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Lot 284

A solitaire diamond ring, the brilliant-cut diamond weighing 2.32 carats, within eight claw setting with pierced heart detail to the mount, between diamond set scrollwork shoulders, shank stamped ‘18ct’, ring size L.L. £4,000-£6,000

Lot 288

A diamond two stone ring, of crossover design, the two brilliant-cut diamonds claw-set between millegrain single-cut diamond shoulders, two principle diamonds totalling approximately 1.00 carat, ring size J½. £800-£1,200

Lot 289

An emerald and diamond ring, circa 1940, the square-cut emerald claw set between two brilliant-cut diamonds, to single-cut diamond set shoulders and plain polished band, total diamond weight approximately 0.45 carat, ring size M. £500-£700

Lot 290

A two stone diamond ring, the two principal brilliant-cut diamonds spaced by a millegrain-set row of single-cut diamonds, shank stamped ‘18CT’ ‘PT’, total diamond weight approximately 1.90 carats, ring size approximately L (band slightly oval). £2,000-£3,000

Lot 291

An 18ct gold emerald and diamond cluster ring, the oval mixed-cut emerald claw-set within a grained surround of brilliant-cut diamonds, to a broad tapered band, Birmingham hallmark for 2003, total diamond weight 1.20 carats, ring size M½. £600-£800

Lot 292

An 18ct gold sapphire and diamond crossover ring, the heart-shaped sapphire and diamond claw-set between diamond set crossover shoulders, London hallmark for 1989, total diamond weight approximately 0.58 carat, ring size L. £300-£500

Lot 296

A sapphire and diamond ring, the three rectangular step-cut sapphires spaced by duos of brilliant-cut diamonds, total diamond weight approximately 0.32 carat, ring size N. £300-£500

Lot 297

A turquoise and diamond panel ring, the circular panel centred with a turquoise cabochon within an open star shaped diamond cluster, to a scrollwork lattice of matching outline and vari-cut turquoise surround, (panel later mounted to shank), panel diameter 20mm, ring size T. £300-£400

Lot 300

A sapphire and diamond panel ring, centred with a cushion-shaped old-cut diamond and set throughout with vari-cut sapphires, spaced by millegrain set single-cut diamonds, the shoulders similarly set and engraved with foliate decoration, signed ‘JoAq’, stamped ‘PLAT’, total diamond weight approximately 2.06 carats, ring size L½. £1,500-£2,000

Lot 301

An Art Deco lapis lazuli and diamond dress ring, the central oval lapis lazuli panel with bevelled edge within a surround of single-cut diamonds, with diamond set geometric detail to the cardinal points, mounted in white precious metal, unmarked, ring size S. £700-£900

Lot 307

An aquamarine and diamond cluster ring, the oval mixed-cut aquamarine claw set within a cluster surround of alternate larger and smaller brilliant-cut diamonds, to wirework basket mount, shank stamped ‘18ct’, in Boodle and Dunthorne case, ring size O-P. £1,000-£1,500

Lot 308

A diamond single stone ring by Boodle & Dunthorne, the principal brilliant-cut diamond claw set between baguette-cut diamond shoulders, mounted in platinum, hallmark for 1978, maker’s mark ‘B&D’, signed ‘Boodles’ and ‘3.01’, principal diamond approximately 3.00 carats, ring size Q. £7,000-£9,000

Lot 311

An early 20th century ruby and diamond ring, set with an alternating row of step-cut rubies and single-cut diamonds, mounted in platinum and gold, stamped ‘18Ct & PT’, numbered ‘8117’, cased by Neal’s, Brighton, ring size N - O. £100-£150

Lot 312

An Art Deco ‘Day and Night’ swivel ring, the central band set to one side with calibré rubies, the other with similarly-cut sapphires, between hinged sections of graduated single-cut diamonds, total diamond weight approximately 0.48 carat, ring size M. £400-£600

Lot 316

A solitaire diamond ring, the brilliant-cut diamond weighing 1.33 carats, within eight claw setting, 18ct white gold mounted, ring size O. £3,000-£4,000

Lot 317

A ruby and diamond panel ring, the domed panel centred with an octagonal old-cut diamond and millegrain set throughout with vari-cut rubies and single-cut diamonds, to similarly-set pierced shoulders with engraved foliate decoration, signed ‘JoAq’, stamped ‘PLAT’, total diamond weight approximately 0.69 carat, ring size M½. £800-£1,200

Lot 318

A solitaire diamond ring, the brilliant-cut diamond weighing 0.57 carat, claw set within twist setting, between similarly-cut diamond shoulders, platinum mounted, shank lasered ‘PT950’, ring size L. £900-£1,200 --- Accompanied by a report from GIA stating that the diamond is D colour, VS2 clarity. Report number 1179999698, dated 4 September 2014.

