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A 9ct gold and platinum ring with illusion-set tiny diamond size M, a 9ct gold flower earring, yellow metal earring, an Edwardian 9ct gold bar brooch with central flower, a yellow metal eternity ring set with white stone (lacking one stone), size L, combined weight approx 6.6g.
A 9ct gold kite shaped pendant with cut out cross, a 9ct gold ring with onyx stone and letter 'A', a pair of 9ct gold cameo drop earrings, a pair of 9ct gold small hoop earrings, and an Edwardian yellow metal filigree pendant with amethyst stones, approx combined 5.8g. CONDITION REPORT Letter A ring stamped 9ct.Hoop earrings unmarked yellow metalCross pendant 3 x 1.5cm, 1.3g fully marked .375 for Birmingham 1971
RARE JACOBITE KING JAMES III 'OLD PRETENDER' GOLD MOUNTED PORTRAIT RING CIRCA 1720 unmarked, the oval ring head with ink portrait of King James in armour with sash after Alexis - Simon Belle, under glass in a simple gold collet setting, the underside of the head engraved with full armorial, with simple gold shank Ring head: 21mm x 16mm, weight: 3.5g Heraldry: Engraved with the coat of arms of sable, three mullets argent with crest upon a chapeau, gules turned up, ermine, a buck statant proper attired. For the Puleston family of North Wales. Note: Portrait rings and other jewellery have been recorded as used and gifted by the Stuart Royal family from as early as King Charles I, to commemorate his execution, to the restoration of King Charles II. This medium, however, was seldom used by the Jacobite court, although some very rare portrait rings of Prince Charles from the mid-18th century and later are known. Much Jacobite jewellery consists of later supporters' jewellery, rather than period pieces, and are not as closely connected to the Court, such as this. This ring is a very rare and early example, depicting the Old Pretender and likely dating to the uprising of 1715 when King James was still the figurehead of the Jacobite cause. The portrait featured was a favourite of the Stuart Court, commissioned by Mary of Modena in 1712, before James left the court of Saint-Germain, and she moved into a Convent. The year 1712 was a major year for the Jacobite cause: it seems likely it saw an increase in propaganda and networking, ensuring supporters would not forget the cause and the part James needed them to play in any future uprisings, after the failed attempt of 1708. The portrait was commissioned from Alexis-Simon Belle by Mary to match one of Princess Louise-Marie by the same artist and and one of King James II by de Troy. The portrait of James was seen of such importance that it was immediately sent to be copied (in full size and miniature) and engraved, before being sent to followers in England and Scotland. Indeed, the portrait was such a success that it became James' official portrait until his death. The portrait shows James in armour, a veteran of three military campaigns, and with his sash of the Order of the Garter, showing his claim to his Royal lineage. However it never represented him with a crown or titled him as King. It is considered that this symbolism showed his claim would come to pass. In effect his right was undeniable, and on the death of Queen Anne it was assumed the title of King would pass directly to him, however the armour depicted in this portrait suggests that military action would be needed, and not shied away from. This perhaps seems a little basic, as the grip on power in Britain had forced James to move court from Saint-Germain to Lorraine as it was not considered French, and British relations could continue peacefully with his presence there. This all came to a head with the signing of the Treaty of Utrecht which James had naively thought would confirm his right, rather than further demote it. The ring offers further insight into this key period of Jacobite tension, support, planning and uprising by the engraved armorial to the reverse, showing the spread of support for the exiled King James and the names connected with this. The Puleston family held estates in North Wales in Denbighshire and Flintshire, both considered hotbeds of Jacobite support and activity. North Wales and the areas closely surrounding their estates were the site of the famous Jacobite Cycle and White Rose clubs, and it is recorded that many of the Puleston family were active members. Founded on 19th June 1710, the anniversary of the Old Pretender's birthday, the Cycle club continued for over 150 years. It's name nodded to the fact that meetings were alternately held in members' houses. It seems very likely this ring would have been worn and present at these meetings, and its significance known to the members. The Cycle club are one of the few societies which can claim an active part in the uprising of the '45. They marched to meet Charles's army in England with men, money and supplies, but by the time they reached Derby, the Highland army was on retreat. In quick succession, they returned to Wales where the incriminating plans and papers were destroyed, meanwhile the club continued. Although it has not been possible to find a list of members who marched to meet Charles it is highly likely the Puleston family were within the ranks. References: Forsyth, D., 'Bonnie Prince Charlie and the Jacobites', National Museum of Scotland, 2017; Corp, Edward, 'The King Over The Water, portraits of the Stuarts in Exile after 1689', Scottish National Portrait Gallery, 2001
