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Click here to subscribeEarly 20th century yellow metal stamped 'K18' cased open-face pocket watch, the gilt chapter ring Roman dial enclosing engraved floral centre, with blued steel hands, engine turned case back with garter cartouche, case no. '41551', anonymous key-wind movement, 38mm diameter (ex.crown), 34.6g gross approx, with case
Early 20th century emerald and diamond yellow gold and platinum set cluster ring, the square step cut emerald measuring approx. 4.3 x 3.7 x 2.3mm, single cut diamond surround, rubover millegrain settings, size of head approx. 9 x 9mm, tapered shoulders, ring size P½, weight approx. 2.3g, hallmarks rubbed
William Bilbie, Chew Stoke, (1730-1789) - George III oak-cased 30-hour longcase clock, the 11-inch square brass dial with silvered chapter ring having Roman hours, Arabic minutes and fleur-de-lis half hour divisions framing a matted centre with engraved flowers over silvered signature banner and scroll-edged date aperture, within rococo foliate scroll spandrels, the 'posted' type chain-driven movement countwheel-striking on a bell, 203cm high, sold with weight and pendulumWilliam Bilbie was the third son of Thomas and was in charge of the Chew Stoke foundry from 1775, during which time he produced 79 bells.
A QUEEN ANNE WALNUT EIGHT-DAY LONGCASE CLOCKJAMES STEVENS, LONDON, EARLY 18th CENTURYThe five pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll-border engraved calendar aperture to the matted centre, within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers, Arabic five minutes beyond the outer minute track and signed Jam's Stevens, London to lower margin, with scroll pierced steel hands and twin-cherub-and-crown cast spandrels to angles within a herringbone engraved outer border, the case with stepped caddy superstructure over architectural ogee cornice and geometric blind fretwork frieze above hinged glazed dial aperture applied with three quarter columns incorporating brass caps and bases to front angles, the sides with rectangular glazed apertures and conforming quarter columns to the rear edge, the trunk with concave throat moulding over 41.5 inch rectangular door faced with feather-banded quartered veneers and centred with a brass-edged lenticle within half-round cross-grain edge mouldings, the sides crossbanded, the base with ogee top mouldings over book-matched crossbanded fascia and cavetto moulded shallow skirt.232cm (91.5ins) high, 52cm (20.5ins) wide, 26cm (10.25ins) deep. Provenance:The Leonard Fuller Collection, purchased from Aubrey Brocklehurst, London, 16th February 1967 for £250. James Stevens is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1710. Condition Report: Condition overview.Movement is in relatively clean working condition with no visible evidence of alteration; a gentle service is probably advisable if intending to put into long-term service. The dial is clean condition with minimal oxidation to the silvering only. The seatboard appears original but has small slips applied to the underside at each end hence we can offer no assurances that the movement and dial are original to the case. The case is in good original condition. There is no back panel to the hood superstructure (may have probably been just backed with paper/card). The fretwork to the frieze of the hood is not original and the hood columns have evidence of larger capitals being fitted in the past. Case is generally very original and in good presentable condition with faults limited to minor shrinkage, bumps, scuffs, and other age-related blemishes.Clock has two weights, pendulum, case key and winder. Condition Report Disclaimer
AN ENGLISH BRASS MINIATURE LANTERN CLOCKUNSIGNED, MID 17th CENTURY AND LATERThe posted countwheel bell-striking movement now with Huygens endless chain winding and anchor escapement regulated by seconds pendulum swinging beyond the frame to the rear, the replaced dial plate engraved with scrolling radial leafy blooms to centre, with iron hand within original applied 4 inch Roman numeral chapter ring with stylised fleur-de-lys half hour markers and engraved leafy infill to angles, the frame with column turned corner posts beneath twin dolphin and scroll pierced frets, shouldered vase turned finials and domed bell bearer, the sides with hinged brass doors and the rear with brass backplate, on ball-turned feet; with an oak wall bracket constructed with a table supported with two ogee-outline brackets mounted onto a shaped back panel. The clock 23cm (9ins) high, 10cm (4ins) deep, 11.5cm (4.5ins) deep excluding crutch; the bracket 40cm (15.75ins) high, 14cm (5.5ins) wide. Spare holes to the top plate along with the position of the hour hammer to the right of the movement suggest that the present clock was originally made with balance wheel regulation and separately-would trains. Although the dial plate, frets, finials and bell structure are later replacements the clock still retains original mid 17th century core elements in the frame and the going train. Condition Report: The movement appears to retain original greatwheels and pulleys however the winding clicks have been removed from the going train and pulley fixed to facilitate endless winding. The going second wheel and arbor appear original as does the pinion of report (which has been turned-around due to wear) and hour wheel. The escapewheel and arbor/pinion are replacements; the number of teeth on the escapewheel would suggest a duration of closer to 30 hours than 12 however without undertaking a wheel count we are unable to confirm the duration. The lines 'cross-over' in order for the clock to run with 'endless winding' without reversing one of the trains. The strike train appears to have been repinioned (probably due to wear) otherwise would appear to be fundamentally original; the countwheel has a repair to the rim. The dial plate is a replacement (possibly due to the clock originally having an alarm which would have been removed during conversion to anchor escapement); the chapter ring is probably original but is now secured by pins bent-over at the rear of the dial plate. The hand is a replacement. The movement pillars, top and bottom plates and feet are original; everything else (ie, the finials, bell assembly, frets, doors and backplate) are replacements. The feet have 'flats' to opposing sides suggesting that a vice has been used to unscrew them at some point. Movement is generally neglected and dusty hence will require a clean/service if intending to put to use.Clock has pendulum, an oak wall bracket and a weight. Condition Report Disclaimer
A FRENCH BELGE NOIR MARBLE AND PAINTED PORCELAIN MANTEL CLOCK WITH 'MAXANT' PATENT KEYLESS WINDINGETIENNE MAXANT, PARIS, CIRCA 1885The circular eight-day two train gong striking movement with anchor escapement regulated by disc-bob pendulum incorporating Brocot type regulation to suspension, the winding and regulation adjustment facilitated by integral curved T-bar plungers concealed within the bezel of the dial, and the backplate with stamped roundel ETIENNE MAXANT, PARIS, BREVETTE over number 7 2 to lower margin, the gong block further stamped EM, 6381, the dial with gilt ground Renaissance style martial trophy painted centre within gilt on black Roman numeral chapter ring and surround incorporating winding and regulation plungers stamped GREAT BRITAIN, PATENTED 1879, set behind hinged bevel-glazed moulded cast brass bezel, the rectangular case with crenulated crest over stylised grotesque mask and foliate scroll painted frieze and conforming triple-panel Martial trophy apron panels beneath the dial, flanked by full height projecting side panels incorporating front-to-back baton caps and fluted front edges, on brass squab feet with shaped apron between.37.5cm (14.5ins) high, 23cm (9ins) wide, 15cm (6ins) deep. Etienne Maxant is recorded in Shenton, Alan and Rita PRICE GUIDE TO COLLECTABLE CLOCKS as working from Rue de Santage, Paris, 1880-1905. In 1879 he patented his design of keyless winding in both the U.K. (No. 933 on the 10th March) and America (No. 220,401 on 7th October).
Y A RARE QUEEN ANNE GILT BRASS MOUNTED TORTOISESHELL QUARTER REPEATING TABLE/BRACKET CLOCK WITH ALARMROBERT HODGKIN, LONDON, EARLY 18th CENTURYThe substantial six finned pillar bell striking movement with plates measuring 7.75 by 5.5 inches and verge escapement regulated by lenticular bob pendulum incorporating pivoted beam rise/fall regulation to suspension, with pull-repeat peeling the quarters on a graduated nest of six bells and sounding the hour on a further larger bell, and with pull-wind alarm mechanism sounding on the hour bell via a vertically pivoted T-shaped hammer, the backplate finely engraved with symmetrical foliate scrollwork issuing from a central leafy cartouche engraved signed Hodgkin, London and with herringbone banded outer border, the 7 inch wide brass break-arch dial with shaped false bob and calendar apertures to the matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers and Arabic five minutes beyond the outer minute track, with scroll pierced blued steel hands and unusual applied grotesque mask and phoenix cast gilt brass spandrels to lower angles, the upper angles interrupted by twin rosette-centred subsidiary dials each with Roman numeral chapter ring, the left a second hour dial with central silvered alarm setting disk opposing rise/fall regulation top the right, the centre with engraved signature Robert Hodgkin, London and n/s strike/silent selection switch, beneath arch applied with a demi-lune cast gilt brass mount decorated with a sunburst beneath leafy scroll infill flanking a male mask, within herringbone engraved upper border, the case of French Regence design with large gilt brass grotesque mask and acanthus cast flambeau urn finial to the cushion-capped cavetto upstand incorporating gilt draped leaf cast mounts to angles, above egg-and-dart moulded arched cavetto cornice centred with a mask and terminating with opposing acanthus scrolls issuing leafy pendant angle mounts, over hinged glazed gilt brass framed egg-and-dart cast break-arch door incorporating concave lower angles enclosing a repeating leafy spray cast apron mount beneath the dial behind, the sides with egg-and-dart moulding over rectangular glazed panels within ribbon-weave cast gilt brass frames and swollen lower section, the rear with hinged rectangular brass framed glazed aperture, on acanthus cast scroll feet with conforming palmette-centred pendant mount to the shaped front apron between.58.5cm (23ins) high, 31cm (12.25ins) wide, 14cm (5.5ins) deep. Very little of Robert Hodgkin is known; he is noted in Loomes, Brian Clockmakers of Britain 1286-1700 as working circa 1705-20 with reference to a single longcase clock signed by him. From the apparent lack of records, it would be reasonable to suggest that Robert Hodgkin most likely worked within one of the larger workshops. Indeed the style of the present lot would suggest a Huguenot workshop such as that of Claude DuChesne. Provenance:Purchased by the vendor at Bonhams, London sale of FINE CLOCKS, 10th December 2014 (lot 111) for £7,500. Previously exhibited by Algeron Asprey and Meyrick Nielson in An Exhibition of Fine and Decorative Clocks held at Bruton Street, London, 10-20th June 1975 (exhibit No. 6). The engraving to the backplate of the current lot is unusual in that there is noticeable 'space' within the composition - most noticeably towards the herringbone border and to the upper third. This does not conform to the usual practice of entirely filling the plate hence demonstrates an individual approach by Hodgkin's chosen engraver. Stylistically the rendering of the foliate scrollwork can be closely compared to that seen on a backplate of a clock by Daniel Quare illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass page 233 (Figure 13.19) which would suggest that both were executed by the same hand. The design and layout of the pull quarter repeat mechanism in the current lot can also be compared to that of a clock by John Wady described and illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass pages 440-41. Condition Report: Movement is in fully working condition with no visible evidence of alteration or noticeable replacements however it is likely that a relatively complex clock of this age will have some service replacements within the mechanism. There is no evidence to indicate that the escapement is a re-conversion (ie. no evidence of the clock ever having and anchor escapement. Although in working condition the alarm mechanism is a little feeble. The brass of the movement has a slightly mellow hue. The dial plate also has slightly mellow colouring however is in fine condition with minimal oxidation to the chapter ring; the spandrels are of unusual pattern and are gilded as are the other mounts. The case is generally in very good condition. The mounts are of very even colour suggesting that have been regilded (electro-gilded). The convex section of the superstructure has some cracking to the tortoiseshell veneers towards the left-hand rear corner and the right-hand section following the arch profile has a join within the veneer across the rear upper corner. There is a small chip next to the front door keyhole otherwise veneers appear to be in fine condition with minimal movement or surface blemishes. The rear door upper pin hinge is currently not connected due to the tab drilled with a hole fitted to the door frame now being loose (requires screw drilling-out and re-tapping). Otherwise faults to the case are very much limited to slight age related wear and other very minor surface blemishes. Clock is complete with pendulum, case key and a winder. Condition Report Disclaimer
A FINE AND RARE ORMOLU MOUNTED BLACK MARBLE MANTEL TIMEPIECE OF IMPRESSIVE PROPORTIONSBENJAMIN LOUIS VULLIAMY, LONDON, NUMBER 1921, 19th CENTURYThe circular eight-day four columnar pillar single chain fusee movement with plates measuring 5.25 inches in diameter and Vulliamy type half deadbeat escapement regulated by heavy disc bob half-seconds pendulum stamped with serial number 1921 and with transverse pivoted beam rise/fall regulation to the suspension, the backplate signed VULLIAMY, LONDON over No. 1921 to centre, the 5 inch circular silvered dial with fine engine-turned centre within narrow Roman numeral chapter ring incorporating engraved signature VULLIAMY, LONDON flanking the XVII numeral centred with the regulation adjustment square, with dot minute markers to outer track and blued steel Breguet type moon hands set within parcel frosted and burnished complex moulded bezel surround, the substantial ormolu mounted black marble case of 'drumhead' design centred with a large cast ormolu surmount modelled as an eagle opening its wings and looking to the left whilst grasping a baton issuing flames from each end draped over the drum housing the movement and dial, the rear of the drum with brass circular brass cover secured by blued steel turn screws, raised via a stepped block-shaped cradle over a wide plinth base applied with finely cast and chiselled fire-gilt bronze figures of recumbent lions modelled after Canova flanking the dial, the front applied with generous apron mount centred with a bearded male mask issuing scrolling acanthus over a stepped skirt.42.5cm (16.75ins) high, 61.5cm (24.25ins) wide, 15cm (16ins) deep. Provenance:Previously sold at Bonhams, Sydney, sale of The Owston Collection, 25th June 2010 (lot 464) for $30,000 AUD where it was noted that the timepiece was acquired from Algy Rothman, Winchester, in 1986. Benjamin Lewis Vulliamy is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1780 to Benjamin Vulliamy and gaining his freedom of the Clockmakers' Company in 1809. He worked from 52 Pall Mall, served as Warden 1821-5 and was appointed Master five times. He was the last of the celebrated dynasty of Royal clockmakers which started with his grandfather, Justin, forming a partnership with George II's clockmaker, Benjamin Gray (see previous lot). Benjamin Lewis Vulliamy was perhaps one of the most influential horologists of his time publishing many works and undertaking numerous high profile public commissions as well as holding the Royal Warrant. He supplied many clocks to the Royal family including the turret clock for Windsor Castle in 1829 (replacing an earlier movement by Joseph Knibb); however his horological legacy is perhaps somewhat slightly blighted by his tendency to undertake controversial alterations to earlier important clocks by makers such as Tompion. The Vulliamys started numbering most of their clocks from 1788 until 1854. Two of the original Vulliamy workbooks still survive in the library of the British Horological Institute at Upton Hall, these often can provide valuable information regarding the manufacture and provenance of many clocks made by the workshop. Unfortunately the records are incomplete hence only note clocks with serial numbers 296-469 and 746-1067. There is also a third surviving Vulliamy workbook, relating only to repairs and servicing dating to the period 1846-53. Interestingly this volume records at least sixty-five clocks being in the possession of the government 'Office of Works' and another forty being in the possession of Queen Victoria at Buckingham Palace. Roger Smith in his article entitled Vulliamy Clock Numbering, A Postscript, published in Antiquarian Horology Vol. 21 No. 5 (September 1994), used surviving data in the records of the British Horological Institute at Upton Hall and known documented examples to compile a graph from which unrecorded clocks can be dated. According to this chart number 1921 would appear to date to the end of the second quarter of the 19th century. The general design of the present timepiece follows the 'lion' form made popular by Vulliamy during the early years of the 19th century. Vulliamy's earliest models utilised lions with balls either between or under one of the front paws no doubt inspired by the ancient Roman 'Medici Lion' in Florence. Later models also incorporated eagle surmounts modelled alongside those applied to the smaller pedestal drumhead timepieces also made popular by Vulliamy. The current timepiece is unique in both its unusual large scale and the provision of fine recumbent lions modelled after those sculpted by Antonia Canova for the tomb of Pope Clement XIII at St. Peters Basilica in 1792. From this it would be appropriate to speculate that it was most likely a one-off commission no doubt for a mantelpiece of an important mansion house or palace interior.
A FINE GEORGE III BRASS MOUNTED EBONISED FOUR-TUNE MUSICAL TABLE/BRACKET CLOCK WITH AUTOMATONSAMUEL TOULMIN, LONDON, CIRCA 1775The substantial five pillar trip fusee movement now with anchor escapement regulated by lenticular bob pendulum, the music train playing a choice of four tunes via a 3.5 inch transverse cylinder and fifteen hammers on a graduated nest of ten bells on the hour followed by the strike train counting the hours on a further larger bell, the backplate finely engraved with an extensive asymmetric rococo cartouche signed Samuel Toulmin, Strand, London to centre beneath an offset standing Ho-Ho bird, the 8.75 inch brass break arch dial with applied silvered curved signature plate engraved Samuel Toulmin, Strand, London to the matted centre within silvered Roman numeral chapter ring with Arabic five minutes beyond the outer minute track, with scroll pierced steel hands, the spandrel areas decorated with unusual relief polychrome floral spray infill and the lower right-hand margin with tune selection slide labelled 1-4, the arch with recessed polychrome painted scene of a hunt passing before a windmill with vanes turning and figures on horseback parading from left to right across the lower margin whilst the music plays, three of the background figures with unusual speech bubbles exclamating 'Hark forward' and two other indistinct phrases, the ebonised bell-top case applied with generous rococo scroll cast mount to the concave section of the upstand and five gilt brass flambeau urn finials, over double cavetto top mouldings and hinged front incorporating brass fillet-edged glazed dial aperture and rococo scroll cast upper quadrant frets flanked by gilt moulded inserts to angles, the sides with rectangular scroll pierced sound frets interrupted by generous hinged gilt brass carrying handles, the rear with break-arch glazed rectangular door applied with raised mouldings around the aperture and with upper quadrant frets, flanked by conforming inset brass mouldings to the rear angles, on cavetto moulded skirt base with moulded gilt brass squab feet.63cm (24.75ins) high including top finial, 32.5cm (12.75ins) wide, 20cm (8ins) deep. Provenance:From a Private Collection. Samuel Toulmin is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Strand, London circa 1757-83. He was a fine maker who seemed to specialise in musical and automaton clocks with several examples known including a clock with scene of couple paying tennis to the arch. A longcase clock with rare Battersea enamel dial signed for him was sold at Christies, London IMPORTANT CLOCKS, MARINE CHRONOMETERS & BAROMETERS 12th December 2001 (lot 167) for £7,990. The raised polychrome floral decoration to the spandrel areas of the dial of the present clock is very unusual, and engraving to the backplate is beautifully executed in a highly individual style. These details, coupled with the very rare (if not unique) inclusion of 'speech bubbles' within the hunting scene to the arch, result in a clock full of character and individuality befitting of the work of a fine and innovative clockmaker. Condition Report: Movement is in clean fully working condition, The escapement has been converted from verge to anchor escapement however the original backcock and apron have been retained (just moved downwards by around 2.5cm). Otherwise movement appears to be in original condition with no other visible evidence of alteration or notable replacements. The music train runs well providing fairly strong even pace to the melodies although some of the hammers may benefit from slight adjustment. The automaton appears original and is operational. One of the figures (probably a pair of hounds) is missing from the procession otherwise figures are intact with minor to moderate wear losses to the original finishes. The sails of the windmill have been repainted otherwise the scene is in very good original condition with only very minor wear/losses. The rest of the dial is in good original condition with overall light oxidation to the brass and silvered surfaces giving resulting in a fairly pleasing mellow patina. The unusual relief decoration to the spandrels appears to be composed from gesso heightened with oil paints - and is in good original unrestored condition but with rubbing to high spots and the only notable loss being a flowerhead within the upper right-hand decoration. The tune selection lever is operational.The case is in generally in very good original condition. The mask bordering the dial (behind the front door) has some patch slip repairs to the veneer overlap and the front door lock is inoperative. Otherwise faults are overall very much limited to minor are related shrinkage, bumps, scuffs and other blemishes commensurate with use. The mounts are somewhat muted/tarnished and the ebonised finish has rubbing to the edges. The frets are generally in very good condition with only one or two very small losses; the silk backing for each is however heavily degraded.Clock is complete with pendulum, winder and two case keys. Condition Report Disclaimer
AN INLAID MAHOGANY SMALL LONGCASE REGULATOR TIMEPIECEWILLIAM CROFT, LONDON, 19th CENTURYThe substantial eight-day four columnar pillar movement with thick plates measuring 10 by 8 inches constructed with thumbscrews for the securing the movement pillars, backcock and dial feet, the train with high pinion counts, six-spoke wheel crossings, Harrison's maintaining power and deadbeat escapement regulated by lenticular bob wood-rod seconds pendulum, the 11.25 inch circular silvered dial with subsidiary seconds over signature W'm Croft, London and Arabic hour dial to centre, within outer minute ring incorporating Arabic five minute annotations beyond the track, with blued steel hands, in a case with architectural chevron dentil edged cavetto cornice and plain frieze, over opening front with glazed dial aperture within banded surround, fan inlaid quadrants to spandrel areas and crossbanded outer border, the trunk with concave throat moulding over rectangular caddy moulded door triple-strung with a concave-cornered panel, the base with concave top moulding over conforming panel inlaid fascia and bracket feet.190cm (74.5ins) high, 44cm (17.25ins) wide, 23.5cm (9.25ins) deep. Provenance:The Leonard Fuller Collection, purchased from G.H. Bell, Winchester, 26th October 1965 for £150. A William Croft is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1805-08. An almost identical movement to that of the present lot, but signed for Neilson, Temple Bar, London, is illustrated in Roberts, Derek ENGLISH PRECISION PENDULUM CLOCKS on page 248 (Figure 22-24). Roberts notes that it was the only movement that he'd seen which could be dismantled without any tools by simply unscrewing the finely finished extended brass bolts which hold it together. He also notes that Two makers with the surname Neilson are recorded, Alexander and Thomas, who were both working in around 1860-80.
