c. 323-31 BC. Greek Hellenistic period. A rare gold ring with a D-shaped hoop, scalloped shoulders and elliptical plate bezel bearing an engraved erotic scene. The bezel shows a male figure (right) engaged in coitus with a female figure (centre) who lies on her back, reclining against a second female figure (left). The second female figure places a crown on the head of the man. The Hellenistic period, which runs from the death of Alexander the Great in 323 BC to the battle of Actium is 31 BC, was an era in which Greek-speaking peoples controlled much of the Eastern Mediterranean and Western Asia as far as present-day Afghanistan. This period saw many momentous scientific discoveries and artistic developments, including the creation of intricate jewellery, as this gorgeous piece exemplifies. This beautiful piece may have belonged to an ancient courtesan of the Hellenistic period. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 19.31mm / US: 9 3/8 / UK: S1/2; 16.2g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
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C. 100-300 AD. Roman. A gold ring with a circular hoop and round red gemstone intaglio depicting the god Apollo in a chariot pulled by a pair of prancing horses. In Greek and Roman mythology, the god deity Apollo rode a chariot pulled by fiery horses across the sky every day to bring light to the world. This gorgeous piece may once have belonged to a priest of this major deity. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 18.19mm / US: 8 / UK: Q; 10.6g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
700-1100 AD, Viking Age. Beautiful silver ring comprised of a D-shaped hoop and a circular bezel bearing incised decoration in the form of a beast. this simple yet elegant ornament may have belonged to a Viking warrior. Superb condition. Wearable.Size: D: 17.45mm / US: 7 1/4 / UK: O1/2; 2g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
700-1100 AD, Viking Age. Silver ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, circular green gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition.Size: D: 16.71mm / US: 6 1/4 / UK: M1/2; 5.6g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
C. 1100-1300 AD. Byzantine. A large silver gilt ring with a circular hoop, heavy band featuring lozenge-shaped decoration on the shoulders and a circular plate bezel bearing an engraved eagle in flight framed by stylised cloud motifs. The eagle came to be used by the Roman Empire and its medieval successor state, the Byzantine Empire, because it symbolized dominance over the known world. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. This beautiful ring probably once belonged to a military officer. Excellent condition; wearable.Size: D: 19.84mm / US: 10 / UK: T1/2; 22g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
C. 700-1100 AD, Viking Age. A silver ring with a circular hoop and a lozenge-shaped bezel with incised linear and curvilinear decorations, possibly runic symbols. This simple yet elegant ornament may have belonged to a Viking warrior. Good condition; wearable. Size: D: 18.19mm / US: 8 / UK: Q; 2.2g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
1-200 AD. Roman. Heavy bronze ring with a circular hoop and flattened, rounded bezel bearing an incisded pentagram and dots. For more information on Roman rings, see: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991. Good condition; wearable.Size: D: 17.75mm / US: 7 1/2 / UK: P; 3.6g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
700-1100 AD, Viking Age. A bronze coiled ring with ttwisted railing ends and lozenge-shaped central plate bearing a line of applied granulations, intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Excellent condition; beautiful patina; Size: L:8 1/4mm / W:Q1/2mm ; 8.5g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000.
