Robert Marshall, Newcastle: an oak longcase clock, the brass dial with decorative silvered roman chapter ring, the matted centre with nameplate, subsidiary seconds dial and date aperture, with Tempus Fugit boss to arch, the two train movement with anchor escapement and bell, the case with swan neck pediment, brass roundel and finial, above an arched glazed door flanked by fluted columns, shaped waist door on panel base and bracket feet, 240cms high, with weights and pendulum.From the Leslie Southall Collection.
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A brass lantern wall clock with passing strike, four posted case with pierced frets, single fusee movement with an anchor escapement, passing strike on the hour on a top-mounted bell, the arched brass dial with roman numeral chapter ring, arched with a disc inscribed 'Thomas Watts LAVENHAH' (Lavenham), the dial 18th Century, the movement late 19th Century, bun feet, with pendulum and key, 38.5cms high.
William Bell, North Shields: a handsome inlaid mahogany longcase clock, the brass dial with silvered roman chapter ring, the centre dial with peripheral date markers and engraved with Venetian scrolls, name boss to arch, scrollwork spandrels, two train movement with anchor escapement and bell, the ornate case with swan neck pediment and brass finials, above an arched glazed door flanked by columns, arched waist door inlaid with shell and fan design, shell inlaid panel base on ogee bracket feet, with weights and pendulum, 246cms high.
Thomas Meekins, Amesbury: an 18th Century inlaid and oyster veneered walnut longcase clock, the 11in. brass dial with silvered roman chapter ring, with matted centre, subsidiary seconds and date aperture inscribed 'Thomas Meekins, Amesbury, Fecit', mask and foliate spandrels, two train movement with anchor escapement, the case with ornate cherub and vase-pattern cornice above an oyster veneered frieze, square glazed front and sides with spiral twist cornice, the lower section with star inlaid waist door incorporating a lenticule, oyster veneered sides and star inlaid panel base on plinth, with weights and pendulum, 208cms high.
John Watson, Kirbymoorside: an oak and mahogany banded longcase clock, the brass dial with ornate silvered roman chapter ring and centre decorated with rose and folate design, subsidiary seconds dial and date aperture, silvered boss to arch engraved “TIME stayeth not”, two train movement with anchor a statement, the case with Swan necked adamant and brass finials, arched glaze door, shaped waist door, panelled base, 224cms; with weights and pendulum.
The Mansion House Clock: a fine and historically interesting early 18th Century faux tortoiseshell year-going and striking longcase clock, the brass dial with silvered roman chapter ring, matted centre with subsidiary seconds dial, the arch with silvered disc bearing the coat of arms of Newcastle upon Tyne, and two nameplates engraved 'Math. Featherstonhaugh, Esqre. Mayor' and 'Francis Rudston, Esqre. Sheriff', with six wheel train and anchor escapement, striking on a bell, complete with a pendulum and two large weights, the circular tapered weight weighing approx 26 kilogrammes, the rectangular weight weighing approx 31 kilogrammes, with swept caddy-style hood with brass finials, ogee frieze below and arched waist door flanked by columns, the waist with rectangular door, decorated overall with chinoiserie scenes of mounted figures in landscapes, pagoda and exotic birds, on plinth base, 274cms high.Footnote: This clock was purchased during the Mayoral year of Matthew Featherstonhaugh, who was Mayor in 1711, and was a Freeman of the Merchants Company of Newcastle. He, together with Francis Rudston, Sheriff in the same year, grew wealthy from the vast amount of trade between Newcastle and London at the end of the 17th Century and the beginning of the 18th Century. From its arrival, the clock, which stood in the Mayor's chamber, was wound each year on New Year's night with great ceremony.After a Council Committee meeting late in 1834 to discuss the building's heavy expenses, the Mansion House was abandoned in 1835. The clock, together with numerous other items from its collection, was sold at auction in 1837. The purchaser was Sir Alderman Dunn of Newcastle, and it remained in his family for almost 150 years, in various parts of the country, until 1980, when it was sold at Anderson & Garland by his last surviving relative Miss A.M. Dunn. It was purchased at the auction by well known local publisher Frank Graham. Frank, lived in Jesmond but sadly passed away some years ago and his family have decided to offer the clock for auction again.The vacated Mansion House was later used for warehousing and sadly burnt down in 1895.Literature:North Country Clockmakers by C.L. Reid.Eneas Mackenzie: A historical account of Newcastle upon Tyne, including the Borough of Gateshead, pages 232-234.Pendulum Publications - Was Fromanteel the Mystery Maker? The Mansion House Clock - Keith Bates, January 1982.
A Victorian matched dining room suite, comprising: a highly carved Victorian oak sideboard, the rectangular top with carved foliate borders, above three leaf-carved frieze drawers with lion mask and ring handles, intersected by carved masks, the lower section by a pair of panelled doors depicting lions, recess below with carved shell and leaf cover, flanked by a pair of medallion panel doors, figural uprights on leaf carved and plinth base, 214 x 70 x 99cms high; a large refectory dining table, the rounded rectangular plank top on carved square tapering column supports and cross pattern feet, 201 x 98 x 73cms high; and a set of six late 19th/20th century rustic oak spindle-back and rush-seat dining chairs, includes two carvers.
An 18ct white gold diamond solitaire ring. The round brilliant cut diamond in a four claw high setting and measuring 0.60ct approximately, the shoulders with two baguette cut diamonds and four small round cut brilliant diamonds, engraved 750, size L, 2.3g.Diameter of diamond 5.5mm depth 3.6mm approximately. Clarity approximately SI. Doesn't draw any colour. Not fluorescent under a UV. One baguette is fluorescent.The stone isn't chipped. There a few centre spots but these are only visible with an 8x loupe. Eye clean.
A good 19th century 18ct gold and diamond set mermaid and serpent cast ring. The old mine cut diamond measuring 0.30ct approximately in a white metal collet setting, the shank with a coiled serpent surrounding the diamond, being raised aloft by two mermaids, their tails running through to a scroll engraved panel, size R, 8.87g.There are no hallmarks but we would suggest mid-19th century. The ring has some wear to the details on the extremities but still nice and clear. There is a spot of carbon just under the table, not visible to the naked eye. Generally the stone is white and bright.
A 9ct gold emerald and opal set ring. The central blue opal measuring 4.5mm in an openwork setting, surrounded by 12 round cut emeralds each measuring 0.15ct, London 1978, size O 1/2, 3.83g.Two of the emeralds have edge cracks. Some have surface scratches and tiny edge chips, not noticeable to the naked eye. The opal has surface scratches.
An early 20th century platinum 1.10ct (approximately) Old European cut diamond solitaire ring. The stone of slightly oval shape and of good clarity and white colour, the shoulders set eight tiny diamonds, stamped PLATINUM, size M, 3.1g.The dimensions of the diamond are 6.8mm x 7mm x 4.4mm depth. We would give an approximate clarity of SI.

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