A FINE AND QUEEN ANNE VERGE HOUR STRIKING CLOCK-WATCH WITH CHAMPLEVE DIALCHARLES GRETTON, LONDON, CIRCA 1707The front-winding gilt full plate movement with three pierced Egyptian and two baluster pillars pinned through the backplate, the fusee going train with tulip-shaped stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the locking plate controlled strike train with foliate band engraved standing barrel, foliate sculpted steel detent gates and sounding the hours and once again at the half hour via a hammer positioned beneath the spring barrel on a bell fitted to the interior of the case, the backplate with fine symmetrical foliate strapwork scroll pierced and chased cock inhabited by eagles and decorated with a male mask at the junction with the conforming pierced foot, flanked by silvered regulation disk set within further applied engraved fretwork opposing silvered countwheel with numbered divisions, next to signature Char. Gretton, London partially obscured by the strike stopwork spring with indistinct number 1718 beneath, the champleve dial with matted centre within Roman numeral chapter ring incorporating relief diamond lozenge half hour markers and cartouche Arabic five minute numerals to outer track, with fine sculpted blued steel hands with the minute cranked to clear the winding holes, the silver consular case with fine foliate strapwork scroll pierced and engraved bands to both the internal and external bezels and to the circumference of the main body of the case incorporating mask and scallop shell motifs, with moulded rim and short suspension post with bow at twelve o'clock, unmarked; with a later silver fancy-link albert with T-bar marked for London 1866 terminating with a rock crystal fob seal intaglio cut with Masonic symbols. The pillar plate 3.8cm (1.5ins) diameter, the case 5.3cm (2.125ins) diameter. Provenance:The Leonard Fuller Collection. Purchased form Evans and Evans, Arlesford, 12th August 1970 for £330. Literature:The present lot is extensively illustrated and described in Radage, Dennis; Warner, Meinen and Radage, Laila CHARLES GRETTON, THROUGH THE GOLDEN AGE as 'GW22' pages 696-99. Charles Gretton is documented by Radage, Meinen and Radage as born in Clayplole, Lincolnshire in 1648. By 1662 he had moved to London entering into an eight-year apprenticeship under Humphrey Downing on the 30th June of that year (turned over from Lionell Wythe); Downing died in 1666 but it is thought that Gretton continued his apprenticeship under his widow, Cordelia, gaining his freedom of the Clockmakers Company in 1672 and se-up business in Fleet Street. In 1677 Charles Gretton married Mary Phillips and established himself at the sign of the 'The Ship' in Fleet Street (either number 174 or 175 next to Fetter Lane). Gretton was appointed an Assistant of the Clockmaker's Company in 1889 and then Warden in 1697; the same year he signed the 'oath of allegiance'. In 1700 Charles Gretton served as Master as well marrying his second wife Lucy Uffman (his first wife Mary died in 1694). In 1701 he put £50 forward to the Clockmakers' Company in order to establish a trust to assist the orphans of deceased members and was nominated to serve again as Master in 1705/06. Lucy, his second wife died before 1711 as this is the year that Charles Gretton married his third wife, Dorethea Wilson shortly after which he moved to his newly acquired second premises at two Chancery Lane. At this time his premises at 'The Ship', Fleet Street was passed onto the management of his nephew, Thomas Moore who paid taxes on the building until 1723. In 1716 Charles and Dorothea moved again to Chancery Lane where they remained until Dorothea's death in 1727. By this time Charles Gretton had retired from active clockmaking and went to go and live with his daughter, Ann, in Milk Street where he remained until his death in 1731.During his career Charles Gretton He took on many apprentices including Henry Sully (Freed April 1705) and Joseph Antram (Freed October 1706) both of whom went on to become famous clockmakers in their own right. By the time of his death and internment at St. Dunstan's in the West Gretton had become a wealthy and highly respected figure within the City of London as well as the clockmaking community. His Will mentions no less than nine properties as well as £1,300 deposited in the Bank of England contributing the £2,600 monetary component of his legacy. The present lot sounds both the hours and a single blow for the half hour. This form of striking is traditionally termed 'French striking' hence it is possible that this watch was made either for export to France or for a French client. Clockwatches are a notably rare. For example, when considering Thomas Tompion's output, the highest serial number for his sequence of clockwatches is 130 versus circa 4500 for his timepiece watches and 990 for his repeating watches (excluding continuation numbering by George Graham). This would suggest that less than two percent of Tompion's watch output were clockwatches. The present lot, as well as being particularly rare, has also survived in fine original condition throughout. Condition Report: Movement is in fine original fully working condition with no visible evidence of alteration or noticeable replacements except possibly for the strike gate detent spring. The wheelwork retains gilding with minimal wear/oxidation as does the backplate and fittings with only very minor scratching and wear. The edge of the backcock table has possibly been but back slightly (for around half of its diameter) to allow banking pins to be fitted to protect the amplitude of the balance (this feature may be original). The dial is in fine original condition with possibly some slight distortion near the right hand winding hole and overall minor rubbing only. The case is in very fine original condition with no apparent dents (except for some very slight undulation near the clasp spring rivet) or breaks to the fretwork, and minimal wear.Watch has a winding key. Condition Report Disclaimer
A FINE FRENCH BRASS GORGE CASED SMALL REPEATING ALARM CARRIAGE CLOCK WITH LIMOGES ENAMEL PANELSUNSIGNED, PARIS, CIRCA 1875The eight-day two train gong striking movement with frosted silvered platform lever escapement regulated by sprung split bimetallic balance and alarm mechanism planted between the plates at eleven o'clock sounding on the same gong, the backplate stamped with serial number 7027 to lower left-hand corner, the rectangular deep maroon almost black enamel dial with gilt star rosette to centre, contrasting gilt and white Roman numerals to chapter ring and gilt brass hands, the upper spandrel areas decorated in translucent polychrome enamel with Renaissance inspired stylised foliate scroll strapwork and the lower margin centred with an Arabic numeral alarm setting dial flanked by bird inhabited conforming leafy scrollwork, the brass gorge case with hinged carrying handle over large bevelled top glass, trip-repeat button to front rail and channel-moulded uprights, the sides inset with fine enamel panels depicting winged clothed putti serenading lovebirds with a pan pipes and a flageolet, the rear with pin-hinged bevel glazed door, on ogee-outline base; with original tooled Morocco leather covered protective carrying case.The clock 10cm (4ins) high with handle down, 7cm (2.75ins) wide, 6cm (2.375ins) deep. The exquisite dial and side panels of the current lot are textbook examples of the finest enamel-work produced in the Limoges workshops during the second half of the 19th century. The Renaissance inspired subject matter along with the colour palette (in particular the dark ground) revives the style for which the region became particularly well-known for during the 16th Century. Indeed the popularity and re-establishment of the Limoges enamel workshops during the second half of the 19th century was born out of a deep appreciation for the Renaissance originals which had become highly prized by connoisseurs earlier in the century. As often the case with French revivalist art the intention was to match (or even, if possible, exceed) the quality of the originals hence there was generally a 'no expense spared' approach to execution in order to achieve this objective. Condition Report: Movement is in relatively clean fully working condition with no visible evidence of alteration or noticeable replacements. If intending to put then clock into long term service a precautionary gentle clean/service is advised. The dial panel has what appears to be a very slight scratch to the ground near the top right hand corner (can only really be seen on close examination under strong light). The left-hand side panel has miniscule chips to each of the upper two corners (again only visible on very close examination), otherwise the enamel panels appear to be free from any visible faults. The glasses appear free form visible damage and the case is free from defects although the surface is generally a little dull/discoloured. The travelling case is structurally sound retaining its original strap handle, button clasp and repeat push intact. The interior has lifting/snagging to the velvet lining and general wear; the exterior has uneven scuffing and wear to the surface including a rectangular patch form a sticky label being attached to the top of the lid at some point.Clock does not have a winding key. Condition Report Disclaimer
A REGENCY BRASS MOUNTED FIGURED MAHOGANY QUARTER-CHIMING TABLE/BRACKET CLOCKJOHN JACKSON, LONDON, CIRCA 1815The substantial six pillar triple chain fusee movement with anchor escapement regulated by disc bob pendulum incorporating stirrup-type regulation adjustment, chiming the quarters on a nest of eight graduated bells and sounding the hour on a further larger bell, the backplate signed John Jackson, LONDON within a geometric bordered oval cartouche to centre within conforming decorated outer border interrupted with leafy sprays to angles, the 8 inch cream painted arched Roman numeral dial also signed John Jackson, LONDON to centre, with Arabic fifteen-minutes to outer track and pierced gilt brass hands beneath subsidiary regulation and STRIKE/SILENT selection dials to arch, the arched case with complex break-arch upper mouldings over hinged arched-glazed front inset bordered with inset brass fillet mouldings to the aperture and with rounded brass stringing to edges, the sides with hinged brass carrying handles over arched bras fish scale sound frets and the rear with arch-glazed door set within the frame of the case, on cavetto moulded skirt base with bras ogee bracket feet; with a modern mahogany wall bracket incorporating scroll carved support beneath reeded-edge platformthe clock 45cm (17.75ins) high, 31.5cm (12.5ins) wide, 21cm (8.25ins) deep; the clock on wall bracket 79cm (31.25ins) high overall. John Jackson senior was a notable maker who was apprenticed to Nathaniel Style before setting-up his own business at Bridgewater Square by 1760. He was Master of the Clockmaker's Company in 1796 and went into partnership with his son of the same name from 1781-94. The business continued trading under the name John Jackson until around 1825. Condition Report: Movement is in relatively clean fully working condition with no visible evidence of alteration or noticeable replacements. A gentle clean/service is advised in intending to put the clock into long-term service. The dial retains old, probably original surface but with some noticeable rubbing to the chapter ring. There is also some very slight wear to the winding holes, The right-hand part of the dial has some crazing/lifting to the surface as well as a few flakes/losses so may benefit from some stabilisation/retouching. The hands appear original and are in good condition. The case is generally in good original condition. The arch top has three noticeable front-to-back shrinkage cracks (it is possible that the top veneer has been replaced) and the upper mouldings have a small section missing bordering the left-hand side of the arch. The rear door is slightly warped with a couple of cracks to the frame veneers otherwise faults to the case are very much limited to very minor age related blemishes. The wall bracket is in very good overall condition.Clock is complete with original pendulum, crank winder and a case key. Condition Report Disclaimer
AN INTERESTING VICTORIAN COLONIAL INDIA 'MILITARY INTELLIGENCE DEPARTMENT' SIGHTING COMPASSUNSIGNED, MARKED FOR THE INDIAN COLONIAL GOVERNMENT AND M.I.D., CALCUTTA, CIRCA 1880The 3 inch circular silvered plate marked with eight cardinal points annotated with East/West reversed and engraved with government arrow device over I then M.I.D. E.P.'T., CALCUTTA to centre, within scale divided for every ten degrees deviating from 0 at North and South up to 90 at East and West, within a second raised concentric scale calibrated for every degree and annotated anticlockwise in tens 0-360, the steel pointer with locking lever set behind glass secured by a brass ring bezel, the rectangular mahogany case with hinged top section opening to reveal the compass and pair of hinged brass sights positioned at North and South and set on substantial brass straps, the lid with further recessed brass strap further engraved with the government arrow device over I then M.I.D., CALCUTTA, 13.14.5cm (5.75ins) wide, 11cm (4.25ins) deep, 3.2cm (1.25ins) high closed; 9cm (3.5ins) high open. The initials 'M.I.D.' inscribed on the present lot stands for the Calcutta-based 'Military Intelligence Department' which was originally set up by the East India Company prior to the 'India Mutiny' which led to the formation of the English government controlled Indian Colonial Government in 1858. The M.I.D. had responsibility for the security of Greater India, borders and coasts (including what in now known as Bangladesh, Burma and Pakistan). The department continued operations under the Indian Colonial Government reporting directly to the Governor General then later the Viceroy. With regards to dating the present lot The Indian Colonial Government instituted the 'government arrow' over 'I' mark on their instruments and other property from around 1877. The reversed East and West annotations ensure that the correct direction of sight is displayed on the scale when the instrument is in use. In other words when sighting North and then subsequently looking to observe to the West, the compass will need to be rotated anticlockwise. The needle will then move clockwise in relation to North thus the scale will correctly provide a 'sight' reading in the Westerly direction.
A FINE CHARLES II BRASS LANTERN CLOCKJOHN LONDON, BRISTOL, CIRCA 1675-80The posted countwheel bell-striking movement with Huygens's endless chain winding and verge escapement regulated by short bob pendulum swinging outside the frame to the rear incorporating knife-edge suspension, the dial with vacant roundel within stylised symmetrical foliate engraved infill issuing from a large leafy tulip bloom to lower margin and interrupted by engraved signature John London, of Bristoll fecit to the upper, within applied 6 inch narrow Roman numeral chapter ring with stylised fleur-de-lys hour markers, with scroll pierced black steel hand incorporating long tail and engraved radial leaf infill to angles, the typical tall Bristol-type frame with one-piece column turned corner posts beneath lion and unicorn armorial engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bell bearer cast with pierced leaf decoration between the limbs, with brass side doors and brass backplate to rear, on tall disc-knopped ball feet.42cm (16.5ins) high, 15cm (6ins) wide, 16.5cm (6.5ins) deep. John London in recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being a gunsmith working in Bristol by 1675 (references Bellchambers), when he took Robert Sainsbury from Market Lavington as an apprentice. Jim Moore recorded him as being married to Mary Baker in 1678 and he is believed to have still be working in Bristol in 1678. George White in Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 illustrates a very closely related clock to the present lot on page 228 (Figure 2.), where it is noted that John London was most likely influenced by leading London-based makers but adopted his own particular style and flair - most noticeable on his surviving longcase clocks. This is most apparent with regards to his engraving which departs from the usual Bristol style, adopting more intense florid designs which are more akin to London work but taken further. White also notes that, as a gunsmith, John London is thought to have engraved his own dials; this was until a lantern clock was discovered with practice engraving beneath the dial together with the name 'Axford'. From this it has been suggested that the engraving may have been executed by someone else, who may have had connections with the brass founder Charles Axford, who is recorded through his marriage in Bristol in 1687. Notwithstanding the above the current lot utilises a variant of the frame castings that were favoured by the Bristol and Chew Valley school of clockmakers, with one of the earliest examples of their use (other than the present clock) being for another example by John London of Bristol illustrated in Loomes, Brian Lantern Clocks & Their Makers on page 179 (Figure 10.41). Loomes dates this clock to the late 1670's whilst another close variant of these castings can be seen on a clock by Edward Webb dated 1676 (private collection), as well as two further examples by the same maker, dated 1682 and 1692 respectively (illustrated in Loomes on page 188, Figures 11.5 - .6). These two variants differ only very slightly in that the feet have 'disc' knops for the John London clock/present lot and 'ball' knops for the Webb clocks. The 'disc feet' castings were also used by other makers such as Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695), and both variants were used by Thomas Veale of Chew Magna. Edward Bilbie appears to have persisted with the use of such castings after Bristol makers had mostly moved onto patterns more closely related to London work of the period, suggesting that such frames were continued to be cast locally (possibly through subsequent acquisition of the patterns by the Chew Valley makers). Certainly, from surviving clocks, it would be reasonable to suggest that casting of the frames could have taken place at Edward Webb's foundry in Chew Stoke, then by the Bilbie family after Webb's death in 1694. Condition Report: The wheelwork appears very original with the only noticeable replacements being the pulley centres which have been changed or reworked to facilitate running on chains; this has also required the holes in the baseplate to be elongated slightly (due to the present inner diameter of the pulleys being slightly smaller than the original configuration). The trains appear to run free and have only fairly light wear to the pinions. The escapement appears original, however the pallets have been refaced and the front pivot cock has 'packing' beneath it hence it is probable that some adjustment will be required before the clock can be put into service. The movement has been made to take an alarm mechanism (most likely configured to be 'sunken' into the backplate) which is not present. The dial is in fine condition with good strong engraving, there is no alarm disc present with the clock and the hand is probably a replacement. The frets are original as is the bell bearer; the top finial is a replacement. The right front and rear left feet have been solder repaired at the stems (common with this design of frame casting) and the rear right-hand finial has a historic braze repair to the stem. Both side doors are probably original, the backplate is most likely a replacement and is if noticeable heavy gauge brass with noticeable distortion to the panel.There are no weights with the clock. Condition Report Disclaimer
Y A LATE VICTORIAN BRASS INLAID ROSEWOOD BRACKET CLOCK ON PEDESTALSHARMAN D. NEILL, BELFAST, CIRCA 1893The substantial four pillar triple chain fusee movement with anchor escapement regulated by lenticular bob pendulum with pivoted rise/fall beam regulation to suspension, chiming a choice of two tunes for the quarters either on a graduated nest of eight bells or four gongs and sounding the hour on a further larger coiled gong, the 8 inch arched gilt brass dial with matted centre within applied silvered Roman numeral chapter ring with stylised trident half hour markers, Arabic five minutes beyond the outer minute track and signed SHARMAN D. NEILL, BELFAST to lower margin, with scroll pierced blued steel hands and applied gilt scroll cast spandrels to angles, the arch with central FAST/SLOW subsidiary regulation dial flanked by further CHIME/SILENT and CHIME ON EIGHT BELLS/WESTMINSTER selection dials set within conforming mounts, the shallow break-arch top case with stepped surmount and stylised urn flanked by foliate scroll inlay to tympanum over silvered brass angled fillet inset dial aperture to the arch-glazed front door with line inlaid border and further foliate scroll infill to upper angles flanked by recesses to take columns at the angles, the sides with arched cherub mask and sunburst centred cast scroll-pierced sound frets, and the rear with rectangular brass grille inset door, the inverted breakfront base with fluted vertical band infill over cushion moulded skirt inlaid with a stylised foliate motif flanked by lines to front, on gilt brass lobed bun feet; the pedestal with complex double ogee edge mouldings to top over cavetto throat and rosette-centred fluted frieze, the trunk with raised demi-lune panel applied with engraved brass presentation plaque Presented to, Robert Garrett Campbell, AND, Alicia Anna Ferguson, ON THE OCCASION OF THEIR MARRIAGE, BY THE EMPLOYE'S OF, Mess'rs Henry Campbell & Co., Mossley, Belfast, DEC'R 1893, over further rectangular panel and fluted apron frieze, the plinth base with stepped ogee top mouldings and conforming ogee capped skirt.The clock 68.5cm (27ins) high, 45cm (17.75ins) wide, 30cm (11.75ins) deep; the clock on pedestal 204cm (80.25ins) high overall. Provenance:Consigned by a direct descendant of Robert Garrett Campbell. Henry Campbell and Company were a firm of flax and tow spinners who bought Mossley Mill, Co. Antrim in 1859 (built in 1839). On his retirement Henry Campbell built a mansion, 'Lorne', at Craigavad, Co. Down. A benefactor during his life to the Belfast Royal Hospital and the Presbyterian Orphanage Society, he bequeathed approximately £200,000 for the founding of a hospital bearing his name, or a college (or both) in or near Belfast, which would provide a 'superior liberal protestant education'. Although a presbyterian, he chose trustees from differing protestant churches to administer his will, which led to the opening (3 September 1894) of Campbell College at Belmont, Belfast. A clockmaker with the name Sharman D. Neill does not appear to be specifically recorded in the usual sources however he is recorded in the 1902 Directory of Belfast and Province of Ulster as a 'watch and clock manufacturer' working by appointment to 'His Majesty the King Res: Martello Terrace' from 12 Donegall place, Belfast. Condition Report: Movement is in relatively clean and essentially in working condition and there is no visible evidence of alteration or noticeable replacements. The mechanism is a little dusty/sticky with lazy quarter-chiming and hour striking; adjustment will also be required with regards to the quarter hammers striking the bells cleanly - hence a gentle clean/check-over is required. Two (out of the four) quarter gong hammers are also currently detached from the pivot block - there is no damage evident so will be just a case of re-attaching with a new pivot pin. The dial is in good relatively clean original condition with faults essentially limited to patchy discolouration/tarnishing to the chapter ring. The clock case is generally in good original condition. The curvature to the top has a front-to-back shrinkage crack (not disfiguring and probably easily addressed by a skilled restorer) otherwise the veneers etch appear free form damage or significant and age-related blemishes. The surface colour is uneven due to some sun-fading. The superstructure shows evidence of having finials (five) and the front angles may have originally had columns applied within the angles - these may have been removed to 'tone down' the appearance of the clock in order to satisfy the principals of Protestant owners. The plinth is in very similar condition to the clock. The top has some slight movement (not visible when clock is in place) and there is a slip of moulding detached from the frieze to the right-hand side. The skirting at the base has a couple of small veneer corner chips and rubbing/staining along the lower edge. Otherwise faults to the plinth are limited to minor shrinkage, a few bumps, scuffs etc. and some fading to the veneers. It is also probable that the front angles were also originally fitted with columns (flanking the panel).Clock has pendulum and a winder but no case key. Condition Report Disclaimer
A REGENCY BRASS INLAID MAHOGANY BRACKET CLOCK WITH AND FIRED ENAMEL DIALWIGHTMAN, LONDON, CIRCA 1815The five pillar twin chain fusee movement previously ting-tang striking the quarters on a graduated pair of bells and sounding the hours on the larger of the two, with shouldered plates and anchor escapement regulated by heavy lenticular bob pendulum with an effective length of 12.5 inches, the backplate signed Wightman, St. Martin's Lane, the 9.5 inch circular fired white enamel Roman numeral dial with Arabic five minutes beyond the minute track and wavy steel moon hands, with a strike/silent selection lever to upper margin set behind hinged convex glazed cast brass bezel, the arched case with geometric brass strung decoration incorporating rectangular motifs and a horizontal double-headed trident across the centre, the sides with gilt brass lion's mask ring handles over arched brass fish scale sound frets, the rear with arch glazed door set within the frame of the case, on cavetto moulded skirt base incorporating conforming brass inlay to fascia over block feet (quarter striking mechanism deactivated and smaller bell no longer present); with a later mahogany wall bracket with rectangular table over a single shaped panel support,The clock 51cm (20ins) high, 35cm (13.75ins) wide, 20.5cm (8ins) deep; the clock on wall bracket 77.5cm (30.5ins) high overall. Online sources record a Thomas Wightman working from 95 St. Martin's Lane, London 1798-1818.
