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A mid 18th Century French base metal cased Verge Watch, Jn Le Roy of Paris, 6548, the frosted and gilt movement with a pierced and engraved bridged cock and silvered regulation disc, with blued steel screws and square baluster pillars, to a signed enamel dial with Roman chapter ring and outside Arabic numerals and minute track, with winding square at 3.30, and pierced and stamped fancy Brass hands, in a hinged case, with bevelled bulls eye glass and red wax bezel, to a glazed back cover enclosing a convex panel engraved with musical trophies, and bow suspension, width 2 1/8”
An early 20th Century Gold-plated Half Hunter keyless Pocket Watch, Prima, the Swiss jewelled movement with Geneva striped decoration and bi-metallic cut compensated balance, with blued steel over coiled hairspring and micro regulation, to a signed Roman enamel dial with outside minute track, subsidiary seconds and gilt spade hands, in a hinged and polished Dennison case, with Roman chapter ring, numbered 1794336, width 2”
An early 20th Century Gold-plated Half Hunter keyless Pocket Watch, the Swiss 15-jewel movement with Geneva stripe decoration and mono metallic balance, with blued steel hairspring, to a double sunk Roman enamel dial, with outside minute track, subsidiary seconds (hairline), and blued steel spade hands, in a hinged and polished Illinois Watch Co Case, with cobalt blue enamel Roman chapter ring, numbered 2970929, width 2” $60-70
An early 20th Century Gold-plated Half Hunter keyless Pocket Watch, unsigned, 124432, the 16-jewel movement with mono-metallic balance and over coiled hairspring, to a Roman enamel dial with outside minute track, signed F A Chandler of Leamington, with outside minute track, subsidiary seconds and blued steel spade hands (hairline), in a hinged and polished Dennison Case, number 277543, with blue enamel Roman chapter ring, width 2”
A first quarter of the 20th Century Silver cased Half Hunter keyless Pocket Watch, D F & C, “Selizi”, the 19-jewel movement with spotted decoration and five adjustments, to a bi-metallic mono-metallic balance, with over coiled hairspring and micro regulation, to a signed Roman enamel dial, “Kendal & Dent, London, Makers to the Admiralty”, with outside minute track, subsidiary seconds and blued steel spade hands, in a hinged and polished case, with presentation inscribed cuvette “Presented to ex P C W J Thrower, by the Officers and Men of, L Divn Met Police, as a mark of respect and esteem on his retirement after nine years and three months service, 18th Feb 1924”, and with blue enamelled chapter ring, marked for Birmingham 1922, makers mark ALD and numbered 424702, width 2”; together with its original outer box of issue
A second quarter of the 20th Century Silver cased Half Hunter keyless Pocket Watch, J W Benson, Ref 938A, the frosted and gilt jewelled movement with mono-metallic balance and over coiled hairspring, to a signed Roman enamel dial with outside minute track, sunk subsidiary seconds and gilt spade hands, in a hinged and polished case, with cobalt blue Roman chapter ring, London 1936, makers mark J W B, and numbers 652641, width 2”
An early 20th Century Swiss Gold-plated Half Hunter keyless Pocket Watch, unsigned, the 15-jewelled movement with Geneva stripe decoration and mono-metallic balance with over coiled hairspring, to a Roman enamel dial with sunk subsidiary seconds, outside minute track and blued steel spade hands, in a hinged and polished Dennison Case, numbered 950088, with a black Roman enamel chapter ring, width 2”
A last quarter of the 19th Century Silver cased Half Hunter keyless Pocket Watch, unsigned, the frosted and jewelled three-quarter plate movement with bi-metallic cut compensated balance and blued steel over coiled hairspring, to a Roman enamel dial (chip at 4.30), with outside minute track, sunk subsidiary seconds and blued steel spade hands, in a hinged and polished case, with cobalt blue Roman chapter ring, marked for Birmingham 1886, makers mark E D, numbered 82881, width 2”
A first quarter of the 20th Century 9ct Gold Half Hunter keyless Fob Watch, unsigned, the frosted gilt and jewelled movement with blue steel screws and mono-metallic balance, to a Roman enamel dial with outside minute track and blued steel spade hands, in a hinged Case, with all over engraved floral and foliate decoration, centred with a vacant cartouche, with handset to the band, and pale pink and cobalt blue guilloche enamelled chapter ring, with import marks for London 1910, sponsors mark G S, numbered 119336, width 1 3/8”; together with a fitted Morocco covered case