Lot 321

An early 19th century diamond ring, the two rows of old-cut diamonds within closed back settings, between foliate decorated shoulders, gold and silver mounted, total diamond weight approximately 0.96 carat, ring size N. £800-£1,000

Lot 322

A single stone diamond ring, the tapered band bezel set with a rose-cut diamond, ring size P½. £1,000-£1,200

Lot 323

A rose-cut diamond ring, 18th century and later mounted, set throughout with rose-cut diamonds in pinched collet settings, the shoulders each set with trios of diamonds, applied to a later gold band ring, ring size L½. £600-£800

Lot 329

A Georgian topaz set ring, the central oval topaz within gold closed back foiled setting engraved with stylised foliate detail between two white paste cushion-cut stones, both in individual tapered closed back mounts, between trifurcated shoulders to a pierced decorated shank, approximate ring size F. £800-£1,200

Lot 330

A mid 19th century citrine brooch and a smoky quartz ring, the brooch set with an oval mixed-cut citrine within a filigrée surround within scalloped borders, mounted in gold, together with a canted corner radiant-cut smoky quartz ring, between openwork foliate shoulders, brooch length 40mm, ring size Q. £150-£200

Lot 335

An early 20th century diamond ring, the cushion-cut diamond, weighing 3.32 carats, within a garland setting designed as a bow with foliate detailing to the sides, set with single and old brilliant-cut diamonds, the shoulders similarly-set, mounted in platinum, ring size N½. Accompanied by a report from GCS stating that the diamond is 3.32 carats, H colour, VS1 clarity. Report number 5782-2478, dated 26 July 2022. £20,000-£30,000 --- Mrs Flora Abraham Sassoon (1856-1936) Business woman, philanthropist, Jewish scholar and famed hostess, Mrs Flora Abraham Sassoon, of the legendary Sassoon dynasty, was a remarkable woman. Born in Bombay in 1856, her father was Ezekial J. Abraham, a trader and businessman who had moved from Baghad, Iraq to Bombay. Her mother was Aziza Sassoon, the eldest daughter of Albert David Sassoon, and granddaughter of David Sassoon (1792-1864), founder of the Sassoon dynasty, who had set up a merchant-trading empire in Bombay, Shanghai and London, which was to become one of the greatest business dynasties of the 19th century. Flora (or Farha as she was known in India) was the eldest of 12 children, six sons and six daughters. Thanks to the belief amongst the Baghdadi Jews in Bombay in the importance of educating their daughters as well as their sons, Flora and her siblings received an excellent education, and by the age of 17 she was a confident assertive young woman, well versed in Hebrew, Aramaic, Hindustani as well as English, French and German. She was also extremely knowledgeable about Jewish texts and sources. In 1876 Flora married Solomon Sassoon (1841-1894), the seventh son of David Sassoon (1792-1864), the dynasty’s founder. Solomon served as head of David Sassoon & Co., running the Bombay office, whilst holding significant roles in numerous organisations held by the Sassoon family. Living in Bombay, Flora involved herself with her husband’s businesses, Solomon often seeking her advice on company matters. Their marriage seemed remarkably equitable by the standards of the time, her outgoing personality complementing her husband’s ‘modest’ and ‘unassuming’ character. Whilst raising their three children, Rachel, David and Mozelle, Flora’s role included entertaining as a grand hostess. ‘She was, for her part, comfortable with the rich and powerful men she regularly hosted at their home, from Indian royalty to senior British officials, able to talk freely with them and put them at ease’. (Joseph Sassoon). In 1894, Solomon died, and Flora, having learned the ins and outs of the business in the two preceding years before her husband’s death, proposed that she was ready to take over his duties. Initially the Sassoon family were not happy with the idea - no woman had ever run a global company before. However, Albert Sassoon, effectively still head of the Indian branch, was himself in fragile health. His three brothers Reuben, Arthur and Edward now lived in London, and were too ‘enmeshed in English society’ to return to Bombay. Flora was self-evidently competent and essentially already in charge of the company’s business in Asia. Therefore, despite the family’s misgivings, they acquiesced. Flora, at the age of 38, wasted no time in immersing herself in the role, quickly impressing her colleagues with her attention to