A FINE AND RARE CHARLES II OLIVEWOOD OYSTER VENEERED SMALL LONGCASE CLOCK OF ONE MONTH DURATION THOMAS TOMPION, LONDON, NO. 136 CIRCA 1688/89The substantial six finned and latched pillar movement with five-wheel trains and plates measuring 8 by 5.5 inches, the going train with bolt-and-shutter maintaining power and anchor escapement regulated by seconds pendulum with long crutch, the strike train with external countwheel set on a pivot-post driven by a pinion-of-report applied to the second wheel arbor and sounding the hours on a bell mounted above the plates, the 'type 1' latched 10.25 inch square gilt brass dial with shuttered winding holes, subsidiary seconds dial and calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers and small Arabic five minutes beyond the outer minute track, with sculpted scroll pierced steel hands and applied winged cherub mask spandrels to angles within a 'double herringbone' engraved outer interrupted by the engraved signature Tho: Tompion Londini Fecit to lower margin, in an oyster olive wood veneered case with rising hood incorporating architectural ogee moulded cornice and oyster veneered frieze over glazed dial aperture flanked opposing Solomonic twist columns, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat moulding over 40 inch rectangular door veneered with three linked boxwood outlined architectural break-arch panels populated by oyster cut veneers incorporating geometric radial design to the central panel, with half-round cross grain edge mouldings and crossbanded surround, the sides veneered with repeating oysters with a conforming crossbanded border, the base with stepped ogee top moulding over conforming architectural panel veneered crossbanded front and moulded skirt.186.5cm (73.5ins) high, 43cm (17ins) wide, 25cm (9.75ins) deep. Provenance:The Leonard Fuller Collection, purchased from G.H. Bell, Winchester, 6th September 1966 for £6,170. Purchased by G.H. Bell from Sotheby's, London, sale of FINE ENGLISH AND CONTINENTAL FURNITURE, RUGS AND CARPETS, TAPESTRIES AND CLOCKS 21st May 1965 (Lot 55) 'The Property of a Gentleman' for £1,600 hammer. Thomas Tompion has often been referred to as the 'father of English clock and watchmaking'. When considering the legacy of his work and influence on subsequent generations, such a compliment is justly deserved. Born in Ickwell, Suffolk in 1639 Thomas Tompion appears to have developed an affinity for metalworking from his father, also named Thomas, who worked as a blacksmith. By 1670 Tompion had moved to London and was working in the clock and watchmaking trade. Although there is no record of his apprenticeship or whether he received any formal training prior to moving to London, he quickly became established and obtained his freedom of the Clockmaker's Company in late 1671. His early clocks demonstrate a close working relationship with the Fromanteel, East and Knibb workshops. Around this time Tompion became friendly with eminent mathematicians and scientists such as Robert Hooke and Jonas Moore - perhaps the most progressive and inventive minds of the day. Such associations lead to Royal commissions, firstly from Charles II for whom Tompion is known to have made one of the earliest balance-spring watches in 1676 and later William III who ordered numerous clocks to furnish his various palaces throughout his reign. As well as being an extremely talented artisan Tompion was also commercially minded, cleverly introducing serial numbering for his watches and clocks from around 1681/2. This, as well as maintaining a high degree of refinement in both the design and construction of his clocks and watches, ensured the highest level of exclusivity for clients purchasing from him. In around 1701 Thomas Tompion took a former apprentice, Edward Banger, into partnership. Banger was originally apprenticed to Thomas Ashby in 1687 but was transferred over to Tompion and gained his freedom of the Clockmaker's Company in 1695. He was clearly a talented maker (when considering the few examples signed by Banger alone) however a serious problem between him and his former master caused the partnership to come to an abrupt end in 1707-8 for reasons unknown. On Banger's departure Tompion reverted to working alone until he found confidence in George Graham who had been engaged as a journeyman for Tompion since 1696. Graham's character had already been given the seal of approval by Tompion who allowed him to marry his niece, Elizabeth, in 1704; however it still would be a few years before Tompion would take Graham into partnership which he eventually did in 1711.Thomas Tompion died in November 1713 leaving the business to George Graham who maintained the same exacting standards and became famous in his own right with notable achievements including the development of the deadbeat escapement for pendulum clocks and the cylinder escapement for watches. Edward Banger outlived Tompion by six years, his abilities as a highly skilled watchmaker are demonstrated within a fine jewelled movement dating to around 1715 by him illustrated by him in Evans, Jeremy THOMAS TOMPION at the Dial and Three Crowns page 54, Fig. 97. The movement and dial of the present lot conform to the 'type 1' phase of Tompion longcase clock development as set-out in Evans, Jeremy; Carter, Jonathan and Wright, Ben THOMAS TOMPION, 300 YEARS pages 197-217. The dial is indeed a 'textbook' example of its type and can be directly compared to that of another month longcase (number 14) with double wheat-ear border by Tompion, illustrated in Symonds, R.W. THOMAS TOMPION on page 78 (Figure 54). The movement conforms to Tompion's standard layout for a month duration longcase clock with another of near identical design (number 223) illustrated by Evans, Carter and Wright on page 204. Indeed, the only real variances between these movements are that the present lot has taller plates and no pallet-shaped cut-out to the backplate; both of these features are due to current movement being an earlier example. Tompion's work is characterised by an exceptional approach to the finishing of his movements; the present lot does not disappoint with finely cut graded wheelwork and superb shaping to the steelwork most notably to the hammer spring tail, bell stand foot and barrel click springs.Although the case is not original to the movement and dial it is 'of the period' and a comfortable match benefitting from not having a lenticle (Tompion's preference) and pleasing detailing on the panelling of the veneers. Indeed, the case fulfils the list of criteria listed by Evans, Carter and Wright, with regards to features expected in a 'Type 1', case on page 197.
A RARE GEORGE II STAINED-PINE SMALL THIRTY-HOUR ALARM WALL TIMEPIECE IN A 'SALTBOX' TYPE CASETHE DIAL INITIALLED D.W., PROBABLY SOUTH CENTRAL ENGLAND, CIRCA 1740The four pillar single-handed movement with anchor escapement regulated by seconds pendulum, and external alarm mechanism planted on a brass plate secured to the left-hand side of the movement sounding via a vertically pivoted hammer on a bell set above the plates, the 6 inch square brass dial with silvered Arabic numeral alarm setting disc to the matted centre within applied silvered Roman numeral chapter ring with starburst spike engraved half hour markers and initialled D W to lower margin, with scroll pierced steel hand and winged cherub mask spandrels to angles, the rectangular 'saltbox' type case with raised back panel flanked by downcurved side panels, over forward-sliding horizontal top panel cut with slots for the bell stand and alarm hammer, and fronted with caddy moulding to form the upper margin of the dial surround, the conforming side and lower dial surround mouldings fronting channels to the interior to act as runners for the dial, the rear drilled with a hanging hole behind the bell.25cm (9.75ins) high, 18cm (8ins) wide, 14cm (5.5ins) deep. Elements of the case housing the present clock (namely the channelled moulding bordering the dial and the removable top panel) can be compared to an oak-cased wall clock by John Coates of Cirencester, dating to around 1760, illustrated in Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 on page 164 (Exhibit number 48). Condition Report: The timepiece appears to be in good clean original working condition. There is no visible evidence of alteration - although the collets to the first and second wheel differ suggesting that one may have been re-pinioned (most likely the first wheel). The alarm mechanism appears complete and all original. The dial is also in good original condition with faults limited to a few minor casting blemishes and some patchy oxidation. The case is in sound original condition however the backboard has a vertical split from top to bottom with staples inserted to the upper and lower edge. The sides have lesser splits and the vertical dial runners have had slips of timber inserted at to the rear of the slot to close the channel slightly. The slip-in top cover has slightly different profile to the front moulding and colour so may well be an older replacement. The underside has further slight splitting and chips from the surface of the timber from nails being driven-in from the sides. Faults to the case are otherwise limited to minor bumps, scuffs and other age-related blemishes.Timepiece has a pendulum (suspension spring broken) and two weights, Condition Report Disclaimer
A GEORGE III MAHOGANY VERGE FUSEE DIAL WALL TIMEPIECEWARREN, CANTERBURY, CIRCA 1790The four pillar single fusee movement with tapered plates and verge escapement regulated by short bob pendulum, the 12 inch circular single sheet silvered brass dial engraved with a scene of a windmill over inscription MIND YOUR OWN BUSINESS, with scroll pierced blued steel hands and Arabic five minutes to outer track incorporating signature WARREN, CANTER'Y to lower edge, set behind a hinged convex glazed cast brass cavetto moulded bezel applied to a narrow cavetto moulded wooden surround secured via pegs to the rectangular 'saltbox' type rear case with door to right hand side and pendulum access flap over shaped rear pendant apron to base; together with a facsimile copper U.S. 'Fuglio' cent coin inscribed with the same motto, (2). 35.5cm (14ins) wide, 40cm (15.75ins) high, 15cm (6ins) deep. James Warren is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Canterbury 1778-1832. The motto 'mind your business' can be deemed to essentially have two meanings (albeit connected). The first is based on the stoic principal that one is only in command of his own actions; whilst the second is a reflection the fleeting nature of time and its bearing on productivity. Condition Report: The movement has one noticeable filled hole to the frontplate (just above the upper rim of the contrate wheel) indicating a previous conversion to anchor escapement. The brass of the contrate, escape wheel, potances and back cock are a little darker in colour than the rest of the movement which further suggests that the present escapement is a reconversion. Nothwithstanding these two details there is no other visible evidence to indicate reconversion or any alteration has taken place. The mechanism is in working condition however it is generally dirty/oily hence a precautionary gentle clean/service is advised. The dial is in good original condition with nice overall slightly mellow appearance to the chapter ring. The hands are both a little short so may well be replacements. The bezel is in good original condition with secure hinge. The wooden surround was originally fitted with a lock for the bezel which is no longer present; an extended tab (cut with a slot) which passed through a small aperture in the surround for securing with a latch is now fitted to the bezel (the pivoted latch is not present). The wooden surround otherwise is in sound original condition with no problematic splits or cracks and only a few minor age-related bumps and chips. The 'saltbox' case has mismatched pegs and a replaced backboard; the lower flap also appears to be a replacement. The sides have scuffing behind the dial securing rails (indicative of the dial being drawn back and forth with something sharp in one or more of the peg holes?). The base panel (around the flap) has quite noticeable surface bumps/bruises - the cause of these is not obvious but appears to be from something repeatedly knocking the surface at some point. Faults to the case are otherwise limited to relatively minor age-related bumps and scuffs.Timepiece has a case key (not required!) but no winder. Condition Report Disclaimer
A SWISS GLASS AND CHROME PLATED 'ATMOS CLASSIQUE PHASES DE LUNE' TIMEPIECEJAEGER-LE COULTRE, GENEVA, CIRCA 2008The single train brushed chrome movement with gilt wheel train driven by going barrel wound via the expansion and contraction of a five-segment aneroid chamber mounted within a pierced triform frame to the rear, the torsion lever anchor escapement with jewelled pallets and regulated by large diameter balance oscillating beneath the movement, the regulation lever platform numbered 720014 and the frontplate engraved ATMOS, JAEGER-LE COULTRE, the dial with annual calendar wheel annotated in French reading against a blued pointer at twelve o'clock, within glass Roman numeral chapter ring interrupted by the moonphase at six o'clock incorporating lunar roundel applied to a clear rotating disc over shaped mask also inscribed ATMOS, JAEGER-LE COULTRE, the entire timepiece suspended via three feet screwed to inside of the rear panel of the rectangular glass box case, with lift-out front panel further inscribed JAEGER-LE COULTRE, ATMOS to lower right hand corner, on a stepped rectangular chrome plated platform base; with original packing box, instruction book, guarantee certificate (issued 31st July 2008) and Alcantara dust cover.25.5cm (10ins) high, 18.5cm (7.25ins) wide, 14cm (5.5ins) deep. Condition Report: Timepiece is in 'nearly new' working condition and during testing over a 24 hour period appeared to keep excellent time. Packaging has tape repair to the cardboard box otherwise is in sound condition.Condition Report Disclaimer
A GEORGE II EBONISED SMALL TABLE/BRACKET TIMEPIECE WITH 'SILENT' PULL-QUARTER REPEATPETER CHAPEAU, LONDON, CIRCA 1735The five pillar single chain fusee movement with verge escapement incorporating sprung pallets regulated by short bob pendulum and 'silent' pull-quarter repeat sounding the hour and quarters on two bells on demand only, the backplate engraved with symmetrical entwined vine scrollwork around a central signature Peter Chapeau, LONDON over a basket of fruit, the 5 inch brass break arch dial with calendar and shaped false bob apertures to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes beyond the minute track, with scroll pierced blued steel hands and symmetrical scroll cast spandrels to angles, the arch signed Peter Chapeau, LONDON directly into the plate within applied moulded collar flanked by conforming scroll cast mounts, the bell-top case with hinged brass carrying handle over double cavetto top mouldings and hinged front applied with complex raised mouldings bordering the dial aperture and with scroll pierced brass upper quadrant frets, the sides with break-arch windows bordered with conforming raised mouldings, the rear with break-arch glazed door set within the frame of the case, on cavetto moulded shallow skirt base with brass ogee bracket feet.33cm (13ins) high with handle down, 20cm (8ins) wide, 14cm (5.5ins) deep. Provenance:The Leonard Fuller Collection. Purchased from Jan G. Hastie Antiques and Works of Art, Salisbury, 23rd April 1966 for £250. Peter Chapeau is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1726-46. Very little appears to be known of Peter Chapeau, however it is likely that he was of French Huguenot heritage and thus may have been mostly employed as a journeyman for the likes of Claude DuChesne or Simon DeCharmes. The engraving to the backplate of the present timepiece can be compared to decoration discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass within the chapter titled VINE ENGRAVING, 1740-1770 pages 337-349. The current lot is designed to sound the hours and quarters on two bells only on demand. This form of quarter repeat mechanism is thought to have been devised for timepieces destined for night-time use in the bedroom; whilst striking clocks with quarter repeat facility were generally intended to be utilised downstairs during the day and upstairs at night. As a consequence silent-pull quarter repeating timepieces are rarer as the original owner would have to be very wealthy indeed to afford a timepiece reserved exclusively for use in the bed chamber. The present timepiece also has sprung pallets to the escapement which were designed to quieten the action, further rendering it more suitable for use during times of sleep.The design and layout of the quarter-repeat system employed in the current lot can be closely compared to an example by William Webster, described and illustrated in Dzik, Sunny BENEATH THE DIAL, English Clock Pull Repeat Striking 1675-1725 pages 109-12. Most notable, with regards to the similarities within the details, is the design of the wedge-shaped pumping piece, and the provision of a separate sleeved fitment incorporating the hour hammer pin and hammer tail applied to the hammer arbor to allow the pin-wheel to rotate uninhibited whilst pulling. Condition Report: Movement is in clean, fully working condition. There is no visible evidence of the clock ever being converted to anchor escapement however the collets to both the contrate and escape wheel differ to the rest of the movement suggesting that they have been off their respective arbors at some point most likely to receive attention for wear (or may even be 'service replacements'). The dial is a little oxidised/discoloured but exhibits a pleasing mellow hue; there is no visible evidence of and damage or other notable faults. Case is generally in very good original condition with minor faults including some slight cracking and small veneer losses to the veneers around the mask dial aperture, a section of replaced veneer to the surfaces/ledges above the top mouldings to both sides, a replacement to the raised moulding to the arch of the left-hand side window and a small veneer chip just beneath the rear door to the left-hand corner. Otherwise faults to the case are very much limited to minor shrinkage, bumps, scuffs and other minor age-related blemishes.Timepiece is complete with case key and winder. Condition Report Disclaimer