c. 100-300 AD. Roman. A rare gold ring with a circular hoop and elliptical bezel with a red hardstone setting engraved with a highly naturalistic portrait of Alexander the Great. He is depicted looking left, with flowing locks and a serious expression; he wears a lionskin, which identifies him with the demigod Hercules. After conquering much of the known world in the later 4th century BC, Alexander the Great, king of Macedonia. remained a major historical figure and subject of admiration for much of the rest of antiquity. He was commonly viewed as a model for aspiring generals and politicians; this exceptional item may therefore have belonged to a Roman soldier. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable.Size: D: 20.85mm / US: 11 1/4 / UK: W1/4; 6.8g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
c. 900-1100 AD. Viking Age. Twisted gold ring comprising of circular hoop comprised of interwoven strands of gold. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 18.61mm / US: 8 5/8 / UK: R; 10.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
CA. 600 AD; GOLD BYZANTINE RING WITH GLASS COBOCHON. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable; Size: D: 18.8mm / US: 8 7/8 / UK: R 1/2; 7.9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 100 AD. ROMAN GOLD INTAGLIO RING WITH NICOLO PORTRAIT STONE. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable; Size: D: 14.05mm / US: 3 / UK: F; 4.19g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
100-300 AD, Roman. A rare gold ring with a circular hoop and elliptical trumpet bezel with red gemstone intaglio bearing an erotic scene comprising a naked woman sitting atop a reclining man with an erect phallus; a gigantic phallus can be seen hovering in the far left. Scenes of a sexual nature were often considered to bring good luck in Roman culture. This beautiful piece may once have belonged to a Roman courtesan. Excellent condition; wearable. Size: D: 20.2mm / US: 10 1/2 / UK: U1/2; 2.8g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
c. 700 AD. Viking Age. Gold ring comprising a circular hoop with ribbed shoulders and a double plate bezel. The bezel plates, which are slightly convex and oval in form, are each decorated with a raised central rib flanked by two rows of stamped dots; each rib ends in trumpet-shaped terminal. This beautiful item would probably once have adorned the hand of a Viking noble. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Expertly cleaned and conserved. Excellent condition; wearable; Size: D: 19.22mm / US: 9 1/4 / UK: S1/4; 7.5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
1100-1300 AD. Medieval. A silver gilt ring with a round hoop and heart-shaped plate bezel bearing an double concentric heart border and a monogram with the letters HIS (shown in reverse). A cross hands from the bar of the H. In medieval Christianity, IHS is an abbreviation of Jesus’ name in Greek (IHΣΟΥΣ), indicating this item probably belonged to a faithful knight or noble lady. Excellent condition; wearable.Size: D: 19.51mm / US: 9 5/8 / UK: T; 14.1g; Provenance: Property of an established London gallery; acquired from a private estate collection formed in the 1990s.
c. 900-1100 AD. Viking Age. Twisted silver ring comprising of circular hoop comprised of interwoven strands of silver which were melded into a single strand at the shoulders. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. All samples correspond to the metal content of the period specified; no modern trace elements were detected in the patina; expertly cleaned and conserved. Excellent condition; wearable. Size: D: 17.4mm / US: 7 / UK: O; 5.1g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 1200 AD, Medieval. A silver archer’s ring comprising a circular hoop and projecting triangular guard. The exterior of the hoop and guard are covered in extensive incised geometric motifs. An archer’s ring was worn on the thumb to protect the skin when the bowstring was drawn. Excellent condition; beautiful patina.Size: D: 24.27mm / US: / UK: Z+6; 15.4g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
1100-1300 AD, Medieval. Ring with D-shaped hoop and flattened, round bezel featuring incised decorationof two facing dragons. Dragons are an important part of medieval folklore and appear frequently in heraldic motifs. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began during the 12th century AD in battlefield contexts were elites needed a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic ring was a key part of this personal branding as it allowed the owner to stamp their coat of arms on their correspondences. Good condition; Size: D: 19.84mm / US: 10 / UK: T1/2; 9.7g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
100-300 AD, Roman. Bronze ring with a D-Shaped hoop, and an oval-shaped red intaglio with 'dextrarum iunctio' ('joining together of the right hands') motif. In the fine arts, this motif is the representation of two people offering each other their right hand and is symbol of union and marriage, perhaps indicating that this item was a Roman wedding ring. Superb condition, wearable. Size: D: 15.27mm / US: 4 1/2 / UK: I1/2; 2.5g; Provenance: From an old London collection formed in the 1990s.