A mid 20th Century Swiss 18K Ladies Dress Ring Watch, Lidher, the 17-jewel movement to a signed and silvered circular dial, with applied Arabic quarters, dagger markers and hands, in a polished circular case with snap-on back and hinged wire work gauze cover, to a pierced shank, width ¾”, marked 18K .750, numbered 21491
A 20th Century Reproduction Dutch Wall Clock, the shaped backboard with arched canopy and cast and applied finals, to a burr and ebonised arched cased with cast brass pediment, to a 4 ½” arched brass dial with moon phases, Roman and Arabic chapter ring and black painted hands to an 8-day weight-driven movement with strike on a bell, height 24”
A late 19th Century Walnut Cased Vienna Type Wall Clock, the overhanging cornice surmounted by a shaped pediment topped with a rearing horse and female mask, over half ring turned column and moulded base with inverted finals, to a composite Roman chapter ring with outside minute track and blued steel pierced hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 39”
An early 20th Century Art Nouveau style Wall Mounted weight-driven Wall Clock, the shaped surround with carved stylised floral detail, to an Arabic enamel chapter ring and further stylised and embossed brass hands, to a wooden weight-driven movement with anchor escapement and strike on a coiled gong, height 13”
An early 20th Century Aesthetic Movement style Stained Oak Wall Clock, Jerome (British), the moulded and beaded bezel to an 8” square decorated aluminium dial, with Arabic chapter ring and outside minute track with black painted hand, to a spring-driven movement with strike on a coiled gong and with a wooden pendulum bob and shaft, height 24”
A mid-20th Century Black Painted and Gilt Highlighted Floorstanding Clock, modelled in the form of a small long case clock with arched hood and arched glazed door, to a panelled trunk and plinth base, with all over gilt highlights and simulated chinoiserie decoration, to a 7” arched and silvered dial with applied gilt mask spandrels enclosing an Arabic chapter ring, to a triple spring barrel driven movement with anchor escapement and strike on eight rods, height 55”
A late 19th Walnut Cased Century Cuckoo Bracket Clock, the architectural case with plain pediment and carved details over freestanding columns, to a pierced gallery, to a carved and pierced blind frieze, on a shaped plinth base, to a 7 ½” Roman chapter ring with pierced composite hands, to a spring-driven two train movement with anchor escapement and strike on a coiled gong with further wooden bellows, height 19”
A late 19th Century Skeleton Timepiece, signed Webster of London, the pierced brass plates with three spires to a scrolling base on four baluster supports, and with an applied and scalloped engraved nameplate, to a 5 ½” engraved and silvered Roman chapter ring with outside minute track, to a chain fusee movement with four spoke wheels and deadbeat escapement with passing strike, the whole contained beneath a clear glass dome on an ebonised base raised on button feet, total height 18”
An early 20th Century Lacquered Brass Mantel Clock, modelled in the form of a lantern clock with strapwork frame and bell support, over pierced and engraved pediments, and oversize Roman chapter ring with half-hour markers, inside quarters, to a further floral engraved centre, and raised on cast ball feet, to a spring-driven movement with rectangular plates united by four plain pillars and with anchor escapement and strike on the bell, height 15”
A 1st half of the 20th Century Walnut Cased 8-day Bracket Clock, Lenzkirch, the overhanging cornice with a panelled and tapering pediment and arched finial, with further cast brass pineapple finials, over caryatid mounted and canted corners to a plinth base, to a bevelled 5 ½” glazed door enclosing an arched brass dial with applied cast brass spandrels, enclosing a silvered and engraved Roman and Arabic chapter ring with half-hour markers and outside minute track, to a matted centre with blued steel fleur-de-lys hands, to a square brass movement with plates united by four knopped pillars, with anchor escapement, strike on two blued steel coiled gongs, height 15”
An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, 2175284, the overhanging cornice with moulded and panelled pediment over fluted columns, to a plain frieze and plinth base on bracket feet, to a 7” bevelled glass door enclosing a silvered and engraved dial, with subsidiary strike/silent aperture over an engraved Roman chapter ring, with outside minute track and blued steel fleur-de-lys hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 19”
