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A modern Victorian style 18ct gold and graduated old round cut diamond set half hoop ring, with carved shank, size L, gross 5 grams.CONDITION: Minor scratches to the gold in general, commensurate with age and some use. One stone is chipped. Total diamond weight approx. estimated as 0.55ct with an avaerga colour and clarity of I/J and SI2/I1.
A lady's 1950's dress ring having a large central sapphire, approx 4ct in a six claw setting flanked by baguette and brilliant cut diamond set shoulders on a white metal loop, no marks, probably platinum, size Q dimensions of sapphire are approx 11mm x 10mm and approx 4mm deep, small surface scratch to sapphire Total weight 4.6g Good condition overall
A Victorian lady's dress ring having three graduated diamonds with a border of six diamond chips, total approx 1.6ct in a moulded gallery mount on a yellow metal loop stamped 18ct, size Q CONDITION REPORT Diameter of largest stone approx 4mm No hints of yellow seen Smaller diamonds need a clean Good condition for age
A lady's dress ring having six graduated oval rubies in a claw set gallery mount on a yellow metal loop, no marks but previously tested as 18ct gold, size N, with Burmese certificate CONDITION REPORT Appears in good condition overall, no major faults seen Total Weight approx 2.5g
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), STRATHNAVAR, FROM 'A NIGHT OF ISLANDS' (1991) colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London. Bio: A noted and established Scottish artist and professor of art, Will Maclean was born in Inverness in 1941. He was a midshipman (1957–59) before attending Gray's School of Art, Aberdeen (1961–65) and then the British School in Rome in 1966 as part of a year on a Gray's Travelling Scholarship. He spent another period of time at sea in 1968 as a ring-net fisherman, which led to a major bursary in 1973 to study ring-net herring fishing. The resulting Ring-Net Project, a body of over 400 drawings, was exhibited at the Third Eye Centre, Glasgow, from where it toured, and in 1986 at the Scottish National Gallery of Modern Art, Edinburgh, where it entered the permanent collection. In 1981 he was appointed lecturer at the Duncan of Jordanstone College of Art and Design, University of Dundee, where he remained for fifteen fruitful years, becoming Professor of Fine Art in 1994 and in 2004-2006, senior research fellow and now emeritus professor. He was elected Royal Scottish Academician in 1991 and in 1997 he designed and as part of the team, won the Scottish Natural Heritage Supreme Award for three Memorial Cairns in Lewis. In 1999 he was awarded an honorary doctorate by the University of St Andrews, winning the Scottish Arts Council Creative Scotland Award in the same year. The British Library and Tate Artists Lives Sound Archive made a valuable recorded interview with him in 2005, the year he was awarded an MBE for services to Education and the Arts. He lives and works in Tayport, Fife with his wife, the artist Marian Leven. Maclean has exhibited widely since 1967. Solo exhibitions have included The Ring-Net, Third Eye Centre, Glasgow and tour (1978); Runkel-Hue-Williams, London (1990); Retrospective Exhibition, Talbot Rice Gallery, Edinburgh and tour (1992) with accompanying monograph Symbols of Survival; a major solo show, Driftworks at Dundee Contemporary Arts, 2001, and exhibitions with Art First, London, since 1994. Another recent exhibition being the 2011 show "Lead and Line" - at Art First's gallery in Eastcastle Street, London W1 In 1999 his exhibition Cardinal Points was hosted by the Museum of North Dakota, Grand Forks, North Dakota USA before touring to Canada to McMaster Museum of Art, Hamilton, Ontario, and Art Gallery of Newfoundland and Labrador, St. Johns. Group exhibitions include Worlds in a Box, Edinburgh City Art Centre and The Whitechapel Gallery, London (1994 95); and Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh (1995) which featured "A Night of Islands", a set of ten etchings published in 1991. A major work was acquired for the new Scottish Parliament building and commissioned sculptures and collaborative works can be seen in Skye, Lewis and elsewhere in Scotland. Recent sculptural commissions include the piece "Waterlines" (commissioned by the University of Aberdeen and installed in the square facing the new library there) and the Suileachan Project on the Isle of Lewis (winner of the The Saltire Arts and Crafts in Architecture Award 2013), both collaborations with Marian Leven. The critic and writer Duncan Macmillan writes in his introduction to the monograph on Maclean - 'Symbols of Survival': Will Maclean is one of the outstanding artists of his generation in Scotland... his art is rooted in his knowledge of the highlands, the Highland people and their history and in his own early associations with sailors and the sea. This makes it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and concerns His work is in public collections including Arts Council of Great Britain; The British Museum; Dundee, Edinburgh, and Glasgow City Art Galleries; Fitzwilliam Museum, Cambridge; Scottish Arts Council; Scottish National Gallery of Modern Art; Royal Scottish Academy of Art & Architecture; McMaster Museum, Canada; Yale Centre for British Art, Newhaven, USA.

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