A 9ct gold dress ring, the central pearl coloured gemstone measuring 6.84mm diameter, claw set in 9ct gold to tapered shoulders and plain polished shank, marks for LDP Ltd, Birmingham 1993, ring size P, together with a gold coloured gemstone set dress ring, the central turquoise coloured gemstone measuring 11mm x 13mm, claw set to a pierced gallery and plain polished unmarked shank, ring size P, a gold coloured three-stone ring, shank unmarked, size N, gross weight 11.5gms (3)
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A Victorian banded agate and pearl cross pendant, set with round banded agate cabochons interspersed small pearls, all set in unmarked yellow metal, suspended on a gold coloured spring ring bail, 50mm x 31mm, weight 7.8gmsCR; The pearls are very heavily worn, and some are completely missing. A few appear to possibly be replacements or fragments. The banded agates are in good order, no chips, cracks or losses, minor scratching and wear commensurate with age and use only. The mount appears in good order, showing some wear and thinning to the top and bottom and sides and general scratching and wear, but no splitting or repair. The pendant bail appears to be later attached. The spring ring mechanism is extremely stiff, very difficult to open and close. See additional images.
A Victorian pearl set brooch, of circular form, set with seed pearls, hinged pin and simple loop fastening, applied pad stamped '15ct', 22mm diameter, set to fitted leather case for 'Hall & Co', together with a 9ct gold belcher link chain, spring ring and loop fastening, import marks for 'BF & Co', Sheffield 1993, 46.5cm long, weight 6.3gms (2)
A sapphire and diamond cluster ring, the central oval mixed cut cornflower blue sapphire measuring 8mm x 6.4mm, with a surround of sixteen round brilliant cut diamonds, all claw set in white gold, continuing to a plain polished 18ct yellow gold shank, two sizing beads to interior, marks for 'AJW' London 1996, ring size R 1/2, weight 4.1gmsCR; Moderate to heavy nibbling to the facet edges and girdle. Light scratching and wear to the facets. Claws in good order, stone secure. Diamonds all present and in tact, no major cracks, chips or losses. Settings in good order, no splitting or repair. Shank in good order, no splitting, major thinning, misshaping or repair.
A George III bronze sundial, signed 'W & S Jones, Holborn, London' (active1795-1810), the circular plate engraved with a coat of arms and roman numerals, 37.5cm diameter CONDITION REPORT:There is a somewhat worn compass ring within the roman numerals which should allow the sundial to be accurately sited.
An Edwardian diamond and blue stone 18ct gold ring, the central navette shaped panel set with round mixed cut blue stones and rise cut diamonds, continuing to scrolling shoulders and plain polished shank, marks for Birmingham 1906, ring size K ½, weight 2.2gmsCR; PLEASE NOTE: The description of this lot has been altered. The blue stones in this ring have not been tested for synthetic or natural origin, and tests are inconclusive. There is very heavy wear, scratching and abrasion to the blue stones. Some scratching and abrasion to the diamonds, but they are largely in good order. All stones are secure. Settings in good order, some minor thinning, general scratching and wear commensurate with age and use, but no splitting or repair. Shank shows moderate to heavy thinning and denting/misshaping, and heavy scratching/wear, but no splitting, resizing or repair.
A Victorian diamond foliate ring, comprising a central old cut diamond measuring approximately 3.75mm x 2.7mm, flanked by two further old cut diamonds, continuing to diamond set foliate shoulders, continuing to plain polished yellow metal shank, ring size J, weight 3.5gmsCR: One small diamond is missing to the shoulder (this can be seen in the first image on the right, and in the second picture). The three central diamonds are in good order, no cracks, chips or losses, moderate scratching commensurate with age and use only. The shoulders diamonds show some very small nibbles and chips, but are largely in good order, showing general scratching and wear commensurate with age and use. Claws show some wear, but stones are secure. Stones are very dirty, and cleaning is required. Some splitting around the shoulders. There is moderate misshaping and thinning to the shank, and a small split beginning to form, but no resizing or repair. See pictures for illustration.All diamonds appear bright and well matched when viewed face up with the naked eye, not showing an obvious draw of colour. The three central appear to be a VS/SI clarity, however they are dirty and may be different once cleaned. The diamonds to the shoulders are around an SI clarity, but again cleaning is required.