A late 19th Century Black and Variegated Green Marble Mounted Mantel Clock, the serpentine plinth case to a brass bezel with bevelled glass enclosing a 5” two-part Roman enamel chapter ring, with outside minute track (hairlines) to a visible Brocot escapement to the centre, and blued steel moon hands, to a circular brass movement with strike on a bell, height 15”
An early 20th Century patinated Spelter and Alabaster mounted Mantel Clock, modelled in the form of a well head, and with Corinthian column capital, surmounted by a dove over scrolling mounts, and compressed circular drum case, to a shaped baluster reservoir flanked by a bare-breasted young lady holding an amphora with a further dove, to cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic chapter ring with outside minute track and matted centre to blued steel hands, and fitted with a circular brass movement with platform escapement and strike on a bell, height 28”
A mid-20th Century Lacquered Brass Five Glass Timepiece, Jaeger-LeCoultre “Atmos”, 414762, the five glass case with sprung front aperture on a plinth base, with sliding pendulum lock, to a signed white chapter ring with applied Arabic quarters and dagger markers, and further dagger hands, to a skeletonised and lacquered brass movement with rotating disc pendulum, height 9 ½” (non-functioning)
An early 20th Century Lacquered Brass Alarm Clock, the drum-shaped case with ring suspension and peg feet, to a bevelled glass enclosing a 3 ½” Roman enamel dial, signed Payne & Son of Oxford and Tunbridge Wells, with outside minute track and alarm subsidiary at 6, with blued steel hands, to a brass spring-driven movement by R & Co Paris, with platform escapement and strike on a bell, height 5”
A late 19th Century Brass Cased Alarm Clock, the drum-shaped case with ring suspension and peg feet, to a 3 ½” Roman dial with outside minute track and alarm subsidiary at 6, with blued steel hands, to a brass movement with platform escapement and strike on a bell, eight 5”
An early 20th Century Stained Walnut Mantel Timepiece, the overhanging cornice with a shaped pediment over ring turned columns and carved floral frieze with plinth base, raised on bun feet, to a glazed door with bevelled glass enclosing a 6” square brass dial, with cast and applied spandrels and Roman chapter ring with matted centre and blued steel hands, to a rectangular single fusee movement, with plates united by four plain pillars and with anchor escapement, height 15”
A late 19th Century French pink Onyx Mantel Clock, the architectural case with overhanging cornice, to three quarter columns and large plinth base, to a cast Brass bezel set with bevelled glass enclosing a 3 ½” Roman enamel chapter ring (hairline), to a further enamelled centre and visible Brocot escapement, with blued steel moon hands, to a circular Brass movement, with anchor escapement, strike on a bell (bell lacking), height 12”
A second half of the 20th Century Lacquered Brass Italian Clock Garniture, Imperial, the shaped case surmounted by a gilt highlighted and cobalt blue urn, to figural corner mounts, and splayed base raised on four bracket feet, and decorated with a panel depicting a courting couple in 18th Century Costume, beneath a Roman and Arabic chapter ring with outside minute track and black pierced and stamped hands, to a circular brass movement with strike on two bells, height 17”; and flanked by a pair of similarly decorated urn side pieces (3)
A late 19th Century black and variegated Marble Mantel Timepiece, the break front plinth shaped case, with spun Brass bezel enclosing a 4” Arabic enamel chapter ring, with outside minute track and matted centre, with gilt fleur de lys hands, to a circular Brass movement with anchor escapement, height 10 ¾”
An art deco Ebonised Mantel Clock, the drum shaped case flanked by a seated female figure, to a cast Brass bezel enclosing a 5 ½” Arabic chapter ring, with outside minute track and silvered hands, to a triple spring driven movement, with anchor escapement and strike on five rods, height 9 ½”
A mid-19th Century Mahogany and crossbanded 8-day Long Case Clock, Roberts of Downham, the arched hood with shaped pediment over freestanding reeded column, to an ogee throat and long arched trunk door flanked by canted corners to a plinth base, to a 12” arched and painted 3rd period dial, and painted with ruinous buildings to the spandrels, enclosing Roman chapter ring with outside minute track and further subsidiary seconds with pierced black painted hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
