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Lot 452

A 19th Century Oxford type ash and beech side chair, the two bar horizontal back with lobed and foliate carved decoration to a saddle seat on ring turned tapering legs united by H-stretchers

Lot 475

A circa 1960 Danish teak oval drop-leaf gate-leg dining table, designed by Peter Hvidt and Orla Molgaard for France and Daverkosen circa 1959, 162 cm x 142 cm CONDITION REPORTS Light scratching, water marks, etc conducive with age and use. The top has a bit of a bruise just under a quarter of the way in - approximately 1.5 cm long x 0.5 cm wide (see photo). One drop leaf has a couple of glass ring marks.

Lot 500

An 18ct gold and five stone sapphire ring

Lot 502

A lady's 9ct gold wristwatch, an 18ct gold ring, and a necklace

Lot 504

A 9ct gold and diamond cluster ring, and a similar ring (2)

Lot 509

A silver necklace, with a matching ring and earrings

Lot 511

An 18ct white gold ring, set baguette and brilliant cut diamonds See illustration

Lot 532

An 18ct gold and diamond wishbone ring Condition report Approx. P leading edge

Lot 538

A 9ct gold, pink topaz and diamond ring

Lot 543

An 18ct gold bracelet, set green hard stones, approx. 9.1 g (all in), a 10ct gold ring, and a coin bracelet (3)

Lot 561

A silver and marcasite ring, and matching items

Lot 564

An 18ct gold, opal and diamond ring

Lot 572

A 15ct gold, opal and seed pearl bar brooch, a diamond ring, and a lady's Obrey bracelet wristwatch (3)

Lot 883

A skeleton timepiece, the enamel chapter ring with Roman numerals, under a glass dome, 22 cm high Condition report Report by NG Please note that Charterhouse do not guarantee the working condition of any watch or clock Key and pendulum present at the time of cataloguing The clock is of no great age. Condition is commensurate with a modern piece.

Lot 896

A late 19th century mantel clock, the 9 cm diameter chapter ring with Arabic numerals, in a black slate case, 36.5 cm high

Lot 900

A late 19th century mantel clock, the 9 cm diameter enamel chapter ring with Roman numerals, and visible escapement, in a black slate case, 28.5 cm high

Lot 906

A late 19th century mantel clock, the 8.5 cm diameter gilt metal chapter ring with Roman numerals, the dial signed Edward & Sons, in a black slate case, with a dog finial, 30 cm high

Lot 991

A longcase clock, the 28.5 cm square brass dial signed Walter Prestidge, Towcester, the silvered chapter ring with Roman numerals, fitted a 30 hour movement, in an oak case, 217 cm high See illustration

Lot 158

Lady`s 18ct sapphire and diamond three stone ring, diamonds 2x old cut approx. 35 pts each, approx. total weight 2 gms.size L

Lot 158A

Art Deco style 18ct white gold emerald and diamond lady`s dress ring, set with 2 x 3.8mm diamonds at .20 pts each and 10 x 2mm at 35 pts total diamond weight approx 75 pts, the oval emerald 1.8 ct, 8.5 x 6.5 mm, the emerald 1.80 ct, size N

Lot 159

A lady`s signet ring being 9 ct hallmarked gold cornelian.

Lot 160

Lady`s 9ct hallmarked sapphire and CZ ring, approx. 1.7 gms. Size L together with a 22ct gold hallmarked wedding ring approx. 2.8 gms. size L (2)

Lot 522

A LATE 19TH/EARLY 20TH CENTURY FRENCH WRITING TABLE, the top with lined writing surface above a frieze carved border with four short drawers with brass ring-handles, on tapering fluted legs and brass cap castors, 52" wide

Lot 553

A LATE GEORGE III MAHOGANY SERPENTINE FRONTED SIDEBOARD, the shaped top with ebony stringing above a bowfront with a single frieze drawer, flanked by two deep drawers, fitted with removable bottle carriers and one with a lidded compartment, on square tapering legs with ebony stringing and spade feet, the drawers with gilt metal ring-handles and foliate back plates, 80" wide