A GERMAN 'MULBERRY' VENEERED TABLE CLOCKJ.G. EICHLER, FRANKFURT, MID 18th CENTURYThe substantial five knopped pillar twin fusee bell striking movement with plates measuring 9 by 7.75 inches, pinned flanged steel walls to the barrels, five-wheel trains and anchor escapement regulated by lenticular bob pendulum, the 8.5inch inch square gilt brass dial with calendar and shaped false bob apertures over ringed winding holes to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes beyond the outer minute track and signed J.S. Eichler, a Franckfurt to lower margin, with scroll pierced steel hands and applied silvered repousse mask and scroll spandrels to angles, the case veneered in lamp black stained field burr maple or 'mulberry' wood with large gilt brass ring handle to the stepped ogee caddy superstructure, over ovolo capped cavetto top moulding and opening front applied with repeating C-scroll pierced lozenge-shaped fret to the upper rail enclosing a conforming fret to the dial mask behind, the sides with further gilt frets over break-arch lozenge shaped glazed apertures, the rear with door matching the front except for having a smaller glazed aperture and shorter fret, on ovolo moulded skirt base with block feet. 43cm (17ins) high with handle down, 30.5cm (12ins) wide, 16cm (6.5ins) deep. Joseph Georg Eichler is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'Master' clockmaker working in Frankfurt up until his death in 1758. Condition Report: Movement is complete and will just about run and strike, however it is in oily/neglected condition so prone to stopping, hence a gentle clean and service is required. The escapement has probably been converted from verge to anchor (evidence in the plates is inconclusive) and the trains have largely been re-pinioned. The strike train is generally not counting fully/properly suggesting that the rack is sticking - further confirming that a service is required. Without undertaking a train count it is difficult to confirm the duration however as there is an intermediate wheel between the fusee and the centre wheel it would be safe to say that it will probably run between 5 and 8 days. The dial is in fine condition with good colouring and faults limited to very light oxidation only. The case is generally in very good condition and with very attractive veneers. The mask around the dial (behind the front door) has some veneer patch repairs and there is a loss to the veneer strip applied to the inside edge of the door. The skirting to the base has a couple of small well-matched veneer patch repairs otherwise faults to the case are very much limited to minor bumps, scuffs, shrinkage, a few historic fill/patch repairs, age related blemishes and wear.Clock has a pendulum but no winding key (no case keys required). Condition Report Disclaimer
A FINE CHARLES I BRASS 'FIRST PERIOD' LANTERN CLOCKPETER CLOSON, LONDON, CIRCA 1640The trains with separate winding via rope lines running within pulleys incorporating steel walls to the click-spring side, the going train with reinstated verge escapement regulated by oscillating balance positioned above the top plate, the strike train sounding the hours on a bell mounted above the frame via a countwheel with overlift provided by a hoop wheel cut with a single slot, the dial with central vestigial star-burst engraved alarm setting disc within a ring of seven boldly engraved repeating flowerheads and stylised foliate scrollwork, within applied 6.125 inch narrow silvered Roman numeral chapter ring incorporating slender cruciform half hour markers, with fine substantial sculpted steel hand and foliate engraved infill to the quadrants, the frame with turned Doric column corner posts beneath distinctive shouldered vase 'cup and cover' finials with cavetto waists, the front and sides applied with symmetrical scroll pierced cast brass armorial frets with the front incorporating foliate engraved detail including grotesque dolphin masks and engraved signature Peter Clofon Neare Holborn Bridg Fecit, beneath domed bell bearer capped with a conforming vase finial, with brass side doors and the rear with later iron backplate fitted with spurs beneath an iron hanging hoop applied to the top plate, on turned tapered 'acorn' feet, (alarm mechanism no longer present).40cm (15.75ins) high, 16cm (6.25ins) wide, 18.5cm (7.125ins) deep including spurs.Supplemental addition to the above description text (19/08/2024) - The rear of the front, fret together with the centre of one of the greatwheels, bear casting marks conforming to recorded 'P.C. within a shield' marks which are believed to be that for Peter Closon's foundry. Peter Closon is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Southwark, London in around 1595 and apprenticed on 22nd November 1608 to Henry Stevens (through the Clothworkers' Company). His brothers (William and Simon) were both gun makers as was his father, Godfrey, before him. He gained his freedom in 1616 and married Margaret Buckner in 1629. Closon was one of the subscribers for the formation of the Clockmakers' Company paying the substantial sum of £5 in 1630. He worked near Holborn Bridge and took-on many apprentices, first through the Clothworkers' Company and then the newly founded Clockmakers' Company after 1631. Amongst his apprentices were the following who went-on to become notable makers in their own right - John Selwood (1630-38); John Wise (through Thomas Dawson 1638-460; Richard Ames (through Richard Masterson 1648/9-1656/7), and William Speakman (through Nicholas Tomlins 1654-61). Closon was made an Assistant in the Clockmakers' Company in 1633 and then Warden 1637/8, there are no records of his attendance after this date. He died in around 1660/1 and is thought to have been succeeded by Richard Ames. The present clock can be closely compared to another example by Closon illustrated in White, George English Lantern Clocks on page 117 (Figure II/151). The dial engraving is clearly by the same hand incorporating matching flowerheads and leafy scrollwork albeit with the design incorporating two alternating differing types of flowerhead rather than the same four-petal bloom on the current lot. The frame utilises standard London 'first period' castings with cup-and-cover finials and acorn feet as described by White pages 83-84, where it is noted that they were in use 1620-40. Indeed, the current clock is best described as a 'textbook' example of Closon's work and, through comparisen with other examples by him, helps to demonstrate the high degree of consistency achieved by him during the late 1630s to 40s.The current lot has generally survived in fine original condition. At some point the verge with balance wheel regulation was replaced by anchor escapement with long pendulum swinging behind the frame to the rear. This necessitated removal of the alarm mechanism mounted on the backplate to make room for the pendulum. The clock has subsequently re-converted back to its original balance-wheel layout executed by the late Jeff Darken; the anchor pallets, cocks etc. removed at that time have been retained and are included in the lot. Condition Report: Both the going and strike trains appear to be very original apparently retaining all wheelwork, pinions and arbors except for the fly pinion, escape wheel (although mounted on the original arbor) and the balance. The pulleys appear original but have at some point been pinned for chain drive and then reverted back to rope leaving a series of filed-back steel pins at the base of the valley of each pulley. The steel winding clicks are present and operational. The pinions to both trains show evidence of advanced wear which has been left untouched - the pivots have been re-bushed incorporating packing and other adjustments to ensure that the wheels partially engage with unworn faces of the pinions. This allows the clock to restored to working condition whilst retaining original wheels and pinions. The teeth of the wheels show slight wear but are still within tolerance to allow the clock to run (the steel pinions always wear at a much higher rate than the wheels). The steelwork has been carefully cleaned of corrosion but show some slight historic age-related pitting. The top plate has a pair of filled holes (most likely for the pendulum backcock) otherwise appears as originally made (with balance wheel banking pin holes) except for enlarged slot adjacent to the escapement top allow for the previous anchor pallets. The dial has overall moderate oxidation. The tail of the hand has a split in the forging which is not structural and can only be seen when looking at the hand side-on. The alarm disc is of correct pattern and appears to have age but could possibly be a very well executed replacement. The frets appear original and the frame is in very good original condition although the right hand front finial may have been broken and repaired at the stem (very difficult to tell!). The bell and support are in very good original condition. The hanging hoop, backplate and spurs are replacements (would have been originally fitted with an alarm with the original removed during conversion to anchor escapement and long pendulum). The side doors have age but are most likely not original. Clock generally shows light to moderate oxidation to the brass, the steelwork is generally free form rust/visible corrosion.Clock is complete with lines and weights. Condition Report Disclaimer
A JAPANESE LACQUERED BRASS MAKURA DOKEI MINIATURE TABLE CLOCKUNSIGNED, 19th CENTURY The four crisply-turned finned and knopped pillar movement with verge escapement regulated by sprung balance set above the movement to the fusee-driven going train, the strike train with going barrel and outside countwheel advanced by an external pawl to the rear of the backplate for sounding via a vertically pivoted hammer the hours on a bell set above the balance, the front panel with concentric ring moulded rotating gilt brass chapter disc incorporating inset Japanese hours and baton minute markers reading against a fixed scroll pierced steel hand, set within stylised foliate spray infill, the rear with countwheel and visible detents over winding squares with ratchets within conforming engraved decoration, the angles with complex baluster and ring-turned multiknop posts joining the caddy moulded top and bottom plates, with the upper surface surmounted with the balance and bell assembly flanked by conforming turned finials, on later oak plinth.The clock 9.5cm (3.75ins) high, 9cm (3.5ins) wide, 5cm (2ins) deep. The term 'makura dokei' translates as 'pillow clock', with such timepiece be referred to by this name due to their visual similarities to a Japanese pillow or 'makura'. Condition Report: Clock is in fully working condition however the mechanism is a little dusty so a gentle clean/service is advised. The finish has pleasing slightly oxidised toning protected under lacquer with minimal spotting and only slight dust staining/build-up. The dial has very slight rubbing/discolouration only.There is no winding key present. Condition Report Disclaimer
Y A FINE WILLIAM AND MARY EBONY 'BASKET TOP' TABLE TIMEPIECE WITH 'SILENT' PULL-QUARTER REPEAT NATHANIEL HODGES, LONDON, CIRCA 1690The six finned pillar single fusee movement with verge escapement regulated by short bob pendulum and 'silent' pull-quarter repeat on a graduated pair of bells, the backplate engraved with symmetrical scrolling foliage incorporating tulip blooms around a central shaped reserve signed Nathanael Hodges, Londini Fecit, the 6 inch square brass dial with calendar aperture to the matted centre within applied Roman numeral chapter ring with eared cruciform half hour markers and Arabic five minutes within the outer minute track, with scroll pierced steel hands and winged cherub cast spandrel mounts to angles, the ebony veneered case with eagle head and dolphin cast hinged brass carrying handle to the pierced gilt brass domed 'basket' caddy superstructure pierced and relief decorated with Ho-Ho birds over generous tied fruit festoon swags flanked by floral pendants and with acanthus scrolls to the angles, flanked by flambeau finials to the corners, over ogee edged projecting cushion top mouldings and rectangular glazed front door applied with fine mouldings around the glazed aperture and applied with scroll-pierced gilt escutcheon mounts to uprights, the sides with conforming rectangular windows and the rear with glazed door applied with matching mouldings to the aperture set within the frame of the case, on ogee moulded shallow skirt base with gilt brass disc feet; with a later ebonised wall bracket of inverted ogee form, (quarter repeat work restored).The timepiece 30cm (11.75ins) high with handle down, 21.5cm (8.5ins) wide, 14cm (5.5cm) deep; the timepiece on bracket 46.5cm (18.25ins) high with handle down.Nathaniel Hodges is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as becoming a Free Brother of the Clockmakers' Company in 1681. He was noted as a 'great clockmaker' (i.e. maker of turret clocks) and was last mentioned in the Company Records as being in arrears in 1687. Loomes cites the burial records of two individuals of the same name in 1688 but neither appear to have been clockmakers. He also notes that Hodges was living in the Parish of Blackfriars with his wife, Joan, when their daughter was baptised in 1673. By 1679 he had moved to Parish of St. Brides, Fleet Street (possibly to his premises on Wine Office Court) where three further children were baptised, the last being Mary in January 1687. Despite being noted as a 'great clockmaker' and generally very little else known of Nathaniel Hodges he was clearly a fine maker with many fine table clocks surviving including a rare marquetry-cased example and another extensively decorated with repousse mounts and with rare original glazed-front carrying case illustrated in Dawson, Percy G.; Drover, C.B. and Parkes, D.W. Early English Clocks on page 460 (Plates 677-78).The current lot is designed to sound the hours and quarters on two bells only on demand. This form of quarter repeat mechanism is thought to have been devised for timepieces destined for night-time use in the bedroom; whilst striking clocks with quarter repeat facility were generally intended to be utilised downstairs during the day and upstairs at night. As a consequence silent-pull quarter repeating timepieces are rarer as the original owner would have to be very wealthy indeed to afford a timepiece reserved exclusively for use in the bed chamber. The design of the repeat mechanism used in the current lot is based to the system devised by Joseph Knibb (as described and illustrated in Allix, Charles and Harvey, Laurence HOBSON'S CHOICE pages 36-7) with the principal differences being the shape and positioning of the pivoted gear-toothed sector, and the use of an unusual slide arrangement to engage with the hour-snail. Another noteworthy feature is the split hammer arbor enabling both the hour and quarter hammers to be set side-by-side by providing pivots for each within a bat positioned between them. This detail appears to have been favoured by Henry Jones and can been seen on a timepiece (dating to the mid-1670's) illustrated and described in Dzik, Sunny BENEATH THE DIAL, English Clock Pull Repeat Striking 1675-1725 pages 67-68.The engraving to the backplate of the present timepiece is a very good example of the of tulip engraving and can be closely compared to that on a table timepiece by Charles Gretton illustrated and described in Dzik, Sunny ENGRAVING ON ENLISH TABLE CLOCKS, Art on a Canvas of Brass 1660-1800 pages132-106 (Figure 7.7). Condition Report: The movement is complete and fully operational although a gentle clean/service is advised. The movement is in its original form with no visible evidence of any alteration however it is most probably that the repeat mechanism has seen significant well-executed restoration or has possibly been faithfully reinstated. There is no visible evidence (filled holes or alteration to pallet arbor slot cut to the top of the backplate) to indicate that the movement was ever converted to anchor escapement although the present escape wheel would appear to be a service replacement. The dial has been electro-gilded (including the rear of the plate) and two of the spandrel securing screws have been replaced. Both hands appear original and are nicely made/sculpted; the hour has had repairs to the scrolls forming the tip and is a little distorted. Dial otherwise is in good clean condition with fine matting showing some slight overall wear. The case is in sound original condition. All the brass mounts have been electro-gilded. The basket top has historic wear through the hight spots most notably to the swags otherwise appears undamaged and with vey little distortion. The finials are probably later additions; the moulding forming the lower edge of the basket has had the corners filed to allow room for the finials. The front door repousse right hand repousse mount is missing a small section from the lower edge and the left hand one is a cast replica which also replicates the same small loss to the lower edge. The leading edge of the top front right-hand corner of the top (adjacent to the finial) has a small veneer chip. The mask around the dial (behind the front door hence only visible when door is open) has overall chipping/wear and losses to the veneer overlap bordering the dial. The right-hand side above the aperture has a crack and slight movement in the carcass and veneer and the lower edge of the moulding bordering the upper edge of the panel has wear/loss. The rear upper moulding has some cracking towards the right-hand ed and the lower rear right-hand corner has a small scarf-type repair to the moulding. The interior of the case has some scooping-out to the carcass to allow room for bells, backcock etc which is to be expected in a clock where the movement is a snug fit in the case (ie. is not indicative of alteration or the clock being a marriage. The base of the case has two additional small holes drilled for a pair of later hooks to further secure the movement (by hooking over the two bottom pillars) in the case. This is in addition to the original system of two latches fitted to the rear of the dial plate engaging with slots cut in the uprights of the dial surround. Front and rear doors appear to retain original locks and hinges albeit with some later securing screws added. Faults to the case are otherwise limited to minor shrinkage and a few are-related bumps, scuffs etc. Condition Report Disclaimer
AN AUSTRIAN OXIDISED BRASS THEODOLITENEUHOFER AND SOHN, VIENNA, EARLY 20th CENTURYThe telescope with rack and pinion focus adjustment and fitted with a spirit level to top, mounted via a horizontal pivot terminating with a spoked vertical circle incorporating fine silver Vernier scale to circumference with pivoted scale magnification glass to one end opposing fine screw angle adjustment bar to the other, onto a pierced U-shaped frame and rotating table incorporating X and Y orientated spirit levels, Vernier sector with pivoted magnifier, and rotation locking clamp with fine thread adjustment and signed NEUHOFER & SOHN, VIENNA beneath serial number 7135 to the arm, the fixed base with silvered ring calibrated in degrees of rotation divided for half degree increments to the circumference, the whole raised on squat column upright issuing triform radial supports with screw feet, in original wooden box with some accessories and pasted factory calibration label to the inside of the door.The instrument 20.25cm (8ins) high, the tube 16.5cm (6.5ins) long with focus closed; the box 30cm (11.75ins) high, 20.25cm (8ins) wide, 22cm (8.75ins) deep. The firm of Neuhofer and Sohn was established when Carl Neuhofer joined his father, Joseph, as a partner in the business previously known as 'Optisches Institut Carl Cross and Comp.' trading from 8 Kohlmarket, Vienna. The business became particularly well known for their optical and surveying instruments and continued trading up until around 1940.
AN UNUSIAL FRENCH GILT BRASS FRAMED EASEL MIRROR STRUT TIMEPIECEUNSIGNED, LATE 19th CENTURYThe Swiss gilt watch type movement with cylinder escapement regulated by sprung monometallic balance, the oval bevelled mirror glass dial plate engraved with a 1.5 inch Roman numeral chapter ring around a star centre issuing blued steel fleur-de-lys hands towards the upper margin, set within moulded surround and fine foliate scroll pierced and engraved silvered brass border, set behind glass within a conforming cast surround applied with ribbon-tied floral trail crest centred with a seated patinated figure of a putto looking into a mirror, the base with foliate scrollwork applied with a conforming pair of putto, the frosted gilt rear with raised circular section housing the movement and pierced hinged strut, (damage/loses to the clear glass border).23.5cm (9.25cm) high when standing, 18.5cm (7.25ins) wide, 4cm (1.5ins) deep with strut closed.