detail and retentive memory. By the end of 1894, Flora was admitted as a full partner to all the offices of David Sassoon & Co., - India, China and England - she was the first woman in the company’s history to be named a partner. Her efficiency and re-organisation of the Sassoon business based in Bombay proved impressive, and Flora’s reputation started to attract international attention. When the US General Consol to Singapore visited India to study its cotton industry, he turned to Flora to ‘afford him assistance and information’ (Joseph Sassoon). Despite the huge work load, and raising her three children, Flora still found the time to continue her philanthropic and charitable work for Jewish communities in India and abroad. Following a serious outbreak of cholera in Bombay she became actively involved in the development of an effective vaccine, volunteering herself to be one of the first to be inoculated. By the final years of the 19th century, world trading conditions were changing, and the company was facing new challenges. In 1896 with the death of Albert Sassoon (1818-96), the London branch started pressing for total control of the business. By 1901 Flora’s directorship had been rescinded and the London operation was now managed by Frederick Sassoon as Chairman and Arthur, Reuben and Frederick as Directors. Flora announced her ‘retirement’, making the decision to leave Bombay for London, taking her children with her, and also hoping to find medical help for her disabled daughter Mozelle. Flora moved to London’s fashionable Mayfair, taking up residence at 32 Bruton Street, and quickly became one of London’s most sought-after society hostesses. Her banquets were legendary, always scrupulously maintaining her religious practices. Like other members of the family, she continued relationships with British royal and nobles, including the Duke and Duchess of Connaught, whose connections dated back to her time in India. She travelled widely throughout Europe, North Africa and the Middle East, always taking with her a personal minyan (prayer quorum) and shohet (ritual slaughterer). She continued her scholarly studies, taking great interest in Jewish scholarship and Sephardic doctrine and practice, and becoming involved in many public religious roles, even public speaking, highly unusual for an Orthodox Jewish woman at that time. Photographs of Flora in the last three decades of her life portray her as a ‘grande dame’ in every sense. Although of small stature, she was described as ‘Silver haired, imposing, dressed with a regal elegance and always wearing the celebrated seven-rope pearl necklace’. (Stanley Jackson). On 14 January 1936, after a long illness, Flora died in London. Her obituary in the Hong Kong Telegraph mourned a ‘great Scholar, Hostess and Woman of business’, commending her ‘tremendous knowledge of commerce and the affairs of the world’. To quote author Joseph Sassoon ‘She held first the business and then the family together and neither would be the same without her’. At her time of death, her personal effects in London were recorded as being worth £140,335 3s.10d. David Sassoon & Co. was to continue in business until after the Second World War, until the company was eventually sold to UBS Switzerland. Please refer to the Jewellery Department for additional family photographs and paperwork pertaining to the provenance. Literature: Joseph Sassoon:The Global Merchants, The Enterprise and Extravagance of the Sassoon Dynasty, pub. Allen Lane, 2022, pages 169-190. Stanley Jackson: The Sassoons, pub. William Heineman Ltd, 1989. Our thanks to Dr Bernadette Turner for her assistance with researching this lot.

Lot 340

A solitaire diamond ring, the old cushion-cut diamond weighing 3.79 carats, within two colour precious metal collet mount, the shank stamped with unidentified maker’s mark ‘A’ within rectangular punch, ring size L. £6,000-£8,000

Lot 342

A collection of gem-set rings, to include four single stone rings set with garnet, amethyst, smoky quartz and green paste respectively, some with Birmingham hallmarks for 9ct gold, together with an antique rhodolite garnet three stone ring, mounted in 9ct gold, Chester hallmark for 1908, ring sizes K - Q. (5) £150-£180

Lot 343

A collection of gem-set rings, comprising an aquamarine and diamond ring, a sapphire, ruby and diamond swivel eternity band, an amethyst dress ring, a 9ct gold band set with green agate and a half pearl, a blue zircon and diamond ring and nine further examples, various sizes. (14) £1000-£1,200