Lot 311

A Nine Carat Gold Amethyst And Pearl Set Ring

Lot 313

An 18 Carat Gold Diamond Solitaire Ring

Lot 314

An 18 Carat Gold Diamond And Ruby Set Ring

Lot 315

A 2001 Gold Half Sovereign Ring

Lot 25

Paul Henry RHA RUA (1876-1958) Waterville, Co.Kerry Oil on canvas laid on board, 40.5 x 46cm (16 x 18") Signed Provenance: Combridge Gallery, Dublin, 1946, by whom lent for a time to the Shelbourne Hotel, Dublin; thence the artist's studio; Mrs McAreavey, acquired from Mabel Young in 1962; from the estate of the late James Gibson Exhibited: Paintings by Paul Henry, R.H.A., Combridge's Gallery, Dublin, 23 October-6 November 1945 (catalogue number 9, as Waterville); Pictures by Paul Henry, RHA, Heal & Son, Tottenham Court Road, London, from 14 January 1946 (5); Paintings and Charcoals: Paul Henry RHA, Waddington Galleries, South Anne Street, Dublin, 21 February- 3 March 1952 (21); Paintings and Drawings by Paul Henry, The Studio, Sidmonton Square, Bray, until 8 November 1956 (10); Paul Henry: Retrospective Exhibition, Ritchie Hendriks Gallery, St. Stephen's Green, Dublin, and Belfast Museum & Art Gallery, Belfast, May-July 1957 (10); Paul Henry: Paintings and Drawings, Shannon Airport, Limerick, August 1957 (10) Literature: S. B. Kennedy: Paul Henry, 2000, p. 136; Paul Henry: with a catalogue of the Paintings, Drawings, Illustrations, 2007, pp. 82, 308, catalogue number 1063 (both the 2000 and 2007 books published in New Haven and London by Yale University Press) This is probably the picture of this title that Paul Henry first exhibited at the Combridge Gallery, Dublin, in October 1945. It was almost certainly painted in the summer of that year when Henry and his second wife, Mabel Young, stayed at the Great Southern Hotel in Waterville. They had first visited the Iveragh Peninsula a decade earlier, in 1932, staying on the northern side of the Peninsula at Glenbeigh. Paul was enchanted by the area. 'It is lovely. Wherever one turns there is material for dozens of pictures … I felt that if I spent a lifetime … I would never exhaust all the possible subjects,' he wrote to a friend, James Healy, in New York (letter of 13 December 1934, Healy Papers, Stanford University Libraries). The Peninsula produced a paler key in his paintings, as the Irish Times commented (7 May 1935), which contrasts with the heavier, more brooding works of the late 1920s and early 1930s when his marriage to his first wife, Grace, was breaking up and at a time when he had other domestic difficulties. By 1945, with a much more settled lifestyle, Paul and Mabel returned to Kerry-there is no record of their having been there since the 1930s-and, staying at Waterville, they used that as a base to explore much of the Peninsula. The area around Waterville has welcomed many celebrities over the years, the most notable, perhaps, being Walt Disney and Charlie Chaplin. The Iveragh Peninsula, of course, is traversed by the famous Ring of Kerry tourist route. The stretch of water depicted in this composition is probably Lough Currane, which lies immediately to the east of Waterville, which is the town crowning the hilltop in the middle distance. The 'paler key' that typifies Henry's work in these late years of his painting career-he suffered almost total blindness shortly after this picture was painted-is well seen in this composition, where the mounting cumulus clouds in the sky are reflected in the sea in the foreground, which is almost without detailing of any sort, save for the masterly dexterity of the brushwork. In this regard, Waterville, Co, Kerry may be compared with one of Henry's finest late works, Kinsale, of 1939 (Kennedy, 2007, number 994). For a discussion of Henry's other Iveragh Peninsula pictures see S. B. Kennedy, 'Paul Henry's Iveragh Paintings', in John Crowley & John Sheehan (eds.), The Iveragh Peninsula: A Cultural Atlas of the Ring of Kerry, Cork, Cork University Press, 2009, pp.441-4. Dr. S.B. Kennedy