AN ELIZABETH II COMMEMORATIVE SILVER CASED MINIATURE 'HUMP-BACK' CARRIAGE TIMEPIECECHARLES FRODSHAM, LONDON 1978The eight-day four pillar going barrel movement with Swiss gilt platform lever escapement regulated by spring monometallic balance, the 2.350 inch arched gilt brass dial with two banners inscribed Cha's Frodsham & Co., London, England to centre within applied silver Roman numeral chapter ring, with blued steel moon hands over inscription Elizabeth of Glamis flanked by a pair of rose blooms, the arched case with curb link carrying chain to the top over half-round mouldings bordering the glazed dial aperture and hinged rear door engraved with a banner inscribed SERIAL No. 212/800, on four conical feet, marks for London 1980 maker TC.8cm (3.125ins) high, 7cm (2.25ins) wide, 4.5cm (1.75ins) deep. Charles Frodsham was born in 1810 into a family of clockmakers with his grandfather, William originating from Cheshire before moving to London prior to 1781 where he was admitted to the Clockmaker's Company. His son, William James, had six sons, four of whom joined the firm of Parkinson and Frodsham in London; whilst Charles, the third born son set-up on his own at Barnes Place, Islington in 1834. He moved to 12 Finsbury Pavement in 1836 then to number 7 in 1838. On the death of the renowned chronometer maker John Roger Arnold in 1843 Charles Frodsham acquired the business and began trading as 'Arnold, Charles Frodsham' from 84 Strand, London. Unusually Frodsham was not admitted to the Clockmaker's Company until 1845 but went on to serve as master twice in 1855 and 1862; he was also a founder member of the British horological Institute in 1858.Charles Frodsham became one of the most eminent chronometer makers of his generation who served as a juror in the 1852 International Exhibition held at South Kensington where he also showed a month duration marine chronometer with experimental 'Duo-in-uno' balance springs and three different forms of compound balance. In 1854 he purchased the 'goodwill' of the late Benjamin Lewis Vulliamy's business which led to his appointment as Superintendent and Keeper of Her Majesty's clocks at Buckingham Palace. Charles Frodsham died of liver disease in January 1871 and was succeeded by his son, Harrison Mill Frodsham. The business became Charles Frodsham and Company and in 1884 and then was incorporated as a limited Company in 1893 before relocating to 115 New Bond Street, London two years later where they remained well into the Twentieth Century. The firm is still trading today (from 32 Bury Street, London) as specialist in chronometer, watch and clock makers. The present timepiece was produced as a part of a limited edition run of 800 examples to commemorate the life of Queen Elizabeth the Queen Mother. Condition Report: Movement is complete and in working condition however a gentle clean/service is advised. The dial appears free form visible faults other than some very light dust deposits (only visible on very close examination). Case is in fine original condition with no visible damage although it would benefit from a clean/polish. There is no winding key present. Condition Report Disclaimer
A FINE ENGRAVED GILT BRASS STRUT TIMEPIECE IN THE MANNER OF THOMAS COLE W. VASEL FOR RETAIL BY CARRINGTON AND COMPANY, LONDON, CIRCA 1880 The Swiss-made circular eight-day three-quarter plate movement with lever escapement regulated by sprung bimetallic balance, the 2.75 inch wide silvered brass Roman numeral dial with fine symmetrical repeating Baroque cartouche and strapwork engraved horizontal line hatched centre within narrow Roman numeral chapter ring and with fine blued steel fleur-de-lys hands, the upper and lower margins engraved with foliate scrolls and floral motifs incorporating central raised shaped extensions of the gilt canted bezel further engraved with fan motifs to upper surfaces set behind bevelled oval front glass, the frosted gilt case with hinged lancet-shaped pendant applied to a leafy scroll panel engraved crest over repeating oval cartouche and leafy spray line-hatched decorated dial surround, the periphery with strapwork panel decoration, and the rear panel profiled to match the front and fitted with regulation shutter, hand setting screw, integral winding key, pivoted looped strut and engraved with the initials W.V. to upper margin; in original velvet lined gilt tooled Morocco protective easel case inscribed with CARRINGTON & CO., BY APPOINTMENT, 130 REGENT STREET, W. around the Royal crown to the cream silk-lined interior of each of the opening front panels.The timepiece 12.5cm (4.875ins) high with handle down, 9cm (3.5ins) wide, 2cm (0.75ins) deep; the leather case 17cm (6.75ins) high, 12.5cm (4.875ins) wide, 3.5cm (1.375ins) deep. Although not apparently listed in the usual sources W. Vasel was known as a fine maker who worked from several addresses in London from 1881-1907. Vasel appeared to specialise in continuing the production of high-quality decorative timepieces made popular by Thomas Cole who submitted several examples both under his name and on the stand of Hunt and Roskell at the Great Exhibition in 1851. Thomas Cole died abruptly of typhoid fever in 1864 no doubt leaving a 'gap' in the market for others to continue with the production of finely made timepieces in his style. The firm of retail Jewellers and silversmiths, Carrington and Company, was founded by John Bodman Carrington in 1873. They traded from 130 Regent Street, London, and in 1880 were incorporated as a Limited Company. The business became one of the leading silversmiths in London with John Bodman Carrington being appointed Prime Warden of the Goldsmith's Company in 1902. The firm continued trading throughout the 20th century until being acquired by Collingwood and Company in 1970. The present lot would appear to be the smaller variant of two timepieces made by William Vasel to this design. An example of the slightly larger model (with dial measuring 3.5 inches across), this time made by Vasel for retail by Hamilton and Inches of Edinburgh, was sold in these rooms 7th March 2023 (lot 114) for £3,200 hammer. Condition Report: The movement is in fine original working condition with no visible evidence of alteration or noticeable replacements; a gentle clean/service is however is advised. The dial has overall oxidation and some wear/rubbing to the chapter ring otherwise is in good original condition. The case has overall moderate wear of the original gilt finish with the brass beneath discolouring where the gilding is now thin. All screws holding the case together are present and are most likely all-original. The leather case has some fraying to the silk lining over the hinge points of each front panel and to two small localised areas of the left hand flap. The exterior is very 'dry' with some rubbing, light scuffs and edge wear. The rear has a small loss within a shaped stain patch in the shape of a sticky label Otherwise is in good original condition. Clock has integral winder and hand setting key. Condition Report Disclaimer
A MAHOGANY QUARTER CHIMING LONGCASE CLOCK WITH MOONPHASEBENJAMIN PEERS, CHESTER, CIRCA 1780 AND LATERThe four-pillar rack striking movement with anchor escapement regulated by seconds pendulum and now sounding the hours on a tubular gong suspended within the case, now fitted with a third separate quarter chiming train sounding on a graduated next of eight bells set to the right hand side, the 13 inch brass break-arch dial with subsidiary seconds dial to foliate scroll engraved centre within applied Roman numeral chapter ring with concentric calendar inner track and Arabic five minutes beyond the outer minute track, with scroll pierced steel hands, a third brass hand for the concentric calendar and rococo scroll cast spandrels to angles, beneath arch with rolling moonphase incorporating lunettes engraved with longitude and latitude lines and disc calibrated with the lunar month to the circumference, below engraved silvered signature BENJAMIN PEEERS, CHESTER following the curvature of the arch, the case with swan beck pediment incorporating gilt scroll decorated simulated verre-eglomise frieze over hinged glazed dial flanked by fluted Doric columns, the sides applied with vertical bargeboards at the rear, the trunk with concave throat moulding and plain frieze over shaped-top caddy moulded door faced in book-matched flame-figured veneers flanked by quarter columns, the plinth base with stepped ogee top mouldings over shaped raised panel to front flanked by canted angles, on ogee bracket feet.236cm (93ins) high, 53cm (21ins) wide, 25.5cm (10ins) deep. Provenance:The Leonard Fuller collection, purchased from G. Lord and W. Fisher (antique furniture dealers), Folkstone, 30th May 1965 for £95. Benjamin Peers is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Chester 1773-84. Condition Report: Condition overview:As catalogued the movement has a separate quarter chiming train (set between its own plates) added in the 19th century. The core eight-day movement is in sound original condition but the hour hammer has been converted to sound on a tubular gong. Clock is complete and will most likely run but a gentle clean service is advised. Movement retains original seatboard but with some damage/losses but rests at the correct level in the case with no visible adjustment to the cheek uprights of the trunk hence movement and dial are most likely original to the case. Case is in good condition with damage limited to a few minor historic veneer patch repairs, shrinkage, bumps, scuffs and other age-related blemishes.Clock has pendulum, weights, case key but no winder. Condition Report Disclaimer
A WILLIAM III EBONISED 'BASKET TOP' QUARTER-REPEATING TABLE CLOCK HENRY ELLIOTT, LONDON, CIRCA 1695The six finned and latched pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum, with pull-repeat peeling the quarters on a graduated nest of three bells and sounding the hour on a further larger bell, the backplate engraved with symmetrical scrolling foliage including tulip blooms around a central scroll cartouche signed Henry Elliott, LONDINI, Fecit, the 7 inch square brass dial with ringed winding holes and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and small Arabic five minutes within the outer minute ring, with fine sculpted scroll-pierced steel hands, applied gilt winged cherub mask spandrels to angles and vestigial S/N strike/silent selection switch at twelve o'clock, the case with Quare-type hinged foliate bud tied scroll-shaped carrying handle over pierced brass repousse 'basket' superstructure decorated with scrollwork inhabited by basket of flowers flanked by cornucopiae and cherubs to front and rear and pair of cherubs alone to each side, above rope twist and cast ogee moulded lower border, flanked by brass ball finials, with complex top mouldings over hinged glazed front applied with foliate repousse mounts to the frame of the door, rectangular side windows and further glazed door set within the frame of the case to the rear decorated with matching mounts, on conforming complex moulded skirt base with gilt brass disc feet.37cm (14.5ins) high with handle down, 26cm (10.25ins) wide, 16.5cm (16.5ins) deep. Henry Elliott is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as probably working in London from around 1676, and becoming a 'Free Brother' of the Clockmakers' Company in 1688. In 1694 he was in St. Giles Parish and he signed the oath of allegiance in 1697. Henry Elliott was still alive in 1704/5 when his son of the same (baptised in 1689) started his apprenticeship under George Tyler. Loomes notes only a watch and one bracket clock known to him at the time of writing, with the latter signed 'LONDINI Fecit'. This record could relate to the present clock due to the relatively rare inclusion of 'Fecit' within the signature. The engraving to the backplate of the present timepiece can be compared to decoration discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass within the chapter titled A CLOSER LOOK AT TULIP ENGRAVING pages 143-46. Indeed two backplates of near identical design (for clocks by Thomas Cattell and Thomas Tyler) to that of the present lot are illustrated on page 144 (Figure 8.15). The pull-repeat system on the present lot is somewhat unusual in that both the hour and quarters are powered directly by the fusee strike train rather than having a supplementary spring barrel (or blade spring) to drive the repeat system (either entirely, or for the quarters alone). In order to achieve this the quarter peel and hour hammer pins are applied to the same pin barrel with the hammers first positioned to engage the quarter hammers, before the whole hammer block assembly is automatically shunted along in order for the offset hour hammer pin to operate the hour hammer. In addition to this both the quarter and hour racks are neatly positioned one behind the other in order for the same gathering pallet to be used for both, with the hour rack hook lifted out of the way whilst the quarters are sounding. Two clocks (by Charles Gretton and John Adamson respectively) with closely related repeat systems to the present lot are described and illustrated in Dzik, Sunny BENEATH THE DIAL, English Clock Pull Repeat Striking 1675-1725 pages 486-89. Condition Report: Movement is in very original condition is essentially in working order. There are variances in the shape of the collets within the wheelwork suggesting service work has been undertaken in the past however wheelwork appears to be all-original. The escape wheel has a replaced tooth, the pallets may be replacements and are now fitted with a crutch for the pendulum to operate with silk suspension (attached to a later projection fitted to the original backcock). The repeat work will function but is prone to sticking hence needs adjustment/service. The strike silent switch is lacking and two of the movement pillars are pinned rather than latched. The backplate retains its original backcock apron but exhibits some noticeable brass pin-filling around the fusee holes (to tighten the pivots). The mechanism is generally a little dirty/discoloured hence a general gentle clean/service is advised. The dial is generally a little dirty/oxidised but otherwise is in good original condition. The hands are nicely made, the minute has been repaired. The movement rests on a replacement seatboard however we are of the opinion that the movement and dial are original to the case. The movement is retained by two bolts passing through the base and threading into the bottom movement pillars; the thread on one of these screws is stripped. The case has two additional holes outboard of the movement - these indicate that the case was once bolted to a wall bracket. The case generally is in very good unrestored condition. The repousse caddy is very good with no significant denting or problematic wear; the finish is dull/oxidised and residue in the crevices indicates that it has been cleaned with metal polish at some point in the past. The mask around the dial has losses to the veneer overlap and the front door lock appears not to work. The finish to the case shows historic rubbing/wear revealing much of the fruitwood to beneath however the surface is old and rather pleasing in its patination. The mounts are discoloured but free from notable damage. Faults to the case are otherwise limited to minor age related bumps, scuffs, and other blemishes.Clock has a case key but no winder. Condition Report Disclaimer
A CONTINENTAL SILVERED METAL AND ENAMEL FIGURAL MUSICAL AUTOMATON TABLE VESTA GROUPUNSIGNED, FRENCH OR SWISS, CIRCA 1900With musical movement playing two melodies in succession via a 1.25 inch pinned cylinder on a 30 tooth comb, set on a brass bed stamped 1128 and with wooden pulley line take-off to drive the automaton together with a wire start/stop plunger, set within a circular moulded ebonised plinth surmounted by a silvered white metal figure of a clown holding a stick perched with two lovebirds over a barrel, together with a drum and a figure of a dancing dog holding a ring with two further lovebirds in his mouth who rotates whilst the music is playing, in the foreground is an enamel-lidded vesta box decorated with a portrait of an 18th century style female, opening the lid activates the plunger for the music and automata, the underside of the base with indistinct oval paper label, on brass ball feet.21cm (8.25ins) high, 16.5cm (6.5ins) diameter. Provenance: From a Private Collection.
A RARE GEORGE II PROVINCIAL SILVER PAIR-CASED VERGE POCKET WATCH WITH CHAMPLEVE DIALJONATHAN JOHNSTON, BERWICK, 1740The gilt full plate fusee movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate scroll pierced and engraved balance cock with grotesque mask at the junction with the conforming pierced and engraved foot, flanked by silvered regulation disc set within adjacent applied scroll engraved panel infill opposing signature Jn'o, Johnstone, BERWICK, and numbered 147, the silver champleve dial with a relief chased curved over strait panels engraved JOHNSTONE, BERWICK to the finely matted centre, within Roman numeral chapter ring and cartouche Arabic five minute numerals to outer track, with sculpted blued steel beetle and poker hands, the inner case applied with suspension post and bow at twelve o'clock and the outer case with moulded rim to circumference and engraved with an indistinct monogram within delicate floral trails incorporating date 1788 to rear cover, the inner case marked for London 1740, the outer London 1758 makers I.W. possibly for Thomas Whipham (1746-65).The pillar plate 3.5cm (1.375ins) diameter, the inner case 4.2cm (1.675ins) diameter; the outer case 4.8cm (1.875ins) diameter. Jonathan Johnstone of Berwick does not appear to be recorded in the usual sources. Condition Report: Watch is complete and in working condition and appears all-original. The gilding to the train, backplate and fittings is in good condition with minimal wear/rubbing and scratching to the latter. The dial is in very good original condition and the hands appear free form visible faults or repairs. The inner case is in good original condition but with overall slight to moderate wear/rubbing and some shallow denting; the suspension post has also probably been re-attached; marks are rubbed with maker's no longer legible. The outer case is generally very good with only minor rubbing and wear with good clear hallmarks. It is most probable that the slightly later outer case was purpose made for the present watch.Watch has a winding key. Condition Report Disclaimer
A MAHOGANY CASED TWO-DAY MARINE CHRONOMETER INSCRIBED FOR THE CORONATION OF QUEEN ELIZABETH IITHOMAS MERCER, ST. ALBANS, 1953The circular four pillar single chain fusee movement with Harrison's maintaining power, jewelled pivots for the escape and seconds wheels, Earnshaw type spring detent escapement regulated by split bimetallic balance with cylindrical compensating weights, helical palladium balance spring and jewelled endstone, the spotted backplate with spring set-up ratchet and blued-steel pillar and backcock securing screws, the inside of the backplate and reverse of the dial mounting plate both stamped 20350, the 4 inch circular silvered Roman numeral dial with subsidiary seconds dial engraved 20350 over monogram 19 ER 53 at six o'clock, below signature THOMAS MERCER LTD, ST. ALBANS, ENGLAND across the centre and DOWN/UP, 0-56 power reserve dial beneath twelve o'clock, the lower margin of the chapter ring further inscribed THOMAS MERCER LTD. St. ALBANS ENG., secured by a screw-down bezel into a lacquered brass bowl with shuttered winding hole to rear and stamped with matching serial number 20350 to interior, mounted via gimbals into a mahogany two tier box with typsy winding key beneath glazed lid and applied with brass plate inscribed SUPPLIED BY, ETABLISSEMENTS VIALLET, 8 RUE BEAUVAU 8, MARSEILLE FRANCE, No. 20350 to front; with original padded baize-lined wooden guard box.The chronometer box 17cm (6.25ins) high, 19cm (7.5ins) square; the guard box 21.5cm (8.5ins) high, 29cm (11.5ins) wide, 24.5cm (10.25ins) deep. Provenance:The personal collection of the former owners of Marine Instruments Limited, Falmouth, Cornwall. The chronometer making firm Thomas Mercer of St. Albans was established by Thomas Mercer (1822-60) at North Road, London in 1858 before moving to 45 Spencer Street, Clerkenwell in 1860. Mercer became an active member of the British Horological Institute (established in 1858) where he lectured on the need to modernise the industry and served as honorary treasurer from 1875-95. After occupying several addresses in Clerkenwell Mercer relocated the core of the business to St. Albans in 1874 setting up a factory behind his house at 14-15 Prospect Road. Although the bulk of the businesses work was undertaken in St. Albans Mercer personally made weekly trips to Clerkenwell to deliver/collect parts finished by specialist outworkers as well as visit the Horological Institute. In order to maintain a presence in London Thomas Mercer opened an outlet 18 Westmoreland Road, City Road in 1890. Succuss at the Greenwich trials was also always considered important to Mercer who entered instruments every year; he was placed second in 1881 and his son, Frank, came first in 1911. In 1900 Thomas Mercer accepted an invitation to judge at the Universal Exhibition in Paris but unfortunately caught a cold on the ferry crossing and died soon after his return. The business was subsequently continued by his successors becoming of the most prolific suppliers of chronometers and other timepiece for industrial, maritime and domestic purposes and continued trading in St Albans until 1984. Condition Report: Timepiece is in fine original working condition with no visible evidence of alteration or noticeable replacements. The movement retains its original finish albeit with two noticeable areas of oxidation/tarnishing to the backplate as well as lesser discolouration to other areas. The dial has some patchy degradation to the protective lacquer coat otherwise is in fine original condition. The bowl and gimbals are in good original condition retaining old surface with some patchy oxidation/rubbing etc. The box is undamaged but also has overall rubbing and scratching to the original polish finish. Tye lining to the guard box has two small moth holes otherwise is in good condition. The exterior has a few light surface scratches and scuffs and is now lacking its strap carrying handle.Instrument is complete with its typsy winding key.Condition Report Disclaimer
A GEORGE III OAK EIGHT-DAY LONGCASE CLOCKGEORGE MAYNARD, MELFORD, CIRCA 1775The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with calendar aperture, engraved subsidiary seconds dial and signed George Maynard, MELFORD to centre, within applied Roman numeral chapter ring with Arabic five minutes beyond the outer minute track, with scroll pierced steel hands and applied with rococo scroll cast spandrels to angles, the case with domed caddy superstructure, architectural cornice and blind frieze over hinged glazed dial aperture applied with Corinthian three-quarter columns with brass caps and bases to the front angles, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over rectangular door with applied ogee edge mouldings, on plinth base with conforming top moulding over a cavetto-topped skirt.219cm (86ins) high, 49.5cm (19.5ins) wide, 24.5cm (9.75ins) deep. Provenance:The Leonard Fuller Collection, purchased from John Wells Antiques and Victoriana, Woodstock, 22nd June 1966 for £47-10-0. George Maynard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Melford, Suffolk, during the second half of the 18th century.
A QUEEN ANNE EIGHT-DAY LONGCASE CLOCK MOVEMENT AND DIALWILLIAM STEPHENS, GODALMING, CIRCA 1705The five finned pillar inside countwheel bell-striking movement with anchor escapement for regulation by seconds pendulum, the 12 inch square brass dial with ringed winding holes, basket-of-flowers inhabited foliate scroll engraved decoration around the calendar aperture and subsidiary seconds to the matted centre, within applied Roman numeral ring with stylised Fleur-de-lys half hour markers, Arabic five minutes beyond the minute track and signed W'm Stephens, Godalming to lower edge, with scroll pierced steel hands and twin cherub and crown cast spandrels to angles within a herringbone engraved outer border, (no pendulum, weights or seatboard)7cm (2.75ins) from bottom of dial to base of the movement, 14cm (5.5cm) deep including crutch. William Stephens of Godalming is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as probably born in 1637 and married to Mary Gad in 1656. The marriage bore six children between 1661 and 1676; William Stevens is thought to have died in 1735.