C. 1500-1700 AD. Post-medieval. A rare silver ring with a circular hoop and applied bezel in the form of a devil’s head, with beaklike mouth, circular eyes, prominent nose and horns. Possibly owned by someone practicing witchcraft and used as a sign of devotion to the Devil. Very few of these survived due to the persecutions of the church. Excellent condition; wearable.Size: D: 19.31mm / US: 9 3/8 / UK: S1/2; 3.6g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
100-300 AD. Roman. Gold ring with a D-shaped hoop and bulging elliptical plate bearing an engraved depiction of a cow and her calf below the bow of a tree. This motif of nurturing would have been an appropriate motif for a ring which may have once belonged to a Roman matron. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 18.61mm / US: 8 5/8 / UK: R; 7.1g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
100-300 AD. Roman. Gold ring comprising a bow-shaped hoop with sloping shoulders and elliptical black glass “eye†setting with grey details. The eye symbol was a magical motif which provided protection to the wearer. Excellent condition; wearable.Size: D: 16.51mm / US: 6 / UK: M; 9.8g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 600 AD. BYZANTINE GOLD RING WITH BIRD AND CROSS. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good Condition; Size: D: 16mm / US: 3 5/8 / UK: K 1/2; 5.66g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
C. 100 AD, Roman. Well-preserved Gold ring with circular hoop and flattend round bezel featuring and engraved lion and gryphon motif. This item may have belonged to a Roman senator and perhaps served as a signet ring to seal letters. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition, wearable.Size: D: 16.92mm / US: 6 1/2 / UK: N; 7.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 100 AD. ROMAN SOLID GOLD INTAGLIO RING WITH BULL . In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good Condition; Size: D: 19.31mm / US: 9 3/8 / UK: S 1/2; 18.71g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
1100-1300 AD, Medieval. Bronze ring with D-shaped hoop and flattened, octagonal bezel featuring incised decorationdepicting a lion holding a sword under an elaborate crown. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began during the 12th century AD in battlefield contexts were elites needed a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic ring was a key part of this personal branding as it allowed the owner to stamp their coat of arms on their correspondences. Excellent condition; Size: D: 19.31mm / US: 9 3/8 / UK: S1/2; 11.5g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
1400 AD. Late Medieval. A superb silver gold ring with a fine circular hoop, spiral-shaped moulded ornamentation on the shoulders and a rosette-shaped trumpet bezel with a blue gemstone cabochon setting. This gorgeous piece may once have adorned the hand of a medieval noblewoman. Excellent condition; wearable.Size: D: 17.45mm / US: 7 1/4 / UK: O1/2; 4g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
c. 1000-1100 AD. Viking age. A beautiful silver ring with a D-shaped hoop and an elliptical bezel bearing incised decoration in the form of a hunter and a dragon, probably Sigurd and Fáfnir. In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin , Ótr, Lyngheiðr and Lofnheiðr. After being affected by the curse of Andvari’s ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. The wearable reminder of this myth would have inspired bravery in Viking warriors. Good condition; Size: D: 17.75mm / US: 7 1/2 / UK: P; 3.3g;Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s.
700-1100 AD, Viking Age. Silver gilt ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, circular clear gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition. Size: D: 15.27mm / US: 4 1/2 / UK: I1/2; 4.4g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s;
1100-1300 AD. Medieval. Bronze ring with D-shaped hoop and flattened, circular bezel featuring incised decoration depicting a a wolf and a dragon. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began during the 12th century AD in battlefield contexts were elites needed a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic ring was a key part of this personal branding as it allowed the owner to stamp their coat of arms on their correspondences. Excellent condition; wearable.Size: D: 15.53mm / US: 4 3/4 / UK: J1/4; 3.5g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
100-300 AD. Roman. A silvered bronze ring with a D-shaped hoop and elliptical plate bezel bearing an engraved border of semicircles which frame a rectangular motif with hemispherical details placed along its interior. This item may once have belonged to a Roman soldier, for whom this abstract design reflected his personal insignia. Excellent condition; wearable.Size: D: 16.51mm / US: 6 / UK: M; 8.8g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.