GEORGE III MAHOGANY BIRDCAGE TEA TABLE 18TH CENTURY the shaped circular dished top carved with shells, on a birdcage and ring turned tapered column, raised on cabriole legs carved with acanthus and ending in acanthus carved pad feet 65cm diameter, 69cm high Provenance: Duchal House, Kilmalcolm, Renfrewshire
SCARCE JACOBITE PRINCE CHARLES EDWARD STUART AND PRINCE HENRY LEGITIMACY OF THE JACOBITE SUCCESSION SILVER MEDAL OTTONE HAMERANI (1694 - 1764), STRUCK C.1731 Obverse; armoured and draped bust of Prince Charles facing right with motto MICAT. INTER. OMNES and with six pointed star within field Reverse; armoured bust of Prince Henry facing left with legend ALTER. AB. ILLO The edge with additional motto EXTVLIT. OS. SACRVM. COELO * DIE XXXI DECEMBR. MDCCXX Diameter: 41mm, weight: 46g Note: Two main types of this classic 'Two Princes' medallion exist: those without edge lettering, and the rarer type, such as this, with the additional motto to the edge. This example is further improved by the contemporary addition of the suspension ring, making this not a medallion but a Jacobite supporter's badge/medal. Stuart medals such as this are recorded as early as King Charles I when were worn by Royalist supporters under their shirts and close to their hearts. They proved allegiance to the beheaded monarch in the time of Oliver Cromwell's rule under the Commonwealth. The wearing of such items were thought to have mystical and protective properties, as is seen with the touch pieces handed out by the monarchs and worn by supporters. References: Woolf, N., 'The Medallic Record of the Jacobite Movement', item 43 Eimer, C., 'British Commemorative Medals, and their values', item 521
REGENCY STYLE GILT BRONZE AND GLASS FIVE BRANCH CHANDELIER LATE 19TH/ EARLY 20TH CENTURY the foliate corona above a hobnail and ring-cut glass stem, over an oviform body issuing five scrolling gilt bronze arms hung with prism drops and swags, and ending in a pointed facet cut pendant finial, electrified 115cm high, 84cm diameter
GEORGIAN STYLE EBONISED CHIMING BRACKET CLOCK, WINTERHALDER & HOFFMEIER 19TH CENTURY with a pine cone finial above an arched case enclosing a silvered chapter ring and subsidiary dial, flanked by gilt brass mounts, on a separate bracket, the movement striking eight bells and a gong, stamped W&H/ SCH Clock 47cm high; bracket 25cm high
WALNUT MARQUETRY MONTH-GOING LONGCASE CLOCK, JOSEPH WINDMILLS, LONDON EARLY 18TH CENTURY the stepped caddy top with pierced fret moulding above a silvered Roman number chapter ring signed 'J. Windmills' and matted brass dial with two winding holes, date aperture, and subsidiary seconds dial, flanked by spiral pilasters, above a moulded trunk door with an oval lenticle and plinth base, the case inlaid with figures, strapwork and foliate scrolls; the month-going movement striking a bell 223cm high, 41cm wide, 22cm deep Note: Joseph Windmills, a highly regarded maker, was made Free of The Clockmakers' Company in 1671 and became Master in 1702. His son, Thomas, was apprenticed to him in 1686 and made Free in 1695. Around 1700, Joseph and Thomas became partners in the business and although the majority of their clocks continued to be signed Joseph Windmills, a few were signed Windmills and a very small number were signed by Thomas. Both father and son were deeply involved with The Clockmakers' Company and Thomas became Master in 1718. Joseph died in 1724.
VICTORIAN LITHOGRAPH OF THOMAS SAYERS, OF BOXING INTEREST 19TH CENTURY with a central oval image of 'Mr Thomas Sayers' with trophies, with fifteen scenes of bare-knuckle fight charting his career, designed and lithographed by George Webb, 3, Snow Hill, London, in a stained wood frame 66.5cm x 89cm Note: Thomas Sayers (1826-1865) was a famous bare-knuckle fighter during the 1850s and 60s. He only lost one of sixteen matches, despite regularly fighting much larger men at only 5'8" and 150 pounds. His legacy is largely due to his final match against the American, John Camel Heenan (depicted in this lithograph) which was considered to be the first boxing world championship. It lasted over two hours and ended in a chaotic scene where spectators invaded the ring.

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1087795 item(s)/page