Lot 344

Four gem-set rings, comprising a garnet cluster ring, stamped ‘18K’, a 9ct gold cultured pearl crossover ring, a further cultured pearl crossover ring and a single-cut diamond bombé dress ring, stamped ‘14K’, ring sizes M - I½. £200-£300

Lot 345

Three gem-set rings, comprising a green hardstone and diamond ring, an 18ct gold bicolour emerald and diamond multi-band ring and a 9ct gold opal and green stone ring, ring sizes R, K, and M respectively. £400-£600

Lot 347

A collection of jewellery, comprising a pair of ametrine ear clips, stamped ‘750’, a pair of double baroque cultured pearl ear clips, both pairs with post and clip fittings, a further pair of shaped triangular turquoise coloured panel earrings on post fittings and a sugarloaf cabochon amethyst and moonstone dress ring with angular shank, first ear clips length 15.5mm, ring size approximately H. (4) £300-£500

Lot 349

A collection of mostly antique jewellery, comprising a late 19th century gold locket, two 19th century engraved fobs, an early 20th century amber brooch, three Georgian brooches, a 19th century hairwork memorial brooch, a 19th century paste rivière necklace and cross pendant and a modern ruby ring, various lengths and sizes. (Quantity) £150-£200

Lot 351

A small collection of gold jewellery, including a pair of 9ct gold panel cufflinks with engine-turned decoration and chain connections, two cross pendants, a 9ct gold 21st birthday key charm and a 9ct gold rolling pin charm, two 9ct gold signet rings, a 22ct gold wedding band and a 9ct gold St. Christopher pendant, ring sizes I-W. £400-£600

Lot 353

A small collection of vari-coloured cultured pearl jewellery, circa 1970, each piece set with cultured pearls of black and white tint, to include a wreath brooch, stamped ‘9.375’, a pair of 18ct gold mounted earclips with textured detailing, a five stone ring, stamped ‘14K’ ‘585,’ and an abstract ring with undulating textured collets, ring sizes N½ and L½ respectively. £300-£500

Lot 355

Four gem-set rings, comprising an 18ct gold pavé-set pink sapphire and diamond crossover ring, a tanzanite and diamond cluster ring, swivelling to reveal a plain diamond cluster, an oval-cut pink cubic zirconia ring and a fancy-cut quartz ring, ring sizes J - N (two rings with sizing beads). (4) £300-£400

Lot 358

A small collection of coral jewellery, comprising a Corallium rubrum cabochon ring and ear clip suite, the ear clips stamped ‘750’, a similarly set three stone ring with bifurcated band, partial ‘750’ stamp, together with a multi-strand necklace with beaded spacers and carved mask bead to the front, clasp stamped ‘18K’, ring sizes N and P respectively. (4) £400-£600

Lot 363

English. A gold consular cased watch, circa 1830. Movement: gilt full plate, verge escapement. Dial: gilt, Roman numerals, engine-turned chapter ring, guilloché centre. Case: 18ct gold, floral motifs to bezels and bow, engine-turned case. Signed: unsiged. Dimensions: diameter 40mm. £200-£300

Lot 364

English. A silver consular cased watch, circa 1880 Movement: gilt full plate, lever escapement, gilt dust cap, no. 38795. Dial: silver, applied Roman numerals, engine-turned chapter ring, engraved floral motif to the centre. Case: silver, engraved design with gold band and cartouche to the centre, London hallmark for 1888, case maker’s mark T.C. Signed: unsigned. Dimensions: diameter 55mm. £60-£80

Lot 368

English. A silver consular cased watch, 1899. Movement: gilt full plate, lever escapement, signed ‘Chronometer maker to the Admiralty’, no. 84137. Dial: silver, Applied Roman numerals, engine-turned chapter ring, engraved floral motif to the centre. Case: silver, engraved design with gold band and cartouche to the centre, Chester hallmark for 1899, marker’s mark H.G. Signed: unsigned. Dimensions: diameter 55mm. £60-£80

Lot 44

Two diamond rings, comprising a three-stone diamond ring, the transitional-cut diamonds collet-set to knife-edge shoulders, together with a five-stone old-cut diamond ring, claw-set to a scrollwork mount, both stamped ‘18CT’, total diamond weight approximately 0.35 carat, ring sizes L and R respectively. £200-£300