A FINE GEORGE I GOLD VERGE POCKET WATCH WITH CHAMPLEVE DIALRICHARD VICK, LONDON, CIRCA 1721The gilt full plate fusee movement with four unusual turned baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm brass balance with Tompion type regulation, the backplate with fine silver symmetrical foliate strapwork scroll pierced and engraved balance cock with faceted diamond endstone and incorporating grotesque mask at the junction with the scroll engraved foot, flanked by silvered regulation disc set within adjacent applied scroll engraved brass panel infill opposing signature Rich'd Vick, LONDON, and indistinct number ...71, with gilt brass dust cover similarly signed Rich'd Vick, LONDON, the gold champleve dial with pair of relief chased curved panels engraved VICK, LONDON to the finely matted centre within Roman numeral chapter ring incorporating relief diamond lozenge half hour markers and cartouche Arabic five minute numerals to outer track, with fine sculpted blued steel beetle and poker hands, the gold consular case with suspension post and bow at twelve o'clock and slender moulded collar to circumference, indistinct marks for London 1721 makers IB.The pillar plate 3.5cm (1.375ins) diameter, the case 4.5cm (1.75ins) diameter. Provenance:The Leonard Fuller Collection. Purchased from G.H. Bell, Winchester, 23rd June 1966 for £90. Richard Vick is recorded on the Royal Collection Trust website as being bound to Richard Speakman on 31st January 1692 but was 'turned over' to Francis Asseline, a Freeman of the Haberdashers' Company until 1699. He was later turned over to Daniel Quare and admitted to the Clockmakers Company in April 1702. He received the Royal Warrant on 8th December 1722, in which he is described as 'Watchmaker and Clockmaker in Ordinary, in the room of Joseph Antram'. In 1729 he became the Master of the Clockmakers Company and had business premises in The Strand. Condition Report: Movement appears to be all original and is in working condition. The wheelwork, plates etc retain their original finish with very light wear/scratching only however the mechanism is overall very slightly dull/dirty hence a clean/service is advised. Dust cover has minor edge wear and is a little dirty. Dial is in fine original condition, some of the black infill (presumably wax) to the numerals has small losses; hands appear undamaged. The case has some denting to the rear cover and a noticeable rivet mark where the internal spring for the clasp is fixed to the case; the clasp button is also dented. Case otherwise is in sound original condition.Gross weight 94g. Watch has a winding key. Condition Report Disclaimer
A GEORGE III BRASS MOUNTED MAHOGANY TABLE/BRACKET CLOCK WITH MOONPHASETHAMAS WAGSTAFF, LONDON, CIRCA 1785The five pillar twin fusee bell striking movement with verge escapement regulated by lenticular bob pendulum incorporating transverse pivoted beam rise/fall regulation to suspension and with holdfast, the foliate engraved backplate decorated with a circular cartouche containing a basket of fruit on a rococo shelf to centre over leafy swag to lower margin, the 8 inch single sheet silvered brass dial with subsidiary calendar dial over signature Tho's Wagstaff, Gracechurch St., LONDON and unusual rolling moonphase aperture with lunar disc calibrated for the lunar month to circumference to the centre, within narrow Roman numeral chapter ring with Arabic five minutes beyond the minute track, with pierced blued steel hands and leafy scroll engraved infill to spandrel areas beneath arch with twin subsidiary STRIKE/SILENT and regulation dials, the break arch case with hinged brass carrying handle applied to a single brass fillet bordered raised 'pad' to top and complex cornice mouldings, over hinged front incorporating brass fillet mouldings bordering the glazed dial aperture, the sides with arched brass fish scale sound frets and the rear with break-arch glazed door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.44cm (17.25ins) high with handle down, 31cm (12.25ins) wide, 19.5 (7.75ins) deep. Thomas Wagstaffe is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Carey Street and Grace-Church Street, London 1756-93. Wagstaffe was a devout Quaker with strong ties with his brethren in Philadelphia, U.S.A. He is known to have supplied movements and dials for casing locally in Philadelphia, with examples noted in Moore, George and James, Arthur Thomas Wagstaffe, Quaker Clockmaker published in the December 1976 issue of the 'National Association of Watch & Clock Collectors Bulletin' (pages 534-35). Condition Report: Movement is in relatively clean working condition and appears fundamentally all-original with no visible evidence of alteration or noticeable replacements. The dial is in fine condition with nice even silvering. There is some very slight scuffing around the winding holes and the lunar disc has probably been re-touched at some point in the past. The case is in sound original condition. The curved top surface shows evidence of movement in the carcass hence there are splits flanking the raised pad running in-line with the front edge f the panel itself. The rear edge also shows movement behind the rear right-hand corner of the pad with a veneer loss approximately 2cm square at this point. The curvature of the pad itself also has historic shrinkage cracks and a small old veneer patch repair across the rear left-hand corner. The mask around the dial (behind the front door) has had a small section of veneer re-attached to the left-hand side of the arch; the front door is in good original condition. The sides both have localised small veneer patch repairs to the surround/overlap bordering the brass fret apertures and the rear door has a similar small patch repair bordering the glass. Faults to the case are otherwise to minor bumps, scuffs, light shrinkage and other age-related blemishes.Clock has pendulum, winder and a case key. Condition Report Disclaimer
AN INTERESTING EARLY ENGLISH BRASS LANTERN CLOCKUNSIGNED BUT POSSIBLY 'FIRST PERIOD', SECOND QUARTER OF THE 17th CENTURYThe trains with separate winding via rope lines running within pulleys incorporating steel walls to the click-spring side, the going train now with anchor escapement for regulation by seconds pendulum and the strike train sounding the hours on a bell mounted above the frame via a countwheel with overlift provided by a single-slot hoop, the dial engraved with symmetrical arrangement of three rose blooms within foliate scrollwork over a stylised tulip to lower margin to centre, within applied 6 inch Roman numeral chapter ring incorporating stylised wheatear half hour markers, with substantial steel hand incorporating distinctive C-scroll tail and leafy flowerhead infill to angles, the distinctive frame with unique one-piece castings incorporating stylised Doric column uprights and tall ovoid knopped finials supporting the domed bell-bearer surmounted by a conforming finial, on ball feet, (originally with balance wheel regulation, lacking frets doors, backplate, pendulum, lines and weights).42.5cm (16.75ins) high, 15.5cm (6.125ins) wide, 20cm (8ins) deep. Although unsigned the present clock has numerous features only generally seen on early English Lantern clocks. Most notable amongst these are the spur-pinions of reports for driving the hour wheel behind the dial and the countwheel, a steel cheek to each of the winding pulleys (to which the click spring is riveted), and particularly heavy strike detents. In addition to this, the hand with its long tail, has a noticeably early feel. As does the chapter ring with its deep quarter-hour track to the inside edge. The symmetrical leafy flowerhead designs to the corners of the plate also support an early date as later clocks tend to feature outswept infill. The engraving to the dial centre does not seem to follow any well-known workshop however it is notable due intense deep-cut nature of the design. Indeed the overall slightly larger proportions of the clock are also indicative of an early date.The frame is particularly unusual and may well be unique. The provision of one-piece castings for the columns, finials and feet, would suggest west country origins however some northern makers were known to use one-piece castings later in the century. The proportions of the frame turnings do not follow 'Classical' traditions supporting the view that the clock has provincial originals, although, interestingly, the feel of the finials can be compared to those seen on an important chiming lantern clock attributed to Nicholas Vallin illustrated in White, George English Lantern Clocks on page 97 (Figures II/120, a-b).From these observations it would be reasonable to suggest that the present clock was made by a highly skilled clockmaker, possibly based in the west country, who was familiar with examples emanating from London during the 'First Period'. Condition Report: As catalogued the clock has been converted from verge with balance regulation to anchor escapement for regulation by a long pendulum. Both the going and strike trains appear to be very original apparently retaining all wheelwork, pinions and arbors except for the escape wheel and pinion. The pulleys appear original but have at some point been pinned for chain drive and then reverted back to rope leaving a series of filed-back steel pins at the base of the valley of each pulley. The steel winding clicks are present and operational. The pinions to both trains show noticeable wear which has been left untouched. The teeth of the wheels also show slight wear but are still within tolerance to allow the clock to run (the steel pinions always wear at a much higher rate than the wheels). The baseplate has additional holes drilled to allow the lines to be looped-up (to increase duration) and the top plate has holes left over from the original balance top potance, banking pins and frets (the left-hand side only has an additional pair of fret holes). The centre movement bar has been repaired by laminating brass to each side (probably to reinforce a crack); the bars otherwise are sound but have typical punching to close pivot holes, historic bushing etc. The hammer spring has been moved towards the dial slightly and the original hole filled - probably to allow room for tying-off of the line via the later hole drilled nearby. The hammer stop has a replacement securing nut. The steelwork has overall light old surface discolouration/patination and the brasswork has an overall pleasing patination. The frame is a little bent/out of square with the rear left-hand foot bent back a little and with vice witness marks suggesting an attempt to straighten. The right-hand rear foot has a slight crack in the stem. The dial is in good original condition with faults essentially limited to minor scuffs, dents etc. The bell and stand are in good original condition although the bell has a small casting hole.Clock does NOT have lines, weights, pulleys, pendulum, frets, side doors or a backplate. Condition Report Disclaimer
A GEORGE IV STYLE INLAID MAHOGANY MANTEL CLOCKTHE MOVEMENT SIGNED FOR ROUDIL, PARIS, 19th CENTURYThe French eight-day circular countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating silk suspension, the backplate engraved Roudil, a Paris beneath punch stamped number 8, the 5 inch circular silvered brass Roman numeral dial with steel moon hands within ogee moulded surround set behind a hinged bevel-glazed cast brass bezel, in a brass inlaid figured mahogany case with triangular pediment decorated with stylised leafy spray to tympanum over slender cavetto cornice and conforming foliate motif decorated shaped-panel infill around dial, flanked by brass inset canted angles over further line-bordered leafy scroll inlaid apron panel, the sides with foliate ring handles and the rear flush with rectangular glazed door, on moulded skirt base with ball feet.37cm (14.5ins) high, 25cm (9.75ins) wide, 14cm (5.5ins) deep.
A FINE AND RARE ENGLISH WILLIAM III/QUEEN ANNE SILVER BUTTERFIELD PATTERN SUNDIALJOHN ROWLEY, LONDON, CIRCA 1700The plate with three hour scales for 45, 51 and 55 degrees annotated 4-12-8, IIII-XII-VIII, 4-12-8 with the centre Roman scale divided into half and quarter hours as well as ten-minute increments, the centre with foliate engraved infill incorporating stylised interloping scrolls possibly forming an elaborate monogram, overlaid with a hinged bird engraved adjustable gnomon calibrated in degrees for elevation to the outer edge, opposing a glazed compass divided for N, E, S and W only and with gold inlaid N, S annotations to the blued steel pointer, the underside engraved with latitudes for twelve cities in two panels, the left-hand Rome 41.04, Hague 52.1, Amsterdam 52.03, Venice 45.18 and Vienna 48.22 opposing London 51.30, York 53.50, Cambridg 52.17, Bristol 51.30, Exeter 50.40 and Chester 53.17 to the right, the lower edge signed in a curve John Rowley Fecit; in original silk velvet lined ray skin protective case.The instrument 8.5cm (3.625ins) long, 6.7cm (2.625ins) wide, 4cm (1.625ins) approx. high with gnomon raised; the case 9cm (3.5ins) wide, 7.5cm (3ins) deep, 2cm (0.75ins) high closed. Provenance:The Leonard Fuller Collection. John Rowley is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as a mathematical instrument maker and book engraver working from 'Behind the Exchange' Threadneedle Street, London in 1691, then from 'The Globe under St. Dunstan's Church' Fleet Street 1702-15 and at Johnson's Court, Fleet Street 1710-27; Clifton noted that the latter address may well have been his living residence. Amongst Rowley's apprentices was Thomas Wright (in 1707) who then went on to become his successor and one of the most important makers of scientific instrument makers of the eighteenth century. Another apprentice was John Coggs who went on to become particularly well known for his sundials, most notably his universal ring dials. This design of portable pocket sundial was devised by Michael Butterfield, an English Instrument maker who settled in Paris around 1685. Although this type of dial became popular with other French makers (most notably those who worked nearby to Butterfield's workshop on 'Le Quay de L'Horloge') very few appear to have been made by English makers in London; hence the present lot is a particularly rare example. Condition Report: The instrument appears to be in fine original condition with the only notable fault being a small shallow chip to the inside edge of the compass glass. The case is intact and in sound original condition. The right-hand eye for the securing latch is missing and there is a small loss to the wooden structure to the interior of the lid at this point. There is also a small section of the delicate raised lip (for locating/closing against the inner edge of the lid) to the lower section missing. The lid has a slight warp/distortion, and the velvet lining has overall fading/wear. The underside has some later pins towards one edge no doubt to secure lifting skin covering at some point. Otherwise, faults are limited to minor age-related wear. Condition Report Disclaimer
A RARE FRENCH RENAISSANCE PRE-HAIRSPRING GILT BRASS AND ROCK CRYSTAL OVAL PENDANT WATCHJ. VALLIER, LYON, CIRCA 1625The oval gilt single fusee movement with four shouldered baluster pillars pinned through the backplate and verge escapement regulated by steel flat-rimmed two arm balance, the backplate with asymmetric stylised tulip scrollwork pierced and engraved balance cock with pinned at the junction with the conforming asymmetric foot, the mainspring with blued steel set-up ratchet set behind conforming pierced and engraved single-footed guard for the click spring, opposing engraved signature J. Vallier, ALyon the gilt oval dial finely engraved with a scene of a Bacchante holding aloft a goblet before a building and with blued steel hand within applied silver Roman numeral chapter ring, the outer margins engraved with reclining angels to upper section and a term with outstretched wings issuing symmetrical scrollwork infill to the lower, the movement and dial secured via sprung latches into the oval section three-piece case applied with twin hinged covers inset with gadroon-carved rock crystal panels within leavy scroll engraved bezels, the centre section with gadroon engraved outer bands, tulip cast suspension post and ring-knopped pendant finial to the underside.The movement and dial 4cm (1.55ins approx.) high, 3cm (1.2ins approx.) wide; the case 6.6cm (2.5ins) high excluding later ring, 3.5cm (1.325ins) wide, 3cm (1.2ins approx.) deep overall. Provenance:The Leonard Fuller Collection. Purchased from Gerald E. Marsh, Winchester, 11th December 2004 as part of a package deal watch movements by George Graham, John Knibb and Thomas Tompion for a total of £14,000. Jean Vallier is recorded in Tardy DICTIONNAIRE DES HORLOGERS FRANCAIS as apprenticed 1590-96 and became Master in 1602. He married Madeleine Noytolon in 1605 and died in 1649.The work of Jean Vallier of Lyon is mentioned in Britten, F.J. Old Clocks and Watches and Their Makers pages 67, 95 and 97; a clock-watch with astronomical calendar dial is illustrated in plate XI (in the collection of the British Museum, object number 1888, 120.177). He is considered as one of the premier makers of his time with thirteen watches noted by Baillie including examples in the 'South Kensington Museum, the Fitzwilliam, Cambridge and three in the Louvre. Condition Report: The wheel train appears all original retaining original fire gilding to the brass, the movement will run hence can be considered as being in working condition. The balance is probably a replacement, the staff and pallets appear to have age but are probably also well made replacements. The balance cock has a solder repair at the junction with the foot causing some loss to the gilding/surface around that point and the rest of the gilding has now taken on a slightly reddish hue probably from the heat of the repair. The pierced spring ratchet set-up guard is in fine condition, however the colour of the surface differs a little from the backcock and the gilding of the wheelwork hence we cannot rule out that it might be a very well made replacement. The backplate retains its gilt finish but with some light rubbing/scratching and the signature has been highlighted with black wax). The dial is in fine condition with good strong gilding; the chapter ring has a small bruise at VII otherwise is in good condition. The hand appears to be a replacement. The case presents as being in fine condition however the front and rear covers (including the rock crystal) are thought to be associated (see Christie's catalogue entry 5/07/2002 lot 15). However they are correctly made from engraved and gilded cast brass and the fit is essentially perfect. The gilding is also well-matched. The body of the case retains its gilding in good condition with only slight wear/discolouration; there are a few light bruises and scratches and the interior has some rubbing from the movement being drawn in and out of the case. The pendant ring is a replacement but the post appears original.Watch has a winding key. Condition Report Disclaimer
A MAHOGANY CASED TWO-DAY MARINE CHRONOMETER THOMAS MERCER, ST. ALBANS, CIRCA 1960The circular four pillar single chain fusee movement with Harrison's maintaining power, jewelled pivots for the escape and seconds wheels, Earnshaw type spring detent escapement regulated by split bimetallic balance with cylindrical compensating weights, helical palladium balance spring and jewelled endstone, the spotted backplate with spring set-up ratchet and blued-steel pillar and backcock securing screws, the inside of the backplate and reverse of the dial mounting plate both stamped 23678, the 4 inch circular silvered Roman numeral dial with subsidiary seconds dial engraved 23678 at six o'clock, below signature Thomas Mercer across the centre and DOWN/UP, 0-56 power reserve dial beneath twelve o'clock, the lower margin of the chapter ring further inscribed THOMAS MERCER LTD., St. ALBANS ENG., secured by a screw-down bezel into a lacquered brass bowl with shuttered winding hole to rear mounted via gimbals into a mahogany two tier box with typsy winding key beneath glazed lid applied with brass plate inscribed MURAKI WATCH Co. LTD, NIHONBASHI, TOKYO, JAPAN, No. 23678 to front and a paper repairer's able dated 1968 to interior; with original padded baize-lined wooden guard box.The chronometer box 17cm (6.25ins) high, 19cm (7.5ins) square; the guard box 21.5cm (8.5ins) high, 29cm (11.5ins) wide, 24.5cm (10.25ins) deep. Provenance:The personal collection of the former owners of Marine Instruments Limited, Falmouth, Cornwall. The chronometer making firm Thomas Mercer of St. Albans was established by Thomas Mercer (1822-60) at North Road, London in 1858 before moving to 45 Spencer Street, Clerkenwell in 1860. Mercer became an active member of the British Horological Institute (established in 1858) where he lectured on the need to modernise the industry and served as honorary treasurer from 1875-95. After occupying several addresses in Clerkenwell Mercer relocated the core of the business to St. Albans in 1874 setting up a factory behind his house at 14-15 Prospect Road. Although the bulk of the businesses work was undertaken in St. Albans Mercer personally made weekly trips to Clerkenwell to deliver/collect parts finished by specialist outworkers as well as visit the Horological Institute. In order to maintain a presence in London Thomas Mercer opened an outlet 18 Westmoreland Road, City Road in 1890. Succuss at the Greenwich trials was also always considered important to Mercer who entered instruments every year; he was placed second in 1881 and his son, Frank, came first in 1911. In 1900 Thomas Mercer accepted an invitation to judge at the Universal Exhibition in Paris but unfortunately caught a cold on the ferry crossing and died soon after his return. The business was subsequently continued by his successors becoming of the most prolific suppliers of chronometers and other timepiece for industrial, maritime and domestic purposes and continued trading in St Albans until 1984. Condition Report: Timepiece is in good original working condition with no visible evidence of alteration or noticeable replacements. The movement retains its original finish albeit with noticeable patchy discolouration/oxidation in areas. The dial has some patchy oxidation/wear otherwise is in good original condition. The bowl and gimbals are in good original condition retaining old albeit showing degradation/wear mostly to the bowl. The box is in good original relatively clean condition with faults limited to relatively minor surface scratches, wear and a few light bumps and scuffs. The lining to the guard box is in good condition, the exterior has a few light surface scratches and is lacking its leather strap handle.Instrument is complete with its typsy winding key. Condition Report Disclaimer
A GEORGE IV BRASS INLAID MAHOGANY BRACKET CLOCKBEARING A SIGNATURE FOR JAMES MCCABE, LONDON, CIRCA 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum incorporating holdfast to the shouldered backplate bearing an engraved inscription JAMES McCABE, LONDON to lower margin, the 8 inch slightly convex cream painted Roman numeral dial inscribed James McCabe, Royal Exchange, LONDON to centre and with blued steel arrow hands set behind a hinged convex glazed cast brass bezel, the lancet-shaped case with stylised Gothic brass foliate spray within line border to the tympanum over slender ogee cornice and quatrefoil inhabited panels around the dial, the sides with brass rosette ring handles over repeating lancet-pierced rectangular brass sound frets, the rear with rectangular glazed door, on tall cavetto moulded skirt base inlaid with conforming foliate motifs within line border to front over brass ogee bracket feet; with a later purpose-made wall bracket of concave tapered form inlaid to match the tympanum of the clock over and ogee shaped pendant.The clock 52.5cm (20.5ins) high, 32.5cm (12.75ins) wide, 18.5cm (7.25ins) deep; the clock on wall bracket 79.5cm (31.25ins) high overall. Condition Report: Movement is basically in working condition (will run and strike) however mechanism is a little dull/discoloured so a gentle clean/service is advised. The dial is generally in good condition but has been refinished and has some losses to the black of the numerals, The case is in fine condition with no losses or problematic lifting to the brass and the only notable fault being slight shrinkage crack to the panel beneath the dial. The bracket is is in good condition with only slight shrinkage to the veneer in places.Clock has pendulum, winder and two case keys. Condition Report Disclaimer