C. 1000-1500 AD. Crusader period. A bronze archer’s ring comprising a circular hoop and projecting triangular guard bearing an engraved floral motif. An archer’s ring was worn on the thumb to protect the skin when the bowstring was drawn. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. Excellent condition; beautiful patina.Size: D: 23.47mm / US: / UK: Z+4; 8.2g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
100-300 AD. Roman. Elaborate gold ring with circular hoop, flaring shoulders and elliptical bezel; an oval-shaped red gem setting bears a portrait of Mars. Mars is depicted as a helmeted youth in profile. Mars is the god of war in Roman religion and mythology, and his Greek counterpart is Ares. Though he is primarily known as the god of war, he is also known as a guardian of agriculture, the god of spring, fertility, virility, and growth in nature. This beautiful item would probably have adorned the hand of a Roman military officer. Excellent condition; Size: D: 17.13mm / US: 6 3/4 / UK: N1/2; 6.1g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.
700-1100 AD, Viking Age. A gold coiled ring comprising a circular hoop formed from a strand of gold with coiled terminals and trailings ends which wrap back around the hoop. This ring is intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable; Size: D: 16.51mm / US: 6 / UK: M; 9.4g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
CA. 1400 AD MEDIEVAL GOLD RING WITH EMERALD STONE. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable; Size: D: 17.97mm / US: 7 3/4 / UK: P 1/2; 1.58g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
C. 100-300 AD. Roman. Gold ring comprising D-shaped hoop and elliptical bezel with a pale setting. The setting bears an engraved male bust with short, curled hair, elegant facial features; he wears a toga, suggesting that he is a senator. This portrait may represent the one-time owner of this elegant piece. Excellent condition; wearable.Size: D: 18.8mm / US: 8 7/8 / UK: R1/2; 10.5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
C. 100-300 AD. Roman. A silver ring with a D-shaped hoop and flattened, circular plate bezel. The engraved design on the bezel depicts a standing personification of Roma, the city of Roma, who wears a plumed helmet, while holding a spear in one hand and a winged victory in the other, symbolising her dominion over the whole of the Roman empire. This beautiful item may once have belonged to a Roman military officer. Excellent condition; wearable. Size: D: 18.35mm / US: 8 1/4 / UK: Q1/2; 3.9g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1990s;
1100-1300 AD. Medieval. A heavy silver heraldic ring with a drop-shaped hoop and a hexagonal plate bezel with small triangular cutaways. The plate and shoulders are covered in interlocking engraved spiral motifs. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began during the 12th century AD in battlefield contexts were elites needed a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic ring was a key part of this personal branding as it allowed the owner to stamp their coat of arms on their correspondences. Excellent condition; wearable.Size: D: 17.45mm / US: 7 1/4 / UK: O1/2; 13.2g; Provenance: Private London collection, formed since the 1970s on the UK and European art market.