A British 1821 pattern Light Cavalry officer's sword, the 83cm steel curved fullered blade with bayonet tip, the steel three bar basket hilt with wired leather grip, 96.5cm long overall, lacking scabbard; with a Reitschwert (or riding) type sword, possibly German, the 93.5cm double edged unfullered steel blade set to a brass double ring guard with wired leather grip and fluted pommel, 109cm long overall, lacking scabbard (2) (at fault)
A Victorian style pearl, diamond and sapphire 9ct gold ring, the floral head comprising three mabe pearls, interspersed by small mixed cut diamonds, with a round mixed cut sapphire set to scrolling shoulders, shank marked for London 1994, ring size M, weight 2.3gms
A Victorian diamond five-stone ring, the central old cut diamond measuring approximately 4mm x 4mm x 2mm, with two further graduated old cut diamonds to each side, all claw set to a pierced scrolling gallery and plain polished shank, stamped ‘18ct’, ring size N ½, weight 2.8gms
A Victorian diamond 18ct gold ring, the central old cut diamond measuring 2.7mm x 2.7mm x 1.95mm, with a further old cut diamond to each side, continuing to stepped cut shoulders and tapering plain polished shank, ‘S&E’, London 1888, ring size K, weight 2.9gms
A Victorian ruby and diamond 18ct gold ring, the lozenge shaped head set with two mixed cut rubies, with four rose cut diamonds to each side, and a further mixed cut ruby to each shoulder, head measuring 13.8mm x 7.4mm, continuing to a plain polished 18ct gold shank, marks for ‘H&S’, Birmingham 1872, ring size P, weight 2.3gmsCR; The rubies show some minor chips, nibbling around the girdles, and general scratching and wear commensurate with age and use. Several of the diamonds show flat, textured surfaces, most of which appear to be naturals, but some may be fractures. A few of the diamonds show minor chips or nibbles, general scratching and wear commensurate with age and use. Stones would benefit from professional cleaning. Settings show moderate wear and losses, but stones appear secure, retouching may be required in some places. Some minor signs of thinning and a patch of possible repair to the gallery. Shank shows some thinning, but no splitting or signs of repair. Moderate wear to the hallmarks. See pictures for illustration.PLEASE NOTE: The rubies in this ring have not been tested for synthetic or natural origin.
A Clogau diamond, sapphire 18ct gold ring, the central princess cut diamond weighing approximately 0.20 carats, with a square cut sapphire to each side, all bezel set in white gold to reeded shoulders, continuing to a plain polished 18ct yellow gold shank, marks for Sheffield 2000, ring size N ½, weight 4.5gms
A 17th century carved oak back stool, the carved scroll top rail above a leaf carved back panel and a later upholstered seat re-covered in tapestry fabric depicting foliage and birds in flight, raised upon bobbin turned front legs united by a conforming cross stretcher and plain rear legs, 110cm high, along with a second 17th century carved oak back stool, the back panel centred with a carved foliate lozenge, above a board seat similarly carved and raised upon ring turned tapering legs and block feet, united to rear legs of square section by peripheral cross stretchers, 101cm high (2)
An oak chest on stand, late 17th/early 18th century, the moulded plank top above an arrangement of three long drawers, applied with geometric moulding and enclosing oak liners running front to back each with later brass droplet handles, raised upon a stand with a plain frieze upon ring turned supports united by a scalloped cross stretcher and ball feet, 127cm H x 100cm W x 62cm DCondition reportMinor splits, stains and marks to the chest top, associated drawer handles with some minor evidence of glue residue to the top drawer front indicating some light restoration.All drawer liners have splits with some evidence of historic worm in the bottom drawer. Little or no wear to the ball feet indicating they are later, overall general minor wear commensurate with age and use with some evidence of light restoration, the chest appears firm with little or no play in the joints.
An early 20th century diamond and pearl ‘moi et toi’ ring, comprising an old cut diamond measuring 5.7mm x 5.7mm x 3.5mm, the pearl measuring 6.3mm x 5.9mm x 5.1mm, set to diamond set cross over shoulders, continuing to a reeded white metal shank, ring size O ½, weight 2.1gmsThe diamond is approximately SI clarity. The diamond colour is approximately H/I/J. The pearl has not been laboratory tested for cultured or natural origin - further pictures have been provided. Signs of possible repair to shank.