An early 19th Century Mahogany Cased 8-day Long Case Clock, B N Russell of Norwich, the arched hood with shaped pediment and globe and spike finials over freestanding columns to an ogee throat and long arched trunk door, raised on a plinth base, to a 12” arched and painted 2nd period dial, with moon roller, and gilt spandrels enclosing a Roman chapter ring with Arabic quarters and subsidiary seconds, and date sector with black painted pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, and with anchor escapement and strike on a bell (associated), height 83”
A late 19th Century Oak and Mahogany crossbanded 8 Day triple weight Musical Long Case Clock, W H Smith & Son of Blackheath, the hood with swan neck pediment and three globe and spike finials, over freestanding Corinthian columns, to a moulded throat and shaped long trunk door, raised on a panelled plinth base with bracket feet, to a 12 ½” arched brass dial with chime/silent subsidiary to the arch and further dolphin spandrels with mask, floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half-hour markers, to a matted centre with subsidiary seconds and blued steel pierced hands, to a triple weight driven movement with plated united by four plain pillars, with anchor escapement and strike on 8 graduated bells and a blued steel coiled gong, height 90”
An early 19th Century Oak cased 8 Day Long Case Clock, Swaine of Woodbridge, the oak case with applied pediment with a single brass finial, to an overhanging cornice and freestanding brass capped columns, to a moulded throat and long arched trunk door, and raised on a stepped plinth base, to a signed and silvered arched 12” dial, with engraved floral and foliate spandrels enclosing a Roman and Arabic chapter ring, and further engraved centre with subsidiaries for seconds and date, and fitted with pierced and blued steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 87” (associated)
An early 19th Century Oak Cased 30-hour Long Case Clock, ? of Heacham, the overhanging cornice to a plain frieze and freestanding columns to an ogee throat, and long arched trunk door flanked by quarter columns to a plinth base, to a 12” arched 3rd period painted dial with floral spandrels and shipping scene to the arch, with Roman chapter ring and pierced and stamped brass hands, to a movement with plates united by a four knopped pillars, and anchor escapement with strike on a bell, height 82”
A late 18th Century Oak Cased 8 Day Long Case Clock, unsigned, the case with overhanging cornice and shaped pediment to freestanding columns and moulded throat to a long square trunk door and plinth base, associated 12” first period painted square dial with fruiting spandrels within gilt highlighted gesso borders and enclosing a Roman and Arabic chapter ring with outside minute track and subsidiary seconds, with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (associated), height 83”
A Mahogany Cased 8 Day Long Case Clock, Nevill of Norwich, the associated mahogany case with overhanging cornice to a pierced pediment with ring turned finials, over freestanding columns, to an ogee throat and long arched trunk door with reeded edging, and raised on a plinth base, to a 12” arched brass dial with subsidiary for strike/silent to the arch, and cast floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track to matted centre with subsidiary seconds, date sector and applied nameplate, with later black steel hands, with a plain false plate and movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (case, dial and movement associated), height 87”
A 19th Century Mahogany Cased “Norwich” type Wall Clock, the moulded surround to an unusual and waisted pear-shaped case and hinged door, to an associated 13” painted dial with Roman and Arabic chapter ring, and outside minute track with pierced hands, to an associated “A” frame movement with anchor escapement, height 44”
An early 19th Century Rosewood Chiffonier, of rectangular form, the pediment fitted with two shelves, crested with a pierced brass gallery, and raised on ring turned front columns, lower section with two doors with gilt metal grilles enclosing cupboard, and raised on heavy paw front feet, 48” wide
A fine quality Regency style Rosewood Sofa Table with Satinwood cross banded top and Boxwood and Ebonised stringing, the frieze fitted on one side with two drawers, the other with dummy drawers, drop flaps at either end and raised on slightly spreading rectangular supports, terminating in splay feet with Brass caps and castors, joined by a ring turned stretcher, by Arthur Brett & Sons, 36 ½” wide

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1087795 item(s)/page