Y A VICTORIAN BRASS 'YORK MINSTER' SKELETON CLOCKUNSIGNED BUT ATTRIBUTED TO W.F. EVANS AND SON, HANDSWORTH, CIRCA 1870The thick architectural twin-tower gothic tracery pierced plates united by six bulbous-knopped double-screwed pillars enclosing twin chain fusee trains with six spoke wheel crossings throughout, the going train with anchor escapement regulated by wood-rod pendulum and the strike train sounding the hours on a gong set behind the frame as well as passing half-hour on a bell positioned between the towers, the dial with skeletonised Roman numeral chapter ring incorporating foliate pendant half hour markers and with blued steel trident hands, mounted with angled buttresses onto a rosewood veneered D-ended base with red velvet lined interior and step to locate the glass dome cover, on disc feet.The clock 54cm (21.25ins) high, 30cm (11.75ins) wide, 14cm (5.5ins) deep; the stand and dome 67cm (26.5ins) high, 40.5cm (16ins) wide, 24cm (9.5ins) deep. Provenance:From the private collection of a professional sportsman and commentator. The design for the frame of the present lot was developed by W.F. Evans and Son of Soho Street, Handsworth, Birmingham in around 1860 in response to the popularity of their 'Scott Memorial' clock produced for the Great Exhibition of 1851. A very closely related example to the present lot is illustrated in Roberts, Derek BRITISH SKELETON CLOCKS on page 141 (Figure 1/59). William Frederick Evans is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Birmingham from circa 1850 until his death in 1899. Condition Report: Clock is complete and in clean fully working condition with no visible evidence of alteration or noticeable replacements. The chapter ring is also in fine clean condition with strong silvering. The stand has been relined with appropriate red velvet to the top surface and the rosew0od veneers are in good condition having been recently 'freshened-up' with a polish. The dome is undamaged.Clock is complete with pendulum and a winding key. Condition Report Disclaimer
AN ENGLISH 5.5 INCH CELESTIAL NAVIGATIONAL 'STAR' GLOBECARY AND COMPANY, LONDON, CIRCA 1925The sphere applied with twelve gores printed with stars and principal constellations labelled, the solstitial colure divided for the annual calendar, the equinoctial graduated in degrees, the northern hemisphere with key for star MAGNITUDES above panel inscribed CARY & Co., Makers to the Admiralty, 7 PALL MALL, LONDON, pivoted between the poles within a lacquered brass meridian circle divided for degrees and resting via similarly divided horizon ring, annotated with sixteen compass cardinal points and inscribed CARY LONDON PAT'N No. 21540, with four-arm domed restraint with each sector again divided for degrees, the mahogany box with TO ADJUST THE INSTRUMENT... instruction label pasted to inside of lid, the exterior now painted blue and with replaced vacant inset shaped plate to lid and conforming original brass key escutcheon to front.The box 21.5cm (8.5ins) high, 20,5cm (8.125ins) square. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William (who was born circa 1759 and apprenticed to Jesse Ramsden); this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year John Cary was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould. Latterly the firm passed to Henry Porter who continued to until his death in 1902; his sons succeeded him however by the mid 1920's business had subsided to the point that they were barely trading. The firm is reported to have been finally wound-up by 1931. Such globes were supplied/issued to mariners to assist with night-time navigation by providing a reference for the relative position of the celestial bodies. Condition Report: The globe is in fine original condition with faults very much limited to a small group of small surface scuffs to the lower hemisphere (image available). The brass work is complete and all-original retaining lacquer finish with minimal wear/oxidation. The box has been overpainted with blue paint over the original mahogany finish hence would benefit from being stripped and re-polished. The inset nameplate to the lid has also been replaced with one made from a formica-type material, otherwise box appears to be in fine condition.Box has a key for the lock. Condition Report Disclaimer
AN INTERESTING WILLIAM III GRANDE-SONNERIE STRIKING AND REPEATING EBONISED 'BASKET TOP' TABLE CLOCK ISAAC GODDARD, LONDON, CIRCA 1695The six finned and latched pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum with knife-edge suspension, two-in one grande-sonnerie striking peeling the quarters on a graduated nest of three bells and sounding the hour on a further larger bell, and pull-quarter repeat operating on the same mechanism, the backplate engraved with symmetrical scrolling foliage including tulip blooms within a herringbone border around a central leafy cartouche signed Isaac Goddard, Londini, fecit, the upper right hand corner also incorporating steel lever for strike selection with three numbered positions, the 7.5 inch square brass dial with ringed winding holes and 'triple crown' border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and small Arabic five minutes beyond the outer minute ring, with sculpted scroll-pierced steel hands, applied gilt winged cherub mask spandrels to angles and with S/N strike/silent selection switch at twelve o'clock, the case with Quare-type hinged foliate bud tied scroll-shaped carrying handle over pierced brass repousse 'basket' superstructure decorated with scrollwork inhabited by basket of flowers flanked by cornucopiae and cherubs to front and rear and pair of cherubs alone to each side, above rope twist and cast ogee moulded lower border, flanked by brass flambeau finials, with double-ogee top mouldings over hinged glazed front applied with foliate repousse mounts to the frame of the door incorporating a stretched lozenge sound fret to upper rail, the sides with conforming gilt lozenge frets over rectangular glazed apertures each overlaid with a relief foliate scroll decorated repousse panel incorporating laurel-bordered oval aperture to centre, the rear with glazed door set within the frame of the case, on conforming complex ogee moulded skirt base with gilt brass disc feet.38cm (15ins) high with handle down, 27.5cm (10.75ins) wide, 18cm (7ins) deep. Isaac Goddard is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born circa 1661, apprenticed in 1675 to Thomas Grimes (through Samual Davis) and gaining his freedom of the Clockmakers' Company in 1684. He was married at St, Dunstan's in 1691 and is thought to have worked for the Stanton family of Clockmakers. Isaac Goddard signed the clockmakers oath of allegiance in 1697 and is thought to have worked in Holborn; Loomes further notes that he is not heard of after 1699. The engraved 'triple crown' decoration around the calendar aperture of the current lot is a feature sometimes seen on longcase clocks dating from the 1690's and is generally thought to represent the unification of the three Kingdoms of England, Ireland and Scotland, which was first envisaged during the reign of James II in 1688 and was cemented by Act of Parliament in 1707. Indeed, it is possible that this decoration commemorates the signing of the clockmaker's oath of allegiance (to the crown) in 1697. The engraving to the backplate of the present timepiece can be also compared to decoration discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass within the chapter titled A CLOSER LOOK AT TULIP ENGRAVING pages 143-46. Indeed two backplates of closely related design (for clocks by William Speakman and Thomas Power) to that of the present lot are illustrated on page 145 (Figure 8.16). The grande-sonnerie striking system within the present clock is a very unusual detail which utilises the fact that the pull-repeat system is powered directly by the fusee strike train rather than being driven by a supplementary spring barrel (or blade spring). In order to achieve this, the movement is fitted with a wheel within the motionwork applied with pins corresponding to each quarter, with the one at the half hour being slightly longer (than the first and third quarters), and the hour longer again. This wheel is set on a pump arbor with three positions governed by the lever on the backplate. The first pulls the pins clear of the repeat trip lever except for the hour, the hence clock only sounds the hours on the hour; the second moves the half hour into play, hence the clock sounds the hours along with its quarter at the half hour also; the third position provides full grande-sonnerie striking. The underlying quarter-repeat system which allows this unusual striking system to be incorporated is devised with the quarter peel and hour hammer pins applied applied to the same pin barrel. When activated (tripped) the hammer assembly is first positioned to engage with the pins for the quarters, before the whole hammer block assembly is automatically shunted along in order for the offset hour hammer pin to operate the hour hammer. In addition to this, both the quarter and hour racks are neatly positioned one behind the other in order for the same gathering pallet to be used for both, with the hour rack hook lifted out of the way whilst the quarters are sounding. Two clocks (by Charles Gretton and John Adamson respectively) with closely related repeat systems to the present lot are described and illustrated in Dzik, Sunny BENEATH THE DIAL, English Clock Pull Repeat Striking 1675-1725 pages 486-89.Naturally, as the entire striking system is powered by a single fusee train, the duration for which the 'grande-sonnerie' can be used between windings is limited. Indeed, with the third position set on the backplate (for full grande-sonnerie striking) the strike train will need to be wound approximately every two-and-a-half days. Condition Report: PLEASE CONTACT DEPARTMENT FOR CONDOTION REPORT. Condition Report Disclaimer
A WILLIAM AND MARY BRASS LANTERN CLOCK NOW WITH LATER SPRING-DRIVEN MOVEMENTTHE FRAME AND DIAL BY THOMAS FORD, BUCKINGHAM, CIRCA 1690, THE MOVEMENT LATE 19th CENTURYThe four columnar pillar single chain fusee movement with anchor escapement regulated by short lenticular bob pendulum and passing strike sounding on the bell mounted within the superstructure, fitted behind the earlier dial engraved with three stylised flowerheads positioned adjacent to the chapter ring to the lower half of the centre and signed Thomas Ford of Buckingham to upper the half, within applied Roman numeral chapter ring with stylised wheatear half hour markers, now with two steel hands, the angles engraved with leafy infill, the 'third period' frame with column turned corner posts beneath dolphin inhabited foliate scroll pierced frets with the front incorporating engraved detail, knopped vase turned finials and domed bearer enclosing a cast bell, with later brass side and rear doors and on turned ball feet.39.5cm (15.5ins) high, 16cm (6.25ins) wide, 16cm (6.26ins) deep. Thomas Ford is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in Buckingham circa 1680-1710. His son, James, was apprenticed through the Spectaclemakers' Company of London to Thomas Hails in 1699. Condition Report: The movement is in working condition and appears all-original (as in 19th century) with no visible evidence of alteration or noticeable replacements. The mechanism however is a little dirty/neglected hence a gentle clean/service is advised. In addition to the movement, the frame top and bottom plates are also 19th century replacements (contemporaneous with the present movement). The dial and frame are in good condition with no obvious visible breaks or repairs; the dial now has a non-original winding hole. The surface retains an old lacquer finish with overall mellowing, rubbing and wear most notably around the winding hole.Clock is complete with a pendulum and winding key. Condition Report Disclaimer
AN EARLY VICTORIAN LACQUERED BRASS THEODOLITETROUGHTON AND SIMMS, LONDON, CIRCA 1840The telescope with rack and pinion focus adjustment and fitted with spirit level to top, mounted within a frame positioned between two A-frame uprights incorporating a half circle adjusted for inclination via a rack and pinion and inset with silvered scale reading against a Vernier fixed at the base of one of the uprights, set on a circular brass revolving table applied with a glazed compass divided for degrees and labelled with eight cardinal points to centre as well as X and Y orientated spirit levels, the table signed Troughton & Simms, LONDON over a silvered Vernier sector with another to the opposing side for reading against the fixed canted silver ring to the circumference of the base calibrated for degrees of rotation divided for half degree increments, fitted with clamp and fine screw rotation adjustment over a column upright with elaborate triple-screw adjustable mount with threaded socket to underside, in original mahogany box with an additional eyepiece tube and a brass plumb weight.The instrument 22.5cm (8.75ins) high minimum, the tube 26cm (10.25ins) long with focus closed; the box 15cm (6ins) high, 29cm (11.5ins) wide, 22.5cm (8.75ins) deep. The partnership between Edward Troughton and William Simms is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as formed in 1826 and operating primarily from addresses in Fleet Street, London. Edward died in 1835 followed by William in 1860; the business was subsequently continued by their successors until 1922 when the name was changed to Cooke, Troughton and Simms.
A 'ROYAL GEOGRAPHICAL SOCIETY' WORLD TIME GLOBE TIMEPIECEIMHOFF, LA CHAUX-DE-FONDS, FOR THE ROYAL GEOGRAPHICAL SOCIETY, LONDON, CIRCA 1980The circular fifteen-jewel eight-day movement with lever escapement regulated by sprung balance driving a rotating silvered annular twenty-four hour Roman numeral 'sidereal' chapter ring, set within a cavetto moulded brass drum incorporating knurled winding knob and glazed collar for the chapter ring and fixed pierced hour hand, surmounted by a 5.5 inch satin black finish terrestrial globe annotated in gilt with land masses outlined and countries labelled together with time-zones clockwise from the Greenwich meridian, set within square brass horizon plate divided for minutes and raised on four faceted uprights, over an cavetto moulded ebonised platform applied with a brass plate inscribed 19 80, THE ROYAL GEOGRAPHICAL SOCIETY WORLD CLOCK, to leading edge.27.5cm (11.75ins) high, 22.2cm (8.75ins) square.
A FINE REGENCY LACQUERED BRASS AND MAHOGANY 'PORTABLE ORRERY' AND TELLURIANWILLIAM JONES, LONDON, CIRCA 1815The tellurian assembly with removable brass sphere representing the sun forming the central fixed axis of an arrangement of gears set between slender shaped plates engraved Monthly Preceptor No. 2 above To Miss Eliz'th Parker, Aged 14, of Mettingham, near Bungay, Suffolk, as the Reward of distinguished merit to the upper surface, terminating with a tiered arrangement of paper scale annotated with the age of the moon including eight images showing progression of the phases beneath central ring showing signed of the Zodiac and upper included ring forming the track of moon which rises and falls as it processes around a central bone terrestrial sphere, the train operated by rotating the assembly clockwise around the central pivot over a 7.75 inch disc base applied with printed paper scale annotated with calendar divided for the months and signs of the Zodiac to circumference, the middle concentric band annotated for the seasons and equinoxes, and the centre illustrated with planets of the solar system drawn to show their relative sizes along with inscription A NEW PORTABLE ORRERY, Invented and Made by W. JONES, and Sold by him in Holborn, LONDON; with original mahogany box containing a small oil can lamp can to allow the solar sphere to be substituted for a light source; together with separately cased orrery or planetarium attachment, with central post applied with brass solar sphere issuing pivoted graduated radial arms applied with bone and ivory spheres depicting Mercury, Venus, Earth, Mars, Jupiter and Saturn together with respective moons.The principal box 12cm (4.75ins) high, 22cm (8.5ins) square; the planetarium box 3.2cm (1.25ins) high, 20cm (8ins) wide, 9.5cm (3.75ins) deep. Provenance:The Leonard Fuller Collection. Purchased from Harriet Wynter Limited Arts and Sciences, London, 26th June 1975. Exhibited at Asprey and Company The Clockwork of the Heavens - An exhibition of astronomical clocks, watches and allied scientific instruments presented by Asprey & Company with the special help of Harriet Wynter and the collaboration of various museums and private collections London, November 1973, exhibit number 74. William Jones is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as apprenticed to the highly regarded maker Benjamin Martin. He went into partnership with his brother, Samuel Jones (apprenticed to George Adams Junior, instrument maker to George II) in 1791. The partnership worked from several addresses in Holborn 1791-1859 (including 135 Holborn 1792-1800 and 30 Holborn 1800-1859) and became one of the most important firms of scientific instrument makers of the late Georgian/Regency period. The design of present lot was developed by William Jones in 1812 primarily as an education aid based upon the principles of 'James Ferguson's construction'. The Tellurian was intended demonstrate astronomical phenomena such as the reasons for day and night, seasons, and eclipses, related to the diurnal rotation of the earth, the annual revolution of the earth around the sun, and monthly revolution of the moon around the earth. Whilst the 'planetarium' was a much simpler model intended to illustrate the basic construction of the solar system. Condition Report: The instrument is generally in very good original condition. The tellurium assembly is fully operational with the overlaid papers within the mechanism intact with minimal discolouration. There is some discolouration/oxidation to the brass and the ivory terrestrial sphere has a slight shrinkage crack and a couple of other small surface blemishes. The paper applied to the base are free from tears, lifting or heavy scuffs. The colour has browned to a darkish cream tone and one of the pigments used to highlight the annotations has oxidised heavily resulting in localised dark patches within the print. The base panel is free from splits/cracks and is straight. The red pigment bordering the edge has flaking/wear. The planetarium attachment is complete and in good original condition. The brass has overall light oxidation and a couple of the spheres have been re-glued onto their supports. The box containing the planetarium is in fine original condition with faults limited to a few light bumps and scuffs and other minor age-related blemishes. The box for the instrument contains a cylindrical tinned metal oil lamp fitting which is empty does not have a wick fitted, there is also a spare hole suggesting a support some other accessory or is perhaps holding place for brass solar sphere when it is removed from the tellurium. The rear top edge of the box has had a full width slip of wood let-in across the full width probably to repair a section that has split away from the rear edge; there is also a small bruise near the lock suggesting that it has been jemmied-open at some point, otherwise box is in good original with faults limited to minor bumps, scuffs and other age-related blemishes.Box has a key for the lock. Condition Report Disclaimer
A QUEEN ANNE WALNUT EIGHT-DAY LONGCASE CLOCKGEORGE WENTWORTH, OXFORD, CIRCA 1715The four finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with calendar dial and subsidiary seconds dial to the matted centre, within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes beyond the outer minute track and signed George Wentworth, Oxon, to lower margin, with scroll-pierced blued steel hands and female mask and scroll cast spandrels within a herringbone engraved outer border, the case with ogee moulded cornice and plain frieze over glazed dial aperture to the hinged front applied with three-quarter columns to the front angles, the sides with rectangular glazed apertures and conforming quarter columns set against bargeboards at the rear continuing up past the frieze to meet the underside of the cornice, the trunk with concave throat moulding over 42 inch rectangular quarter-veneered door with herringbone banded border and caddy edge moulding, the rectangular plinth base with cavetto upper moulding over herringbone bordered book-match veneered panel within crossbanded surround, on cross-grain moulded skirt.223.5cm (88ins) high, 52cm (20.5ins) wide, 28cm (11ins) deep. George Wentworth of Oxford is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as baptised at St. Thomas's in Salisbury in 1690 the youngest son of the well-known Salisbury clockmaker Thomas Wentworth senior. He was apprenticed through the Clockmakers' Company to John Knibb of Oxford in 1706 gaining his freedom the same year he married in Dinah Mose 1713. In addition to being a clockmaker George Wentworth was also a goldsmith who served as constable for a year in 1715, then Councillor in 1719 and Mayor's Chamberlain in 1727. In 1730 he repaired the Christ Church Cathedral clock and purchased a property there in 1738. He was appointed senior Bailiff that year and was the Fairmaster from 1740-43. He died in 1746/7. Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. There is some historic rebushing and light hammering around one of the movement pillar fixing points on the backplate, and a gentle clean/service is advised if intending to put into long term service. The dial is in fine condition with only slight oxidation to the silvering; hands appear original and undamaged. The movement rests on what appears to the original seatboard at the correct level in the case with no visible evidence of adjustments to the cheek uprights of the case. With this in mind we are of the opinion that the movement and dial are original to the case. The case is generally in good original condition. The slips applied to the rear of the quarter columns of the hood are later additions and there is some slight bowing to the sides and movement to the trunk door surround. The left-hand hood glass is broken. Faults to the case are otherwise limited to historic scuffing, shrinkage and a few localised veneer repairs and some variance within the colour (most noticeably towards the lower part of the base).Clock is complete with pendulum, two weights, case key and winder. Condition Report Disclaimer