A Jacobean oak two section chest, late 17th century, the moulded and rounded plank top with a dentil frieze over a single frieze drawer moulded as two, oak lined running front to back, above a second deep drawer similarly moulded as two and applied with relief lozenges, over a pair of conforming cupboard doors opening to three graduated drawers, flanked by applied ebonised ring turned pilasters, upon bracket feet, 106cm H x 103cm W x 60cm D (one piece of moulding detached)
A Victorian and later pearl and diamond ring, the central pearl measuring 5.7mm x 5.5mm, with two old cushion cut diamonds to each shoulder, all set to a scrolling gallery, continuing to stepped shoulders and plain polished shank, stamped ‘9ct’, ring size O, weight 2.8gmsCR; There are drill holes to each side of the pearl - though they do not appear to penetrate right through the pearl. The pearl shows moderate scratching and wear commensurate with age and use. The pearl may be a later addition or replacement. It appears there may have been more diamonds, each to the outer shoulder, that have possibly been lost. The diamonds to one shoulder show a couple of chips, and all diamonds show some wear and abrasion commensurate with age and use. The diamonds appear secure, though there are indications of previous repair. There is moderate thinning, wear and loss of detail to the shoulders. Shank shows signs of possible resizing/alteration, but no thinning, splitting or misshaping. See pictures.
An early 20th century sapphire and diamond floral cluster ring, the central single cut diamond set to a gypsy star surround, within a border of eight mixed cut diamonds, set in white metal to a pierced rope twist floral border, head 11mm diameter, continuing to a plain polished gold coloured shank, stamped ‘18ct, ring size I ½, weight 2.8gms
A George III mahogany tripod table, the circular top upon a ring turned baluster column extending to three cabriole legs, 72cm H x 42cm D (at fault) Condition report20cm hairline crack to the table top, historic restoration to the tripod base at the pillar where the three legs are fixed, although this appears to be an old repair and does not affect the stability of the table. General marks and wear commensurate with age and use
A George III mahogany folding card table, the rectangular hinged top with inlaid stringing and extended corners, above a single frieze drawer applied with conforming inlay and brass ring handles, raised upon fluted legs of tapering square section, 76cm H x 87cm W x 44cm D
A Regency mahogany bow front side table, the shaped top above a single convex frieze drawer applied with brass button handles, upon ring turned tapering legs culminating in peg feet, 84cm H x 102cm W x 58cm DCondition reportLight scratches, rubbing and marks to the table top, along with some sun fading particularly to the front and RH side of the top. General light scuffing and marks to the legs, leg joints appear firm with little or no play, no visible evidence of restoration
A George III mahogany bow front sideboard, the crossbanded top above a central, oak lined frieze drawer, flanked by a cellarette drawer and cupboard door applied with brass wreath ring handles, raised upon tapering legs of square section and spade feet, 91cm H x 125cm W x 59cm D
A late George III mahogany breakfront sideboard, the shaped top with a simulated reeded edge above a central oak lined bow front drawer and further deep drawer, flanked by a cellarette drawer and cupboard door, applied with brass lions mask ring handles and all upon six tapering, ring turned legs culminating in peg feet, 93cm H x 166cm W x 66cm D
A Clogau moonstone 9ct gold ring, the central oval moonstone cabochon measuring 6mm x 4.5mm, set in rose gold to a rope twist border and pierced Celtic knot shoulders, continuing to a 9ct yellow gold shank, marks for Sheffield 1994, ring size O ½, weight 5.9gmsCR: Small chip to the top of the dome of the moonstone, visible under 10x. Stone shows moderate scratching and wear. Stone is secure. Settings and pierced surround in good order, no thinning, splitting, major denting or repair. Some thinning around the base of the shank, and heavy scratching around the base commensurate with age and use, but no thinning, splitting, resizing or repair.
An Arts & Crafts gold coloured amethyst and pearl set bracelet, designed as interwoven knot links, two set with round mixed cut amethyst, one set with a mabe pearl, jump ring marked ‘9ct’, 18cm long, with a later heart-shaped 9ct gold padlock fastening, marks for Birmingham 1908, 21mm x 19mm, weight 12.0gms (at fault)Note; Some areas of minor solder repair. Links show some thinning, minor misshaping and denting.
A Victorian elm smokers bow elbow chair, the horse shoe shaped top rail raised upon ring turned baluster spindles, above a shaped and figured elm seat, raised upon conforming turned legs, united by an 'H' cross stretcher, 82cm high (historic worm, at fault)Condition reportSeat height 44cm , width at front 47cm, depth 48cm.Rear left hand leg has a minor 10cm split, evidence of worm in the legs and cross stretcher although this does not affect the stability of the chair, which has little or no play in the joints. General dull patina with rubbing wear to the arms.
