

A late 20th century longcase clock produced to commemorate the Prince and Princess of Wales' 1981 wedding: the mahogany hood, centrally carved with a fleur-de-lys above two reeded Classical-style columns with gilt-metal capitals, pulling forward to reveal the gilded mechanism striking on four gongs; the silvered chapter ring with Roman numerals and cornered by pierced fleur-de-lys spandrels, signed 'Smallcombe, England'; rectangular trunk door and with three heavy brassed weights and pendulum, raised on bracket stile feet (191cm high x 49.5cm widest at top)

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Tayler & Fletcher
Lot 283

A 19th century white marble mantle clock; white-enamel chapter ring with Roman numerals and visible movement, the gilded French movement individually numbered and striking on a bell, the pendulum modelled as a swinging cherubic figure, housed under a glass dome upon an oval hardwood base (damage to marble) (the clock 35cm high x 28cm wide, the glass dome 41cm high)

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Tayler & Fletcher
Lot 305

A Japanese Katana; the tightly bound shagreen handle terminating in a patinated copper end decorated in low relief with flowerheads, similarly decorated copper band below the pierced brass tsuba decorated with prunus blossom, the painted scabbard (paint worn and away in places) similarly mounted with copper bands very finely detailed in relief and the higher double band as a flowerhead mounted with a support ring, the scabbard terminating in ornate copper and brass Kabuto Gane (68.75cm blade, the full length including scabbard and handle 100cm, probably late 19th/early 20th century). Vendor advises the item originally taken by her uncle as a trophy of war, together with two black & white photographs of naval ratings at HMS Ganges, both photographs containing her uncle (exact location not known)Condition Report: Overall the piece appears to be in good condition with the metalwork having darkened down nicely commensurate with age. The item comes from a private source.  The scabbard has several areas of brown paint away (see images on website). No noticeable dents, a few scratches. The press studs function nicely, neither the scabbard nor blade shape has distorted. The Tsuba is very nice quality, the steel blade appears sharp but not excessively so. Dimensions: scabbard 74.5cm, Blade including metal band 69cm, excluding metal band 66cm

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Tayler & Fletcher
Lot 604

Philip Rickman (1891-1982) - Signed study of a pair of ring-necked duck. Watercolour and gouache, 6 ¾ x 10 ½ ins (33 x 42 cms). Provenance: the Glenbow Museum, Calgary, Alberta, Canada(CONDITION REPORT: Acidic discolouration around edges)

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Hampel Fine Art Auctions
Lot 237

Pariser Directoire-SkelettuhrHöhe: 36,5 cm. Sockelbreite: 24 cm. Sockeltiefe: 12 cm. Im Emailfeld unterhalb des Ziffernrings signiert „Folin L’Aine à Paris“. Um 1790-1795.Werk: Frei hängendes Sternpendel, Schlossscheibenschlagwerk mit Halbstunden- und Stundenschlag auf Glocke. Pendel und Schlüssel vorhanden. Gehäuse: Der Aufbau zeigt einen querliegenden, an der Vorderseite eckabgerundeten weißen Marmorsockel, umzogen von vergoldetem Perlstab. Darüber ein blau emaillierter großer Bogen, getragen auf Säulenstümpfen mit Pinienzapfen. Im blauen Bogen, sowie in der Kartusche darüber, Dekoration in Form kleiner goldener Sterne. Zifferblatt: In der Taillierung des Aufbaus seitlich: links Datumsanzeige mit arabischen Ziffern auf weißem Ziffernring, rechts Wochentagsanzeige in entsprechender Gestaltung, zusätzlich Planetensymbole. Bekrönung durch den weiß emaillierten Ziffernring mit arabischer Stunden- und Minutenangabe, im Zentrum geöffnet mit Einblick in das Uhrwerk. Oberer Abschluss durch eine gebundene vergoldete Schleife. Zeiger vergoldet, durchbrochen gearbeitet und fein ziseliert. Nicht auf Funktionsfähigkeit geprüft. Anmerkung: Folin L’Aine ist von 1790-1795 als in Paris wirkend nachgewiesen. Literatur: Eine ähnliche Uhr mit Applikations- und Farbvarianten abgebildet in: Pierre Kjellberg, Encyclopédie de la pendule française, Paris 1997, S. 320, Abb. A. (1270891) (1) (11)A Paris directoire skeleton clockHeight: 36.5 cm. Width of base: 24 cm. Depth of base: 12 cm.Signed “Folin L’Aine à Paris” in the enamel field below the ring of numerals.Ca. 1790-1795.Notes: Folin L’Aine is recorded as having been active in Paris between 1790 and 1795.Literature: A similar clock with appliques and colour variations is illustrated in: P. Kjellberg, Encyclopédie de la pendule française, Paris 1997, p. 320, ill. A.

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Hampel Fine Art Auctions
Lot 921

Francesco Zanin,um 1824 – 1884 Venedig, zug.DIE RÜCKKEHR DES BUCINTORO ZUR MOLE AM HIMMELSFAHRTSTAG Öl auf Leinwand. Doubliert. 70,5 x 110 cm. Links unten signiert. In dekorativem Prunkrahmen.Auf dem Gemälde liegt der prächtige, golden glänzende Bucintoro, das Staatsschiff des Dogen von Venedig, vor dem Palazzo Ducale vor Anker. Umgeben ist das Schiff von zahlreichen prachtvollen und teils geschmückten, figurenreich besetzten Gondeln und Booten auf dem ruhigen Canal Grande. Im Hintergrund sind zudem die beiden Säulen mit dem Markuslöwen und dem Heiligen Todaro, sowie Teile des Markusdoms und des Campanile zu erkennen, der in den hohen, frühsommerlich hellblauen, fast wolkenlosen Himmel ragt. Auch am Kaiufer sind zahlreiche Staffagefiguren zu erkennen, um die Schiffe zu bewundern.Die Darstellung dürfte sich auf Christi Himmelfahrt beziehen, auf den Tag, an dem der Doge traditionell den Molo verlässt, um auszufahren, um die symbolische Hochzeit von Venedig und dem Meer zu zelebrieren, indem er einen goldenen Ring in das Wasser wirft.Das Gemälde ist wahrscheinlich inspiriert von Werken des Canaletto, von denen es mehrere Versionen gibt, die zwischen 1729 und 1734 entstanden sind. Dazu gehören Gemälde mit der Rückkehr des Bucintoro, von denen sich eines im Windsor Castle, eines im Puschkin Museum in Moskau und eines im Bowes Museum in Durham befinden. Qualitätvolle Malerei in meist lockerem raschen Pinselduktus in der typischen Manier des Künstlers. Vereinzelt kleine Retuschen.Zwischen 1851-1888 in Venedig tätig. Der Maler wurde aufgrund seiner beliebten und qualitätvollen Bilder der „Caneletto des 19. Jahrhunderts“ genannt. (1271743) (18)Francesco Zanin, ca. 1824 - 1884 Venice, attributedTHE RETURN OF THE BUCINTORO TO THE PIER ON ASCENSION DAYOil on canvas. Relined.70.5 x 110 cm.Signed lower left. On the painting the magnificent, resplendent Bucintoro, the state barge of the Doge of Venice is anchoring in front of Palazzo Ducale. The barge is surrounded by numerous, partly decorated gondolas and boots with many figures on the calm Grand Canal.  Active in Venice between 1851-1888. The painter was also known as the “Canaletto of the 19th century” due to his popular and high-quality paintings.

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