700-1100 AD, Viking Age. Silver gilt ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, circular pink gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition.Size: D: 15.04mm / US: 4 1/4 / UK: I; 2.7g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
1100-1300 AD. Medieval. A rare silver ring with a circular hoop, scalloped shoulders and elliptical plate bezel bearing an engraved lamp with a cross, which represents the Agnus Dei (Lamb of God). The Lamb of God is a title for Jesus Christ which appears in the Gospel of John (John 1:29). Depictions of lambs with crosses would become a symbolic motif for Jesus in ancient and medieval art. Excellent condition; wearable.Size: D: 17.13mm / US: 6 3/4 / UK: N 1/2; 6.8g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
700-1100 AD, Viking Age. Bronze ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, oval dark coloured gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition. Size: D: 16.7mm / US: 6 1/4 / UK: M 1/2; 5.6g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
C. 1000-1500 AD. Crusader period. A bronze ring with a circular hoop and elliptical bezel, bearing an engraved prancing lion. During the Middle Ages, lions were symbols of English kings with a reputation for bravery and Lions were frequently depicted in English heraldry, both of the kings of themselves and their supporters. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. This ring may once have belonged to an English knight. Excellent condition; beautiful patina.Size: D: 17.97mm / US: 7 3/4 / UK: P 1/2; 7.35g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
1000-1500 AD, Crusader Period. A heavy bronze ring with a D-shaped hoop and Maltese cross bezel; both the shoulders and the cross feature punched decoration. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. Excellent condition; beautiful patina; wearable.Size: D: 17.95mm / US: 7 1/2 / UK: P; 10.7g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
Ca. 206 BC-220 AD. Han Dynasty. A beautiful rare ceramic vase with a beige fabric and glossy brown slip. The vase comprises an elongated neck and an ovoid body supported by a cylindrical ring foot. Several bands of incised direction run around the vessel and feature geometric patterns as well as depictions of dragons and other beasts; two applied taotie masks on the shoulder feature long tongues which also serve as handles. The taotie are mythological creatures commonly appearing in ancient Chinese art, where they are commonly associated with the Four Evils of the World, possibly suggesting that this vase was used for ritual purposes. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:550mm / W:290mm ; 7.45kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
900-1100 AD. Viking age. A large gold ring with a round hoop bearing coiled decoration and a curved elliptical bezel with a border of stamped triangles filled with circles arranged around a star formed from circles and crescents. Vikings were expert navigators, and the constellations signified mystery and power to them; this gorgeous item probably once belonged to a Viking captain. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 19.51mm / US: 9 5/8 / UK: T; 14.2g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
100-300 AD. Roman. A gold ring with a circular hoop and elliptical bezel with a black hardstone depiction of Fortuna, holding her characteristic cornucopia. Fortuna was an important goddess in Roman religion, because she was considered to be the provider of material blessing and as the arbiter of human destiny. Excellent condition; wearable.Size: D: 18.61mm / US: 8 5/8 / UK: R; 4g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
100-300 AD. Roman. Gold ring comprising a D-shaped hoop with broad sloping shoulders and an elliptical red and grey agate “eye†setting. The eye symbol was a magical motif which provided protection to the wearer. Excellent condition; wearable.Size: D: 16.92mm / US: 6 1/2 / UK: N; 11.7g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
1100-1300 AD. Medieval. A silver gilt ring with a circular hoop scalloped shoulders and trumpet bezel comprising a large black cabochon gemstone framed by four smaller red cabochon stones. Excellent condition; wearable.Size: D: 19.31mm / US: 9 3/8 / UK: S1/2; 4g; Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.
700-1100 AD, Viking Age. Silver ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, oval blue gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition. Size: D: 17.35mm / US: 7 / UK: O; 7.4g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
1000-1500 AD, Crusader Period. Silver ring with circular hoop, highly decorated, stepped shoulders, and flattened, rosette shaped bezel bearing an incised seven pointed star and vertical stripes around the borders. The hexagram was and is used in practices of the occult and ceremonial magic and is attributed to the 7 "old" planets outlined in astrology. The star is commonly used both as a talisman and for conjuring spirits and spiritual forces in diverse forms of occult magic. Good, wearable condition.Size: D: 18.53mm / US: 81/2 / UK: Q3/4; 13g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
1000-1500 AD, Crusader Period. A heavy silver ring with a circular hoop, flattened shoulders, and pedestalled, lozenge-shaped plate bezel bearing an engraved cross. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. Excellent condition; wearable.Size: L:8 1/4mm / W:Q1/2mm ; 12g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market before 2000.