A Gillows of Lancaster satin ash chamber table, mid to late 19th century, the rounded rectangular top with a moulded edge and hinged stationery compartment, over a single frieze drawer, stamped with the makers name, upon tapering ring turned legs and inset brass castors, 73cm H x 81cm W x 52cm DCondition reportSome water marks and fading to the table top, 2cm length of ring beading missing from the rear LH leg, otherwise general light wear only commensurate with age and use, no visible faults or restoration, little or no play in the leg joints.
A nest of three mahogany tea tables, early 20th century, the rectangular table tops upon slender ring turned uprights and down swept supports, the largest 60cm H x 50cm W x 36cm D, along with a mahogany dressing table mirror, early 20th century, the bevelled shield shaped mirror upon curvilinear supports, 59cm high (2)
A set of six George III silver Old English pattern teaspoons, London 1805 (maker's marks worn), each initialled to thumbpiece 'EET', 13.3cm long, together with a pair of Victorian silver sugar tongs, John Round & Son Ltd, Sheffield 1898, 12cm long, a pair of George V silver napkin rings, I S Greenberg & Co, Birmingham 1930, 41mm diameter, a further George V silver napkin ring, Chester 1911 (maker's mark worn), 41mm diameter, and a further five assorted silver spoons, gross weight 6.10ozt (15)
MIXED GENRE - 7" PACK. A nice pack of 15 x 7". Artists/ Titles include The Nightmares - Greyhound (FREDLO 6007, Strong VG+), Dick Mosely - Cry No More (MOBY-DICK 1117), Don Hart - Presley On Her Mind (RESERVE RECORDS 118), Dick Banks - Dirty Dog (Promo, F-55145), Jim Flaherty's Caravan - Are You Lonesome To-Night? (FR-7), Ferman Wells - Worried Mind, Bruce Channel - No Or Never (45-5331), Ted Self - Come Rock Me To Sleep (P-1000), Salmas Bros - City Born City Bred, Frinky and the Spindles - (My Girl Is Made Of) Candy, Bob Oakes - Church Bells May Ring (45-7502), 4 Teens - The Boy In the First Seat, The Royal Debs - I Do (M8OW-8409), The Belmonts - How About Me (SAB 505) and David Beatty - There'll Be a Crown For Me (FRIDDELL, 104). The condition is generally Ex to Ex+ with some records falling slightly below this.
SAVOY RECORDS - DOO WOP/ROCKABILLY 7" (ORIGINAL US RECORDINGS). Brill bundle of 13 x original US 7" releases on Savoy Records. Titles are Werly Fairburn (x6) - Telephone Baby (45-1521 including demo - superb Ex+ and also stock copy - sharp Ex), My Hearts' On Fire (45-1509 - superb Ex+) and All The Time (45-1503, 3 copies - Ex, Ex and VG+), Big Mike - Rain Or Shine (45-1152 - Ex), Buddy Lucas - Oh Mary Ann (45-1180 - VG+), The Five Pennies - Money (45-1190 - lovely Ex), BIg Maybelle - Ring Dang Dilly c/w So Long (45-1527 - superb Ex+), Billy Lamont - I'm So Sorry (45-1522 - top Ex+), The Cubs - Why Did You Make Me Cry (45-1502 - sharp Ex) and Henry Hayes Orch. - Last Nite (45-1105 - Ex).
SAVOY RECORDS - BLUES/R&B 7" (ORIGINAL US RECORDINGS). Mega collection of 11 x original US Savoy Records 45s once more loaded with rarities! Titles are Baby Face - Red Headed Woman (45-1501 - clean Ex with only a couple of very light and minor surface hairline marks), Little Esther (x2) - Deceivin' Blues (45-759, 2 copies including super glossy Ex and neat VG+), Varetta Dillard - Tortured Love (45-865 - VG) and You're The Answer To My Prayer (45-1160 - Ex), Annie Laurie - Rockin' And Rollin' Again (45-1197 - Ex), Brownie McGhee - My Fault (45-1185 - Ex), Billy Nelson - Pack-Shack And Stack (45-1183 - brill Ex+), Hal Singer's Orch.. - I Wanna' Know Dolly Cooper (45-891 - VG+), Big Maybelle - Ring Dang Dilly (45-1527 - superb Ex+) and Larry Harrison - I Will Wait (45-1171 - Ex).

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