Lot 45

A peridot ring, 1913, the oval-cut peridot within a gold tapering mount engraved with foliate decoration, Chester hallmark, ring size approximately L (oval band). £150-£200

Lot 52

A gentleman’s 18ct gold signet ring, bearing the crest of the head of a eagle, crossed flags behind, bearing partial hallmark and maker’s mark ‘EE’, ring size N. £300-£500

Lot 53

A hardstone signet ring by Goldsmiths and Silversmiths Co. Ltd., 1931, the oval banded agate with engraved crest depicting a bird with outstretched wings above motto reading ‘VIRTUE ADEPTA’, mounted in 18ct gold, London hallmark, ring size Q. £200-£300

Lot 54

A scarab ring, the blue ceramic scarab with indistinct hieroglyphic figures to the underside, the hinged mount with ropetwist detailing to a ropetwist shank, ring size L. £150-£200

Lot 55

An amethyst ring, the circular-cut amethyst rubover set within a tapered mount, stamped ‘18C’, ring size approximately L. £400-£600

Lot 56

An 18ct rose gold wedding band, the broad band of D-shape profile and hallmarked for Birmingham 1917, width 9mm, ring size T. £400-£500

Lot 63

A 14ct white gold garnet and diamond cluster ring, the garnet cabochon within a brilliant-cut diamond cluster, to similarly-set bifurcated shoulders, Sheffield hallmark, total diamond weight approximately 0.20 carat, ring size approximately L - N (sizing bead). £200-£300

Lot 64

A yellow cubic zirconia dress ring, claw-set to baguette cut-diamond shoulders, stamped ‘9CT’, total diamond weight approximately 0.10 carat, ring size R . £100-£120

Lot 65

Three gem-set rings, comprising an 18ct gold rose-cut quartz and diamond dress ring with mother-of-pearl backing, London hallmark, a triple cluster ring of graduated brilliant-cut diamond flowerheads, stamped ‘18CT’, together with an 18ct gold citrine and diamond cluster ring, the oval mixed-cut citrine claw-set within a pierced whorl of brilliant-cut diamonds, UK hallmark, total diamond weight approximately 2.00 carats, ring sizes M½, O and M respectively. £400-£600

Lot 69

An amethyst and diamond cluster ring, the oval mixed-cut amethyst in a raised claw setting within a surround of brilliant-cut diamonds, total diamond weight approximately 1.68 carats, ring size approximately S (oval band). £500-£700

Lot 70

A small group of rings, comprising a 19th century enamel memorial ring, a late 19th century gold buckle ring, a diamond two-stone ring, and a sapphire and paste five-stone ring, ring sizes J - O. (4) £150-£200

Lot 82

An amethyst dress ring, the oval mixed-cut amethyst collet-set to an oval mount, stamped ‘18k’, ring size O. £150-£200

Lot 88

A diamond set dress ring, the brilliant-cut diamonds claw-set to an abstract spray, to a bifurcated wirework band, total diamond weight approximately ring 1.11 carat, ring size M. £1,000-£1,200

Lot 90

The Rokeswelle Pilgrim’s Ring: A late 15th century gold iconographic style ring, the band of D-shaped cross section, the twisting design creating angled shoulders with ridges around the hoop extending to the borders, the rectangular flat bezel engraved with ‘ihc’ in black letter script within a lozenge panel, the four corners decorated with diagonally matching floral motifs and leaves, the shoulders composed of straight lines representing the sun’s rays; the first two twisted panels to each side of the bezel engraved in black lettering ‘en/bo/en/an’ (a good year) between foliage decoration (formerly enamelled), diameter 2.1cm. £4,000-£5,000 --- Iconographic style rings often bear images of saints with inscriptions relating to a new year or a good friend. They appear to have been souvenirs of pilgrimages bought at a shrine. The Christogram IHC is an abbreviation of the name Jesus, being the first letters (iota-eta-sigma) of the name Jesus in Greek alphabet. Roxwell was spelt Rokeswelle in Medieval times and the chapel dates from the 13th century. In 1391/2 Richard II sold the chapel to the Bishop of Winchester when it was used for the endowment of his new college in Oxford.

