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A Chinese Blue and White Rouleau Vase, early 18th century (late Kangxi period), the cylindrical sides filled by two panels, one of a boy gingerly carrying a jin over a rocky isthmus, the other with a fisherman on a short, with later silver coloured metal rim mount and matching ring stopper, (21.3cm)
A Garnet and Diamond Ring, the heart shaped garnet collet set below a rose-cut diamond set crown, to diamond set carved shoulders; An Early Victorian Amethyst Ring, the five circular-cut amethysts in foil backed setting, to beaded shoulders; and A Victorian Garnet Ring, the circular cabochon-cut garnet to plain gold mount (3)
A William IV Coromandel Sarcophagus Tea Caddy, richly figured and with ring side handles, internally with two flat lidded compartments with turned bone finials, applied with textured velvet and five small pom-poms to the lid underside, the whole raised on gilt metal leaf and split fruit feet, (20cm wide)
A William IV Rosewood, Mahogany and Brass Inlaid Large Four-Division Tea Caddy, of sarcophagus form, the flat lid and facia inlaid in brass with foliate motifs within stringed frames and borders, internally with four flat lidded caddies divided by two cut glass sugar bowls and apertures for spoons, gilt brass ring side handles, upon bun feet with brass casters, (39.5cm wide, 23cm high) (some veneers of crossbanding and brass stringing missing, lid crack)
A Regency Penwork Tea Caddy, of sarcophagus shape, the lid decorated with a Chinese family in an Oriental fantasy landscape within a frame of flowers and leaves, every other side of the box with rank foliate decoration, ring side handles, internally with two flat lidded canisters, circa 1830, (24cm wide)
An Early Victorian Rosewood and Mother-of-Pearl Inlaid Two-Division Tea Caddy, of sarcophagus shape, with split reel borders and ring side handles, inlaid with foliate medallions linked by pewter stringing, internally with two flat lidded canisters divided by a slice cut sugar bowl, upon flattened bun feet, (34.5cm wide) (slight chip to sugar bowl)
A 17th Century Limoges Enamel Lobed Circular Dish, formerly with two scroll handles (now missing), each of the twelve internal lobes painted with an individual flower amongst leaves including tulips and irises, framing a central roundel painted en grisaille with St Tobias and the Angel, initialled IL for Jacques Laudin, heightened in gilt, the underside with capriccio cottage landscape within gilt scrolls, (14.5cm diameter) (foot ring with extensive enamel loss and partly detached, general chipping of enamel to the rim and several sections on the main internal field edge)
A Gilt Brass Three-Branch Neo-Classical Ceiling Light, the long fluted stem supporting a half spherical body surmounted by three winged lions, the three boat shaped branches issuing from winged masks and ram heads, the three vase shaped acid etched glass shades slice cut with repeat flowers and foliage, leaf and ring terminal, (120cm high)
A Newton's New Terrestrial Globe, the sphere applied with paper gores within a gilt brass meridian, supported on a horizontal ring applied with months of the year and zodiacal signs, on a four limbed support on leaf curl short baluster stem, the three outswept legs united by a compass dial inscribed 'Newton and Son, Chancery Lane, London', (91cm high)

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1087795 item(s)/page