Y A WILLIAM III EBONY 'DOUBLE BASKET TOP' QUARTER REPEATING TABLE CLOCK SAMUEL ALDWORTH, LONDON, CIRCA 1700The six finned pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum with knife-edge suspension, with pull-repeat peeling the quarters on a graduated nest of six bells and sounding the hour on a further larger bell, the backplate with large foliate scroll pierced backcock apron and engraved with bold asymmetric entwined vine scrollwork around a central cornucopia, the 7 inch square brass dial with ringed winding holes and fine canted herringbone bordered shaped false bob and calendar apertures to the matted centre, within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, small Arabic five minutes beyond the outer minute ring and signed Sam. Aldworth, London to lower margin, with scroll-pierced steel hands, applied gilt winged cherub mask spandrels to angles and N/S strike/silent selection switch at twelve o'clock, the case with elaborate repousse double basket top surmount with fine twin cherub cast handle to the profile mask medallion scroll centred pierced upper tier, the lower tier with relief panel of St. George slaying the dragon flanked by figural military trophies within a conforming cherub and scroll decorated field, above rope twist and cast ogee moulded lower border, flanked by brass flambeau urn finials to angles, with complex double-ogee top mouldings over hinged glazed front applied with foliate repousse mounts to the frame of the door, the sides with rectangular glazed apertures and the rear with glazed door applied with conforming repousse mounts set within the frame of the case, on conforming complex ogee moulded skirt base with block feet.42cm (16.5ins) high with handle down, 25.5cm (10ins) wide, 16cm (6.25ins approx.) deep. Provenance:The Leonard Fuller Collection, purchased from G.H. Bell, Winchester, 26th August 1965 for £450. Samuel Aldworth is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Childrey, Berkshire in 1666 and apprenticed to John Knibb of Oxford in 1673; shortly after John had taken over the Oxford business of his brother Joseph, who had left for London in 1671. After completing his apprenticeship in 1680, Aldworth continued to work in the same workshop as journeyman until 1689 when he left to set up on his own. In 1697 he moved to London (the same year that Joseph Knibb retired to Hanslop) setting up business in the Strand. In 1703 he married Elizabeth Knibb (thought to be daughter of John); by 1720 he had moved back to Childrey, where he was still believed to have been living in 1730. The engraving to the backplate of the present timepiece can be compared to an exceptional backplate on a clock by Jonathan Lowndes discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass page 334 and illustrated on page 335 (Figure 18.17). Although similar in style and composition, the engraving to the current lot is perhaps slightly less detailed than the Lowndes backplate illustrated by Dzik. The design and layout of the quarter repeat system in the present lot can also be closely compared to that utilised in a clock by Jonathan Lowndes described and illustrated in Dzik, Sunny BENEATH THE DIAL, English Clock Pull Repeat Striking 1675-1725 pages 319-20. The fact that both the design of the repeat work, and the distinctive style of engraving to the backplate is mirrored in other separate clocks signed by Jonathan Lowndes suggests that the present lot may have been made in the Lowndes workshop and was subsequently suppled to Aldworth to retail. Condition Report: Movement is in fine clean fully working condition with no visible evidence of any alteration or noticeable replacements except for two or possibly three of the bells for the quarter-repeat work. There is no evidence to indicate that the clock was ever converted to anchor escapement (indeed the location of the inside rack striking mechanism would prohibit this). Overall the movement has the appearance of being recently gently cleaned/serviced. The dial is in fine clean condition showing only very minor oxidation/discolouration to the finishes. The movement retains its original seatboard. The case is generally in very fine condition with notable faults limited to some wear/losses/repairs to the veneer overlap of the mask bordering the dial (behind the front door) and a replacement rear door lock. The feet are also replacements. The mounts are in very fine condition with no visible losses, cracks or noticeable wear. The veneers are in fine condition with minimal shrinkage and with only one very small patch repair to the front corner of the skirt. Generally a fine example in superb condition!Clock has a case key and a winder. Condition Report Disclaimer
A FRENCH BLUE CHAMPLEVE ENAMELLED CARRIAGE CLOCKATTRIBUTED TO THE COUAILLIET FAMILY, SAINT-NICHOLAS-D' ALIERMONT, CIRCA 1900The eight-day two train gong striking movement with replaced platform lever escapement regulated by sprung bimetallic balance, stamped 177 to the lower inside edge of the frontplate and with Couaillet-pattern stamped hand-setting arrow to backplate, the dial with cobalt blue and gilt foliate scroll engraved centre within silvered chapter ring incorporating vertical Arabic numerals, with blued steel spade hands within rectangular mask further decorated with symmetrical bird inhabited gilt foliate scrollwork onto a blue enamel ground, the bevel-glazed case with enamelled square section hinged baton handle over conforming foliate scroll and cobalt blue decorated frieze and square section uprights, the rear with pin-hinged door, on conforming decorated skirt base with small squab-type feet; with original tooled red Morocco leather covered protective case with two-part opening front to reveal a silk-lined interior.The clock 13cm (5ins) high with handle down, 8cm (3.125ins) wide, 7cm (2.75ins) deep; the case 16.5cm (6.5ins) high, 10.5cm (4.125ins) wide, 9.5cm (3.75ins) deep. The hand-setting arrow stamp to the movement backplate of the first item in the current lot conforms to that used by the Couaillet family as illustrated in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS Their history and development on page 435. Couaillet Freres are discussed by Leigh Extence in his article The Carriage Clock Makers of Saint-Nicolas-d'Aliermont published in National Association of Watch & Clock Collectors Bulletin, 2020; where they are described as being one of the most prolific makers of carriage clocks operating from the horological town of Saint-Nicolas-d'Aliermont (near Dieppe) during the late 19th and early 20th centuries. In 1885 Armand Couaillet was employed by the prominent maker Albert Villon, but in 1892 he and his brothers Denis and Ernest set up their own workshops in the centre of the town as Couaillet freres. They increased the size of the concern when buying the house and workshops of Delépine-Barrois across the road in 1912. Condition Report: The movement is reasonably clean; the going train is currently running however the strike train is not presently operational and is jamming the hands. The spring is sound and there is no obvious visible faults hence probably due to gummed-up oil. As catalogued the escapement platform is a replacement. The dial is in fine condition with only very slight mellowing to the silvering of the chapter ring evident. The case is in very good original condition with no visible chips to the glasses. The front frieze has slight distortion (waviness) to the enamelled section and a couple of very small losses to the enamel otherwise faults are very much limited to a few very small enamel losses and slight patchy oxidation/mellowing to the finish. The case has incomplete carrying strap and wear around the lip of the base most noticeably to the rear as well as general overall light rubbing/scuffing/wear. The interior has some degradation/splitting to the silk lining otherwise is generally sound. Clock has a winding key. Condition Report Disclaimer
A FINE AND VERY RARE FRENCH EMPIRE BRASS INLAID MAHOGANY MANTEL CLOCK WITH MECHANICAL ORRERYUNSIGNED, ATTRIBUTED TO THE WORKSHOP, OF ANTIDE JANVIER, PARIS, CIRCA 1810The clock with four pillar twin going barrel movement of at least eight-day duration incorporating anchor escapement regulated by lenticular bob pendulum with knife-edge suspension and outside countwheel striking sounding the hours and a single blow at the half hours on a bell mounted behind the movement, the 4.75 inch slightly convex white enamel Roman numeral dial with Arabic fifteen minutes within the outer minute track and pierced and chased gilt brass hands, set behind a hinged engine-milled convex glazed bezel, the mahogany case of four-glass type with brass edged platform upstand supporting the orrery/tellurian mechanism over scroll dentil cornice and brass ogee fillet mounded glazed front aperture interrupted by the clock dial and bezel and with brass diamond lozenge motif to the upper rail, the sides with conforming glazed panels and lozenge inlay and the rear with rectangular glazed door set within the frame of the case, on cavetto moulded skirt base, the orrery/tellurian set on a rectangular brass plate with vertical take-off from behind the clock dial driving a gear train to advance the hands on two small silvered subsidiary dials set towards the front margin, with the first labelled SOIR/MATIN and annotated with Arabic twenty-four hour chapters and the second with days-of-the-week in French, with further cocked wheelwork to drive the principal elements of the rotating orrery assembly above, comprising a gilt sphere representing the sun with two small satellites labelled Mercure and Venus over geared train to drive their motion as well as for the tellurian, the latter constructed with a 0.875 inch terrestrial globe applied with 12 hand coloured paper gores annotated with principal land masses and oceans annotated in French and Paris marked with a raised brass pin, rotating on an inclined axis within a gilt brass meridian ring and with geared orbiting lunar satellite revolving to provide moonphase indication over a silvered ring inscribed route de la lune par courier, 29 jours 12 heures 44 minutes and labelled Noeud (for node) twice at opposing ends of one of the crossings, the whole orrery/tellurian assembly rotating annually around the central solar axis and fitted with a pin pointer to the end opposing the tellurian for reading against a silvered calendar scale, annotated with the months of the year in French and divided for each day, with Janvier also including an aperture to show the year labelled 18, the front of the brass base mounting plate with small square to manually advance the mechanism. 52.5cm (20.75ins) high, 22.5cm (8.75ins) wide, 16cm (6.25ins) deep. The form, specification and layout of the orrery and tellurian assembly of the current lot can be closely compared to that of a 'heliocentric planetarium' signed 'Janvier au Louvre' which was sold at Christies, King Street, London sale of Important Clocks, Marine Chronometers and Watches 12th June 1996 (lot 269) for £28,750. Another very closely related mechanical orrery, this time surmounting a mantel-type timepiece, was also sold at Christies, King Street sale of IMPORTANT CLOCKS, INCLUDING A FINE COLLECTION OF INDUSTRIAL, AUTOMATON AND ASTRONOMICAL CLOCKS Wednesday 4th July 2007 (lot 122) for £28,000 hammer. Although this second example was signed 'Baltazar Pere' the form of the timepiece (simple rectangular form incorporating recumbent sphinxes) was that of an Antide Janvier 'audience clock'. In addition to these timepieces, distinctive elements, such as the inclusion of Mercury and Venus alongside the tellurian, can also be observed in Janvier's 'pendule a sphere' now residing in the collection of the Conservatoire National des Arts et Metiers, Paris. Antide Janvier was born in Brive, near St. Claude in the Jura mountains in 1751. His father was a clockmaker who, after observing Antide's natural talent, sent him to study under the Abbe Tournier at Saint-Claude at the age of thirteen. Two years later he started working on his first 'sphere movement' which he then presented to the Academie des Science in Besancon where he received a lot of praise and a certificate for his work. By 1770 Antide Janvier was in the service of Monsieur Devanne as an apprentice clockmaker where he made another orrery, this time out of boxwood. A third, smaller scale example was then produced which Janvier took with him on a journey to Paris no doubt to seek employment and make his name. Although Janvier was fortunate enough to receive an audience with Louis XV, his temperament was not well received and he returned to Verdun without the fame and patronage which he so desired.Having subsequently married and settled in Verdun as a clockmaker, Antide Janvier came to the attention of Monsieur de Lalande, professor of Astronomy at the College de France. Indeed, it is when Monsieur Lalande had seen a pair of Janvier's 'sphere mouvantes' (one heliocentric and the other geocentric) at a gilder's workshop in Paris, that he decided to call-on Janvier for re-introduction to the Royal Court. King Louis XVI was suitably impressed by Janvier's work and immediately purchased a pair of miniature orreries and placed them in his study at Versailles (the whereabouts of these orreries is now unknown).Due to his association with the Royal Court, after the French Revolution, Antide Janvier was imprisoned for a short while and subsequently fell on hard times. His wife died in 1792 and he latterly sold stock and designs to Abraham-Louis Breguet to raise funds. Despite this Janvier continued to produce clocks during the Consulat and Empire periods, most notably his 'audience timepieces' and regulators. He also went onto collaborate with Raingo to create a mechanical orrery timepiece of differing design to the present lot.On the restoration of the monarchy and accession of Louis Philippe in 1726 Antide Janvier was awarded a modest pension but died in relative poverty and obscurity in 1835. When considering the difficulties faced by Janvier post revolution, it is highly probable that he supplied other more 'acceptable' makers with timepieces etc. for them to sell-on. This would appear to be the case with the example signed 'Baltazar Pere' (mentioned above) and is most likely the underlying reason why the present lot is apparently unsigned. Condition Report: FOR CONDITION REPORT PLEASE CONTACT DEPARTMENT.A further note on attribution - the attribution stated in the description is based on the evidence outlined in the footnotes. Although provided with a good degree of confidence the attribution is stated in an 'opinion only' basis hence no guarantees can be applied. Condition Report Disclaimer
A GEORGE III BRASS MOUNTED EBONISED TRIPLE-PAD TOP TABLE/BRACKET CLOCK THE DIAL SIGNED FOR FRANCIS SHUTTLEWORTH, SALISBURY, CIRCA 1780-85The five pillar twin fusee bell striking movement with trip-hour repeat and anchor escapement regulated by lenticular bob pendulum, the backplate engraved with delicate symmetrical foliate scrolls around a central floral spray, the frontplate stamped BEST over serial number 1054, the 7 inch brass break-arch dial with crescent-sector shaped recessed silver plate engraved Fra's Shuttleworth to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes beyond the outer minute track, with pierced steel hands and rococo cast spandrels to angles beneath arch with subsidiary Strike/Silent selection dial flanked by conforming mounts, the triple-pad top break-arch case with hinged brass carrying handle to the brass fillet-bordered central top panel over generous ogee and cavetto arch mouldings, and hinged front door inset with conforming brass fillet surround to the glazed aperture and with brass mouldings to front angles, the sides with break-arch windows and the rear matching the front but without the brass fillet moulding to the aperture, on cavetto moulded skirt base fitted with ogee-shaped cast bracket feet.40cm (15.75ins) high with handle down, 28cm (11ins) wide, 19cm (7.5ins deep). Francis Shuttleworth is recorded in Snell, Michael Clocks & Clockmakers of Salisbury as taking-on part of the business of the late James Bradford in 1773. Shuttleworth apparently trained in London and by 1774 worked from an address on Blue Boar Row. In July 1776 he advertised a raffle for an organ clock and married Sarah Williams the following year. In July 1772 Francis Shuttleworth announced his retirement announcing former apprentice, Thomas Fitz as worthy of taking on his work. However, in 1797 he set-up back in business using Henry King of 'Mrs Davis's Woolen Draper' based in the Market Place as an agent to liaise with clients on his behalf. He then promptly moved to London the following year where he is recorded from 23 Duke Street, Piccadilly he remained until at least 1810. Characteristics within the movement are reminiscent of the work of John Thwaites (later Thwaites and Reed) and the serial number would date it to around 1782 for one of his movements (see Rose, Ronald E. ENGLISH DIAL CLOCKS page 182). It may therefore be that the name 'Best' relates to a journeyman/workman for John Thwaites. Condition Report: Movement has been converted form verge escapement regulated by short bob pendulum to anchor escapement with lenticular bob pendulum. This work has been done with minimal intervention to the plates so there would be next to no evidence of this conversion having taken place if a choice was made to restore it back to its original specification. The movement otherwise survives in its original configuration; it will run and strike however it is dirty/discoloured hence a gentle clean/service/lubrication will be required if intending to put the clock into service. The dial is in good original condition however it generally has dirty/tarnished patination. The case is generally in fine original unrestored condition. The apex of the top has a slight shrinkage crack to the leading edge and the top pad has wear to the veneer overlap nearby; the same pad has a veneer chip to the rear left hand corner. The mask around the dial (behind the front door) has a loss to the veneer overlap to the left-hand side and a section coming loose along the lower edge. The rear door has a small veneer loss bordering the glass to the left-hand edge of the arch and the keyhole is worn. Otherwise faults to the case are limited to rubbing, wear, slight shrinkage and relatively minor bumps and scuffs. The surface is generally worn and faded but the case itself is generally in very good original condition.Clock has pendulum, case key and a winder. Condition Report Disclaimer
AN INTERESTING REGENCY SMALL BRASS MOUNTED MAHOGANY BRACKET/MANTEL CLOCKWILLIAM HISLOP, LONDON, CIRCA 1825 RE-PURPOSING AN EARLIER MOVEMENT BY LE PLAT, PARIS, CIRCA 1755The circular twin going barrel movement with four baluster pillars pinned through the backplate and tic-tac escapement incorporating offset escape wheel and regulated by short disc bob pendulum with silk suspension, the strike train with numbered external countwheel planted on the backplate, decorative turned arbors to the detents and sounding the hours and half hour on a bell set behind the backplate signed Le Plat AParis beneath a blanking plate applied to the lower margin, the 5 inch purpose-made circular fired enamel dial with eccentric winding holes and signed WILLIAM HISLOP, LONDON to centre and with steel moon hands set behind a hinged convex glazed moulded cast brass bezel, in a 'chamfer top' case with cast pineapple finial to the stepped hipped upstand over slender cavetto cornice and fluted-band frieze, the front with brass-fillet bordered recessed quadrant panel flanked by brass strip inlaid canted angles, the sides with twin cornucopia ring handles and the rear with rectangular glazed door set within the frame of the case, the skirt base with conforming fluted band to upper margin and brass line bordered front over ball feet. 35.5cm (14ins) high, 20cm (8ins) wide, 12.5cm (5ins) deep. William Hislop is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London from 1820 until his death in 1876.Louis Antoine Le Plat is recorded by Baillie as becoming a Master in 1751 and dying in 1765. He is best known for a clock 'wound by current of air' described in Memoires De l'Academie royale des sciences Paris 1751. The current lot appears to be an unusual period example of the re-purposing of an earlier (in this case French) movement into an up-to-date case by a London maker. The blanking of Le Plat's signature on the backplate and the provision of a bespoke fired enamel dial signed by William Hislop is notable in this regard. Condition Report: The French movement survives in good original condition with no visible evidence of alteration or noticeable replacements to the mechanism itself. The movement is in full working condition although is a little dirty/discoloured hence a gentle clean service is advised; the duration is at least eight-days (possibly longer). As indicated in the catalogue description the signature is now concealed beneath a shaped plate attached to the backplate by screws. The fired enamel dial has been purpose made for the movement and has an iron backing plate which is carefully/neatly fitted via a brass plate to the movement with no alterations to the frontplate etc. The dial has a very small shallow edge chip to the edge at twelve o'clock, a hairline crack passing between the I and II numerals and past the right-hand winding hole, and a shorter hairline next to the other winding hole. The case is generally in fine original condition with faults limited toa small veneer patch repair to the rear door and two very small veneer patches to the skirt (one to the front and another to the rear). Otherwise blemishes are very much limited to very slight shrinkage and few light age-related bumps.Clock is complete with pendulum, winder and a case key.Condition Report Disclaimer
A GEORGE II EBONISED TABLE/BRACKET TIMEPIECE WITH 'SILENT' PULL-QUARTER REPEATJOHN THOMPSON, LONDON, CIRCA 1740The four pillar single fusee movement with verge escapement regulated by short bob pendulum and 'silent' pull-quarter repeat sounding the quarters on a graduated nest of three bells and the hour on a further larger bell on demand only, the backplate engraved with symmetrical entwined vine scrollwork and flowerheads, the 6 inch brass break arch dial with calendar and shaped false bob apertures to the matted centre within applied silvered Roman numeral chapter ring with diamond lozenge half hour markers and Arabic five minutes beyond the minute track, with scroll pierced blued steel hands and mask and scroll cast spandrels to angles, the arch signed Jn:'o Thompson, London to a silvered boss within applied moulded collar flanked by conforming grotesque profile mask and scroll cast mounts, the bell-top case with hinged brass carrying handle over double cavetto top mouldings and hinged front applied with complex raised mouldings bordering the dial aperture and with scroll pierced brass upper quadrant frets, the sides with break-arch windows bordered with half-round mouldings, the rear with an arch glazed door set within the frame of the case, on cavetto moulded shallow skirt base with moulded squab feet.43cm (17ins) with handle down, 25.5cm (10ns) wide, 17cm (6.75ins) deep. Two makers with the name John Thompson are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London during the first half of the 18th century. The first is noted as being apprenticed in 1713 and gaining his freedom of the Clockmakers' Company in 1720; the second is only recorded through his apprenticeship commencing in 1717. The engraving to the backplate of the present timepiece can be compared to decoration discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass within the chapter titled VINE ENGRAVING, 1740-1770 pages 337-349. The current lot is designed to sound the hours and quarters on two bells only on demand. This form of quarter repeat mechanism is thought to have been devised for timepieces destined for night-time use in the bedroom; whilst striking clocks with quarter repeat facility were generally intended to be utilised downstairs during the day and upstairs at night. As a consequence silent-pull quarter repeating timepieces are rarer as the original owner would have to be very wealthy indeed to afford a timepiece reserved exclusively for use in the bed chamber.
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