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A 19TH CENTURY TORTOISESHELL VENEERED WORKBOX with ivory stringing and brass lion mask ring handles, the slightly domed cover centred with a silver plaque engraved with initials, the inside fitted with compartments and with some original sewing accessories, with base drawer, 26.5cms x 21cms x 11cms high ++some damage, lacks supports
A CARRIAGE CLOCK the 45mm dia annular chapter ring with Gothic Arabic numerals and blued steel hands, set in a gilt mask, the movement striking on a gong, the platform lever escapement with bimetallic compensation balance, in Anglaise case, 12.8cms high (with key and travelling case)
A CARRIAGE CLOCK WITH REPEAT the 60mm dia annular chapter ring with Gothic Arabic numerals and blued steel hands, set in a gilt mask, the movement striking and repeating the hours on a gong, the platform lever escapement with bimetallic compensation balance in Anglaise case, 14.3cms high (lacks key)
A CHERRY WOOD MANTEL CLOCK, SETH THOMAS, USA, the 11.5cms dia dial with annular chapter ring, Roman numerals, gilt metal centre and bezel, the 2 train movement striking on a bell, the case with flat pediment and gilt metal mounts, 27cms high (with pendulum) (dial and movement signed; case with Trade label)
A SLATE & MARBLE MANTEL CLOCK, S.MARTI et CIE, the 95mm dia dial with annular chapter ring, Roman numerals, visible Brocot escapement and brass bezel, the 2 train movement with outside countwheel, striking on a bell, the case with shaped pediment and stepped plinths, 33cms high (with key)
A SLATE MANTEL CLOCK, HAMBURG AMERICA CLOCK CO the 10cm dia gilt dial with annular chapter ring, Roman numerals & brass bezel, the two train movement striking on a gong, the case with cupola and architectural pediment on six fluted metal columns and plain plinth, 43cms high (with key, lacks pendulum, defects)
AN EBONISED AND GILT METAL MOUNTED BASKET TOP TABLE CLOCK, 17TH Century, SAMUEL TINHAM, New Sarum, the 16cm (6.25") square brass dial with silvered chapter ring, Arabic five minute intervals, fleur de lys half hour markers, finely matted centre, date aperture and gilt winged cherub's mask spandrels, the five pillar, two train wire fusee movement with anchor escapement, rack striking on a bell, the back plate engraved with tulips and scrolling foliage and signed "Samuel Tinham, New Sarum fecit", the case with pierced basket top, pierced gilt brass side panels, the door with applied pierced gilt metal panels and with moulded plinth, 33cms high (with pendulum, crank winding key and case key) see illustration
AN OAK & MAHOGANY LONGCASE CLOCK CASE with ASSOCIATED BLACK FOREST DIAL & MOVEMENT the case with broken swans neck pediment, part ring turned pillars, cross banded trunk door and plinth and bracket feet, 208cm high the associated Black Forest 30 hour chain driven movement with tic-tac escapement and painted wooden broken arch dial, 30cm, with pendulum & weights
AN OAK LONGCASE CLOCK, NICHs ROPER, Shepton Mallet, the 31.5cm square brass dial with silvered chapter ring signed as above, Roman numerals, Arabic five minute intervals, fleur de lys half hour markers, matted centre with seconds dial and calendar aperture and pierced mask and foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with brass ball and spire finials, ogee pediment and moulded cornice on turned pilasters, long trunk door and plain plinth, 213cms high (with pendulum, weights & case key)
Six Scottish hallmarked Silver brooches, comprising two crown top brooches, a Celtic knot design, an oval agate set example, a circular ship design and a circular open work design, together with an Art Nouveau style silver pendant, a green quartz set silver ring and an opal doublet pendant and chain. (9 items)
A 19th century coral cameo and gem set ring, probably Central European, the coral cameo carved in deep relief to depict the bust of a maiden, rub over set within a surround of cabochon garnets and emeralds, with rose cut diamond accents at each corner, on a triple hoop shank
A 1970's silver and crocidolite bangle, the rectangular block of crocidolite mounted on a torque bangle, maker's mark G-M, Sheffield 1979; a 1970's silver textured bombe ring, maker's mark G.W., Sheffiled 1979; an Art Deco stained green agate and black plastic graduated necklace, 43cm long; and a blue ceramic pendant (4)
A Victorian muti gem set cluster ring, claw set with four cabochon opals and circular cut emeralds and rubies in a beaded mount with scroll shoulders, with a locket under bezel; an early 20th century sapphire five stone ring, claw set with five graduated oval mixed cut sapphires; and a 9 carat gold peridot five stone ring, claw set with graduated circular cut peridots, London 1988; all offered in a Victorian red leather bound Hunt & Roskell three division ring case (4)
A GEORGE III MAHOGANY BRACKET CLOCK, the brass dial signed "Eardley Norton, London 221", with a silvered chapter ring with inner date pointer, with gilt spandrels and silent/strike dial above, the two-train movement striking on a bell, with an elaborately engraved backplate, the case with all over brass and ebony inlay, 231/4 " high. Provenance: Private collection, London.
A WILLIAM AND MARY WALNUT LONGCASE CLOCK, the dial signed "John Drew Londini", the silver chapter ring with Roman numerals, with subsidiary seconds dial and date aperture, with an eight-day five pillar movement striking on a bell, the flat topped hood with a moulded border above a panel of blind fretwork, the dial flanked by ebonised spiral turned columns, the trunk door with a glass lenticel and geometric stringing, on a conforming base with small bun feet, 79" high.

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1087795 item(s)/page