Lot 91

The Wars of the Roses Hoard: A late Medieval gold iconographic ring depicting The Holy Trinity, circa 1470-1480, the flat sub-rectangular bezel carrying the incised design of the figure of Christ on the cross, wearing a loin cloth, his arms raised, beneath the bearded head of God the Father, between radiating markings symbolising the Holy Spirit in the form of a dove’s wings, the figures within an engraved line border; to each shoulder six incised droplets, representing drops of blood from Christ’s wounds, arranged three over two over one, with traces of black enamel, ring size L. £4,000-£5,000 --- The focus of Christian devotion underwent a tonal shift during the Medieval period, from a focus on the Triumphant Christ - a battle-brave warrior, towards the suffering Christ and a focus on the pain he endured in order to reconcile human souls to God. This affective piety was influential on the newly founded religious orders, such as the Franciscans, who focused on the humanity of Christ and also reflected a new focus on pastoral care by the Church. As a result of this shift, one of the most common devotions of the late Medieval period was to Christ’s wounds. In Medieval art and iconography this devotion is seen in the images depicting Christ’s wounds and droplets of his blood (such as in this iconographic ring). Jasmine Jones interprets The Commandment, a treatise written by Richard Rolle, a 14th century hermit: “Prayerful pondering of the wounds will call tears to spring in the heart, kindling the fire of the Holy Spirit therein. This fire of love will burn so brightly that the soul will be purged of sin making is as pure as gold refined by the furnace.” Literature: Jones, Jasmine, ‘Three Christological Devotions, Part 1: Wounds’, in Introducing Medieval Christianity, 1st July 2020.

Lot 92

A late Medieval gold posy ring, circa 1400-1500, of broad flattened cross section, engraved with black letter inscriptions to both the inner and outer surfaces, the external inscription reading ‘MIEU EN VOU” translating as ‘Best in/on you’, and spaced by flowers and foliage within undulating design, the internal inscription reading ‘A BON AM’ translating as ‘For good Love’, the words space by stylised foliate sprays, with traces of white enamel, ring size (leading edge) approximately K. £3,000-£4,000 --- Charles Osman states that black letter inscriptions begin to appear in the middle of the fourteenth century and remained in favour until the reign of Henry VIII. (1491-1547). The use of Old French for inscriptions was much in use in the 14th and 15th century rings, but virtually disappeared with the end of black letter. Old French wording fits with the enthusiasm at this period for Heraldry, embracing ideals of courtly love and chivalric values. Literature: Charles Osman: British Rings 800-1914, 1974, pub. Rowman & Littlefield, see pages 39-41.

Lot 93

A 17th century gold posy ring, the plain gold band inscribed to the interior ‘x Hie-hoe-for-a-husband x’ in italic script, ring size B. £600-£800

Lot 95

An early 18th century gold posy ring, the band of D-section, engraved to the interior in script ‘No Riches Like Content’, with maker’s mark ‘RC’, with lion passant mark, ring size L. £200-£300 --- Literature: Evans, Joan: ‘English Posies and Posy Rings’, pub. Wartski, London, 2012, 2nd edition, page 84, references two examples bearing the same inscription: The Collection of Sir John Evans, later that of Mrs C. Longman, and the British Museum, Ref: 1272.

Lot 96

The Boxley Abbey Ring: A gold and garnet ring, circa 16th century, the bezel with five abutting petal-shaped collets forming a fleur-de-lis, four set with table-cut almandine garnets, the fifth pear-shaped collet setting vacant, the mount with stippled detail between the collets, and similarly decorated small projections to the sides, the shoulders and hoop decorated with eight graduating discs between engraved linear scrolls, diameter of shank at widest point 15 mm, ring size approximately N. £2,000-£3,000 --- The fleur-de-lis is an iconic symbol associated with the Virgin Mary as well as French royalty. No other rings of this style are known set with garnets.

Lot 97

A late Medieval silver gilt finger ring, the broad band with raised pelleted border to the exterior, the central panel engraved with alternate stars and letters *A*I*C*V*B*A, possibly relating to a charm or part of a prayer, band width 8mm, ring diameter 20mm. £300-£400 --- Found at Cliftons Lane, Reigate in Surrey in 2001, recorded as Treasure case T 404 and disclaimed.

Lot 46

A group of jewellery, comprising, a brilliant-cut diamond single stone ring; a navette-cut ruby and diamond cluster ring; and diamond and gem pendant (3)

Lot 47

An 18ct gold diamond five stone ring, by Mappin and Webb, of half-hoop design, composed of five brilliant-cut diamonds in claw setting, M

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