Lot 67

Swinburne (Algernon Charles) Laus Veneris, Poems and Ballads, 1899, small 4to., limited edition of 450, printed on Van Gelder hand-made paper, silk endpapers, t.e.g., art nouveau morocco gilt by the Guild of Women-Binders (sun-shaded); Williams (Monier), Sakoontala; or The Lost Ring, 1855, Hertford, Stephen Austin, small 4to., chromolitho printing, silk endpapers, a.e.g., morocco gilt by Zaehnsdorf; Fitzgerald (Edward) transl., Rubaiyat of Omar Khayyam .., nd., Boston; Houghton Mifflin, & London; Bernard Quaritch, 4to., illustrated by Elihu Vedder, a.e.g., half morocco by Hatchards of Piccadilly; with three others (6)

Lot 551

Rotary 9ct Gold Ring Watch, Total Weight 10.9g, Working

Lot 13A

Solitaire diamond ring with old cut stone

Lot 965

J.R.R. Tolkien, The Return of the King: George Allen & Unwin, second impression 1955, and six other later editions including The Two Towers, fourth impression, 1956; The Fellowship of the Ring, fifth impression, February 1956; The Two Towers, tenth impression, 1963; The Return of The King, tenth impression, 1963; The Fellowship of the Ring. thirteenth impression, 1963; The Return of the King, seventh impression, 1973. (7) All books with unclipped dustjackets which are in poor condition.

Lot 1466

Collection of moonstone jewellery, gold set ring with heart shape stone, scorpion brooch, cross and earrings

Lot 186A

Twenty three various silver and white metal tea coffee and salt spoons, silver napkin ring, 8ozs, five silver mounted glass bottles and a button hook various dates and marks

Lot 5

Diamond cluster ring in the form of a flowerhead, all in white on a shank stamped 19ct and Plat. Finger size P

Lot 6

Diamond old cut five stone ring, all claw set in un-marked yellow gold Finger size R

Lot 13

Solitaire diamond ring set with a single round brilliant cut diamond measuring approximately 6.3mm and assessed as approximately 1ct. Four claw set in a hallmarked platinum mount. Ring size K

Lot 16

Victorian gold ring set with seed pearls, another with turquoise and a memorial ring

Lot 19

Gold wedding band 22ct and two 18ct gold signet rings, 22ct ring - 4.7g, 18ct rings - 5.5g,

Lot 21

Edwardian diamond daisy cluster ring , set in unmarked gold

Lot 23

Sapphire and diamond ring with oval central stone , stamped 18ct plat

Lot 24

Blue topaz ring, oval stone with a single row of diamonds set in 18ct gold

Lot 25

Twenty three stone diamond and amethyst ring set in unmarked yellow metal

Lot 26

Diamond daisy style ring with single central stone and eight stone surround set in platinum and 18ct gold

Lot 27

9ct gold Masonic ring, and a small collection of Masonic badges

Lot 39

Ruby and diamond five stone ring in a late Victorian style. Stamped 18ct. Ring size "M". Weight approx. 3.3grams.

Lot 40

Plain hallmarked 22ct. gold wedding band Ring size "M". Weight 5grams

Lot 41

Textured square edge hallmarked 18ct. gold wedding band Ring size "O". Weight 3.2grams.

Lot 51

Six items of assorted jewellery including a grouse claw brooch, white and blue stone cluster ring, marcasite brooch and imitation pearls.

Lot 52

Diamond flowerhead cluster ring principle diamond approx. 0.10cts. millgrain set testing as 18ct. gold.

Lot 53

Diamond bouton cluster ring estimated total diamond weight approx. 0.30cts, plain gold mount testing as 18ct. Gross weight 2.3grams.

Lot 54

Edwardian ruby and rose cut diamond ring. hallmarked 18ct. gold circa 1904

Lot 57

Cameo ring mounted in 9 ct gold and a Victorian gilt metal mounted cameo

Lot 58

Indian gold ring with emeralds , Edwardian amethyst pendant and an agate pin

Lot 63

Mabe pearl and diamond cluster ring pearl measures 13.4mm and is surrounded by small brilliant cut diamonds on a split shoulder shank testing as 14ct. gold. Gross weight approx. 8 grams

Lot 64

Triple stone amethyst ring with border of single diamonds 18ct white gold

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