Ca. 206 BC-220 AD. Han Dynasty. A beautiful rare ceramic vase with a beige fabric and glossy brown slip. The vase comprises an elongated neck and an ovoid body supported by a cylindrical ring foot. Several bands of incised direction run around the vessel and feature geometric patterns as well as depictions of dragons and other beasts; two applied taotie masks on the shoulder feature long tongues which also serve as handles. The taotie are mythological creatures commonly appearing in ancient Chinese art, where they are commonly associated with the Four Evils of the World, possibly suggesting that this vase was used for ritual purposes. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:520mm / W:300mm ; 7.5kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
C. 224 to 651 AD. Sassanian. Gold ring with a D-shaped loop into which is set a red gem intaglio bearing a a double portriat of two kings. Seals were used commonly throughout the Sassanian empire which ruled from Afghanistan to Iraq during the third to seventh centuries AD. Seals were used by both members of the elite and ordinary people and bear motifs including portraits of the owner and mythical beings. They were used both to sign official documents and worn around the neck to protect against evil spirits and magic. Superb condition. Wearable.Size: D: 19.1mm / US: 9 1/8 / UK: S; 5.2g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
C. 100-300 AD. Roman. Gold ring comprising circular hoop and round bezel with a carnelian setting. The setting bears an engraved double bust of Janus, with both faces sporting thick curling hair, full beards and fierce facial expressions. In the Roman pantheon, Janus was the god of beginnings, gates, transitions, time, duality, doorways passages, frames, and endings. His two faces symbolise his ability to look both to the future and to the past. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition. Wearable.Size: D: 19.51mm / US: 9 5/8 / UK: T; 5.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
1000-1500 AD, Crusader Period. Rare gold ring with elegant circular hoop and round plate bezel bearing a niello cross motif, comprising a large central cross with a smaller cross at the end of each of its arms. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 17.97mm / US: 7 3/4 / UK: P1/2; 6.9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
700-1100 AD, Viking Age. Bronze pendant showing a horned, winged beast, probably a dragon, in profile. In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin, Ótr, Lyngheiðr and Lofnheiðr. After being affected by the curse of Andvari's ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. Dragons were powerful mythological symbols, embodying power and strength. Good condition, beautiful patina; Size: L:31mm / W:31mm ; 5.3g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
100-300 AD. Roman. A silver ring with a D-shaped hoop and raised, rectangular bezel bearing the inscription “FIDEM.†(“Loyaltyâ€). It is thought that inscriptions of this type express loyalty to the reigning emperor, indicating that this piece probably belonged to a Roman legionary or centurion. Excellent condition; wearable.Size: D: 19.51mm / US: 9 5/8 / UK: T; 6g; Provenance: From an old London collection formed in the 1980s.
c. 1000-1500 AD, Crusader Period. Silver gilt ring with a thick circular hoop and a octagonal bezel featuring an incised Star of Bethlehem motif. In the Christian tradition, the Star of Bethlehem, also called the Christmas Star, revealed the birth of Jesus to the Biblical Magi, and later led them to Bethlehem. The star appears only in the nativity story of the Gospel of Matthew, where magi "from the east" are inspired by the star to travel to Jerusalem. There they meet King Herod of Judea, and ask where the king of the Jews has been born. Herod, following a verse from the book of Micah interpreted as a prophecy, directs them to Bethlehem, a nearby village. The star leads them to the stable where Jesus was born in Bethlehem, where they worship him, and give him gifts. It is a symbol often depicted on rings and jewellery during the Medieval period. Good, wearable condition.Size: D: 17.35mm / US: 7 / UK: O; 9.6g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
700-1100 AD, Viking Age. Beautiful silver ring comprised of a D-shaped hoop, flaring shoulders with incised decoration and an reverse heart-shaped bezel bearing incised decoration in the form of a beast. this simple yet elegant ornament may have belonged to a Viking warrior. Superb condition. Wearable.Size: D: 18.61mm / US: 8 5/8 / UK: R; 3.6g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
700-1100 AD, Viking Age. Beautiful bronze ring comprised of an open D-shaped hoop, and a circular bezel bearing a swastika. this simple yet elegant ornament may have belonged to a Viking warrior. Superb condition. Wearable.Size: D: 15.4mm / US: 4 5/8 / UK: J; 2g; Provenance: From an old British collection formed in the 1990s.
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